- published: 13 Jun 2011
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Richard Georg Strauss (11 June 1864 – 8 September 1949) was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include Der Rosenkavalier, Elektra, Die Frau ohne Schatten and Salome; his Lieder, especially his Four Last Songs; his tone poems, including Don Juan, Death and Transfiguration, Till Eulenspiegel's Merry Pranks, Also sprach Zarathustra, Ein Heldenleben, Symphonia Domestica, and An Alpine Symphony; and other instrumental works such as Metamorphosen and his Oboe Concerto. Strauss was also a prominent conductor throughout Germany and Austria.
Strauss, along with Gustav Mahler, represents the late flowering of German Romanticism after Richard Wagner, in which pioneering subtleties of orchestration are combined with an advanced harmonic style.
Strauss was born on 11 June 1864 in Munich, the son of Josephine (née Pschorr) and Franz Strauss, who was the principal horn player at the Court Opera in Munich. In his youth, he received a thorough musical education from his father. He wrote his first composition at the age of six and continued to write music almost until his death.
The Germanic first or given name Richard derives from German, French, and English "ric" (ruler, leader, king) and "hard" (strong, brave), and it therefore means "powerful leader". Nicknames include "Dick", "Dickie", "Rich", "Richie", "Rick", "Ricky", "Rickey", and others.
"Richard" is a common name in many Germanic languages, including English, German, Norwegian, Danish, Swedish, Icelandic, and Dutch. It can also be used as a French, Hungarian, Finnish, and Estonian name.
Thus Spoke Zarathustra: A Book for All and None (German: Also sprach Zarathustra: Ein Buch für Alle und Keinen, also translated as Thus Spake Zarathustra) is a philosophical novel by German philosopher Friedrich Nietzsche, composed in four parts between 1883 and 1885 and published between 1883 and 1891. Much of the work deals with ideas such as the "eternal recurrence of the same", the parable on the "death of God", and the "prophecy" of the Übermensch, which were first introduced in The Gay Science.
Thus Spoke Zarathustra was conceived while Nietzsche was writing The Gay Science; he made a small note, reading "6,000 feet beyond man and time," as evidence of this. More specifically, this note related to the concept of the eternal recurrence, which is, by Nietzsche's admission, the central idea of Zarathustra; this idea occurred to him by a "pyramidal block of stone" on the shores of Lake Silvaplana in the Upper Engadine, a high alpine region whose valley floor is at 6,000 feet (1,800 m). Nietzsche planned to write the book in three parts over several years. He wrote that the ideas for Zarathustra first came to him while walking on two roads surrounding Rapallo, according to Elisabeth Förster-Nietzsche in the introduction of Thomas Common's early translation of the book.
An orchestra (/ˈɔːrkᵻstrə/ or US /ˈɔːrˌkɛstrə/; Italian: [orˈkɛstra]) is a large instrumental ensemble used in classical music that contains sections of string (violin, viola, cello and double bass), brass, woodwind, and percussion instruments. Other instruments such as the piano and celesta may sometimes be grouped into a fifth section such as a keyboard section or may stand alone, as may the concert harp and, for 20th and 21st century compositions, electric and electronic instruments. The term orchestra derives from the Greek ὀρχήστρα, the name for the area in front of an ancient Greek stage reserved for the Greek chorus. The orchestra grew by accretion throughout the 18th and 19th centuries, but changed very little in composition during the course of the 20th century.
Der Rosenkavalier (The Knight of the Rose or The Rose-Bearer), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel Les amours du chevalier de Faublas by Louvet de Couvrai and Molière’s comedy Monsieur de Pourceaugnac. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt,Ernst von Schuch conducting. Until the premiere the working title was Ochs von Lerchenau. (The choice of the name Ochs is not accidental, for in German Ochs means ox, which depicts the character of the Baron throughout the opera.)
The opera has four main characters: the aristocratic Marschallin, her very young lover Count Octavian Rofrano, her coarse cousin Baron Ochs and Ochs' prospective fiancée Sophie von Faninal, daughter of a rich bourgeois. At the Marschallin's suggestion Ochs gets Octavian to act as his Rosenkavalier and present the ceremonial silver rose to Sophie. But when Octavian meets Sophie they fall in love at first sight. By a comic intrigue they get rid of Ochs with the help of the Marschallin, who then yields Octavian to the younger woman. Although a comic opera, Der Rosenkavalier also operates at a deeper level. Conscious of the difference in age between herself and Octavian, the Marschallin muses in bittersweet fashion over the passing of time, growing old and men's inconstancy.
Actors: Alexander Beyer (actor), Barbara von Weitershausen (editor), Rainer Bock (actor), Jonas Kaufmann (actor), Brigitte Fassbaender (actress), Hans Jochen Vogel (actor), Adrianne Pieczonka (actress), Klaus Bachler (actor), Susann Bieling (costume designer), Astrid Bscher (director),
Genres: History, Music,Actors: Merab Ninidze (actor), Johannes Silberschneider (actor), Josef Brandmaier (miscellaneous crew), Andreas Kispert (miscellaneous crew), Stephen Endelman (composer), Vincent Perez (actor), August Schmölzer (actor), Bruce Beresford (director), Jonathan Pryce (actor), Tim Wellburn (editor), Frank Hübner (producer), Norbert Blecha (producer), Wolfgang Hübsch (actor), Simon Verhoeven (actor), Jan Fantl (producer),
Plot: Vienna, 1902: Alma Schindler meets Gustav Mahler. She beautiful, young, plays, and composes: music is her life. She becomes Mahler's lover, then he marries her, asking that she give up composing. She has two children, works as his assistant, does his books, saves him from debt, and feels stifled. In 1910, after the death of a child, she retreats to a spa where she falls in love with Walter Gropius. Will she go with him or stay with Mahler? She conducts an affair with the tempestuous Oskar Kokoschka and is stifled in another way. Then, she marries Gropius, who proves imperious. She leaves him for Franz Werfel: he finds her compositions and insists the public hear them.
Keywords: 1890s, 1900s, adultery, archduke-franz-ferdinand, architect, art, artist, artist's-studio, baby, bare-breastsActors: Peter Weck (actor), Peter Weck (actor), Hans Terofal (actor), Karl Schönböck (actor), Franz Josef Gottlieb (actor), Walter Buschhoff (actor), Beppo Brem (actor), Walter Gross (actor), Herbert Fux (actor), Gunther Philipp (actor), Raoul Retzer (actor), Ilja Richter (actor), Miguel Ríos (actor), Willy Schultes (actor), Ralf Wolter (actor),
Genres: Comedy,Also sprach Zarathustra, Op. 30 (Thus Spoke Zarathustra or Thus Spake Zarathustra) is a tone poem by Richard Strauss, composed during 1896 and inspired by Friedrich Nietzsche's philosophical treatise of the same name. The piece is divided into nine sections played with only three definite pauses. Strauss named the sections after selected chapters of the Nietzsche's book: 1. "Einleitung" (Introduction): according to the interpretations, it should represent the Creation or the coming of the new age of the Overman and so, because of its evocative and declaimed aspect, it is led back to the Overman's motto. 2. "Von den Hinterweltlern" (Of the Hereaftergo'ers): here the brass quote the gregorian cento "Credo in unum Deum" or "I believe in one God" to represent faith at the top synthesis...
Night • 3:04 Sunrise • 4:33 The Ascent • 6:51 Entry into the Forest • 9:49 Wandering by the Brook • 12:27 At the Waterfall • 12:44 Apparition • 13:35 On Flowering Meadows • 14:31 On the Alpine Pasture • 16:38 Through Thickets and Undergrowth on the Wrong Path • 18:12 On the Glacier • 19:29 Dangerous Moments • 20:57 On the Summit • 25:28 Vision • 29:09 Mists Rise • 29:27 The Sun Gradually Becomes Obscured • 30:16 Elegy • 32:34 Calm Before the Storm • 35:36 Thunder and Tempest, Descent • 39:33 Sunset • 42:15 Quiet Settles • 48:17 Night
Love classical music? Learn to play the best PIANO pieces the easiest way: http://tinyurl.com/classic-flowkey Richard Strauss Tracklist: Royal Philharmonic Orchestra 1. Also Sprach Zarathustra Einleitung 2. Also Sprach Zarathustra Von Den Hinterweltern 3. Also Sprach Zarathustra Von Der Grossen Sehnsuch 4. Also Sprach Zarathustra Von Den Freuden und Leidenschaften 5. Also Sprach Zarathustra Das Grabilied 6. Also Sprach Zarathustra Von Der Wissenchaft 7. Also Sprach Zarathustra Der Genesende 8. Also Sprach Zarathustra Das Tanzlied 9. Also Sprach Zarathustra Nachtwanderland 10. Don Juan, op 20 11. Till Eulenspiegels Lustige Streiche Op 28 Slovak Philharmonic Orchestra 12. Daqueles mundos interiores 13. Da aspiracao suprema 14. Das alegrias e paixoes 15. O canto do funeral 16. Cancao da ci...
Richard Strauss, Metamorphosen. Antoni Wit, Conductor. Staatskapelle Weimar. _____________________________________________________ The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly. Thanks for your contribution!
Richard Strauss Also sprach Zarathustra Vienna Philharmonic Orchestra Gustavo Dudamel Salzburg, 2014
"Tod und Verklärung" (Death and Transfiguration), Op. 24, is a tone poem for large orchestra by Richard Strauss. Strauss began composition in the late summer of 1888 and completed the work on November 18, 1889. The work is dedicated to the composer's friend Friedrich Rosch. Unusual for a composer of 25 years of age, the music depicts the death of an artist. At Strauss's request, this was described in a poem by the composer's friend Alexander Ritter as an interpretation of Death and Transfiguration, after it was composed. As the man lies dying, thoughts of his life pass through his head: his childhood innocence, the struggles of his manhood, the attainment of his worldly goals; and at the end, he receives the longed-for transfiguration "from the infinite reaches of heaven". There are four p...
Bernard Haitink conducts the Vienna Philharmonic in Strauss's An Alpine Symphony Eine Alpensinfonie - Op. 64, is a tone poem by German composer Richard Strauss in 1915 "......Strauss's Alpine Symphony: a dawn to dusk Alpine ascent. From the spine-chilling opening evoking the hours before dawn and the richness of sunrise, through to the euphoria of the summit and the drama of the mountain tempest, this is Strauss at his most colourful" - Source Wales site (BBC) Richard Strauss An Alpine Symphony Vienna Philharmonic Orchestra Bernard Haitink conductor BBC PROMS 2012 London - Royal Albert Hall
This is a clip from the 1994 documentary "The Art of Conducting: Great Conductors of the Past." Richard Strauss is conducting the Vienna Philharmonic in a performance of Till Eulenspiegel. It's amusing that he could be conducting such great music while looking so extremely bored.
Also Sprach Zarathustra, Op. 30 (Obertura) - Richard Strauss, 1896. Conmemoración de los 50 años del primer viaje espacial tripulado de la historia de la humanidad. "¡Poyejali!" (¡Vámonos!) - Yuri Gagarin, 12 de abril de 1961.
Richard Strauss - Till Eulenspiegel (Op. 28)
Largo - Allegro molto agitato - Etwas breiter - Tempo I. Sehr breit - Allegro molto agitato - Moderato
"Symphonia Domestica", Op. 53 (Domestic Symphony) is a tone poem for large orchestra by Richard Strauss. The work is a musical reflection of the secure domestic life so valued by the composer himself and, as such, harmoniously conveys daily events and family life. In 1898, Strauss became the chief conductor of the Royal Court Opera in Berlin. It was at this point in his life that the composer took a keen interest in his own circumstances and turned his attention to his status and personal history. When he began composing the Symphonia Domestica, he intended it to be the sequel to Ein Heldenleben, the next instalment of the autobiography of the now-successful artist. Of it, Strauss said "My next tone poem will represent a day in my family life. It will be partly lyrical, partly humorous - a...
Richard Strauss (1864-1949) EINE ALPENSINFONIE OP.64 (AN ALPINE SYMPHONY) STAATSKAPELLE DRESDEN - RUDOLF KEMPE I. Nacht - 0:00 II. Sonnenaufgang - 3:26 III. Der Anstieg - 4:50 IV. Eintritt in der Wald - 7:09 V. Wanderung neben dem Bach - 12:34 VI. Am Wasserfall - 13:22 VII. Erscheinung - 13:38 VIII. Auf blumige Wiesen - 14:25 IX. Auf der Alm - 15:20 X - Durch Dickicht und Gestrüpp auf Irrwegen - 17:34 XI. Auf dem Gletscher - 19:02 XII. Gefahrvolle Augenblicke - 20:04 XIII. Auf dem Gipfel - 21:27 XIV. Vision - 26:07 XV. Nebel steigen auf - 29:41 XVI. Die Sonne verdüstert sich allmählich - 29:58 XVII. Elegie - 30:48 XVIII. Stille vor der Sturm - 32:34 XIX. Gewitter und Sturm - Abstieg - 35:24 XX. Sonnenuntergang - 39:13 XXI. Ausklang - 41:24 XXII. Nacht - 47:29
My Piano Music (^_^) - Clementi Sonatina No.5, Op.36, I. Presto, https://www.youtube.com/watch?v=_hHoHVtKF2k Come Visit My Blog (^_^) - http://www.philipcaruso-story.com Anna Netrebko - Last Night of the Proms (2007) Hope you would enjoy watching the performance! - Philip ^^
Richard Strauss Don Juan, Symphonic Poem Op. 20 Herbert von Karajan Osaka, Japan 1984
From the Lucerne Festival, 2004 Lucerne Festival Orchestra Claudio Abbado - conductor Renée Fleming - soprano Richard Strauss - Vier letzte Lieder, für Sopran und Orchester 1:55 I. Frühling (Text: Herrmann Hesse) 5:40 II. September (Text: Herrmann Hesse) 10:33 III. Beim Schlafengehen (Text: Herrmann Hesse) 15:55 IV. Im Abendrot (Text: Joseph von Eichendorff) Watch the full Lucerne Festival 2004 Gala Concert: https://www.youtube.com/watch?v=z5xFL-iFh0Q&list;=PLBjoEdEVMABJAFPDg-Hev9jQNglj5ZVhH With the Lucerne Festival Orchestra conducted by Claudio Abbado, drawing together outstanding orchestral musicians and soloists such as Kolja Blacher, Natalia Gutman, Reinhold Friedrich and Sabine Meyer, a globally unique orchestra was formed, made sure of great moments and international headlines....
*Pitch corrected version https://www.youtube.com/watch?v=IouFZBgEG3s
Er wurde als Avantgardist gefeiert und als Reaktionär verteufelt. Seinem Erfolg hat das nicht geschadet: Richard Strauss ist einer der bedeutendsten Komponisten des späten 19. und des 20. Jahrhunderts. Zu seinem 150. Geburtstag beleuchten Persönlichkeiten aus Musik und Theater sowie Strauss-Kenner ausführlich den fulminanten Werdegang des Musikgenies und Ausnahmekomponisten.
Prom 57: Wagner, Berg, R. Strauss & Ravel R. Strauss - Der Rosenkavalier -- suite Gustav Mahler Jugendorchester Daniele Gatti conductor Royal Albert Hall, 26 August 2012
This production of Richard Strauss' "Der Rosenkavalier" by Oscar-winning film director John Schlesinger, marked the 25th anniversary of Sir Georg Solti's spectacular debut at Covent Garden. Featuring Kiri Te Kanawa's first performance in London in the role of Marschallin. Recorded 14th February 1985. Buy from Amazon: http://smarturl.it/DerRosenkavalier http://www.warnerclassics.com/
Lyric: Joseph von Eichendorff Picture is from the Middle Finnish Lakeland, over lake Päijänne.
Richard Strauss EINE ALPENSINFONIE, op. 64 sinfonische Dichtung Symphonieorchester des Bayerischen Rundfunks MARISS JANSONS Nacht Sonnenaufgang Der Anstieg Eintritt in den Wald Wanderung neben dem Bache Am Wasserfall Erscheinung Auf blumigen Wiesen Auf der Alm Durch Dickicht und Gestrüpp auf Irrwegen Auf dem Gletscher Gefahrvolle Augenblicke Auf dem Gipfel Vision Nebel steigen auf Die Sonne verdüstert sich allmählich Elegie Stille vor dem Sturm Gewitter und Sturm, Abstieg Sonnenuntergang Ausklang Nacht
Richard Strauss. FOUR LAST SONGS. Spring. September. Going to Sleep (Poems by Hermann Hesse). In the Glow of Evening (Poem by Joseph von Eichendorff). Elisabeth Schwarzkopf soprano. Berlin Radio Symphony Orchestra. George Szell. From Angel LP first published 1966.
Aus Italien, Op. 16 (From Italy) is a tone poem for full orchestra composed by Richard Strauss in 1886. It was inspired by the composer's visit to Italy in the summer of the same year, where he travelled to Rome, Bologna, Naples, Sorrento, Salerno, and Capri. He began to sketch the work while still on the journey. The full score of the work, Strauss's first tone poem, was completed in Munich on September 12, 1886. The work is named by the composer as "Symphonic Fantasy", and is dedicated to his mentor Hans von Bülow. It is the only work by Richard Strauss for which he himself wrote a specific program. The first performance of the work took place in Munich on March 2, 1887, by the Court Orchestra, which was conducted by the composer himself. As Richard Strauss's sister Johanna later recalle...
Also sprach Zarathustra, Op. 30 (Thus Spoke Zarathustra or Thus Spake Zarathustra) is a tone poem by Richard Strauss, composed during 1896 and inspired by Friedrich Nietzsche's philosophical treatise of the same name. The piece is divided into nine sections played with only three definite pauses. Strauss named the sections after selected chapters of the Nietzsche's book: 1. "Einleitung" (Introduction): according to the interpretations, it should represent the Creation or the coming of the new age of the Overman and so, because of its evocative and declaimed aspect, it is led back to the Overman's motto. 2. "Von den Hinterweltlern" (Of the Hereaftergo'ers): here the brass quote the gregorian cento "Credo in unum Deum" or "I believe in one God" to represent faith at the top synthesis...
Night • 3:04 Sunrise • 4:33 The Ascent • 6:51 Entry into the Forest • 9:49 Wandering by the Brook • 12:27 At the Waterfall • 12:44 Apparition • 13:35 On Flowering Meadows • 14:31 On the Alpine Pasture • 16:38 Through Thickets and Undergrowth on the Wrong Path • 18:12 On the Glacier • 19:29 Dangerous Moments • 20:57 On the Summit • 25:28 Vision • 29:09 Mists Rise • 29:27 The Sun Gradually Becomes Obscured • 30:16 Elegy • 32:34 Calm Before the Storm • 35:36 Thunder and Tempest, Descent • 39:33 Sunset • 42:15 Quiet Settles • 48:17 Night
Love classical music? Learn to play the best PIANO pieces the easiest way: http://tinyurl.com/classic-flowkey Richard Strauss Tracklist: Royal Philharmonic Orchestra 1. Also Sprach Zarathustra Einleitung 2. Also Sprach Zarathustra Von Den Hinterweltern 3. Also Sprach Zarathustra Von Der Grossen Sehnsuch 4. Also Sprach Zarathustra Von Den Freuden und Leidenschaften 5. Also Sprach Zarathustra Das Grabilied 6. Also Sprach Zarathustra Von Der Wissenchaft 7. Also Sprach Zarathustra Der Genesende 8. Also Sprach Zarathustra Das Tanzlied 9. Also Sprach Zarathustra Nachtwanderland 10. Don Juan, op 20 11. Till Eulenspiegels Lustige Streiche Op 28 Slovak Philharmonic Orchestra 12. Daqueles mundos interiores 13. Da aspiracao suprema 14. Das alegrias e paixoes 15. O canto do funeral 16. Cancao da ci...
Richard Strauss, Metamorphosen. Antoni Wit, Conductor. Staatskapelle Weimar. _____________________________________________________ The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly. Thanks for your contribution!
Richard Strauss Also sprach Zarathustra Vienna Philharmonic Orchestra Gustavo Dudamel Salzburg, 2014
"Tod und Verklärung" (Death and Transfiguration), Op. 24, is a tone poem for large orchestra by Richard Strauss. Strauss began composition in the late summer of 1888 and completed the work on November 18, 1889. The work is dedicated to the composer's friend Friedrich Rosch. Unusual for a composer of 25 years of age, the music depicts the death of an artist. At Strauss's request, this was described in a poem by the composer's friend Alexander Ritter as an interpretation of Death and Transfiguration, after it was composed. As the man lies dying, thoughts of his life pass through his head: his childhood innocence, the struggles of his manhood, the attainment of his worldly goals; and at the end, he receives the longed-for transfiguration "from the infinite reaches of heaven". There are four p...
Bernard Haitink conducts the Vienna Philharmonic in Strauss's An Alpine Symphony Eine Alpensinfonie - Op. 64, is a tone poem by German composer Richard Strauss in 1915 "......Strauss's Alpine Symphony: a dawn to dusk Alpine ascent. From the spine-chilling opening evoking the hours before dawn and the richness of sunrise, through to the euphoria of the summit and the drama of the mountain tempest, this is Strauss at his most colourful" - Source Wales site (BBC) Richard Strauss An Alpine Symphony Vienna Philharmonic Orchestra Bernard Haitink conductor BBC PROMS 2012 London - Royal Albert Hall
Richard Strauss, Tod und Verklärung, op.24 - Berliner Philharmoniker - Herbert von Karajan. NOTE : If you are a good observer You will notice that Dante has two looks; You must be able to see both! (For Me, He's Looking Above.) - RICHARD GEORG . Largo - Allegro molto agitato - Etwas breiter - Tempo I. Sehr breit - Allegro molto agitato - Moderato. Tondichtung von Richard Strauss Berliner Philharmoniker, November,1984. This is one of the most moving pieces I know. It describes no less than the actual death process. The work opens with a man on his deathbed during his final few .
Richard Strauss EINE ALPENSINFONIE, op. 64 sinfonische Dichtung Symphonieorchester des Bayerischen Rundfunks MARISS JANSONS Nacht Sonnenaufgang Der Anstieg Eintritt in den Wald Wanderung neben dem Bache Am Wasserfall Erscheinung Auf blumigen Wiesen Auf der Alm Durch Dickicht und Gestrüpp auf Irrwegen Auf dem Gletscher Gefahrvolle Augenblicke Auf dem Gipfel Vision Nebel steigen auf Die Sonne verdüstert sich allmählich Elegie Stille vor dem Sturm Gewitter und Sturm, Abstieg Sonnenuntergang Ausklang Nacht
Richard Strauss (1864-1949) EINE ALPENSINFONIE OP.64 (AN ALPINE SYMPHONY) STAATSKAPELLE DRESDEN - RUDOLF KEMPE I. Nacht - 0:00 II. Sonnenaufgang - 3:26 III. Der Anstieg - 4:50 IV. Eintritt in der Wald - 7:09 V. Wanderung neben dem Bach - 12:34 VI. Am Wasserfall - 13:22 VII. Erscheinung - 13:38 VIII. Auf blumige Wiesen - 14:25 IX. Auf der Alm - 15:20 X - Durch Dickicht und Gestrüpp auf Irrwegen - 17:34 XI. Auf dem Gletscher - 19:02 XII. Gefahrvolle Augenblicke - 20:04 XIII. Auf dem Gipfel - 21:27 XIV. Vision - 26:07 XV. Nebel steigen auf - 29:41 XVI. Die Sonne verdüstert sich allmählich - 29:58 XVII. Elegie - 30:48 XVIII. Stille vor der Sturm - 32:34 XIX. Gewitter und Sturm - Abstieg - 35:24 XX. Sonnenuntergang - 39:13 XXI. Ausklang - 41:24 XXII. Nacht - 47:29
"Symphonia Domestica", Op. 53 (Domestic Symphony) is a tone poem for large orchestra by Richard Strauss. The work is a musical reflection of the secure domestic life so valued by the composer himself and, as such, harmoniously conveys daily events and family life. In 1898, Strauss became the chief conductor of the Royal Court Opera in Berlin. It was at this point in his life that the composer took a keen interest in his own circumstances and turned his attention to his status and personal history. When he began composing the Symphonia Domestica, he intended it to be the sequel to Ein Heldenleben, the next instalment of the autobiography of the now-successful artist. Of it, Strauss said "My next tone poem will represent a day in my family life. It will be partly lyrical, partly humorous - a...
Richard Strauss, Eine Alpensinfonie, op.64 Berliner Philharmoniker - Herbert von Karajan. Night • 3:04 Sunrise • 4:33 The Ascent • 6:51 Entry into the Forest • 9:49 Wandering by the Brook • 12:27 At the Waterfall • 12:44 Apparition • 13:35 On Flowering . Richard Strauss, Ein Heldenleben, op.40 Leon Spierer, violin Berliner Philharmoniker - Herbert von Karajan. Berliner Phillarmoniker Herbert Von Karajan. [1915] Richard Strauss (1864-1949) [1981] Herbert von Karajan: Berliner Philharmoniker 00:00 I. Nacht 03:04 II. Sonnenaufgang 04:32 İ. Der Anstieg 06:50 IV.
From the Lucerne Festival, 2004 Lucerne Festival Orchestra Claudio Abbado - conductor Renée Fleming - soprano Richard Strauss - Vier letzte Lieder, für Sopran und Orchester 1:55 I. Frühling (Text: Herrmann Hesse) 5:40 II. September (Text: Herrmann Hesse) 10:33 III. Beim Schlafengehen (Text: Herrmann Hesse) 15:55 IV. Im Abendrot (Text: Joseph von Eichendorff) Watch the full Lucerne Festival 2004 Gala Concert: https://www.youtube.com/watch?v=z5xFL-iFh0Q&list;=PLBjoEdEVMABJAFPDg-Hev9jQNglj5ZVhH With the Lucerne Festival Orchestra conducted by Claudio Abbado, drawing together outstanding orchestral musicians and soloists such as Kolja Blacher, Natalia Gutman, Reinhold Friedrich and Sabine Meyer, a globally unique orchestra was formed, made sure of great moments and international headlines....
Largo - Allegro molto agitato - Etwas breiter - Tempo I. Sehr breit - Allegro molto agitato - Moderato
"Perhaps in twenty years' time someone will be able to explain these harmonic progressions theoretically." - Arnold Schoenberg, commenting on the vocal score of 'Salome' (1905) Timestamps: Scene 1 - 0:05 Scene 2 - 5:07 Scene 3 - 14:13 (Du bist verflucht/You are cursed - 36:38) Scene 4 - 41:30 (Dance of the Seven Veils - 1:00:27) (Final "Kissing" Sequence - 1:37:01) pf: Berlin Opera Orchestra, cond/ Giuseppe Sinopoli Cheryl Studer - Salome Bryn Terfel - Johannan Horst Hiestermann - Herod Leonie Rysanek - Herodias
Er wurde als Avantgardist gefeiert und als Reaktionär verteufelt. Seinem Erfolg hat das nicht geschadet: Richard Strauss ist einer der bedeutendsten Komponisten des späten 19. und des 20. Jahrhunderts. Zu seinem 150. Geburtstag beleuchten Persönlichkeiten aus Musik und Theater sowie Strauss-Kenner ausführlich den fulminanten Werdegang des Musikgenies und Ausnahmekomponisten.
Prom 57: Wagner, Berg, R. Strauss & Ravel R. Strauss - Der Rosenkavalier -- suite Gustav Mahler Jugendorchester Daniele Gatti conductor Royal Albert Hall, 26 August 2012
This production of Richard Strauss' "Der Rosenkavalier" by Oscar-winning film director John Schlesinger, marked the 25th anniversary of Sir Georg Solti's spectacular debut at Covent Garden. Featuring Kiri Te Kanawa's first performance in London in the role of Marschallin. Recorded 14th February 1985. Buy from Amazon: http://smarturl.it/DerRosenkavalier http://www.warnerclassics.com/
Symphonieorchester des Bayerischen Rundfunks; Ltg. Mariss Jansons Anja Harteros, Sopran Weitere Videos aus dem Klassik-Bereich sowie interessante Konzerthinweise und Photos finden Sie bei mir auf Google+ https://plus.google.com/u/0/109298995440104668082/posts Unsensible Schreihälse mit ihren "Bravo"-Rufen gibt es zu meinem großen Leidwesen immer im Publikum, selbst am Ende eines Requiems. Zu Strauß' "Vier letzte Lieder": Die Vier letzten Lieder, AV 150 von Richard Strauss nach Gedichten von Hermann Hesse und Joseph von Eichendorff entstanden 1948 in der Schweiz, wohin Strauss mit seiner Frau nach Kriegsende gezogen war. Der Titel stammt nicht vom Komponisten, sie waren auch nicht als abgeschlossener Zyklus gedacht. Sie dokumentieren vielmehr eine kontinuierliche, dynamische Auseinande...
A címszerepben Teresa Stratas; rendező: Götz Friedrich; közreműködnek a Bécsi Filharmonikusok, vezényel Karl Böhm. (1974)