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remove the playlistGaetano Donizetti
- remove the playlistGaetano Donizetti
Gaetano Donizetti
Domenico Gaetano Maria Donizetti (Italian: [doˈmeːniko ɡaeˈtaːno maˈriːa donidˈdzetti]; 29 November 1797 – 8 April 1848) was an Italian composer. Along with Gioachino Rossini and Vincenzo Bellini, Donizetti was a leading composer of the bel canto opera style during the first half of the nineteenth century.
Donizetti was born in Bergamo in Lombardy. Although he did not come from a musical background, at an early age he was taken under the wing of composer Simon Mayr who had enrolled him by means of a full scholarship in a school which he had set up. There he received detailed training in the arts of fugue and counterpoint. Mayr was also instrumental in obtaining a place for the young man at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy Il Pigmalione, which may not have ever been performed during his lifetime.
Over the course of his career, Donizetti wrote almost 70 operas. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to that city and his residency there which lasted until the production of Caterina Cornaro in January 1844. In all, Naples presented 51 of Donizetti's operas.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Gaetano_Donizetti
Ugo, conte di Parigi
Ugo, conte di Parigi (Hugo, Count of Paris) is a tragedia lirica, or tragic opera, in two acts by Gaetano Donizetti. Felice Romani wrote the Italian libretto after Hippolyte-Louis-Florent Bis's Blanche d'Aquitaine. It premiered on 13 March 1832 at La Scala, Milan.
Roles
Synopsis
See synopsis on opera-rara.com
Recordings
References
Notes
Cited sources
Other sources
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Ugo,_conte_di_Parigi
Podcasts:
Gaetano Donizetti
ALBUMS
- Anna Bolena released: 2011
- Lucia di Lammermoor (RIAS Symphony Orchestra Berlin, La Scala Chorus feat. conductor: Herbert von Karajan, soprano: Maria Callas, tenor: Giuseppe di Stefano, baritone: Rolando Panerai) released: 2007
- Los clásicos de la Ópera, No. 17: Lucia di Lammermoor (Orquesta de la RAI de Turín feat. conductor: Francesco Molinari-Pradelli) released: 2007
- Los clásicos de la Ópera, No. 37: L'elisir d'amore (Coro y Orquesta del Teatro de la Ópera de Roma feat. conductor: Gabriele Santini) released: 2007
- Un Italien à Paris - duos & mélodies (Les Demoiselles de...) released: 2005
- Lucia di Lammermoor (Maria Callas, Coro e Orchestra del Maggio Musicale Fiorentino, Tullio Serafin) released: 2004
- Double Concerto / Flute Concertino / Clarinet Concertino released: 2004
- Maria Stuarda (Fondazione Orchestra Stabile di Bergamo feat. conductor: Fabrizio Maria Carminati) released: 2003
- Lucie de Lammermoor released: 2002
- Lucia of Lammermoor (Geoffrey Mitchell Choir, Philharmonia Orchestra feat. conductor: David Parry) released: 2002
- Lucia Di Lammermoor (London Symphony Orchestra, feat. Conductor Thomas Schippers) released: 2002
- Lucia di Lammermoor Selezione released: 2002
- Caterina Cornaro released: 2001
- Maria Stuarda released: 2001
- Renée Fleming sings Rosmonda d'Inghilterra released: 2001
- Lucia di Lammermoor (Orchestra e coro dell'Accademia di Santa Cecilia feat. conductor: John Pritchard) released: 2001
- Don Pasquale (Orchestra Sinfonica e Coro di Torino della RAI feat. conductor: Mario Rossi) released: 2001
- La Favorite (Münchner Rundfunkorchester feat. conductor: Marcello Viotti) released: 2000
- Rossini: String Sonatas nos. 1, 2 and 3 / Donizetti: Allegro for Strings in C major released: 1999
- Lucrezia Borgia (American Opera Society feat. conductor: Jonel Perlea, soprano: Montserrat Caballé, tenor: Alain Vanzo, baritone: Kostas Paskalis) released: 1999
- Anna Bolena released: 1997
- Lucia di Lammermoor (Orchestra e Coro di Roma della Rai, feat. conductor: Tullio Serafin, singers: Callas, Panerai, Fernandi) released: 1997
- Lucia di Lammermoor (Orchestra Sinfonica e Coro di Torina della Rai, feat. conductor: Francesco Molinari Pradelli, singers: Cappuccilli, Scotto, Pavarotti) released: 1997
- Poliuto (Orchestra e Coro del Teatro alla Scala, feat. conductor: Antonino Votto, singers: Callas, Corelli, Bastianini, Zaccaria) released: 1997
- Lucia di Lammermoor (Rumanian Opera Bucharest,feat. conductor: Constantin Petrovici, singers: Voinea, Herlea, Georgescu, Nastase) released: 1996
- Die Klassiksammlung 104: Donizetti: Opernmelodien released: 1996
- String Sonatas 1-6 released: 1995
- Recital released: 1995
- Lucia di Lammermoor released: 1994
- Linda di Chamounix (Mikaeli Chamber Choir & Swedish Radio Symphony Orchestra feat. conductor: Friedrich Haider) released: 1993
- Anna Bolena (L'Orchestra et Coro del Teatro alla Scala feat. conductor: Gianandrea Gavazzeni) released: 1993
- Don Pasquale (Orchestra e Coro del Maggio Musicale Fiorentino, feat. conductor: Bruno Rigacci, singers: Corena, Alberti, Alva, Scotto) released: 1992
- Maria Stuarda released: 1990
- L'elisir d'amore released: 1990
- Lucrezia Borgia released: 1989
- Lucia di Lammermoor (Maggio Musicale Fiorentino, feat. conductor: Tullio Serafin, singers: Callas, Di Stefano, Gobbi) released: 1989
- Lucrezia Borgia released: 1989
- Anna Bolena (Orchestra and Chorus of the Welsh National Opera feat. conductor: Richard Bonynge) released: 1988
- La fille du régiment (Orchestra and Chorus of The Royal Opera House, Covent Garden feat. conductor: Richard Bonynge) released: 1986
- Lucia di Lammermoor (Chorus and Orchestra of the Royal Opera House, Covent Garden feat. conductor Richard Bonynge) released: 1985
- L'Elisir d'Amore (Ambrosian Opera Chorus & English Chamber Orchestra feat. conductor: Richard Bonynge) released: 1985
- Lucia di Lammermoor (Ambrosian Opera Chorus, New Philharmonia Orchestra feat. conductor: Jesús López-Cobos) released: 1977
- L'elisir d'amore released:
- Lucia di Lammermoor (Orchestra e coro del Teatro alla Scala, feat. conducter Herbert Van Karajan, Maria Callas, Giuseppe Di Stefano) released:
- Messa Di Requiem released:
- Lucia di Lammermoor (feat. conductor: Guido Picco, soprano: Maria Callas, tenor: Giuseppe Di Stefano, baritone: Piero Campolonghi) released:
- Lucia di Lammermoor (feat. conductor: Tullio Serafin, soprano: Maria Callas, tenor: Giuseppe Di Stefano, baritone: Tito Gobbi) released:
- L'elisir d'amore, Act II released:
- L'elisir d'amore, Act I released:
- Lucia di Lammermoor (Callas, Tagliavini, Cappuccilli, Ladysz, Philharmonia Orchestra and Chorus, Tullio Serafin) 1960 released:
- Lucia di Lammermoor released:
- Lucia di Lammermoor (Complete) released:
- Lucia di Lammermoor (Sutherland, Pavarotti, Milnes, Bonynge) released:
- L'elisir d'amore: Evelino Pido released:
- Lucia di Lammermoor (Luciano Pavarotti) released:
Anna Bolena
Released 2011- Opening
- Sinfonia (Overture)
- Nè venne il Re?
- Ella di me, sollecita
- Si taciturna e mesta
- Deh! non voler costringere
- Come, innocente giovane
- Legger potessi in me! Non v'ha sguardo (Anna, Smeton, Giovanna)
- Oh! qual parlar fu il sono!
- Tutta in voi la luce mia
- Anna pure amor m'offria (Enrico, Giovanna)
- Tu mi lasci?
- Chi veggio? In Inghilterra, tu, mio Percy?
- Da quel dì che, lei perduta
- Ah! Così nei dì ridenti
- Desta sì tosto
- Io sentii sulla mia mano
- Or che reso ai patrii lidi
- Questo dì per noi spuntato
- E'sgombro il loco
- Ah! parea che per incanto
- Cessa, cessa Tropp'oltre vai
- Anna!
- S'ei t'abborre, io t'amo ancora
- Ah! per pietà del mio spavento
- Tace ognuno
- In quegli sguardi impresso (Anna, Enrico, Percy, Giovanna, Smeaton, Rochefort)
- In separato carcere
Lucia di Lammermoor (RIAS Symphony Orchestra Berlin, La Scala Chorus feat. conductor: Herbert von Karajan, soprano: Maria Callas, tenor: Giuseppe di Stefano, baritone: Rolando Panerai)
Released 2007- Lucia di Lammermoor: Act I. Prelude
- Lucia di Lammermoor: Act I. "Percorrete le spiagge vicine" (Normanno, Chorus)
- Lucia di Lammermoor: Act I. "Tu sei turbato!" (Normanno, Enrico, Raimondo)
- Lucia di Lammermoor: Act I. "Cruda funesta smania" (Normanno, Enrico, Raimondo)
- Lucia di Lammermoor: Act I. "Il tuo dubbio è ormai certezza" (Chorus, Normanno, Enrico, Raimondo)
- Lucia di Lammermoor: Act I. "La pietade in suo favore" (Enrico, Raimondo, Chorus)
- Lucia di Lammermoor: Act I. "Ancor non giunse!" (Lucia, Alisa)
- Lucia di Lammermoor: Act I. "Regnava nel silenzio" (Lucia, Alisa)
- Lucia di Lammermoor: Act I. "Quando rapito in estasi" (Lucia)
- Lucia di Lammermoor: Act I. "Egli s'avanza!" (Alisa, Edgardo, Lucia)
- Lucia di Lammermoor: Act I. "Sulla tomba che rinserra" (Edgardo, Lucia)
- Lucia di Lammermoor: Act I. "Qui, di sposa eterna fede" (Edgardo, Lucia)
- Lucia di Lammermoor: Act I. "Ah! Talor del tuo pensiero" (Edgardo, Lucia)
- Lucia di Lammermoor: Act I. "Ah, verranno a te sull'aure" (Edgardo, Lucia)
Los clásicos de la Ópera, No. 17: Lucia di Lammermoor (Orquesta de la RAI de Turín feat. conductor: Francesco Molinari-Pradelli)
Released 2007- Primer Acto: "Percorriamo le spiaggie"
- Primer Acto: "Cruda, funesta smania"
- Primer Acto: "Ancor non giunse!"
- Primer Acto: "Regnava nel silenzio"
- Primer Acto: "Egli s'avanza... Lucia, perdona"
- Primer Acto: "Verranno a te sull'aure"
- Segundo Acto: "Lucia fra poco"
- Segundo Acto: "Appressati, Lucia"
- Segundo Acto: "Soffriva nel pianto"
- Segundo Acto: "Che fia"
- Segundo Acto: "Se tradirmi tu potrai"
- Segundo Acto: "Per te d'immenso giubilo"
- Segundo Acto: "Chi mi frena"
Los clásicos de la Ópera, No. 37: L'elisir d'amore (Coro y Orquesta del Teatro de la Ópera de Roma feat. conductor: Gabriele Santini)
Released 2007- Segundo Acto: "Cantiamo, cantiam, cantiam"
- Segundo Acto: "Io son ricco, e tu sei bella"
- Segundo Acto: "È qua il notaro"
- Segundo Acto: "Le feste nuziali son piacevoli assai"
- Segundo Acto: "La donna è un animale"
- Segundo Acto: "Ai perigli della guerra"
- Segundo Acto: "Qua la mano, giovinotto"
- Segundo Acto: "Saria possibile?"
- Segundo Acto: "Dell'elisir mirabile"
- Segundo Acto: "Come sen va contento!"
- Segundo Acto: "Quanto amore! Ed io, spietata"
- Segundo Acto: "Bella Adina, qua un momento..."
- Segundo Acto: "Una tenera occhiatina"
- Segundo Acto: "Una furtiva lagrima"
- Segundo Acto: "Eccola... Oh! Qual le accresce"
- Segundo Acto: "Prendi, per me sei libero"
- Segundo Acto: "Ebben, tenete. Poiché non sono amato"
- Segundo Acto: "Il mio rigor dimentica"
- Segundo Acto: "Alto! Fronte! Che vedo?"
- Segundo Acto: "Ei corregge ogni difetto"
Un Italien à Paris - duos & mélodies (Les Demoiselles de...)
Released 2005- L'Addio I
- O Crudel
- La lontananza
- Che vuoi di più?
- C'est le printemps
- La gondoliera
- Les gondoliers de l'Adriatique
- La Sultane
- L'Addio II
- La nouvelle Ourika
- Predestinazione
- Vision
- Tu mi chiedi
- Nuits à Pausilippe: Il giuramento
- Nuits à Pausilippe: L'aurora
- Nuits à Pausilippe: L'alito di Bice
- Nuits à Pausilippe: Amor, voce del cielo
- Nuits à Pausilippe: Un guardo ed una voce
- Nuits à Pausilippe: I bevitori
Lucia di Lammermoor (Maria Callas, Coro e Orchestra del Maggio Musicale Fiorentino, Tullio Serafin)
Released 2004- Preludio
- Act 1 - Scene 1 - Percorrete Le Spiagge Vicine
- Act 1 - Scene 1 - Tu Sei Turbato!... E n'Ho Ben Donde
- Act 1 - Scene 1 - Cruda, Funesta Smania
- Act 1 - Scene 1 - Il Tuo Dubbio È Omai Certezza
- Act 1 - Scene 1 - La Pietade in Suo Favore
- Act 1 - Scene 2 - Maestoso
- Act 1 - Scene 2 - Ancor Non Giunse?
- Act 1 - Scene 2 - Regnava Nel Silenzio
- Act 1 - Scene 2 - Quando Rapito in Estasi
- Act 1 - Scene 2 - Egli S'Avanza
- Act 1 - Scene 2 - Sulla Tomba Che Rinserra
- Act 1 - Scene 2 - Qui di Sposa Eterna Fede
- Act 1 - Scene 2 - Ah, Talor Del Tuo Pensiero
- Act 1 - Scene 2 - Verranno a Te Sull'Aure
Double Concerto / Flute Concertino / Clarinet Concertino
Released 2004- Sinfonia a soli instrumenti di fiato in G minor
- Concertino in C minor for Flute and Chamber Orchestra
- Concertino in F major for Oboe and Chamber Orchestra: I. Andante
- Concertino in F major for Oboe and Chamber Orchestra: II. Allegro
- Concertino in D minor for Violin, Cello and Orchestra: I. Allegro ma non troppo
- Concertino in D minor for Violin, Cello and Orchestra: II. Andante
- Concertino in D minor for Violin, Cello and Orchestra: III. Rondo (Allegro moderato)
- Concertino in G major for Cor Anglais and Orchestra: Andante con variazioni
- Concertino in B-flat major for Clarinet and Orchestra: I. Andante sostenuto
- Concertino in B-flat major for Clarinet and Orchestra: II. Allegretto
- Sinfonia in D minor per la Morte di Capuzzi
Maria Stuarda (Fondazione Orchestra Stabile di Bergamo feat. conductor: Fabrizio Maria Carminati)
Released 2003- Maria Stuarda: Prelude
- Maria Stuarda: Act 1. Qui si attenda, ell'è vicina
- Maria Stuarda: Act 1. Sì, vuol di Francia il Rege
- Maria Stuarda: Act 1. Ah! quando all'ara scorgemi
- Maria Stuarda: Act 1. In tal giorno di contento
- Maria Stuarda: Act 1. Ah! dal ciel discenda un raggio
- Maria Stuarda: Act 1. Fra voi perchè non veggio Leicester?
- Maria Stuarda: Act 1. Hai nelle giostre, o Talbo, chiesto di me?
- Maria Stuarda: Act 1. Questa imago, questo foglio
- Maria Stuarda: Act 1. Ah! rimiro il bel sembiante
- Maria Stuarda: Act 1. Se fida tanto colei mi amò
- Maria Stuarda: Act 1. Sei tu confuso?
- Maria Stuarda: Act 1. Era d'amor l'immagine
- Maria Stuarda: Act 1. Vieni
- Maria Stuarda: Act 1. Sul crin la rivale
- Maria Stuarda: Act 2. Allenta il piè, Regina
- Maria Stuarda: Act 2. O nube! che lieve per l'aria ti aggiri
- Maria Stuarda: Act 2. Qual suono!
- Maria Stuarda: Act 2. Nella pace del mesto riposo
- Maria Stuarda: Act 2. Ah! non m'inganna la gioia?
- Maria Stuarda: Act 2. Da tutti abbandonata
- Maria Stuarda: Act 2. Del suo core, del suo cor
- Maria Stuarda: Act 2. Se il mio cor tremò giammai
- Maria Stuarda: Act 2. Qual loco è questo?
- Maria Stuarda: Act 2. È sempre la stessa
- Maria Stuarda: Act 2. Deh! l'accogli
- Maria Stuarda: Act 2. Va, preparati, furente
Lucie de Lammermoor
Released 2002- Lucie de Lammermoor, Act III: No. 10. Entracte
- Lucie de Lammermoor, Act III: No. 11. Recitatif & duo: Oui mon seigneur, a la petite porte (Gilbert, Ashton, Edgard)
- Lucie de Lammermoor, Act III: No. 11. Souviens-tu qu'ence domaine (Ashton, Edgard)
- Lucie de Lammermoor, Act III: No. 11. J'aurai ton sang (Edgard, Ashton)
- Lucie de Lammermoor, Act III: No. 12. Choeur sur le theatre: Elle a quitté ces lieux
- Lucie de Lammermoor, Act III: No. 13. Scene avec le choeur: Malheur ! Malheur ! (Raymond, Choeur)
- Lucie de Lammermoor, Act III: No. 14. Scene & air: Elle s'avance, hélas, pauvre victime (Raymond, Lucie)
- Lucie de Lammermoor, Act III: No. 14. Ah! C'est l'hymne des noces (Lucie)
- Lucie de Lammermoor, Act III: No. 14. Ashton s'avance (Raymond, Lucie, Choeur, Ashton)
- Lucie de Lammermoor, Act III: No. 14. Je vais quitter la terre (Lucie, Ashton, Raymond, Choeur)
- Lucie de Lammermoor, Act III: No. 15. Scene & air: Tombes de mes aïeux (Edgard)
- Lucie de Lammermoor, Act III: No. 15. Ravenswood, à ton attente (Choeur, Edgard, Raymond, Ashton)
Lucia of Lammermoor (Geoffrey Mitchell Choir, Philharmonia Orchestra feat. conductor: David Parry)
Released 2002- Lucia of Lammermoor: Part I. Prelude
- Lucia of Lammermoor: Part I. "Through the park and the woods that surround it" (Normanno, Chorus)
- Lucia of Lammermoor: Part I. "You seem unhappy" (Normanno, Enrico, Raimondo)
- Lucia of Lammermoor: Part I. "Trembling, I feel the horror" (Enrico, Normanno, Raimondo)
- Lucia of Lammermoor: Part I. "Your suspicions are confirmed now" (Chorus, Normanno, Enrico, Raimondo)
- Lucia of Lammermoor: Part I. "All in vain do you try" (Enrico, Chorus, Raimondo)
- Lucia of Lammermoor: Part I. Introduction
- Lucia of Lammermoor: Part I. "He is hot here yet!..."
- Lucia of Lammermoor: Part I. "In deepest night a silence reigned"
- Lucia of Lammermoor: Part I. "When, in the burning ecstasy" (Lucia, Alisa)
- Lucia of Lammermoor: Part I. "Here is Edgardo..." (Alisa, Edgardo, Lucia)
- Lucia of Lammermoor: Part I. "Pray remember that my father"
- Lucia of Lammermoor: Part I. "Let us swear to love for ever" (Edgardo, Lucia)
- Lucia of Lammermoor: Part I. "Imagine when the breezes sigh" (Lucia, Edgardo)
- Lucia of Lammermoor: Part II, Act I. "Lucia is coming to you soon" (Normanno, Enrico)
- Lucia of Lammermoor: Part II, Act I. "Come here to me, Lucia" (Enrico)
- Lucia of Lammermoor: Part II, Act I. "In my eyes, as I approach you"
- Lucia of Lammermoor: Part II, Act I. "In secret I suffered the loneliness"
- Lucia of Lammermoor: Part II, Act I. "What is that?" (Lucia, Enrico)
- Lucia of Lammermoor: Part II, Act I. "Your refusal will destroy me" (Enrico, Lucia)
- Lucia of Lammermoor: Part II, Act I. "At last!" (Lucia, Raimondo)
- Lucia of Lammermoor: Part II, Act I. "Ah! Listen, listen to friendly guidance"
- Lucia of Lammermoor: Part II, Act I. "In making such a sacrifice" (Raimondo, Lucia)
Lucia Di Lammermoor (London Symphony Orchestra, feat. Conductor Thomas Schippers)
Released 2002- Part One: n.1 Preludio E Coro D'Introduzione: Percorrente Le Spiagge Vicine - Ambrosian Opera Chorus
- Part One: n.2 Scena E Cavatina: Tu Sei Turbato! - E n'Ho Ben D'Onde - Piero Cappuccilli
- Part One: No.2 Scena E Cavatina: Cruda, Funestsa Smania - Piero Cappuccilli
- Part One: n.2 Scena E Cavatina: Il Tuo Dubbio E Ormai Certezza - Piero Cappuccilli
- Part One: n.3 Scena E Cavatina: Ancor Non Giunse! - Beverly Sills
- Part One: n.3 Scena E Cavatina: Regnava Nel Silenzio - Beverly Sills
- Part One: n.4 Scena E Duetto - Finale I: Egli S'Avanza - Carlo Bergonzi
- Part One: n.4 Scena E Duetto - Finale I: Sulla Tomba Che Rinserra - Carlo Bergonzi
- Part Two: Act One, N.5. Scena: Lucia Fra Poco a Te Verra - Piero Cappuccilli
- Part Two: Act One, N.6. Duetto: Appressati, Lucia - Piero Cappuccilli
- Part Two: Act One, N.6. Duetto: Il Pallor, Funesto, Orrendo - Piero Cappuccilli
- Part Two: Act One, N.7. Scena Ed Aria: Ebben? - Di Tua Speranza - Beverly Sills
- Part Two: Act One, N.7. Scena Ed Aria: Ah! Cedi, Cedi o Piu Sciagure - Beverly Sills
Lucia di Lammermoor Selezione
Released 2002- Preludio e Coro d'introduzione: Percorrete le spiagge vicine
- Cruda, funesta smania
- Regnava nel silenzio
- Quando, rapito in estasi
- Egli s'avanza
- Sulla tomba che rinserra
- Verranno a te sull'aure
- Per te d'immenso giubilo
- Chi raffrena il mio furore
- T'allontana, sciagurate
- Maledetto sia l'istante
- Ardon gli incensi
- S'avanza Enrico
- Spargi d'amaro pianto
- Tombe degli avi miei
- Oh! meschina! Oh! fato orrendo'
- Tu che a Dio spiegasti l'ali
Caterina Cornaro
Released 2001- Caterina Cornaro, Prologue. Salve o beati, al giubilo
- Caterina Cornaro, Prologue. Tu l'amor mio
- Caterina Cornaro, Prologue. Or che l'astro in mar... Torna all'ospite tetto
- Caterina Cornaro, Prologue. Vieni, o tu che ognora io chiamo
- Caterina Cornaro, Prologue. Ah! Vieni t'affretta
- Caterina Cornaro, Prologue. Spera in me
- Caterina Cornaro, Act I. Sei bella, o Cipro!
- Caterina Cornaro, Act I. Da che sposa Caterina
- Caterina Cornaro, Act I. Core e pugnale
- Caterina Cornaro, Act I. Vedi: io piango
Maria Stuarda
Released 2001- Overture
- Act 1 : Preludio
- Qui si attenda
- Si, vuol di Francia il Rege
- Ah!quando all'ara scorgemi
- Fra voi perche non veggo Leicester
- Hai nelle giostre
- Quest'immago
- Sei tu confuso?
- Quali sensi!
- Act 2 : Allenta il pie, Regina
- O nube
- Ah! Non m'inganna la gioia
- Da tutti abbandonata
- Qual loco e questo?
- E sempre la stessa
Renée Fleming sings Rosmonda d'Inghilterra
Released 2001- Rosamonda d'Inghilterra: Recitative "Volgon tre lune...abi lassa!"
- Rosamonda d'Inghilterra: Cavatina "Perche non ho del vento"
- Rosamonda d'Inghilterra: Cabaletta "Torna, torna or caro oggetto"
- Rosamonda d'Inghilterra: Duetto "Deh! Ti arresta"
- Rosamonda d'Inghilterra: Cabaletta "Vieni meco, ed un ritiro"
- Rosamonda d'Inghilterra: Finale Primo "E desso! E il perfido"
- Rosamonda d'Inghilterra: Concertato "E dessa-alfin la perfoda"
- Rosamonda d'Inghilterra: Stretta "Tace ognun! nessun risponde?"
- Rosamonda d'Inghilterra: Scena "Primiero io giungo"
- Rosamonda d'Inghilterra: Duetto "Si, son lo"
- Rosamonda d'Inghilterra: Scena "Giurato il sacrifizio"
- Rosamonda d'Inghilterra: Duetto "Giurasti un di...rammentalo"
- Rosamonda d'Inghilterra: Stretta "Concedo un breve istante"
- Rosamonda d'Inghilterra: Scena "Ma il tempo vola"
- Rosamonda d'Inghilterra: Aria "Io fuggiro quel perfido"
- Rosamonda d'Inghilterra: Cabaletta "Senza pace, senza speme"
Lucia di Lammermoor (Orchestra e coro dell'Accademia di Santa Cecilia feat. conductor: John Pritchard)
Released 2001- Lucia di Lammermoor: Atto I, Scena I. Preludio - "Percorrete le spiaggie vicine" (Normanno, coro)
- Lucia di Lammermoor: Atto I, Scena I. "Tu sei turbato!" (Normanno)
- Lucia di Lammermoor: Atto I, Scena I. "Cruda, funesta smania" (Enrico)
- Lucia di Lammermoor: Atto I, Scena I. "La pietade in suo favore" (Enrico)
- Lucia di Lammermoor: Atto I, Scena II. "Ancor non giunse!" (Lucia)
- Lucia di Lammermoor: Atto I, Scena II. "Regnava nel silenzio" (Lucia)
- Lucia di Lammermoor: Atto I, Scena II. "Quando, rapito in estasi" (Lucia)
- Lucia di Lammermoor: Atto I, Scena II. "Egli s'avanza" (Alisa)
- Lucia di Lammermoor: Atto I, Scena II. "Sulla tomba che rinserra" (Edgardo)
- Lucia di Lammermoor: Atto I, Scena II. "Qui di sposa eterna" - "Verranno a te sull'aure" (Edgardo, Lucia)
- Lucia di Lammermoor: Atto II, Scena I. "Lucia fra poco a te verrà" (Normanno)
- Lucia di Lammermoor: Atto II, Scena I. "Appressati, Lucia" - "Il pallor, funesto, orrendo" (Enrico, Lucia)
- Lucia di Lammermoor: Atto II, Scena I. "Soffriva nel pianto" (Lucia)
- Lucia di Lammermoor: Atto II, Scena I. "Che fia" (Lucia)
- Lucia di Lammermoor: Atto II, Scena I. "Se tradirmi tu potrai" (Enrico)
- Lucia di Lammermoor: Atto II, Scena I. "Ebben?" - "Di tua speranza" (Lucia, Raimondo)
- Lucia di Lammermoor: Atto II, Scena I. "Ah! cedi, cedi, o più sciagure" (Raimondo)
- Lucia di Lammermoor: Atto II, Scena I. "Al ben de'tuoi qual vittima" (Raimondo)
Don Pasquale (Orchestra Sinfonica e Coro di Torino della RAI feat. conductor: Mario Rossi)
Released 2001- Don Pasquale: Atto terzo. "I diamanti presto, presto"
- Don Pasquale: Atto terzo. "Vediamo: alla modista cento scudi - Signorina in tanta fretta"
- Don Pasquale: Atto terzo. "Qualche nota di cuffie"
- Don Pasquale: Atto terzo. "Che interminabile andirivieni"
- Don Pasquale: Atto terzo. "Questa repentina chiamata - Cheti, cheti immantinente"
- Don Pasquale: Atto terzo. "Com'è gentil"
- Don Pasquale: Atto terzo. "Tornami a dir che m'ami"
- Don Pasquale: Atto terzo. "La morale in tutto questo"
La Favorite (Münchner Rundfunkorchester feat. conductor: Marcello Viotti)
Released 2000- La Favorite, Act III: Prelude
- La Favorite, Act III, Scene 1: Me voici donc près d'elle! / Scene 2: De son sort avez-vous décidé?
- La Favorite, Act III, Scene 3: Fernand de votre amour
- La Favorite, Act III, Scene 4: L'ai-je bien entendu?
- La Favorite, Act III, Scene 4: O mon Fernand!
- La Favorite, Act III, Scene 5: Inès, viens / Scene 6: Arretêz!
- La Favorite, Act III, Scene 7: Déjà dans la chapelle / Scene 8: Je me soutiens à peine!..
- La Favorite, Act III, Scene 9: Quel marché de bassesse! / Scene 10: Pour moi du ciel la faveur se déploie / Scene 11: Où courez-vous?
- La Favorite, Act III, Scene 12: Sire, je vous dois tout
- La Favorite, Act III, Scene 12: Ô ciel!.. de son âme
- La Favorite, Act IV: Prelude
- La Favorite, Act IV Scene 1: Frères, creusons l'asile
- La Favorite, Act IV Scene 2: Dans un instant, mon frère
- La Favorite, Act IV Scene 3: Ange si pur
- La Favorite, Act IV Scene 4: Es-tu prêt? Viens
Rossini: String Sonatas nos. 1, 2 and 3 / Donizetti: Allegro for Strings in C major
Released 1999- String Sonata no. 1 in G major: I. Moderato
- String Sonata no. 1 in G major: II. Andantino
- String Sonata no. 1 in G major: III. Allegro
- String Sonata no. 2 in A major: I. Allegro
- String Sonata no. 2 in A major: II. Andante
- String Sonata no. 2 in A major: III. Allegro
- String Sonata no. 3 in C major: I. Allegro
- String Sonata no. 3 in C major: II. Andante
- String Sonata no. 3 in C major: III. Moderato
- Allegro for Strings in C major
Lucrezia Borgia (American Opera Society feat. conductor: Jonel Perlea, soprano: Montserrat Caballé, tenor: Alain Vanzo, baritone: Kostas Paskalis)
Released 1999- Lucrezia Borgia: Prologue. Prelude
- Lucrezia Borgia: Prologue, Scene I. "Bella Venezia!"
- Lucrezia Borgia: Prologue, Scene I. "Nella fatal di Rimini"
- Lucrezia Borgia: Prologue, Scene II. "Tranquillo ei posa"
- Lucrezia Borgia: Prologue, Scene III. "Com'e bello!"
- Lucrezia Borgia: Prologue, Scene III. "Ciel!... Che vegg'io?"
- Lucrezia Borgia: Prologue, Scene III. "Da pescatore ignobile"
- Lucrezia Borgia: Prologue, Scene III. "Piangete per me?"
- Lucrezia Borgia: Prologue, Scene III. "Gente appressa. Io ti lascio"
- Lucrezia Borgia: Prologue, Scene III. "Maffio Orsini, signora, son io"
- Lucrezia Borgia: Act I, Scene I. "Nel veneto corteggio"
- Lucrezia Borgia: Act I, Scene I. "Vieni, la mia vendetta"
- Lucrezia Borgia: Act I, Scene I. "Qualunque sia l'evento"
- Lucrezia Borgia: Act I, Scene II. "Addio, Gennaro"
- Lucrezia Borgia: Act I, Scene III. "Qui che fai?"
Anna Bolena
Released 1997- Anna Bolena: Sinfonia
- Anna Bolena: Act 1. Scene 1. Né venne il Re?
- Anna Bolena: Act 1. Scene 1. Ella di me, sollecita
- Anna Bolena: Act 1. Scene 1. Sì taciturna e mesta
- Anna Bolena: Act 1. Scene 1. Deh! non voler costringere
- Anna Bolena: Act 1. Scene 1. Come, innocente giovane
- Anna Bolena: Act 1. Scene 1. Non v'ha sguardo cui sia dato
- Anna Bolena: Act 1. Scene 1. Oh! qual parlar fu il suo!
- Anna Bolena: Act 1. Scene 1. Tutta in voi la luce mia
- Anna Bolena: Act 1. Scene 1. Ah! qual sia cercar non oso
- Anna Bolena: Act 1. Scene 2. Chi veggo?
- Anna Bolena: Act 1. Scene 2. Da quel dì che, lei perduta
- Anna Bolena: Act 1. Scene 2. Ah! così nei dì ridenti
- Anna Bolena: Act 1. Scene 2. Desta si tosto
- Anna Bolena: Act 1. Scene 2. Io sentii sulla mia mano
- Anna Bolena: Act 1. Scene 2. Or che reso ai patrii lidi
- Anna Bolena: Act 1. Scene 2. Questo dì per noi spuntato
Lucia di Lammermoor (Orchestra e Coro di Roma della Rai, feat. conductor: Tullio Serafin, singers: Callas, Panerai, Fernandi)
Released 1997- Lucia di Lammermoor: Atto I. Preludio e coro d'introduzione: "Percorrete le spiagge vicine"
- Lucia di Lammermoor: Atto I. "Tu sei turbato! E n'ho ben donde"
- Lucia di Lammermoor: Atto I. "Cruda, funesta smania"
- Lucia di Lammermoor: Atto I. "Il tuo dubbio è ormai certezza"
- Lucia di Lammermoor: Atto I. "Udir non vò
- Lucia di Lammermoor: Atto I. Scena quarta. Introduzione
- Lucia di Lammermoor: Atto I. "Ancor non giunse!"
- Lucia di Lammermoor: Atto I. "Regnava nel silenzio"
- Lucia di Lammermoor: Atto I. "Lucia, pendora"
- Lucia di Lammermoor: Atto I. "Verrano a te sull'aura i miei sospiri ardenti"
- Lucia di Lammermoor: Atto II. "Lucia fra poco a te verrà"
- Lucia di Lammermoor: Atto II. "Appressati, Lucia"
- Lucia di Lammermoor: Atto II. "Soffriva nel pianto" - "languina nel dolore"
- Lucia di Lammermoor: Atto II. "Che fia"
- Lucia di Lammermoor: Atto II. "Se tradirmi tu potrai"
- Lucia di Lammermoor: Atto II. "Per te d'immenso giubilo"
- Lucia di Lammermoor: Atto II. "Chi mi frena in tal momento?"
Lucia di Lammermoor (Orchestra Sinfonica e Coro di Torina della Rai, feat. conductor: Francesco Molinari Pradelli, singers: Cappuccilli, Scotto, Pavarotti)
Released 1997- Lucia di Lammermoor: Atto I. Preludio - "Percorrete le spiaggie vicine" (Normanno, Coro)
- Lucia di Lammermoor: Atto I. "Tu sei turbato!" (Normanno, Enrico, Raimondo)
- Lucia di Lammermoor: Atto I. "Cruda, funesta smania" (Normanno, Enrico, Raimondo)
- Lucia di Lammermoor: Atto I. "Il tuo dubbio è ormai certezza" (Coro e detti)
- Lucia di Lammermoor: Atto I. "Ancor non giunse!" (Lucia, Alisa)
- Lucia di Lammermoor: Atto I. "Regnava nel silenzio" (Lucia, Alisa)
- Lucia di Lammermoor: Atto I. "Quando, rapito in estasi" (Lucia, Alisa)
- Lucia di Lammermoor: Atto I. "Egli s'avanza" (Alisa, Edgardo, Lucia)
- Lucia di Lammermoor: Atto I. "Sulla tomba che rinserra" (Edgardo, Lucia)
- Lucia di Lammermoor: Atto I. "Verranno a te sull'aure" (Edgardo, Lucia)
- Lucia di Lammermoor: Atto II. "Lucia fra poco a te verrà" (Normanno, Enrico)
- Lucia di Lammermoor: Atto II. "Appressati, Lucia" (Enrico, Lucia)
- Lucia di Lammermoor: Atto II. "Soffriva nel pianto" (Lucia, Enrico)
- Lucia di Lammermoor: Atto II. "Che fia" (Lucia, Enrico)
- Lucia di Lammermoor: Atto II. "Se tradirmi tu potrai" (Enrico, Lucia)
- Lucia di Lammermoor: Atto II. "Per te d'immenso giubilo" (Coro)
- Lucia di Lammermoor: Atto II. "Dov'è Lucia?" (Arturo, Enrico, Coro, poi Lucia, Raimondo, Edgardo)
- Lucia di Lammermoor: Atto II. "Chi raffrena il mio furore" (Enrico, Edgardo, detti e Alisa)
- Lucia di Lammermoor: Atto II. "T'allontana, sciagurato" (Arturo, Enrico, Lucia, Raimondo, Edgardo)
- Lucia di Lammermoor: Atto II. "Maledetto sia l'istante" (Edgardo, detti, Coro e Alisa)
Poliuto (Orchestra e Coro del Teatro alla Scala, feat. conductor: Antonino Votto, singers: Callas, Corelli, Bastianini, Zaccaria)
Released 1997- Poliuto: Sinfonia - "O Nume pietoso" (Orchestra/Coro)
- Poliuto: Atto I, Scena I. "Scendiamm ... Scendiamm ... Silenzio" (Coro)
- Poliuto: Atto I, Scena I. "Tu sei commosso!" (Nearco/Poliuto)
- Poliuto: Atto I, Scena I. "D'un alma troppo fervida" (Poliuto)
- Poliuto: Atto I, Scena I. "Ove m'inoltro?" (Paolina)
- Poliuto: Atto I, Scena I. "Fin ché si compia il rito" (Nearco/Un Christiano/Paolina)
- Poliuto: Atto I, Scena I. "In fiamma quest'alma" (Poliuto/Nearco/Christiani)
- Poliuto: Atto I, Scena I. "Di quai soavi lagrime" (Paolina)
- Poliuto: Atto I, Scena I. "Mira ... Donna!" (Nearco/Poliuto/Paolina)
- Poliuto: Atto I, Scena I. "Oggetto de'miei nomi" (Poliuto/Paolina/Nearco/Coro)
- Poliuto: Atto I, Scena I. "Omai da lunge" (Un Christiano/Nearco/Paolina)
- Poliuto: Atto I, Scena I. "Perché di stolto giubilo" (Paolina)
- Poliuto: Atto I, Scena I. "Plausi all'inclito Severo" (Coro)
- Poliuto: Atto I, Scena I. "Decio, signor del mondo" (Severo)
- Poliuto: Atto I, Scena I. "Di tua beltade immagine" (Severo)
- Poliuto: Atto I, Scena I. "Come fausta è a noi l'aurora" (Callistene/Severo/Felice)
- Poliuto: Atto I, Scena I. "No, l'acciar non fu spietato" (Severo/Coro)
Lucia di Lammermoor (Rumanian Opera Bucharest,feat. conductor: Constantin Petrovici, singers: Voinea, Herlea, Georgescu, Nastase)
Released 1996- Lucia di Lammermoor: Atto I. Preludio e coro d'introduzione "Percorrete le spiagge vicine"
- Lucia di Lammermoor: Atto I. "Tu sei turbato! E n'ho ben donde"
- Lucia di Lammermoor: Atto I. "Cruda, funesta smania" - "La pietade in suo favore"
- Lucia di Lammermoor: Atto I. "Ancor non giunse!"
- Lucia di Lammermoor: Atto I. "Regnava nel silenzio" - "Quando, rapito in estasi"
- Lucia di Lammermoor: Atto I. "Egli s'avanza"
- Lucia di Lammermoor: Atto I. "Sulla tomba che rinserra"
- Lucia di Lammermoor: Atto II. "Lucia fra poco a te verrà"
- Lucia di Lammermoor: Atto II. "Appressati, Lucia"
- Lucia di Lammermoor: Atto II. "Il pallor funesto, orrendo"
Die Klassiksammlung 104: Donizetti: Opernmelodien
Released 1996- Anna Bolena: II. Akt, 1. Bild (Staatliches Philharmonisches Orchester Kosice feat. conductor: Petr Vronsky)
- Der Liebestrank: Udite, udite o rustici (Radiosymphonieorchester Bratislava feat. conductor: Tibor Freso)
- Lucia von Lammermoor: Dalle stanze ove Lucia (Radiosymphonieorchester Bratislava feat. conductor: Tibor Fresco)
- Lucia von Lammermoor: Tombe degli avi miei (Radiosymphonieorchester Bratislava feat. conductor: Tibor Fresco)
- Die Favoritin: Favorita del re (Radiosymphonieorchester Bratislava feat. conductor: Ondrej Lenard)
- Don Pasquale: Quel guardo il cavaliere (Radiosymphonieorchester Bratislava feat. conductor: Tibor Fresco)
String Sonatas 1-6
Released 1995- String Sonata no. 1 in G major: I. Moderato
- String Sonata no. 1 in G major: II. Andantino
- String Sonata no. 1 in G major: III. Allegro
- String Sonata no. 2 in A minor: I. Allegro
- String Sonata no. 2 in A minor: II. Andantino
- String Sonata no. 2 in A minor: III. Allegro
- String Sonata no. 3 in C major: I. Allegro
- String Sonata no. 3 in C major: II. Andante
- String Sonata no. 3 in C major: III. Moderato
- String Sonata no. 4 in B flat major: I. Allegro vivace
- String Sonata no. 4 in B flat major: II. Andantino
- String Sonata no. 4 in B flat major: III. Allegretto
Recital
Released 1995- Zerline: Acte I. "O Palerme! O Sicile" (Zerline)
- Samson et Dalila: Acte II, Scène III. "Mon coeur s'ouvre à ta voix" (Dalila)
- La Grande Duchesse de Gerolstein: Acte I. "Ah! que j'aime les militaires" (La Grande Duchesse)
- Sapho: Acte III. "O ma lyre immortelle" (Sapho)
- La Viviandière: Acte I. "Viens avec nous, petit" (La Viviandière)
- Hérodiade: Acte I, Scène 3. "Venge-moi d'une suprême offense" (Hérodiade)
- La Favorite: Acte III. "L'ai-je bien entendu?" / "Oh! mon Fernand" (Léonore)
- Sapho: Acte I. "Héro sur la tour solitaire" (Sapho)
- Médée: Acte II. "Ah! nos peines" (Néris)
Lucia di Lammermoor
Released 1994- Preludio e coro d'introduzione
- Tu sei turbato!
- Cruda, funesta smania
- Il tuo dubbio è ormai certezza
- La pietade in suo favore
- Ancor non giunse!
- Regnava nel silenzio
- Quando rapito in estasi
- Egli s'avanza... Lucia, perdona
- Sulla tomba che rinserra
- Qui di sposa eterna fede
- Verranno a te sull'aure
- Lucia fra poco a te verrà
- Il pallor, funesto, orrendo
- Soffriva nel pianto
- Che fia?
- Se tradirmi tu potrai
Linda di Chamounix (Mikaeli Chamber Choir & Swedish Radio Symphony Orchestra feat. conductor: Friedrich Haider)
Released 1993- Linda di Chamounix: Overture
- Linda di Chamounix: Act I, Scene 1. "Presti! Al tempio!" (Chorus)
- Linda di Chamounix: Act I, Scene 1. "Linda, mia dolce figlia!" (Maddalena, Antonio)
- Linda di Chamounix: Act I, Scene 1. Romance "Ambo nati in questa valle" (Maddalena, Antonio)
- Linda di Chamounix: Act I, Scene 2. "Viva! Viva!" (Chorus, Antonio, Maddalena, Marchese, Intendente)
- Linda di Chamounix: Act I, Scene 2. Cavatina "Buona gente" (Marchese, Intendente, Maddalena, Antonio, Chorus)
- Linda di Chamounix: Act I, Scene 2. "Alla fine ci sono arrivato" (Marchese, Intendente, Maddalena, Antonio, Chorus)
- Linda di Chamounix: Act I, Scene 2. "Oh! Già in collera non sono" (Marchese, Intendente, Maddalena, Antonio, Chorus)
- Linda di Chamounix: Act I, Scene 3. Recitative "Ah! tardai troppo" (Linda)
- Linda di Chamounix: Act I, Scene 3. Cavatina "O luce di quest'anima" (Linda)
- Linda di Chamounix: Act I, Scene 3. "Qui, si, pria della partenza" (Chorus, Linda)
- Linda di Chamounix: Act I, Scene 3. Romance "Cari luoghi ov'io passai" (Pierotto)
- Linda di Chamounix: Act I, Scene 3. "Eccolo! Pierotto!" (Chorus, Pierotto)
- Linda di Chamounix: Act I, Scene 3. Ballad "Per sua madre andò una figlia" (Pierotto, Linda, Chorus)
- Linda di Chamounix: Act I, Scene 4. "Non so: quella canzon m'intenerisce" (Linda, Carlo)
- Linda di Chamounix: Act I, Scene 4. Duet "Da quel di che t'incontrai" (Carlo, Linda)
- Linda di Chamounix: Act I, Scene 4. "A consolarmi affrettisi" (Carlo, Linda)
- Linda di Chamounix: Act I, Scene 5. "Qui, buon Antonio, qui soli" (Prefetto, Antonio)
- Linda di Chamounix: Act I, Scene 5. Duet "Quelle pietà sì provvida" (Prefetto, Antonio)
- Linda di Chamounix: Act I, Scene 5. "La figlia mia, quell'angelo" (Prefetto, Antonio)
- Linda di Chamounix: Act I, Scene 5. "Ma intanto!" (Prefetto, Antonio)
- Linda di Chamounix: Act I, Scene 5. "Essaltiam la tua potenza" (Prefetto, Antonio)
- Linda di Chamounix: Act I, Scene 5. Finale. "Corro a dispor la moglie al triste colpo" (Antonio, Prefetto) / Scene 6. "Oh cari genitori" (Linda, Prefetto) / Scene 7. "Madre mia" (Linda, Maddalena, Prefetto, Peirotto)
- Linda di Chamounix: Act I, Scene 7. Finale. "Miei figli! Tetro sovrasta il vento" (Prefetto)
- Linda di Chamounix: Act I, Scene 7. Finale. "O tu che regoli" (Prefetto, Antonio, Maddalena, Pierotto, Linda, Chorus)
Anna Bolena (L'Orchestra et Coro del Teatro alla Scala feat. conductor: Gianandrea Gavazzeni)
Released 1993- Anna Bolena: Act I. "Né venne il Re?"
- Anna Bolena: Act I. "Ella di me, sollecita"
- Anna Bolena: Act I. "Sì taciturna e mesta mai non vidi assemblea"
- Anna Bolena: Act I. "Deh! non voler costringere"
- Anna Bolena: Act I. "Come, innocente giovane..."
- Anna Bolena: Act I. "Ma poche omai rimangono"
- Anna Bolena: Act I. "Non v'ha sguardo cui sia dato"
- Anna Bolena: Act I. "O! qual parlar fu il suo!"
- Anna Bolena: Act I. "Tremate voi? Sì... tremo"
- Anna Bolena: Act I. "La mia fama è a' piè dell'ara"
- Anna Bolena: Act I. "Anna pure amor m'offria"
- Anna Bolena: Act I. "Tu mi lasci?"
- Anna Bolena: Act I. "Ah! qual sia cercar non oso"
- Anna Bolena: Act I. "Chi veggo? In Inghilterra"
- Anna Bolena: Act I. "Da quel dì che, lei perduta"
- Anna Bolena: Act I. "Già la caccia si raduna"
- Anna Bolena: Act I. "Ah! così nei dì ridenti del premier"
- Anna Bolena: Act I. "Desta sì tosto"
- Anna Bolena: Act I. "Voi, Regina! E fia pur vero"
- Anna Bolena: Act I. "lo sentii sulla mia mano"
- Anna Bolena: Act I. "Or che reso ai patrii lidi"
- Anna Bolena: Act I. "Questo dì per noi spuntato"
- Anna Bolena: Act I. "Tutto è deserto"
- Anna Bolena: Act I. "Bada...bada... tropp'oltre vai..."
- Anna Bolena: Act I. "Né uscir poss'io!"
- Anna Bolena: Act I. "S'ei t'aborre, io t'amo ancora"
- Anna Bolena: Act I. "Alcun potria ascoltarti in queste mura"
- Anna Bolena: Act I. "Trace ognuno, è ognun tremante!"
- Anna Bolena: Act I. "In quegli sguardi impresso"
- Anna Bolena: Act I. "In separato carcere tutti costor sien tratti"
- Anna Bolena: Act I. "Ah! segnata è la mia sorte"
Don Pasquale (Orchestra e Coro del Maggio Musicale Fiorentino, feat. conductor: Bruno Rigacci, singers: Corena, Alberti, Alva, Scotto)
Released 1992- Don Pasquale: Atto II. "Povero Enesto!" (Ernesto) - "Cercherò lontana terra" (Ernesto)
- Don Pasquale: Atto II. "Quando avrette introdatto" - "Sta a vedere, vecchio matto" (Pasquale, Dottore)
- Don Pasquale: Atto II. "Non abbiate paura" (Dottore)
- Don Pasquale: Atto II. "Fra da una parte" (Pasquale, Dottore, Norino, Notaio)
- Don Pasquale: Atto II. "È rimsto là impietrato (Malatesta)
- Don Pasquale: Atto II. Finale "Siete marito e moglie"
- Don Pasquale: Atto II. "Provato ho a prenderti"
- Don Pasquale: Atto II. "Riunita immantinente la servitù..." - "Son tradito, beffeggiato" (Norina)
- Don Pasquale: Atto III, Scena I. "I diamanti presto, presto" (coro)
- Don Pasquale: Atto III, Scena I. "Signorina, in tanta fretta" (Pasquale, Norina)
- Don Pasquale: Atto III, Scena I. "Parto adunque..." - "Via, cara sposina" (Pasquale, Norina)
- Don Pasquale: Atto III, Scena I. "Che interminabile andirivieni" (Coro di Servi)
- Don Pasquale: Atto III, Scena I. "Siamo intesi" (Dottore, Ernesto)
- Don Pasquale: Atto III, Scena I. "Don Pasquale..." - "Cheti, cheti" (Pasquale, Dottore)
- Don Pasquale: Atto III, Scena I. "Aspetta, aspetta, cara sposina"
- Don Pasquale: Atto III, Scena II. "Com'è gentil (Ernesto)
- Don Pasquale: Atto III, Scena II. "Tornami a dir" (Norina, Ernesto)
- Don Pasquale: Atto III, Scena II. "Eccoli; attendi ben" - "Mi raccomando" (Pasquale, Dottore, Ernesto, Norina)
- Don Pasquale: Atto III, Scena II. Rondo - Finale "La morale in tutto questo" (Norina)
Maria Stuarda
Released 1990- Maria Stuarda: Act I. Introduzione... "Qui s'attenda, ell'è vicina" (Cordigiani)
- Maria Stuarda: Act I. "Si, vuol di Francia il Rege" (Elisabetta)
- Maria Stuarda: Act I. "(Ah! quando all'ara scorgemi...)" (Elisabetta)
- Maria Stuarda: Act I. "In tal giorno di contendo" (Talbot)
- Maria Stuarda: Act I. "Ah! dal cielo discenda un raggio" (Elisabetta)
- Maria Stuarda: Act I. "Fra voi perché non veggio il Conte?" (Elisabetta)
- Maria Stuarda: Act I. "Hai nelle giostre, o Talbot, chiesto di me?" (Leicester)
- Maria Stuarda: Act I. "Questa imago, questo foglio" (Talbot)
- Maria Stuarda: Act I. "Sei tu confuso?" (Elisabetta)
- Maria Stuarda: Act I. "Si! Era d'amor l'immagine" (Leicester)
- Maria Stuarda: Act I. "(Sul crin la rivale la man mi stendea...)" (Elisabetta)
- Maria Stuarda: Act II. "Allenta il piè, Regina" (Anna)
- Maria Stuarda: Act II. "O nube! che lieve per l'aria ti aggiri" (Maria)
- Maria Stuarda: Act II. "Nella pace del mestro riposo" (Maria)
- Maria Stuarda: Act II. "Ah! non m'inganna la gioia!" (Maria)
- Maria Stuarda: Act II. "Da tutti abbandonata" (Maria)
- Maria Stuarda: Act II. "Ah! Se il mio cor tremò giammai" (Maria)
- Maria Stuarda: Act II. "Qual loco è questo?" (Elisabetta)
- Maria Stuarda: Act II. "(E'sempre la stessa)" (Elisabetta)
- Maria Stuarda: Act II. "Deh! l'accogli... Morta al mondo, e morta al trono" (Leicester, Maria)
- Maria Stuarda: Act II. "Va, preparati, furente" (Elisabetta)
L'elisir d'amore
Released 1990- L'elisir d'amore: Atto I. Preludio
- L'elisir d'amore: Atto I Coro d'Introduzione. "Bel conforto al mietitore" (Giannetta, Coro)
- L'elisir d'amore: Atto I. Cavatina "Quanto è bella, quanto è cara!" (Nemorino, Gianetta, Coro)
- L'elisir d'amore: Atto I. Scena e Cavatina "Benedette queste carte!...Della crudele Isotta" (Adina, Gianetta, Nemorino, Coro)
- L'elisir d'amore: Atto I. Marziale
- L'elisir d'amore: Atto I. "Come Paride vezzoso" (Belcore, Adina, Gianetta, Nemorino, Coro) / Recitativo "Intanto, o mio ragazza" (Belcore, Adina, Coro)
- L'elisir d'amore: Atto I. Scena e Duetto "Una parola, o Adina" (Nemorino, Adina)
- L'elisir d'amore: Atto I. Duetto "Chiedi all'aura lusinghiera" (Adina, Nemorino)
- L'elisir d'amore: Atto I. "Che vuol dire codesta suonata?" (Coro)
- L'elisir d'amore: Atto I. Cavatina "Udite, udite, o rustici" (Dulcamara, Coro)
- L'elisir d'amore: Atto I. Recitativo "Ardir! Ha forse il cielo mandato" (Nemorino, Dulcamara)
- L'elisir d'amore: Atto I. Duetto "Voglio dire, lo stupendo elisir" (Nemorino, Dulcamara)
- L'elisir d'amore: Atto I. Recitativo "Caro elisir! sei mio!" (Neomorino)
- L'elisir d'amore: Atto I. Scena e Duetto "Lallarallara...Esulti pur la barbara" (Nemorino, Adina)
- L'elisir d'amore: Atto I. Terzetto "Tran, tran, tran...In guerra ed in amor" (Belcore, Adina, Nemorino)
- L'elisir d'amore: Atto I. Scena e Quartetto "Signor sargente, di voi richiede la vostra gente." (Gianetta, Belcore, Nemorino, Adino, Coro)
- L'elisir d'amore: Atto I. Quartetto "Adina credimi, te ne scongiuro" (Nemorino, Belcore, Adina, Gianetta, Coro)
- L'elisir d'amore: Atto I. Quartetto "Andiam, Belcore." (Adina, Nemorino, Gianetta, Belcore, Coro)
Lucia di Lammermoor (Maggio Musicale Fiorentino, feat. conductor: Tullio Serafin, singers: Callas, Di Stefano, Gobbi)
Released 1989- Lucia di Lammermoor: Preludio
- Lucia di Lammermoor: Atto I, Scena I. "Percorrete, le spiagge vicine" (Normanno/Coro)
- Lucia di Lammermoor: Atto I, Scena I. "Tu sei turbato!" - "E n'ho ben d'onde" (Normanno/Enrico/Raimondo)
- Lucia di Lammermoor: Atto I, Scena I. "Cruda, funesta smania" (Enrico/Normanno/Raimondo)
- Lucia di Lammermoor: Atto I, Scena I. "Il tuo dubbio è omai certezza" - "Come vinti da stanchezza" (Coro/Normanno/Enrico/Raimondo)
- Lucia di Lammermoor: Atto I, Scena I. "La pietade in suo favore" (Enrico/Raimondo/Coro)
- Lucia di Lammermoor: Atto I, Scena II. "Ancor non giunse! (Lucia/Alisa)
- Lucia di Lammermoor: Atto I, Scena II. "Regnava nel silenzio alta la notte e bruna (Lucia/Alisa)
- Lucia di Lammermoor: Atto I, Scena II. "Egli s'avanza" - "Lucia, perdona se ad ora inusitata" (Alisa/Edgardo/Lucia)
- Lucia di Lammermoor: Atto I, Scena II. "Sulla tomba che rinserra il tradito genitore" (Edgardo/Lucia)
- Lucia di Lammermoor: Atto I, Scena II. "Qui di sposa eterna fede" - "Ah, soltanto il nostro foco" (Edgardo/Lucia)
- Lucia di Lammermoor: Atto I, Scena II. "Verrano a te sull'aura i miei sospiri ardenti" (Lucia/Edgardo)
Lucrezia Borgia
Released 1989- Lucrezia Borgia: Prologue. Preludio
- Lucrezia Borgia: Prologue. "Nella fatal di Rimini"
- Lucrezia Borgia: Prologue. "Tranquillo ei posa"
- Lucrezia Borgia: Prologue. "Com'è bello!"
- Lucrezia Borgia: Prologue. "Ciel! - Che vegg'io?"
- Lucrezia Borgia: Prologue. "Di pescatore ignobile"
- Lucrezia Borgia: Prologue. "Gente appressa"
- Lucrezia Borgia: Prologue. "Maffio Orsini, signora, son io"
- Lucrezia Borgia: Act I, Scene 1. "Nel veneto corteggio lo ravvisati?"
- Lucrezia Borgia: Act I, Scene 1. "Vieni: la mia vendetta"
- Lucrezia Borgia: Act I, Scene 1. "Addio, Gennaro"
- Lucrezia Borgia: Act I, Scene 1. "Qui che fai?"
- Lucrezia Borgia: Act I, Scene 1. "Non far motto, parti, sgombra"
- Lucrezia Borgia: Act I, Scene 2. "Tutto eseguisti?"
- Lucrezia Borgia: Act I, Scene 2. "Così turbata?"
- Lucrezia Borgia: Act I, Scene 2. "Soli noi siamo"
- Lucrezia Borgia: Act I, Scene 2. "E sì avverso a Gennaro chi vi fè"
- Lucrezia Borgia: Act I, Scene 2. "Oh! a te bada, a te stesso pon mente"
Anna Bolena (Orchestra and Chorus of the Welsh National Opera feat. conductor: Richard Bonynge)
Released 1988- Anna Bolena: Sinfonia
- Anna Bolena: Act I, Scene I. "Né venne il Re?" (Cavalieri)
- Anna Bolena: Act I, Scene I. "Ella di me, sollecita (Giovanna)
- Anna Bolena: Act I, Scene I. "Si taciturna e mesta" (Anna)
- Anna Bolena: Act I, Scene I. "Deh! non voler costringere" (Smeton)
- Anna Bolena: Act I, Scene I. "Come, innocente giovane" (Anna)
- Anna Bolena: Act I, Scene I. "Non v'ha sguardo cui sia dato" (Anna)
- Anna Bolena: Act I, Scene I. "Oh! qual parlar fu il suo!" (Giovanna)
- Anna Bolena: Act I, Scene I. "Tutta in voi la luce mia" (Enrico)
- Anna Bolena: Act I, Scene I. "Ah! qual sia cercar non oso" (Giovanna)
- Anna Bolena: Act I, Scene II. "Chi veggo?" (Rochefort)
- Anna Bolena: Act I, Scene II. "Da quel di che, lei perduta" (Percy)
- Anna Bolena: Act I, Scene II. "Ah! cosi nei di ridenti" (Percy)
- Anna Bolena: Act I, Scene II. "Desta si tosto" (Enrico)
- Anna Bolena: Act I, Scene II. "Io sentii sulla mia mano" (Anna)
- Anna Bolena: Act I, Scene II. "Or che reso ai patrii lidi" (Enrico)
- Anna Bolena: Act I, Scene II. "Questo di per noi spuntato" (Tutti)
La fille du régiment (Orchestra and Chorus of The Royal Opera House, Covent Garden feat. conductor: Richard Bonynge)
Released 1986- La fille du régiment: Overture
- La fille du régiment: Act I. "L'ennemi s'avance"
- La fille du régiment: Act I. "Pour une femme de mon nom"
- La fille du régiment: Act I. "Sacré nom d'une pipe!"
- La fille du régiment: Act I. "Au bruit de la guerre"
- La fille du régiment: Act I. "Allons, allons, march', march'"
- La fille du régiment: Act I. "La la la... Chacun le sait, chacun le dit"
- La fille du régiment: Act I. "Dès que l'appel sonne"
- La fille du régiment: Act I. "Ils l'ont emmené brutalement"
- La fille du régiment: Act I. "Quoi! vous m'aimez?"
- La fille du régiment: Act I. "Rataplan, rataplan, rataplan"
- La fille du régiment: Act I. "Ah! mes amis, quel jour de fête!"
- La fille du régiment: Act I. "Le camarade est amoureux!"
- La fille du régiment: Act I. "Je suis soldat"
Lucia di Lammermoor (Chorus and Orchestra of the Royal Opera House, Covent Garden feat. conductor Richard Bonynge)
Released 1985- Lucia di Lammermoor: Act II, Scene I. "Lucia fra poco a te verrà" (Normanno)
- Lucia di Lammermoor: Act II, Scene I. "Appressati, Lucia"... "Il pallor, funesto, orrendo" (Enrico, Lucia)
- Lucia di Lammermoor: Act II, Scene I. "Soffriva nel pianto" (Lucia)
- Lucia di Lammermoor: Act II, Scene I. "Che fia" (Lucia)
- Lucia di Lammermoor: Act II, Scene I. "Se tradirmi tu potrai" (Enrico)
- Lucia di Lammermoor: Act II, Scene I. "Ebben? ... "Di tua speranza" (Lucia, Raimondo)
- Lucia di Lammermoor: Act II, Scene I. "Ah! cedi, cedi" (Raimondo)
- Lucia di Lammermoor: Act II, Scene I. "Al ben de'tuoi qual vittima" (Raimondo)
- Lucia di Lammermoor: Act II, Scene II. "Per te d'immenso giubilo" (Coro)
- Lucia di Lammermoor: Act II, Scene II. "Dov'è Lucia? " (Arturo)
- Lucia di Lammermoor: Act II, Scene II. "Chi mi frena in tal momento?" (Edgardo)
- Lucia di Lammermoor: Act II, Scene II. "T'allontana, sciagurato" (Enrico, Arturo)
L'Elisir d'Amore (Ambrosian Opera Chorus & English Chamber Orchestra feat. conductor: Richard Bonynge)
Released 1985- L'Elisir d'Amore: Act I, Scene 10. "Adina credimi"
- L'Elisir d'Amore: Act II, Scene 1. "Cantiamo, cantiam, cantiam"
- L'Elisir d'Amore: Act II, Scene 1. "Barcaruola a due voci"
- L'Elisir d'Amore: Act II, Scene 1. "Silenzio! È qua il notaro"
- L'Elisir d'Amore: Act II, Scene 3. "La donna è un animale"
- L'Elisir d'Amore: Act II, Scene 3. "Ai perigli della guerra"
- L'Elisir d'Amore: Act II, Scene 4. "Saria possibile?"
- L'Elisir d'Amore: Act II, Scene 5. "Dell 'elisir mirabile"
- L'Elisir d'Amore: Act II, Scene 6. "Io già m'immagino"
- L'Elisir d'Amore: Act II, Scene 6. "Quanto amore! Ed io spietata!"
- L'Elisir d'Amore: Act II, Scene 7. "Una furtiva lagrima"
- L'Elisir d'Amore: Act II, Scene 8. "Prendi; per me sei libero"
- L'Elisir d'Amore: Act II, Scene 9. "Alto! Fronte!"
- L'Elisir d'Amore: Act II, Scene 9. "Ei corregge ogni difetto"
Lucia di Lammermoor (Ambrosian Opera Chorus, New Philharmonia Orchestra feat. conductor: Jesús López-Cobos)
Released 1977- Lucia di Lammermoor: Act I, Scene I. Preludio - "Percorrete le spiagge vicine"
- Lucia di Lammermoor: Act I, Scene I. "Tu sei turbato!"
- Lucia di Lammermoor: Act I, Scene I. "Cruda, funesta smania"
- Lucia di Lammermoor: Act I, Scene I. "Il tuo dubbio"
- Lucia di Lammermoor: Act I, Scene II. "Ancor non giunse"
- Lucia di Lammermoor: Act I, Scene II. "Regnava nel silenzio"
- Lucia di Lammermoor: Act I, Scene II. "Quando, rapito in estasi"
- Lucia di Lammermoor: Act I, Scene II. "Egli s'avanza"
- Lucia di Lammermoor: Act I, Scene II. "Sulla tomba che rinserra"
- Lucia di Lammermoor: Act I, Scene II. "Verranno a te sull'aure"
- Lucia di Lammermoor: Act II, Scene I. "Lucia fra poco a te verrà"
- Lucia di Lammermoor: Act II, Scene I. "Appressati Lucia" - "Il pallor funesto, orrendo"
- Lucia di Lammermoor: Act II, Scene I. "Soffriva nel pianto"
- Lucia di Lammermoor: Act II, Scene I. "Che fia"
- Lucia di Lammermoor: Act II, Scene I. "Se tradirmi tu potrai"
- Lucia di Lammermoor: Act II, Scene I. "Ebben? - Di tua speranza"
- Lucia di Lammermoor: Act II, Scene I. "Ah! Cedi, cedi"
- Lucia di Lammermoor: Act II, Scene I. "Al ben de' tuoi qual vittima"
L'elisir d'amore
- Act 1 - Preludio
- Act 1 - "Bel conforto"
- Act 1 - "Quanto è bella"
- Act 1 - "Benedette queste carte!"
- Act 1 - "Una parola, Adina"
- Act 1 - "Chiedi all'aura lusinghiera"
- Act 1 - "Che vuol dire codesta suonata?"
- Act 1 - "Udite, udite, o rustici"
- Act 1 - "Caro elisir! Sei mio!" - "Lallarallara"
- Act 1 - "Esulti pur la barbara"
- Act 1 - "Tran, tran, tran, tran - In guerra ed in amor"
- Act 1 - "Signor sargente"
- Act 1 - "Adina credimi"
- Act 2 - Introduzione
- Act 2 - "Poichè, cantar vi alletta"
- Act 2 - "Dell' elisir mirabile"
- Act 2 - "Una furtiva lagrima"
- Act 2 - Alto! Fronte!
- Act 2 - "Ei corregge ogni difetto"
Lucia di Lammermoor (Orchestra e coro del Teatro alla Scala, feat. conducter Herbert Van Karajan, Maria Callas, Giuseppe Di Stefano)
Lucia di Lammermoor (feat. conductor: Guido Picco, soprano: Maria Callas, tenor: Giuseppe Di Stefano, baritone: Piero Campolonghi)
Lucia di Lammermoor (feat. conductor: Tullio Serafin, soprano: Maria Callas, tenor: Giuseppe Di Stefano, baritone: Tito Gobbi)
L'elisir d'amore, Act II
- Coro d'Introduzione: 'Cantiamo, facciam brindisi'
- Recitativo: poiché cantar vi alletta
- Barcaruola: 'Io son ricco e tu sei bella' - Recitativo: 'Silenzio! È qua il notaro' - Recitativo: 'Le feste nuziali'
- Scena e Duetto: 'La donna è un animale stravagante' - 'Ventiscudi!'
- Recitativo: 'Qua la mano, giovinotto'
- Coro: 'Saria possibile?'
- Quartetto: 'Dell'elisir mirabile'
- Recitativo e Duetto: 'Come sen va contento!'
- 'Quanto amore! Ed io, spietata!''
- 'Una tenera occiatina'
- Romanza: 'Una furtiva lagrima'
- Recitativo: 'Eccola. Oh! qual le accresce beltà'
- Aria: 'Prendi, per me sei libero'
- Recitativo: 'Alto! Fronte!'
- Aria finale: 'Ei correge ogni difetto'
L'elisir d'amore, Act I
- Preludio
- Coro d'Introduzione: 'Bel conforto al mietitore'
- Cavatina: 'Quanto è bella, quanto è cara!'
- Scena e Cavatina: 'Benedette queste carte ... Della crudele Isotta'
- Marziale
- Cavatina: 'Come Paride vezzoso' - Recitativo: 'Intanto, o mia ragazza'
- Scena e Duetto: 'Una parola, o Adina'
- 'Chiedi all'aura lusingiera'
- Coro: 'Che vuol dire codesta suonata?'
- Cavatina: 'Udite, udite, o rustici'
- Recitativo e Duetto: 'Ardir! Ha forse il cielo mandato'
- Voglio dire, lo stupendo elisir
- Recitativo: 'Caro elisir! sei mio!'
- Scena e Duetto: 'Lallarallara... Esulti pur la barbara'
- Terzetto: 'Tran, tran, tran... In guerra ed in amor'
- Scena e Quartetto: 'Signor sargente, di voi riciede la vostra gente.'
- Adina credimi, te ne scongiuro
- Andiam Belcore
Lucia di Lammermoor (Callas, Tagliavini, Cappuccilli, Ladysz, Philharmonia Orchestra and Chorus, Tullio Serafin) 1960
- Preludio
- Act I, Scene 1 - Percorrete...Percorriamo le spiagge vicine
- Act I, Scene 1 - Tu sei turbato!...E n'ho ben d'onde
- Act I, Scene 1 - Cruda, funesta smania
- Act I, Scene 1 - Il tuo dubbio è omai certezza...Come vinti da stanchezza
- Act I, Scene 1 - La pietade in suo favore
- Act I, Scene 2 - Ancor non giunse?
- Act I, Scene 2 - Regnava nel silenzio alta la notte e bruna
- Act I, Scene 2 - Quando rapito in estasi
- Act I, Scene 2 - Egli s'avanza...Lucia, perdona se ad ora inusitata
- Act I, Scene 2 - Sulla tomba che rinserra il tradito genitore
- Act I, Scene 2 - Qui di sposa eterna fede...ah, soltanto il nostro foco
- Act I, Scene 2 - Ah, talor del tuo pensiero venga un foglio messaggero
- Act I, Scene 2 - Verrano a te sull'aure i miei sospiri ardenti
Lucia di Lammermoor
- Atto 1 - Scena 1
- Atto 1 - Scena 2 - Tu sei turbato
- Atto 1 - Scena 2 - Cruda, funesta smania
- Atto 1 - Scena 3 - Il tuo dubbio
- Atto 1 - Scena 4 - Ancor non giunse!
- Atto 1 - Scena 4 - Regnava nel silenzio
- Atto 1 - Scena 5 - Lucia, perdona
- Atto 1 - Scena 5 - Sulla tomba che rinserra
- Atto 1 - Scena 5 - Ah! Verranno a te sull'aure
- Atto 2 - Scena 1
- Atto 2 - Scena 1 - Appressati, Lucia
- Atto 2 - Scena 1 - Che fia...
- Atto 2 - Scena 1 - Oh ciel!
Lucia di Lammermoor (Complete)
- Act I. Prld And Chor Intro: 'Percorrete Le Spiagge Vicine'
- Act I: 'Tu Sei Turbato! E N'Ho Ben Donde'
- Act I: 'Cruda, Funesta Smania'
- Act I: 'Ancor Non Giunse'
- Act I: 'Regnava Nel Silenzio'
- Act I: 'Egli, S'Avvanza'
- Act I: 'Sulla Tomba Che Rinserra'
- Act II: 'Lucia Fra Poco A Te Verra'
- Act II: 'Appressati, Lucia'
- Act II: 'Il Palloro, Funesto, Orrendo'
- Act II: 'Ebben?'...'Di Tua Speranza'
- Act II: 'Ah! Cedi, Cedi, O Piu Sciagure'
- Act II: 'Per Te D'Immenso Giubilo'
- Act II: 'Per Poco Fra Le Tenebre'
L'elisir d'amore: Evelino Pido
- Preludio
- Bel conforto al mietitore (Giannetta, mietitori)
- Quanto è bella, quanto è cara! (Nemorino)
- Benedette queste carte! (Adina)
- Come Paride vezzoso (Belcore)
- Or se m´ami, com´io t´amo (Belcore)
- Una parola, o Adina (Nemorino)
- Che vuol dire cotesta suonata? (Donne)
- Udite, udite o rustici (Dulcamara)
- Ardir! Ha forse il cielo mandato (Nemorino)
- Voglio dire, lo stupendo elisir (Nemorino)
- Caro elisir! sei mio! (Nemorino)
- Chi è mai quel matto? (Adina)
- Esulti pur la barbara (Nemorino)
- Tran tran tran tran (Belcore)
- Signor sargente (Gianetta)
- Adina, credimi, te ne scongiuro (Nemorino)
Lucia di Lammermoor (Luciano Pavarotti)
- Scena III - Per Me D'immenso Giubilo
- Dov'e Lucia?
- Scena IV - Ecco Il Tuo Sposo
- Scena V - Edgardo!
- Chi Mi Frena In Tal Momento?
- T'allontana Sciagurato
- Atto Terzo
- Scena I - D'immenso Giubilo
- Scena II - Cessi... Ah, Cessi Qual Contento
- Dalle Stanze Ove Lucia
- Scena III - Il Dolce Suono Mi Colpi Di Sua Voce
- Ardon Gli Incensi
- Spargi D'amaro Pianto
- Scena IV - Tombe Degli Avi Miei
- Fra Poco A Me Ricovero
- Scena V - Oh Meschina! Oh Fato Orrendo!
- Scena Ultima - Ove Corri, Sventurato?
- Tu Che A Dio Spiegasti L'ali
Born: 1797-11-29
Died: 1848-04-08
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Gaetano Donizetti - L'elisir d'amore - "Una furtiva lagrima" (Leopold Simoneau)
This new mini-series (three in total) of uploads is dedicated to something of a most pleasant enigma of the musical world: two people, a married couple, who can be considered one of the truly best and complementary singing partnerships in the twentieth century. Both of French-Canadian heritage, both possessors of light, lyric voices of excellent technique; both most suited to classicist works of the 18th century; both extremely lovely people. I'm talking, of course, of Leopold Simoneau and Pierrette Alarie. Their recordings, both presented and available in other sources, testify to a personal and artistic relationship that can only be properly described as "the perfect vocal marriage". As an additional point of interest, I'm providing a short biography of Simoneau, the male part of the ...
published: 02 Sep 2008 -
Donizetti - Lucia's cavatina from Lucia di Lammermoor (Anna Netrebko, Yuri Temirkanov)
From the Philharmonic Hall St. Petersburg, (starts at 0:31) On the eve of St. Petersburg 300th birthday, Yuri Temirkanov conducts the soprano singer Anna Netrebko and the St. Petersburg Philharmonic Orchestra Anna Netrebko - soprano Yuri Temirkanov - conductor St. Petersburg Philharmonic Orchestra Gaetano Donizetti - Lucia's cavatina from Lucia di Lammermoor Click here to watch the full concert on the occasion of the St. Petersburg 300th birthday: https://youtu.be/nESdk_MxBMQ Subscribe to EuroArts: https://goo.gl/jrui3M St. Petersburg, Russia's fabled "window to Europe", celebrates its anniversary presenting a gala of distinguished musical Art where Yuri Termirkanov conducts one of the oldest Russian symphonic ensemble: The St Petersburg Philharmonic.
published: 01 Jan 2019 -
Luciano PAVAROTTI. Una furtiva lagrima. L' elisir d' amore. G. Donizetti.
published: 28 Feb 2012 -
Gaetano Donizetti - Il Dolce Suono
Gaetano Donizetti's famous Aria " Il Dolce Suono from his Opera Lucia di Lammermoor. The Fifth Element Original Soundtrack. By Inva Mula Tchako Hope You Enjoy.
published: 07 May 2010 -
WHO WAS Gaetano Donizetti?
Welcome to CLASSY CLASSICAL - your favorite music channel about classical music, history of music, composers, piano and arts! You can learn everything about famous composers of classical music, interesting facts about their lives and how they created their masterpieces! Subscribe - https://bit.ly/38tti6W Subscribe - https://bit.ly/38tti6W Enjoy this short story about the life of a wonderful opera composer, Gaetano Donizetti! Did you know all that we covered in our video? Let us know in the comment section which videos you would like to see next time! 🎶😊 Thank you for your support!
published: 11 Jan 2023 -
Gaetano Donizetti - Overture Don Pasquale (1843)
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, Donizetti was a leading composer of the bel canto opera style during the first half of the nineteenth century. Donizetti's close association with the bel canto style was undoubtedly an influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. Although he did not come from a musical background, at an early age he was taken under the wing of composer Simon Mayr who had enrolled him by means of a full scholarship in a school which he had set up. There he received detailed training in the arts of fugue and counterpoint. Mayr was also instrumental in obtaining a place for the youn...
published: 11 May 2020 -
Camille Thomas – Donizetti: L'elisir d'amore: Una furtiva lagrima (at Le Musée des Arts Décoratifs)
Gaetano Donizetti : Una furtiva lagrima From “ L’Elisire d’Amore” Adapt. for Cello and Orchestra CAMILLE THOMAS, cello Brussels Philharmonic Mathieu Herzog Directed by Martin Mirabel Musée Arts des Décoratifs: Sylvie Cornard Olivier Gabet Sylvie Legrand-Rossi Olivier Hassler Juliette Sirinelli Ghislaine Flageul Isabelle Waquet Dress: Stella McCartney Hair & make-up: Caroline Bufalini Filmed at Musée des Arts Décoratifs (Paris) Thanks to: Nippon Music Foundation for the loan of the 1730 Stradivarius ‘Feuermann’, Team of Musée des Arts Décoratifs, Olivier Gabet, Aymeric de Drouas, Thierry Messonier, Yohan Bos, ZZO image, Stella McCartney. https://madparis.fr/francais/musees/musee-des-arts-decoratifs/ 2020 Deutsche Grammophon Camille Thomas – Donizetti: L'elisir d'amore...
published: 30 Oct 2020 -
Donizetti - Sonata for Flute and Piano in C major
Sonata for Flute and Piano in C major Gaetano Donizetti Silvia Careddu, Flute Juan David Mora, Piano
published: 04 Jun 2023 -
Tibi soli peccavi (excerpt), Donizetti 💛 #sacredmusic #classicalmusic #nycmusicians
Musical Collaboration @SaintPetersNYC Emily Hagens, Soprano Noemy Sallai, Clarinet Balint Karosi, Organ
published: 03 Oct 2024 -
Il dolce suono - Inva Mula, Lucia di Lammermoor (Gaetano Donizetti), The Fifth Element (1997)
published: 28 Oct 2018
developed with YouTube
4:47
Gaetano Donizetti - L'elisir d'amore - "Una furtiva lagrima" (Leopold Simoneau)
- Order: Reorder
- Duration: 4:47
- Uploaded Date: 02 Sep 2008
- views: 250648
This new mini-series (three in total) of uploads is dedicated to something of a most pleasant enigma of the musical world: two people, a married couple, who can...
This new mini-series (three in total) of uploads is dedicated to something of a most pleasant enigma of the musical world: two people, a married couple, who can be considered one of the truly best and complementary singing partnerships in the twentieth century. Both of French-Canadian heritage, both possessors of light, lyric voices of excellent technique; both most suited to classicist works of the 18th century; both extremely lovely people. I'm talking, of course, of Leopold Simoneau and Pierrette Alarie. Their recordings, both presented and available in other sources, testify to a personal and artistic relationship that can only be properly described as "the perfect vocal marriage".
As an additional point of interest, I'm providing a short biography of Simoneau, the male part of the duo.
Tenor, pefagogue and administrator, Simoneau studied at Levis College and Laval University before continuing voice studies in Montréal with Salvator Issaurel. There he met Pierrette Alarie. A year later he won the Prix Archambault; this led to studies in New York in 1945. He and Pierrette were married in 1946. He moved with his wife to Paris in 1949 to make their debuts at the Opéra Comique. The couple's reputation continued to grow following appearances at the Aix-en-Provence, Edinburgh, Glyndebourne, Vienna, Munich and Salzburg Festivals. Many of their performances on stage, in concerts and in recording studios were made together: Romeo and Juliet, Vincent and Mireille, Tonio and Marie, Almaviva and Rosina, Alfredo and Violetta, and, most often, Belmonte and Blondchen.
The third and last except is Nemorino's stunning romance from Donizetti's "L'elisir d'amore", sung, of course, by Simoneau. Just like in the case of the first piece, the aria is well-known and well recorded, but again I can't really say if I had the pleasure of hearing a more charming rendition of the piece. Enjoy :)!
https://wn.com/Gaetano_Donizetti_L'Elisir_D'Amore_Una_Furtiva_Lagrima_(Leopold_Simoneau)
This new mini-series (three in total) of uploads is dedicated to something of a most pleasant enigma of the musical world: two people, a married couple, who can be considered one of the truly best and complementary singing partnerships in the twentieth century. Both of French-Canadian heritage, both possessors of light, lyric voices of excellent technique; both most suited to classicist works of the 18th century; both extremely lovely people. I'm talking, of course, of Leopold Simoneau and Pierrette Alarie. Their recordings, both presented and available in other sources, testify to a personal and artistic relationship that can only be properly described as "the perfect vocal marriage".
As an additional point of interest, I'm providing a short biography of Simoneau, the male part of the duo.
Tenor, pefagogue and administrator, Simoneau studied at Levis College and Laval University before continuing voice studies in Montréal with Salvator Issaurel. There he met Pierrette Alarie. A year later he won the Prix Archambault; this led to studies in New York in 1945. He and Pierrette were married in 1946. He moved with his wife to Paris in 1949 to make their debuts at the Opéra Comique. The couple's reputation continued to grow following appearances at the Aix-en-Provence, Edinburgh, Glyndebourne, Vienna, Munich and Salzburg Festivals. Many of their performances on stage, in concerts and in recording studios were made together: Romeo and Juliet, Vincent and Mireille, Tonio and Marie, Almaviva and Rosina, Alfredo and Violetta, and, most often, Belmonte and Blondchen.
The third and last except is Nemorino's stunning romance from Donizetti's "L'elisir d'amore", sung, of course, by Simoneau. Just like in the case of the first piece, the aria is well-known and well recorded, but again I can't really say if I had the pleasure of hearing a more charming rendition of the piece. Enjoy :)!
9:17
Donizetti - Lucia's cavatina from Lucia di Lammermoor (Anna Netrebko, Yuri Temirkanov)
- Order: Reorder
- Duration: 9:17
- Uploaded Date: 01 Jan 2019
- views: 2774356
From the Philharmonic Hall St. Petersburg, (starts at 0:31)
On the eve of St. Petersburg 300th birthday, Yuri Temirkanov conducts the soprano singer Anna Netreb...
From the Philharmonic Hall St. Petersburg, (starts at 0:31)
On the eve of St. Petersburg 300th birthday, Yuri Temirkanov conducts the soprano singer Anna Netrebko and the St. Petersburg Philharmonic Orchestra
Anna Netrebko - soprano
Yuri Temirkanov - conductor
St. Petersburg Philharmonic Orchestra
Gaetano Donizetti - Lucia's cavatina from Lucia di Lammermoor
Click here to watch the full concert on the occasion of the St. Petersburg 300th birthday: https://youtu.be/nESdk_MxBMQ
Subscribe to EuroArts: https://goo.gl/jrui3M
St. Petersburg, Russia's fabled "window to Europe", celebrates its anniversary presenting a gala of distinguished musical Art where Yuri Termirkanov conducts one of the oldest Russian symphonic ensemble: The St Petersburg Philharmonic.
https://wn.com/Donizetti_Lucia's_Cavatina_From_Lucia_Di_Lammermoor_(Anna_Netrebko,_Yuri_Temirkanov)
From the Philharmonic Hall St. Petersburg, (starts at 0:31)
On the eve of St. Petersburg 300th birthday, Yuri Temirkanov conducts the soprano singer Anna Netrebko and the St. Petersburg Philharmonic Orchestra
Anna Netrebko - soprano
Yuri Temirkanov - conductor
St. Petersburg Philharmonic Orchestra
Gaetano Donizetti - Lucia's cavatina from Lucia di Lammermoor
Click here to watch the full concert on the occasion of the St. Petersburg 300th birthday: https://youtu.be/nESdk_MxBMQ
Subscribe to EuroArts: https://goo.gl/jrui3M
St. Petersburg, Russia's fabled "window to Europe", celebrates its anniversary presenting a gala of distinguished musical Art where Yuri Termirkanov conducts one of the oldest Russian symphonic ensemble: The St Petersburg Philharmonic.
- published: 01 Jan 2019
- views: 2774356
6:13
Luciano PAVAROTTI. Una furtiva lagrima. L' elisir d' amore. G. Donizetti.
- Order: Reorder
- Duration: 6:13
- Uploaded Date: 28 Feb 2012
- views: 1407195
- published: 28 Feb 2012
- views: 1407195
3:19
Gaetano Donizetti - Il Dolce Suono
- Order: Reorder
- Duration: 3:19
- Uploaded Date: 07 May 2010
- views: 35505
Gaetano Donizetti's famous Aria " Il Dolce Suono from his Opera Lucia di Lammermoor.
The Fifth Element Original Soundtrack.
By Inva Mula Tchako
Hope You...
Gaetano Donizetti's famous Aria " Il Dolce Suono from his Opera Lucia di Lammermoor.
The Fifth Element Original Soundtrack.
By Inva Mula Tchako
Hope You Enjoy.
https://wn.com/Gaetano_Donizetti_Il_Dolce_Suono
Gaetano Donizetti's famous Aria " Il Dolce Suono from his Opera Lucia di Lammermoor.
The Fifth Element Original Soundtrack.
By Inva Mula Tchako
Hope You Enjoy.
- published: 07 May 2010
- views: 35505
3:13
WHO WAS Gaetano Donizetti?
- Order: Reorder
- Duration: 3:13
- Uploaded Date: 11 Jan 2023
- views: 876
Welcome to CLASSY CLASSICAL - your favorite music channel about classical music, history of music, composers, piano and arts!
You can learn everything about fa...
Welcome to CLASSY CLASSICAL - your favorite music channel about classical music, history of music, composers, piano and arts!
You can learn everything about famous composers of classical music, interesting facts about their lives and how they created their masterpieces!
Subscribe - https://bit.ly/38tti6W
Subscribe - https://bit.ly/38tti6W
Enjoy this short story about the life of a wonderful opera composer, Gaetano Donizetti! Did you know all that we covered in our video?
Let us know in the comment section which videos you would like to see next time! 🎶😊 Thank you for your support!
https://wn.com/Who_Was_Gaetano_Donizetti
Welcome to CLASSY CLASSICAL - your favorite music channel about classical music, history of music, composers, piano and arts!
You can learn everything about famous composers of classical music, interesting facts about their lives and how they created their masterpieces!
Subscribe - https://bit.ly/38tti6W
Subscribe - https://bit.ly/38tti6W
Enjoy this short story about the life of a wonderful opera composer, Gaetano Donizetti! Did you know all that we covered in our video?
Let us know in the comment section which videos you would like to see next time! 🎶😊 Thank you for your support!
- published: 11 Jan 2023
- views: 876
6:31
Gaetano Donizetti - Overture Don Pasquale (1843)
- Order: Reorder
- Duration: 6:31
- Uploaded Date: 11 May 2020
- views: 51994
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini an...
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, Donizetti was a leading composer of the bel canto opera style during the first half of the nineteenth century. Donizetti's close association with the bel canto style was undoubtedly an influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. Although he did not come from a musical background, at an early age he was taken under the wing of composer Simon Mayr who had enrolled him by means of a full scholarship in a school which he had set up. There he received detailed training in the arts of fugue and counterpoint. Mayr was also instrumental in obtaining a place for the young man at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy Il Pigmalione, which may never have been performed during his lifetime.
Overture Don Pasquale (1843)
Orchestra Stabile della Teatro Communale di Bologna conducted by Arturo Basile
https://wn.com/Gaetano_Donizetti_Overture_Don_Pasquale_(1843)
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, Donizetti was a leading composer of the bel canto opera style during the first half of the nineteenth century. Donizetti's close association with the bel canto style was undoubtedly an influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. Although he did not come from a musical background, at an early age he was taken under the wing of composer Simon Mayr who had enrolled him by means of a full scholarship in a school which he had set up. There he received detailed training in the arts of fugue and counterpoint. Mayr was also instrumental in obtaining a place for the young man at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy Il Pigmalione, which may never have been performed during his lifetime.
Overture Don Pasquale (1843)
Orchestra Stabile della Teatro Communale di Bologna conducted by Arturo Basile
- published: 11 May 2020
- views: 51994
4:22
Camille Thomas – Donizetti: L'elisir d'amore: Una furtiva lagrima (at Le Musée des Arts Décoratifs)
- Order: Reorder
- Duration: 4:22
- Uploaded Date: 30 Oct 2020
- views: 1426869
Gaetano Donizetti : Una furtiva lagrima
From “ L’Elisire d’Amore”
Adapt. for Cello and Orchestra
CAMILLE THOMAS, cello
Brussels Philharmonic
Mathieu Herzog
D...
Gaetano Donizetti : Una furtiva lagrima
From “ L’Elisire d’Amore”
Adapt. for Cello and Orchestra
CAMILLE THOMAS, cello
Brussels Philharmonic
Mathieu Herzog
Directed by Martin Mirabel
Musée Arts des Décoratifs:
Sylvie Cornard
Olivier Gabet
Sylvie Legrand-Rossi
Olivier Hassler
Juliette Sirinelli
Ghislaine Flageul
Isabelle Waquet
Dress: Stella McCartney
Hair & make-up: Caroline Bufalini
Filmed at Musée des Arts Décoratifs (Paris)
Thanks to: Nippon Music Foundation for the loan of the 1730 Stradivarius ‘Feuermann’, Team of Musée des Arts Décoratifs, Olivier Gabet, Aymeric de Drouas, Thierry Messonier, Yohan Bos, ZZO image, Stella McCartney.
https://madparis.fr/francais/musees/musee-des-arts-decoratifs/
2020 Deutsche Grammophon
Camille Thomas – Donizetti: L'elisir d'amore: Una furtiva lagrima (at Le Musée des Arts Décoratifs)
Listen to 'Voice of Hope': https://DG.lnk.to/VoiceOfHope
Subscribe here for more classical video clips – The Best Of Classical Music: http://bit.ly/Subscribe_DG
Discover full concert performances on DG Premium - registration and basic library are free: https://www.dg-premium.com
Get your front row ticket here for exclusive streams and world premieres with leading artists: https://www.dg-stage.com
_______________
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#CamilleThomas #Donizetti #VoiceOfHope
https://wn.com/Camille_Thomas_–_Donizetti_L'Elisir_D'Amore_Una_Furtiva_Lagrima_(At_Le_Musée_Des_Arts_Décoratifs)
Gaetano Donizetti : Una furtiva lagrima
From “ L’Elisire d’Amore”
Adapt. for Cello and Orchestra
CAMILLE THOMAS, cello
Brussels Philharmonic
Mathieu Herzog
Directed by Martin Mirabel
Musée Arts des Décoratifs:
Sylvie Cornard
Olivier Gabet
Sylvie Legrand-Rossi
Olivier Hassler
Juliette Sirinelli
Ghislaine Flageul
Isabelle Waquet
Dress: Stella McCartney
Hair & make-up: Caroline Bufalini
Filmed at Musée des Arts Décoratifs (Paris)
Thanks to: Nippon Music Foundation for the loan of the 1730 Stradivarius ‘Feuermann’, Team of Musée des Arts Décoratifs, Olivier Gabet, Aymeric de Drouas, Thierry Messonier, Yohan Bos, ZZO image, Stella McCartney.
https://madparis.fr/francais/musees/musee-des-arts-decoratifs/
2020 Deutsche Grammophon
Camille Thomas – Donizetti: L'elisir d'amore: Una furtiva lagrima (at Le Musée des Arts Décoratifs)
Listen to 'Voice of Hope': https://DG.lnk.to/VoiceOfHope
Subscribe here for more classical video clips – The Best Of Classical Music: http://bit.ly/Subscribe_DG
Discover full concert performances on DG Premium - registration and basic library are free: https://www.dg-premium.com
Get your front row ticket here for exclusive streams and world premieres with leading artists: https://www.dg-stage.com
_______________
Find Deutsche Grammophon Online
Homepage: http://deutschegrammophon.com
Facebook: http://fb.com/deutschegrammophon
Twitter: http://twitter.com/dgclassics
Instagram: http://instagram.com/dgclassics
Newsletter: https://deutschegrammophon.com/newsletter
_______________
最优质古典音乐 – 此处订阅: http://bit.ly/Subscribe_DG
Le meilleur de la musique classique. Pour vous abonner cliquez ici: http://bit.ly/Subscribe_DG
最高のクラシック音楽―登録はこちら: http://bit.ly/Subscribe_DG
최고의 클래식음악을 구독하세요: http://bit.ly/Subscribe_DG
Подписаться на лучшую классическую музыку:: http://bit.ly/Subscribe_DG
La mejor música clásica - Suscríbase aquí: http://bit.ly/Subscribe_DG
#CamilleThomas #Donizetti #VoiceOfHope
- published: 30 Oct 2020
- views: 1426869
9:18
Donizetti - Sonata for Flute and Piano in C major
- Order: Reorder
- Duration: 9:18
- Uploaded Date: 04 Jun 2023
- views: 12886
Sonata for Flute and Piano in C major
Gaetano Donizetti
Silvia Careddu, Flute
Juan David Mora, Piano
Sonata for Flute and Piano in C major
Gaetano Donizetti
Silvia Careddu, Flute
Juan David Mora, Piano
https://wn.com/Donizetti_Sonata_For_Flute_And_Piano_In_C_Major
Sonata for Flute and Piano in C major
Gaetano Donizetti
Silvia Careddu, Flute
Juan David Mora, Piano
- published: 04 Jun 2023
- views: 12886
0:54
Tibi soli peccavi (excerpt), Donizetti 💛 #sacredmusic #classicalmusic #nycmusicians
- Order: Reorder
- Duration: 0:54
- Uploaded Date: 03 Oct 2024
- views: 559
Musical Collaboration @SaintPetersNYC
Emily Hagens, Soprano
Noemy Sallai, Clarinet
Balint Karosi, Organ
Musical Collaboration @SaintPetersNYC
Emily Hagens, Soprano
Noemy Sallai, Clarinet
Balint Karosi, Organ
https://wn.com/Tibi_Soli_Peccavi_(Excerpt),_Donizetti_💛_Sacredmusic_Classicalmusic_Nycmusicians
Musical Collaboration @SaintPetersNYC
Emily Hagens, Soprano
Noemy Sallai, Clarinet
Balint Karosi, Organ
- published: 03 Oct 2024
- views: 559
5:02
Il dolce suono - Inva Mula, Lucia di Lammermoor (Gaetano Donizetti), The Fifth Element (1997)
- Order: Reorder
- Duration: 5:02
- Uploaded Date: 28 Oct 2018
- views: 142765
- published: 28 Oct 2018
- views: 142765
4:47
Gaetano Donizetti - L'elisir d'amore - "Una furtiva lagrima" (Leopold Simoneau)
This new mini-series (three in total) of uploads is dedicated to something of a most pleas...
published: 02 Sep 2008
Gaetano Donizetti - L'elisir d'amore - "Una furtiva lagrima" (Leopold Simoneau)
Gaetano Donizetti - L'elisir d'amore - "Una furtiva lagrima" (Leopold Simoneau)
- Report rights infringement
- published: 02 Sep 2008
- views: 250648
This new mini-series (three in total) of uploads is dedicated to something of a most pleasant enigma of the musical world: two people, a married couple, who can be considered one of the truly best and complementary singing partnerships in the twentieth century. Both of French-Canadian heritage, both possessors of light, lyric voices of excellent technique; both most suited to classicist works of the 18th century; both extremely lovely people. I'm talking, of course, of Leopold Simoneau and Pierrette Alarie. Their recordings, both presented and available in other sources, testify to a personal and artistic relationship that can only be properly described as "the perfect vocal marriage".
As an additional point of interest, I'm providing a short biography of Simoneau, the male part of the duo.
Tenor, pefagogue and administrator, Simoneau studied at Levis College and Laval University before continuing voice studies in Montréal with Salvator Issaurel. There he met Pierrette Alarie. A year later he won the Prix Archambault; this led to studies in New York in 1945. He and Pierrette were married in 1946. He moved with his wife to Paris in 1949 to make their debuts at the Opéra Comique. The couple's reputation continued to grow following appearances at the Aix-en-Provence, Edinburgh, Glyndebourne, Vienna, Munich and Salzburg Festivals. Many of their performances on stage, in concerts and in recording studios were made together: Romeo and Juliet, Vincent and Mireille, Tonio and Marie, Almaviva and Rosina, Alfredo and Violetta, and, most often, Belmonte and Blondchen.
The third and last except is Nemorino's stunning romance from Donizetti's "L'elisir d'amore", sung, of course, by Simoneau. Just like in the case of the first piece, the aria is well-known and well recorded, but again I can't really say if I had the pleasure of hearing a more charming rendition of the piece. Enjoy :)!
9:17
Donizetti - Lucia's cavatina from Lucia di Lammermoor (Anna Netrebko, Yuri Temirkanov)
From the Philharmonic Hall St. Petersburg, (starts at 0:31)
On the eve of St. Petersburg 3...
published: 01 Jan 2019
Donizetti - Lucia's cavatina from Lucia di Lammermoor (Anna Netrebko, Yuri Temirkanov)
Donizetti - Lucia's cavatina from Lucia di Lammermoor (Anna Netrebko, Yuri Temirkanov)
- Report rights infringement
- published: 01 Jan 2019
- views: 2774356
From the Philharmonic Hall St. Petersburg, (starts at 0:31)
On the eve of St. Petersburg 300th birthday, Yuri Temirkanov conducts the soprano singer Anna Netrebko and the St. Petersburg Philharmonic Orchestra
Anna Netrebko - soprano
Yuri Temirkanov - conductor
St. Petersburg Philharmonic Orchestra
Gaetano Donizetti - Lucia's cavatina from Lucia di Lammermoor
Click here to watch the full concert on the occasion of the St. Petersburg 300th birthday: https://youtu.be/nESdk_MxBMQ
Subscribe to EuroArts: https://goo.gl/jrui3M
St. Petersburg, Russia's fabled "window to Europe", celebrates its anniversary presenting a gala of distinguished musical Art where Yuri Termirkanov conducts one of the oldest Russian symphonic ensemble: The St Petersburg Philharmonic.
6:13
Luciano PAVAROTTI. Una furtiva lagrima. L' elisir d' amore. G. Donizetti.
published: 28 Feb 2012
Luciano PAVAROTTI. Una furtiva lagrima. L' elisir d' amore. G. Donizetti.
Luciano PAVAROTTI. Una furtiva lagrima. L' elisir d' amore. G. Donizetti.
- Report rights infringement
- published: 28 Feb 2012
- views: 1407195
3:19
Gaetano Donizetti - Il Dolce Suono
Gaetano Donizetti's famous Aria " Il Dolce Suono from his Opera Lucia di Lammermoor.
T...
published: 07 May 2010
Gaetano Donizetti - Il Dolce Suono
Gaetano Donizetti - Il Dolce Suono
- Report rights infringement
- published: 07 May 2010
- views: 35505
Gaetano Donizetti's famous Aria " Il Dolce Suono from his Opera Lucia di Lammermoor.
The Fifth Element Original Soundtrack.
By Inva Mula Tchako
Hope You Enjoy.
3:13
WHO WAS Gaetano Donizetti?
Welcome to CLASSY CLASSICAL - your favorite music channel about classical music, history o...
published: 11 Jan 2023
WHO WAS Gaetano Donizetti?
WHO WAS Gaetano Donizetti?
- Report rights infringement
- published: 11 Jan 2023
- views: 876
Welcome to CLASSY CLASSICAL - your favorite music channel about classical music, history of music, composers, piano and arts!
You can learn everything about famous composers of classical music, interesting facts about their lives and how they created their masterpieces!
Subscribe - https://bit.ly/38tti6W
Subscribe - https://bit.ly/38tti6W
Enjoy this short story about the life of a wonderful opera composer, Gaetano Donizetti! Did you know all that we covered in our video?
Let us know in the comment section which videos you would like to see next time! 🎶😊 Thank you for your support!
6:31
Gaetano Donizetti - Overture Don Pasquale (1843)
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer...
published: 11 May 2020
Gaetano Donizetti - Overture Don Pasquale (1843)
Gaetano Donizetti - Overture Don Pasquale (1843)
- Report rights infringement
- published: 11 May 2020
- views: 51994
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, Donizetti was a leading composer of the bel canto opera style during the first half of the nineteenth century. Donizetti's close association with the bel canto style was undoubtedly an influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. Although he did not come from a musical background, at an early age he was taken under the wing of composer Simon Mayr who had enrolled him by means of a full scholarship in a school which he had set up. There he received detailed training in the arts of fugue and counterpoint. Mayr was also instrumental in obtaining a place for the young man at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy Il Pigmalione, which may never have been performed during his lifetime.
Overture Don Pasquale (1843)
Orchestra Stabile della Teatro Communale di Bologna conducted by Arturo Basile
4:22
Camille Thomas – Donizetti: L'elisir d'amore: Una furtiva lagrima (at Le Musée des Arts Décoratifs)
Gaetano Donizetti : Una furtiva lagrima
From “ L’Elisire d’Amore”
Adapt. for Cello and Orc...
published: 30 Oct 2020
Camille Thomas – Donizetti: L'elisir d'amore: Una furtiva lagrima (at Le Musée des Arts Décoratifs)
Camille Thomas – Donizetti: L'elisir d'amore: Una furtiva lagrima (at Le Musée des Arts Décoratifs)
- Report rights infringement
- published: 30 Oct 2020
- views: 1426869
Gaetano Donizetti : Una furtiva lagrima
From “ L’Elisire d’Amore”
Adapt. for Cello and Orchestra
CAMILLE THOMAS, cello
Brussels Philharmonic
Mathieu Herzog
Directed by Martin Mirabel
Musée Arts des Décoratifs:
Sylvie Cornard
Olivier Gabet
Sylvie Legrand-Rossi
Olivier Hassler
Juliette Sirinelli
Ghislaine Flageul
Isabelle Waquet
Dress: Stella McCartney
Hair & make-up: Caroline Bufalini
Filmed at Musée des Arts Décoratifs (Paris)
Thanks to: Nippon Music Foundation for the loan of the 1730 Stradivarius ‘Feuermann’, Team of Musée des Arts Décoratifs, Olivier Gabet, Aymeric de Drouas, Thierry Messonier, Yohan Bos, ZZO image, Stella McCartney.
https://madparis.fr/francais/musees/musee-des-arts-decoratifs/
2020 Deutsche Grammophon
Camille Thomas – Donizetti: L'elisir d'amore: Una furtiva lagrima (at Le Musée des Arts Décoratifs)
Listen to 'Voice of Hope': https://DG.lnk.to/VoiceOfHope
Subscribe here for more classical video clips – The Best Of Classical Music: http://bit.ly/Subscribe_DG
Discover full concert performances on DG Premium - registration and basic library are free: https://www.dg-premium.com
Get your front row ticket here for exclusive streams and world premieres with leading artists: https://www.dg-stage.com
_______________
Find Deutsche Grammophon Online
Homepage: http://deutschegrammophon.com
Facebook: http://fb.com/deutschegrammophon
Twitter: http://twitter.com/dgclassics
Instagram: http://instagram.com/dgclassics
Newsletter: https://deutschegrammophon.com/newsletter
_______________
最优质古典音乐 – 此处订阅: http://bit.ly/Subscribe_DG
Le meilleur de la musique classique. Pour vous abonner cliquez ici: http://bit.ly/Subscribe_DG
最高のクラシック音楽―登録はこちら: http://bit.ly/Subscribe_DG
최고의 클래식음악을 구독하세요: http://bit.ly/Subscribe_DG
Подписаться на лучшую классическую музыку:: http://bit.ly/Subscribe_DG
La mejor música clásica - Suscríbase aquí: http://bit.ly/Subscribe_DG
#CamilleThomas #Donizetti #VoiceOfHope
9:18
Donizetti - Sonata for Flute and Piano in C major
Sonata for Flute and Piano in C major
Gaetano Donizetti
Silvia Careddu, Flute
Juan David ...
published: 04 Jun 2023
Donizetti - Sonata for Flute and Piano in C major
Donizetti - Sonata for Flute and Piano in C major
- Report rights infringement
- published: 04 Jun 2023
- views: 12886
Sonata for Flute and Piano in C major
Gaetano Donizetti
Silvia Careddu, Flute
Juan David Mora, Piano
0:54
Tibi soli peccavi (excerpt), Donizetti 💛 #sacredmusic #classicalmusic #nycmusicians
Musical Collaboration @SaintPetersNYC
Emily Hagens, Soprano
Noemy Sallai, Clarinet
Balin...
published: 03 Oct 2024
Tibi soli peccavi (excerpt), Donizetti 💛 #sacredmusic #classicalmusic #nycmusicians
Tibi soli peccavi (excerpt), Donizetti 💛 #sacredmusic #classicalmusic #nycmusicians
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- published: 03 Oct 2024
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Musical Collaboration @SaintPetersNYC
Emily Hagens, Soprano
Noemy Sallai, Clarinet
Balint Karosi, Organ
5:02
Il dolce suono - Inva Mula, Lucia di Lammermoor (Gaetano Donizetti), The Fifth Element (1997)
published: 28 Oct 2018
Il dolce suono - Inva Mula, Lucia di Lammermoor (Gaetano Donizetti), The Fifth Element (1997)
Il dolce suono - Inva Mula, Lucia di Lammermoor (Gaetano Donizetti), The Fifth Element (1997)
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- published: 28 Oct 2018
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Gaetano Donizetti
Domenico Gaetano Maria Donizetti (Italian: [doˈmeːniko ɡaeˈtaːno maˈriːa donidˈdzetti]; 29 November 1797 – 8 April 1848) was an Italian composer. Along with Gioachino Rossini and Vincenzo Bellini, Donizetti was a leading composer of the bel canto opera style during the first half of the nineteenth century.
Donizetti was born in Bergamo in Lombardy. Although he did not come from a musical background, at an early age he was taken under the wing of composer Simon Mayr who had enrolled him by means of a full scholarship in a school which he had set up. There he received detailed training in the arts of fugue and counterpoint. Mayr was also instrumental in obtaining a place for the young man at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy Il Pigmalione, which may not have ever been performed during his lifetime.
Over the course of his career, Donizetti wrote almost 70 operas. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to that city and his residency there which lasted until the production of Caterina Cornaro in January 1844. In all, Naples presented 51 of Donizetti's operas.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Gaetano_Donizetti
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