Martin Heidegger, the 20th-century German philosopher, produced a large body of work that intended a profound change of direction for philosophy. Such was the depth of change that he found it necessary to introduce a large number of neologisms, often connected to idiomatic words and phrases in the German language.
Two of his most basic neologisms, present-at-hand and ready-to-hand, are used to describe various attitudes toward things in the world. For Heidegger, such "attitudes" are prior to, i.e. more basic than, the various sciences of the individual items in the world. Science itself is an attitude, one that attempts a kind of neutral investigation. Other related terms are also explained below.
Heidegger's overall analysis is quite involved, taking in a lot of the history of philosophy. See Being and Time for a description of his overall project, and to give some context to these technical terms.
Heidegger's idea of aletheia, or disclosure (Erschlossenheit), was an attempt to make sense of how things in the world appear to human beings as part of an opening in intelligibility, as "unclosedness" or "unconcealedness". (This is Heidegger's usual reading of aletheia as Unverborgenheit, "unconcealment.") It is closely related to the notion of world disclosure, the way in which things get their sense as part of a holistically structured, pre-interpreted background of meaning. Initially, Heidegger wanted aletheia to stand for a re-interpreted definition of truth. However, he later corrected the association of aletheia with truth (see main article on aletheia for more information).
CARE (from the full term 'Citizens Association for Racial Equality') was a New Zealand organisation that fought against racism towards minority groups in New Zealand.
During the 1960s, CARE attacked policies such as the common de facto policy of banks not to employ Māori and compulsory pregnancy test for recent immigrants from Samoa. CARE became particularly famous in New Zealand through its vocal opposition to South African apartheid, particularly via organising resistance to any links with South Africa during the apartheid era. CARE was heavily involved in the huge protests against the 1981 Springbok Tour.
Its long term secretary was Tom Newnham.
Coordinates: 39°13′02″N 48°22′23″E / 39.21722°N 48.37306°E / 39.21722; 48.37306
Eçara (officially known as İcarə until 2013) is a village in the Jalilabad Rayon of Azerbaijan. It forms part of the municipality of Ləzran
Jewels is a three-act ballet created for the New York City Ballet by co-founder and founding choreographer George Balanchine. It premièred on Thursday, 13 April 1967 at the New York State Theater, with sets designed by Peter Harvey and lighting by Ronald Bates.
Jewels has been called the first full-length abstract ballet. It has three related movements Emeralds, Rubies, and Diamonds (usually separated by intermissions). It can also be seen as three separate ballets, linked by their jewel-colored costumes. Balanchine commented: "The ballet had nothing to do with jewels. The dancers are just dressed like jewels." Each of the three acts features the music of a different composer: Emeralds is set to the music of Gabriel Fauré, Rubies to the music of Igor Stravinsky and Diamonds to music by Pyotr Ilyich Tchaikovsky.
Emeralds was an American electronic music trio founded in 2006 by members John Elliott, Steve Hauschildt and Mark McGuire. The band was based in Cleveland, Ohio and Portland, Oregon, United States.
Emeralds was noted for drawing from both ambient music and Kosmische, and minimal music.
John Elliott, Steve Hauschildt and Mark McGuire began playing music together under the name Fancelions in 2005 in Cleveland's western suburbs of Bay Village and Westlake. Shortly thereafter, they re-formed as Emeralds, playing their first show under that name in June 2006. Since then the group has released over forty recordings on various independent labels. The album Does It Look Like I'm Here?, released on Editions Mego in 2010, is their most widely known release to date. It received the Best New Album designation from Pitchfork Media, the Album of the Year award from Drowned in Sound, and accolades from many other publications. Mark McGuire and Steve Hauschildt also perform and record under their own names, while John Elliott does so under a number of monikers including Outer Space and Imaginary Softwoods. The band also maintains multiple labels including McGuire & Elliott's Wagon, Hauschildt's Gneiss Things and Elliott's curated imprint Spectrum Spools.
It's Classy, Not Classic is the debut studio album by American electronic rock duo Breathe Carolina. It was released on September 16, 2008 through Rise Records. Recorded in 2008 using GarageBand by Apple Inc., Even also used a MIDI controller and several beat programs to mix the tracks. It contains all of the tracks from their EP, Gossip (2007), excluding "Don't Forget: Lock the Door", which was later included on the deluxe edition of their second studio album, Hello Fascination (2009). It reached number 186 on the Billboard 200, as well as number 6 on the Billboard Heatseekers Albums chart. A music video directed by Robby Starbuck was released for the track "Diamonds", which features guest appearances by the American electropop group Millionaires and Josh White from Umbrella Clothing and This City Is Burning Records. This album has less of a focus on guitars when compared to the bands following releases.
Diamonds is a 1975 Israeli-American heist film. Robert Shaw stars in a dual role as twin brothers. Richard Roundtree, Barbara Hershey and Shelley Winters are co-stars. The film was also released as Diamond Shaft, although it has no relation to the Shaft films other than having Roundtree in the cast.
Charles Hodgson is a British aristocrat who decides to become a thief as a way of getting at his twin brother, Earl, a security expert who has built a supposedly impregnable vault in Tel Aviv, which holds a cache of diamonds. For the caper, Charles enlists Archie, a heist expert, and Sally. He also becomes acquainted with an American woman, Zelda Shapiro, who is in Israel looking for a new husband.
Martin Heidegger, the 20th-century German philosopher, produced a large body of work that intended a profound change of direction for philosophy. Such was the depth of change that he found it necessary to introduce a large number of neologisms, often connected to idiomatic words and phrases in the German language.
Two of his most basic neologisms, present-at-hand and ready-to-hand, are used to describe various attitudes toward things in the world. For Heidegger, such "attitudes" are prior to, i.e. more basic than, the various sciences of the individual items in the world. Science itself is an attitude, one that attempts a kind of neutral investigation. Other related terms are also explained below.
Heidegger's overall analysis is quite involved, taking in a lot of the history of philosophy. See Being and Time for a description of his overall project, and to give some context to these technical terms.
Heidegger's idea of aletheia, or disclosure (Erschlossenheit), was an attempt to make sense of how things in the world appear to human beings as part of an opening in intelligibility, as "unclosedness" or "unconcealedness". (This is Heidegger's usual reading of aletheia as Unverborgenheit, "unconcealment.") It is closely related to the notion of world disclosure, the way in which things get their sense as part of a holistically structured, pre-interpreted background of meaning. Initially, Heidegger wanted aletheia to stand for a re-interpreted definition of truth. However, he later corrected the association of aletheia with truth (see main article on aletheia for more information).
WorldNews.com | 14 Jun 2019
WorldNews.com | 14 Jun 2019
The Independent | 14 Jun 2019
The Independent | 15 Jun 2019
WorldNews.com | 14 Jun 2019
WorldNews.com | 14 Jun 2019