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"Automatic" is a song by the Pointer Sisters, released on the Planet label in January 1984 as the second single from their multi-platinum landmark album Break Out. "Automatic" reached the Top 5 of Billboard's pop chart and became one of the Pointers' signature tunes. Eventually, three other singles from Break Out reached the Top 10 consecutively.
According to Ruth Pointer of the Pointer Sisters, "Automatic" was the final song chosen for Breakout: "We were taking a break from recording in the office of Jim Tract, who was Richard Perry's right-hand man, and Jim mentioned that he had a stash of tapes we might want to listen to [while on] a breather...We all sat up straight when we first heard ['Automatic'] and told Richard we wanted to include it on the album. 'Okay', he said 'But who would sing the low part?' 'Are you kidding me?' I said, 'I'll do the low part!'"
Although Break Out largely comprised dance tracks, its lead single was the ballad "I Need You" chosen by producer Richard Perry in hopes of reinforcing the Pointer Sisters presence at R&B radio: the dance track "Jump (for My Love)" was intended as the second single but the heavy airplay afforded "Automatic" as an album cut by both dance clubs and radio stations caused the substitution of "Automatic" for "Jump..." as the second single release from Break Out, although "Jump..." would become the most successful US single off Break Out when it became the album's third single. The first Top 40 hit to feature Ruth Pointer's distinctive contralto on lead, "Automatic" reached #5 on the Hot 100 in Billboard in April 1984, also charting on the magazine's Hot R&B/Hip-Hop Songs and Hot Dance Club Play rankings, its #2 R&B chart peak making "Automatic" the highest charting R&B hit by the Pointer Sisters as a trio (in their original four-woman format the Pointer Sisters did score an R&B #1 hit with "How Long (Betcha' Got a Chick on the Side)").
"Automatic" is a 2010 single by Canadian Danny Fernandes featuring fellow Canadian Belly from Fernandes's second studio album AutomaticLUV.
"Automatic", released on CP Records, is the first single from his new album after five consecutive singles from his debut album Intro.
In the video (directed by Mike Portoghese), Danny Fernandes plays a robot version of himself. Belly plays a cyborg commanding an army of faceless troops.MuchMusic observed influence from Janet Jackson's "Feedback" video in its cyborg theme.
The song debuted at number 82 on the week of September 25, 2010. A month later, it peaked at number 41 on the week of November 6, 2010 and later spent an additional thirteen weeks on the chart.
"Automatic" is a song by American musician Prince from his 1982 album, 1999. It was released as a 7" single only in Australia, with the B-side of "Something in the Water (Does Not Compute)".
A promotional music video directed by Bruce Gowers, who previously directed the "1999" video as well as videos from Queen, Rod Stewart and John Mellencamp, was produced for the song, which features band mates Lisa Coleman and Jill Jones whipping Prince in a simulated S&M session. The video was not released through conventional outlets (It was only released as a promotional video for dance clubs), possibly due to its offensive content in regard to the aforementioned masochistic whipping, but circulates amongst collectors.
"Automatic" was first played during the 1999 Tour. Later it was a featured number during Prince's 1986 Parade tour. The song was part of a mini-1999 medley consisting of a short instrumental segment of "Lady Cab Driver", "Automatic", and a very brief "D.M.S.R.". The song reappeared in 2002 at some aftershows in a medley with the Graffiti Bridge song "Shake!".
Dune is a feature on Earth's Moon, a crater in the Hadley–Apennine region. Astronauts David Scott and James Irwin visited the south rim of it in 1971, on the Apollo 15 mission, during EVA 2. The south rim of Dune was designated Geology Station 4 of the mission.
Dune is located about 1.8 km east of Hadley Rille, less than 1 km south of the smaller Earthlight crater, and about 3 km south of the Apollo 15 landing site itself.
The crater was named by the astronauts after the novel by Frank Herbert, and the name was formally adopted by the IAU in 1973.
The following samples were collected from Dune Crater (Station 4), as listed in Table 5-II of the Apollo 15 Preliminary Science Report. Sample type, lithology, and description are from Table 5-IV of the same volume.
Samples 15470 to 15476 were collected near where the rover was parked to the south of the rim of Dune. Samples 15485, 15486, and 15499 were collected from the largest boulder in the photograph above. Sample 15498 was collected nearby.
A dune is a hill of sand.
Dune or dunes may also refer to:
Bands and musicians
Albums
Dune is a 1992 video game, based upon Frank Herbert's science fiction novel of the same name. Developed by Cryo Interactive and published by Virgin Interactive, Dune blended adventure with economic and military strategy. Loosely following the story of the novel, the game casts the player as Paul Atreides, with the ultimate goal of driving the Harkonnen from Planet Dune, while managing spice extraction, military, and later, ecology through the native Fremen tribes. As the player progresses, his troops are equipped with weapons from "crysknives" to atomics, tap into Paul's latent psychic powers, and get acquainted with such characters from the book as Chani and Liet-Kynes. Released for the Amiga and IBM compatibles, it was one of the first floppy games to be converted to CD format, which included footage of the David Lynch movie, voice-acting for all speaking roles, and highly improved, 3D-rendered traveling and location screens. This version (a mix of the Amiga graphics and the extras of the PC-CD version) was also released on Sega's Sega CD console. The audio track, created by Stéphane Picq and Philip Ulrich, was released by Cryo (formerly Exxos) on the album Dune: Spice Opera.
Volkswagen wants all of us to remember the good ol’ days. You know, any time prior to September 2015, when the EPA dropped its NOx-hammer on the company’s dirty-breathing diesels. If you can’t bring yourself to forgive and forget so readily, VW is happy to guide you further down memory lane to the 1960s, when the pollution was hazier and the love flowed freely. After the Microbus-inspired BUDD-e concept—an all- electric mea culpa—VW appears eager to tap the nostalgia ATM again with this new Beetle Dune. The Beetle Dune, a midrange trim level in special-edition guise, is meant to evoke Baja Bugs. Those modified Type 1 Beetles, created in the image of the Meyers Manx, could be anything from a recreational dune buggy to a bona fide desert racer. While there wasn’t a single...
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Frank Hebert did not often describe technology and how it worked in great detail in his Dune saga. The main focus of the saga is centered on the themes and the driving philosophies woven into the narrative. Still, technology, weaponry specifically has a significant role among the citizens of the imperium. Throughout the series various kinds of weapons appear, evolving as humankind evolves. Cover art by: https://www.deviantart.com/jubjubjedi/art/Dune-Fremen-269413002 Hyperion Playlist: https://www.youtube.com/playlist?list=PLRXGGVBzHLUfgKLf-CBr5VCC2xM0qX8Xh Dune Playlist: https://www.youtube.com/playlist?list=PLRXGGVBzHLUdsgN_vFaZmfjc6bXxPqajV Foundation Playlist: https://www.youtube.com/playlist?list=PLRXGGVBzHLUeQMsBkZJ72aIIG8nR-No6J Thanks for watching! Please consider supporting thi...
"Automatic" is a song by the Pointer Sisters, released on the Planet label in January 1984 as the second single from their multi-platinum landmark album Break Out. "Automatic" reached the Top 5 of Billboard's pop chart and became one of the Pointers' signature tunes. Eventually, three other singles from Break Out reached the Top 10 consecutively.
According to Ruth Pointer of the Pointer Sisters, "Automatic" was the final song chosen for Breakout: "We were taking a break from recording in the office of Jim Tract, who was Richard Perry's right-hand man, and Jim mentioned that he had a stash of tapes we might want to listen to [while on] a breather...We all sat up straight when we first heard ['Automatic'] and told Richard we wanted to include it on the album. 'Okay', he said 'But who would sing the low part?' 'Are you kidding me?' I said, 'I'll do the low part!'"
Although Break Out largely comprised dance tracks, its lead single was the ballad "I Need You" chosen by producer Richard Perry in hopes of reinforcing the Pointer Sisters presence at R&B radio: the dance track "Jump (for My Love)" was intended as the second single but the heavy airplay afforded "Automatic" as an album cut by both dance clubs and radio stations caused the substitution of "Automatic" for "Jump..." as the second single release from Break Out, although "Jump..." would become the most successful US single off Break Out when it became the album's third single. The first Top 40 hit to feature Ruth Pointer's distinctive contralto on lead, "Automatic" reached #5 on the Hot 100 in Billboard in April 1984, also charting on the magazine's Hot R&B/Hip-Hop Songs and Hot Dance Club Play rankings, its #2 R&B chart peak making "Automatic" the highest charting R&B hit by the Pointer Sisters as a trio (in their original four-woman format the Pointer Sisters did score an R&B #1 hit with "How Long (Betcha' Got a Chick on the Side)").