- published: 29 Jan 2008
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Della Jones (13 April 1946), is a Welsh mezzo-soprano, particularly well known for her interpretations of works by Handel, Mozart, Rossini, Donizetti, and Britten.
Della Jones was born in Tonna, near Neath, Wales. She studied at the Royal College of Music, where she won the Kathleen Ferrier Memorial Scholarship, and later in Geneva, where she made her professional debut in 1970, as Feodor and Olga.
She joined the English National Opera in 1977 where she created the role of Dolly in Iain Hamilton's Anna Karenina in 1981, and the Royal Opera House in 1983, and began appearing abroad notably in France, Italy, and the United States.
Her repertoire ranges from baroque to contemporary works, with a specialty in the bel canto operas, notably of Rossini. In the mid 1970s. she began a long association with Opera Rara, appearing in many long forgotten bel canto works, both on stage and on recording. She can be heard in complete recordings of Donizetti's Ugo, conte di Parigi, L'assedio di Calais, Maria Padilla, Meyerbeer's Il crociato in Egitto and Rossini's Ricciardo e Zoraide and made a solo album with the title Della Jones sings Donizetti, in all of which one can appreciate her impeccable coloratura technique and strong feeling for words and music.
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Gioachino Antonio Rossini (Italian: [dʒoaˈkiːno anˈtɔːnjo rosˈsiːni]; 29 February 1792 – 13 November 1868) was an Italian composer who wrote 39 operas as well as sacred music, chamber music, songs, and some instrumental and piano pieces.
His best-known operas include the Italian comedies Il barbiere di Siviglia (The Barber of Seville) and La Cenerentola (Cinderella), and the French-language epics Moïse et Pharaon and Guillaume Tell (William Tell). A tendency for inspired, song-like melodies is evident throughout his scores, which led to the nickname "The Italian Mozart".
Until his retirement in 1829, Rossini had been the most popular opera composer in history. He is quoted as joking, "Give me the laundress' bill and I will even set that to music."
Gioachino Antonio Rossini was born into a family of musicians in Pesaro, a town on the Adriatic coast of Italy which was then part of the Papal States. His father, Giuseppe, was a horn player and inspector of slaughterhouses. His mother, Anna, was a singer and a baker's daughter. Rossini's parents began his musical training early, and by the age of six he was playing the triangle in his father's musical group.
"Rule, Britannia!" is a British patriotic song, originating from the poem "Rule, Britannia" by James Thomson and set to music by Thomas Arne in 1740. It is strongly associated with the Royal Navy, but also used by the British Army.
This British national air was originally included in Alfred, a masque about Alfred the Great co-written by Thomson and David Mallet and first performed at Cliveden, country home of Frederick, Prince of Wales (the eldest son of George II and father of the future George III, as well as the great-grandfather of Queen Victoria), on 1 August 1740, to commemorate the accession of George II and the third birthday of the Princess Augusta.
Frederick, a German prince who arrived in England as an adult and was on very bad terms with his father, was making considerable efforts to ingratiate himself and build a following among his subjects-to-be (which came to naught, as he predeceased his father and never became king). A masque linking the prince with both the medieval hero-king Alfred the Great's victories over the Vikings and with the current building of British sea power — exemplified by the recent successful capture of Porto Bello from the Spanish by Admiral Vernon on 21 November 1739, avenging in the eyes of the British public Admiral Hosier's disastrous Blockade of Porto Bello of 1726–27 — went well with his political plans and aspirations.
Rule Britannia by Thomas Arne from "Masque of Alfred". Last Night of the Proms 1993 (99th season), Della Jones, John Tomlinson, BBC SO, Barry Wordsworth
Last aria of Vitellia (extremely demanding) from La Clemenza di Tito. Wolfgang Amadeus Mozart La Clemenza di Tito (1791) Vitellia: Della Jones, soprano (mezzosoprano). Christopher Hogwood
A look back at all the wonderful versions of this famous air:
Isabella's cavatina „Cruda sorte" from the first act of "L'italiana in Algeri" is one of Rossini's best-known arias and features prominently on YouTube. The reason why I upload yet another version of it is the fact that I seldom heard it being sung as stunningly and satisfying as Della Jones does it on this recording, which is the opening track of a now-deleted, ravishing all-Rossini album she recorded for Chandos Records in 1990, together with the City of London Sinfonia, The Richard Hickox Singers, conducted by the late Richard Hickox himself. From the very beginning, Della Jones draws us a vivid portrait of a highly likeable, intelligent and temperamental woman, who finds herself in a most disagreeable situation, but in the end makes the very best out of it. Her diction is clear, her ...
Georg Friedrich Händel: Julius Ceasar (Giulio Cesare) ENO 1984, Sir Charles Mackerras. Sung in English. "Wounded, the serpent ne'er reposes" Sextus: Della Jones
"Il Crociato in Egitto" de Giacomo Meyerbeer, fue estrenada el 7 de marzo de 1824 en La Fenice, de Venecia. Esta fue la última ópera compuesta para un castrato: Giovanni Battista Velluti. Pero las constantes modificaciones que se hacían a las óperas para los estrenos en ciudades distintas no fueron la excepción en este "Cruzado en Egipto", y fruto de ello es esta aria "Cara mano dell'amore", que Velluti interpretó en Florencia ese mismo año de 1824. Aquí la escuchamos con una de las mejores mezzosopranos que han existido: Della Jones. En esta grabación en estudio (la única que existe en CD) elaborada por Opera Rara, Jones hace el papel de Felicia y la nada agradable Diana Montague el papel de Armando d'Orville; ésta última con un resultado poco satisfactorio, por lo duro y poco colorido...
Disclaimer - I own nothing
Della Jones sings "He was despised" from Messiah by Georg Freidrich Händel Collegium musicum 90 Richard Hickox, conductor
http://www.facebook.com/GaetanoDonizetti Aria of Enrico di Borgogna
This is a completely wrong performance of the ending to Monteverdi's "L'incoronazione di Poppea" which, in the best sense of the words, is a work about completely immoral people who never do deserve our affection. The final duet, in a way, is the wrong ending word, as the seriously cold-hearted lovers celebrate their love which has concurred all, including all the more or less good people around them. And yet, the performance in question is exceptional with both Arleen Auger and Della Jones are refreshingly clear-voiced and in balance with each other, so I think that some of the lack in dramatics can be forgiven. Enjoy :)!
Edward Elgar (1857-1934) Sea Pictures, song cycle for alto, organ & orchestra, Op. 37 1. Sea Slumber Song 0:00 2. In Haven (Capri) 5:02 3. Sabbath Morning at Sea 6:46 4. Where corals lie 11:40 5. The swimmer 15:20 Della Jones, mezzo-soprano Royal Philharmonic Orchestra Conducted by Sir Charles Mackerras 1994 _
Georg Friedrich Händel: Julius Ceasar (Giulio Cesare) ENO 1984, Sir Charles Mackerras. Sung in English. Sextus: Della Jones
Taken from the album "Blues From The Middle"
This new miniseries of uploads is, in nature, a sort of an appendix to one of my first projects on YouTube: a compilation of about twenty renditions of Rossini's brilliant cavatina for Rosina in "Il barbiere di Siviglia". I am slightly saddened by the fact that I wasn't able to add all these renditions during the contest proper (most of them made their way into my collection only after the contest), as some of them are more than comparable to the benchmark versions. Still, I think that posting them as an appendix solves this problem somewhat and helps to further widen the original collection of selections :). Della Jones offers a consistently warm account, beginning from a lovely opening cantabile to witty coloratura lines in the moderato (the repeat of the moderato has some of the most d...
Georg Friedrich Händel «Teseo» HWV 9 Opera in 5 Acts 1713 Atto V Scene 1 Aria [Medea]: Morirò mà vendicata Della Jones [mezzo-soprano] Les Musiciens du Louvre Marc Minkowski [direction]
Rule Britannia (Thomas Augustine Arne (1710-1778) Della Jones, Mezzosopran Royal Choral Society BBC Concert Orchestra Barry Wordsworth
P.S. Your comments on comparing the scenes would be appreciated :). The lesson scene of Rosina is surely a classical example of a scene in comic opera, both Italian and French, lampooning musical cliches of the epoque (Marie's long scene in "La fille du regiment" is the most obvious other example). Already used in the original play, it is obvious that composers were bound to play with the concept. Rossini and his librettist have ignored the text appearing in the play and have created a classical belcanto succession of cantabile - cabaletta on the general subject of love without any obvious allusions, like in Beaumarchais' text and Paisiello's opera. What I find strange is the fact that Rossini's version is a bit too serious and, at the same time, a little too impersonal (even if it b...
Funeral Blues from Cabaret Songs Music: Benjamin Britten (1913-1976) Text: W.H. Auden Della Jones, mezzo-soprano Steuart Bedford, piano
Agrippina's aria 'Pensieri voi me tormentate' is followed by a recitative between Agrippina and Pallante - 'Se bennemica sorte'. From Act 2 of Handel's opera Agrippina, HWV 6. Agrippina - Della Jones, mezzo-soprano, Pallante - George Mosley, bass. English Baroque Soloists John Eliot Gardiner conducting. View it in the context of the story in my Agrippina playlist - http://www.youtube.com/view_play_list?p=444E1CCF4759648C Mandelbrot and Attractor animations created using Fractal Explorer.
Edward Elgar (1857-1934) Sea Pictures, song cycle for alto, organ & orchestra, Op. 37 1. Sea Slumber Song 0:00 2. In Haven (Capri) 5:02 3. Sabbath Morning at Sea 6:46 4. Where corals lie 11:40 5. The swimmer 15:20 Della Jones, mezzo-soprano Royal Philharmonic Orchestra Conducted by Sir Charles Mackerras 1994 _
Georg Friedrich Händel (1685-1759) ALCINA HWV 34 Dramma per musica in tre atti di anonimo da Ludovico Ariosto (Music drama in three acts by anonimous from Ludovico Ariosto) ALCINA: Arleen Augér MORGANA: Eiddwen Harrhy RUGGIERO: Della Jones BRADAMANTE: Kathleen Kuhlmann OBERTO: Patrizia Kwella ORONTE: Maldwyn Davies MELISSO: John Tomlinson City of London Barocque Sinfonia - Richard Hickox (On authentic instruments) ATTO I: 0:00 ATTO II: 1:07:48 ATTO III: 2:33:52 APPENDIX: 1)Recitative and Aria (Ruggiero): Vo' cercando/Bramo di trionfar - 3:27:55 2)Alternative Act I, Scene II chorus: Questo è il cielo de' contenti - 3:35:10
Giuseppe Verdi: Messa da Requiem Margaret Price, soprano Della Jones, mezzo-soprano Stuart Burrows, tenor Robert Lloyd, Bass Philharmonia Orchestra Cardiff Polyphonic Choral Cantorian Ardwyn Swansea Bach Choir James Lockhart, Conductor Cardiff, Wales 1987 I. Requiem and Kyrie (chorus, soloists) II. Dies irae Dies irae (chorus) Tuba mirum (chorus, bass) Liber scriptus (mezzo-soprano, chorus) Quid sum miser (soprano, mezzo-soprano, tenor) Rex tremendae majestatis (soloists, chorus) Recordare (soprano, mezzo-soprano) Ingemisco (tenor) Confutatis (bass, chorus) Lacrimosa (soloists, chorus) III. Offertorium Domine Jesu Christe (soloists) Hostias (soloists) IV. Sanctus (double chorus) V. Agnus Dei (soprano, mezzo-soprano, chorus) VI. Lux aeterna (mezzo-soprano, tenor, bass) VII. Libera me (so...
Royal Opera House de Londres le 13 juillet 1992 Madama Cortese - Montserrat Caballé La contessa di Folleville - Renée Fleming La marchesa Melibea - Della Jones Corinna - Sylvia McNair Cavalier Belfiore - John Aler Il conte di Libenskof - Bonaventura Bottone Il barone di Trombonok - Andrew Shore Lord Sidney - Alastair Miles Don Profondo - Gregory Yurisich Don Alvaro - Peter Coleman-Roger Don Prudenzio - Jeremy White Don Luigino - ? Delia - Alexandra Gordon Antonio - Bruno Caproni Modestina - Glenys Groves Zefirino - Lynton Atkinson Maddalena - Catherine Wyn-Rogers Gelsomino - Alasdair Elliott Flûte - Edward Beckett The Orchestra of the Royal Opera House Direction musicale - Carlo Rizzi
Jerry Hadley--Candide June Anderson--Cunegonde Adolph Green--Dr. Pangloss Christa Ludwig--Old Lady Nicolai Gedda--Governor Della Jones--Paquette Leonard Bernstein--Conductor London Symphony Orchestra 1989
God save the Queen - Arr. by Gordon Jacob 0:01 Royal Choral Society BBC Concert Orchestra Barry Wordsworth Jerusalem - Sir Charles Hubert Parry (1848- † 1918) 0:51 Royal Choral Society BBC Orchestra Barry Wordsworth Rule Britannia (Thomas Augustine Arne (1710- † 1778) 3:24 Della Jones, Mezzosopran Royal Choral Society BBC Concert Orchestra Barry Wordsworth I vow to the, my Country! (Gustav Holst 1874- † 1934) - Arr. by Gerrad Williams. 8:10 Della Jones, Mezzosopran Royal Choral Society BBC Concert Orchestra Barry Wordsworth Pomp and Circumstance - Sir Edward Elgar (1857- † 1934) 12:50 Royal Philharmonic Orchestra André Previn Judas Maccabäus / See the conquering hero Comes! - Georg F. Händel (1685- † 1759) 19:20 Chorus and Academy of St. Martin in the Fields Sir Neville Marriner Za...
Gaetano Donizetti, at the ceiling of the Apollon Theater, Patras, Greece ♫♪♫♪♫♪ [̲̅̅H̲̅][̲̅̅a̲̅][̲̅̅p̲̅][̲̅̅p̲̅][̲̅̅y̲̅] [̲̅̅B̲̅][̲̅̅i][̲̅̅r][̲̅̅t̅][̲̅̅h̲̅][̲̅̅d̲̅][̲̅̅a̲̅][̲̅̅y̲̅] [̲̅̅t][̲̅̅o] [̲̅̅y][̲̅̅o][̲̅̅u]… ♫♪♫♪♫ 01-Belisario - Mara Zampieri 0:04 02-Fausta - Raina Kabaivanska 4:08 03-Imelda di Lambertazzi - Nicole Cabell 10:06 04-Poliuto - Maria Callas 14:35 05-Parisina - Carmen Giannattasio 17:42 06-Alina - Daniela Dessi 23:35 07-Alina - Daniela Dessi 26:59 08-Il Paria - Patrizia Cigna 31:22 09-Elisabetta di Siberia - Christine Weidinger 36:34 10-Elisabetta al Castello di Kenilworth - Joan Sutherland 39:52 11-Elisabetta al Castello di Kenilworth - Mariella Devia 46:34 12-Marino Faliero - Ángeles Blancas 51:46 13-Il Diluvio Universale - Yasuko Hay...
Alain Vanzo (Raoul), Louise Lebrun (Marguerite de Valois), Kathie Clarke (Valentine), Robert Massard (Nevers), Jules Bastin (Saint-Bris), Will Roy (Marcel), Della Jones (Urbain), Chœurs de Radio France, Nouvel Orchestre philharmonique de Radio France, Henri Gallois (direction) Enregistré par Radio France le 12 janvier 1976
13th Conference of the European Sociological Association | (Un)Making Europe: Capitalism, Solidarities, Subjectivities | Athens | 29.08.2017 - 01.09.2017 Special Evening Plenary | (Un)Making Europe Session Chair: Frank Welz, ESA President / University of Innsbruck Pleanry Speakers: Yanis Varoufakis, Professor of Economics, University of Athens/Co-founder of DiEM25 | Title: What Comes After Europe’s Failed Neoliberal Experiment? The Case for an Internationalist European New Deal & Donatella della Porta, Professor of Political Science & Dean of the Institute for Humanities and the Social Sciences, SNS | Title: Social Movements in the European Crisis. Still A Time of Critical Europeanism
Vincenzo Bellini (1801-1835) - La Sonnambula, melodramma semiserio in 2 atti per soli, coro e orchestra (1831) Libretto: Felice Romani, da "La Somnambule, ou L'arrivée d'un nouveau seigneur" di Eugène Scribe e Jean Aumer Atto I I. Coro d'Introduzione. Viva! viva! viva! viva! Amina! II. Cavatina. Tutto è gioia, tutto è festa III. Stretta dell'Introduzione. Viva Amina! IV. Recitativo e Cavatina. Care compagne, e voi, tenere amici V. Cabaletta. Sopra il sen la man mi posa VI. Recitativo e Duetto con Coro. Io più di tutti, o Amina VII. Recitativo. Perdona, o mia diletta, i breve indugio VIII. Duetto. Prendi: l'anel ti dono IX. Recitativo. Domani, appena aggiorni X. Cavatina. Vi ravviso, o luoghi ameni XI. Recitativo e Coro. Contezza del paese avete voi, signor? XII. Coro. A fosco cielo, a n...
Wolfgang Amadeus Mozart (1756-1791) LA CLEMENZA DI TITO KV 621 Opera seria in due atti di Caterino Mazzolà TITO: Uwe Heilmann SESTO: Cecilia Bartoli VITELLIA: Della Jones SERVILIA: Barbara Bonney ANNIO: Diana Montague PUBLIO: Gilles Cachemaille CHORUS AND ORCHESTRA OF THE ACADEMY OF ANCIENT MUSIC (on authentic instruments) Christopher Hogwood Atto I: 0:00 Atto II: 1:07:00 Background picture: Lawrence Alma-Tadema - The Triumph of Titus
FAN PAGE OF GAETANO DONIZETTI - http://www.facebook.com/pages/Gaetano-Maria-Donizetti/15648004806 Ugo - Maurice Arthur Luigi - Della Jones Bianca - Janet Price Emma - Eiddwen Harrhy Adelia - Yvonne Kenny Folco - Christian Du Plessis Conductor - Alun Francis Orchestra - Philharmonia Orchestra Chorus - Geoffrey Mitchell Choir
London Symphony Orchestra & Chorus conducted by/dirigidos por: Richard Hickox. Mezzosoprano: Della Jones. Holst's choral scenario The Cloud Messenger . This piece is the largest of the Indian works Holst composed between 1895 and 1914. It is based on the Meghaduta, an epic poem by Kalidasa, the Indian . Richard Hickox, London Sympohny I'm extremely disappointed about insouciance of this work. This nice piece without any movement contains Indian tunes, i cut into five parts. My Personal .
London Symphony Orchestra & Chorus conducted by/dirigidos por: Richard Hickox. Mezzosoprano: Della Jones. Holst's choral scenario The Cloud Messenger was premiered just before he composed his masterwork, The Planets. Nevertheless, it became unjustly obscured, probably because its wrong first reception. However, this is a very beautiful scenario and it is based on a love poem by Kalidasa, India's chief poet in 1st Century AD. El escenario coral de Holst La Nube Mensajera fue estrenada justo antes de que el compositor se embarcara en su obra maestra, Los Planetas. No obstante, La Nube Mensajera ha sido injustamente olvidada, probablemente a causa de su pésimo estreno. A pesar de todo, la música es hermosa y el texto esta basado en un poema de amor de Kalidasa, el poeta lírico más important...
Fr. David Jones - Spiritualità di San Giovanni (Spirituality of St. John)
Don Giovanni , Thomas Hampson (Don Giovanni), Marilyn Mims (Donna Anna), Gregory Kunde (Don Ottavio), Nancy, Francois Harismendy (Masetto), Della Jones (Zerlina) Grand Théâtre de Genève 1991
♫ · ♫ · ♫ Wolfgang Amadeus Mozart (1756-1791) La clemenza di Tito, K. 621 (The Clemency of Titus) Tito - Uwe Heilmann Sesto - Cecilia Bartoli Vitellia - Della Jones Servilia - Barbara Bonney Annio - Diana Montague Publio - Gilles Cachemaille The Academy of Ancient Music Orchestra & Chorus Christopher Hogwood performed on period instruments Atrium of the Temple of Jupiter Stator, set design for 1819 Teatro alla Scala production of Mozart's La clemenza di Tito by Alessandro Sanquirico - - - - - - - - - - Ouverture [0:00] ATTO PRIMO [4:31] N. 1 Duetto: "Come ti piace, imponi" [8:08] N. 2 Aria: "Deh, se piacer mi vuoi" [13:13] N. 3 Duettino: "Deh, prendi un dolce amplesso" [19:08] N. 4 Marcia [20:02] N. 5 Coro: "Serbate, o Dei custodi" [21:54] N. 6 Aria: "Del più sublime soglio" [30:5...
Messa dell'Avvento, con canto gregoriano
Messa della sera all'eremo, in canto gregoriano
by Bob Marley
I shot the sheriff, but I did not shoot the deputy.
I shot the sheriff, but I did not shoot the deputy.
All around in my home town
They're trying to track me down.
They say they want to bring me in guilty
For the killing of a deputy,
For the life of a deputy.
But I say:
I shot the sheriff, but I swear it was in self-defense.
I shot the sheriff, and they say it is a capital offense.
Sheriff John Brown always hated me;
For what I don't know.
Every time that I plant a seed
He said, Kill it before it grows.
He said, Kill it before it grows.
I say:
I shot the sheriff, but I swear it was in self-defense.
I shot the sheriff, but I swear it was in self-defense.
Freedom came my way one day
And I started out of town.
All of a sudden I see sheriff John Brown
Aiming to shoot me down.
So I shot, I shot him down.
I say:
I shot the sheriff, but I did not shoot the deputy.
I shot the sheriff, but I did not shoot the deputy.
Reflexes got the better of me
And what is to be must be.
Every day the bucket goes to the well,
But one day the bottom will drop out,
Yes, one day the bottom will drop out.
But I say:
I shot the sheriff, but I did not shoot the deputy, oh no.
I shot the sheriff, but I did not shoot the deputy, oh no.