Opera house

An opera house is a theatre building used for opera performances that consists of a stage, an orchestra pit, audience seating, and backstage facilities for costumes and set building. While some venues are constructed specifically for operas, other opera houses are part of larger performing arts centers.

History

The first public opera house came into existence in 1637 as the Teatro San Cassiano in Venice, Italy, in a country where opera has been popular through the centuries among ordinary people as well as wealthy patrons; it still has a large number of working opera houses. In contrast, there was no opera house in London when Henry Purcell was composing and the first opera house in Germany was built in Hamburg in 1678. Early United States opera houses served a variety of functions in towns and cities, hosting community dances, fairs, plays, and vaudeville shows as well as operas and other musical events.

In the 17th and 18th centuries, opera houses were often financed by rulers, nobles, and wealthy people who used patronage of the arts to endorse their political ambitions and social positions or prestige. With the rise of bourgeois and capitalist social forms in the 19th century, European culture moved away from its patronage system to a publicly supported system. In the 2000s, most opera and theatre companies raise funds from a combination of government and institutional grants, ticket sales, and private donations.

Lyric Opera of Chicago

Lyric Opera of Chicago is one of the leading opera companies in the United States. It was founded in Chicago in 1954, under the name 'Lyric Theatre of Chicago' by Carol Fox, Nicolà Rescigno and Lawrence Kelly, with a season that included Maria Callas's American debut in Norma. The company was re-organized by Fox in 1956 under its present name and, after her 1981 departure, it has continued to be of one of the major opera companies in the United States.

Opera in Chicago 1850–1954

The first opera to be performed in Chicago was Bellini's La sonnambula, presented by a traveling opera company on 29 July 1850. Chicago's first opera house opened in 1865 but was destroyed in the Great Fire of Chicago in 1871. The second opera house, the Chicago Auditorium, opened in 1889.

In 1929 the current Civic Opera House on 20 North Wacker Drive was opened, though the Chicago Civic Opera Company itself collapsed in the Great Depression. The old Auditorium continued to produce stage shows and musicals till it closed in 1941.

Modell Performing Arts Center

The Modell Performing Arts Center (originally The Music Hall and formerly the Lyric Opera House) is a music venue in Baltimore, Maryland, United States, located close to the University of Baltimore. The building was modeled after the Concertgebouw concert hall in Amsterdam, and it was inaugurated on 31 October 1894 with a performance by the Boston Symphony Orchestra and Australian opera singer Nellie Melba as the featured soloist. Beginning 1904, it was also used for touring performances by the Metropolitan Opera, and from 1950, it was the home of the Baltimore Opera Company until the company's liquidation in 2009.

The Lyric has been the home of the Lyric Opera Baltimore company since 2011. It was founded after the demise of Baltimore Lyric Opera.

History

Opera and music at the Lyric

Prior to the 1909 purchase of the building on behalf of the Metropolitan Opera by Otto Kahn, Oscar Hammerstein I presented an opera season and began to make plans to remodel it by enlarging the stage area. However Kahn's purchase caused the venue's name to be changed to the Lyric Theatre. and firmed up the continuity of the Metropolitan Opera's annual visits. In the early 20th century, the Lyric Opera featured opera tenor Enrico Caruso who appeared there with the Metropolitan Opera in a performance of Flotow's Martha.

Baltimore

Baltimore (/ˈbɔːltᵻˌmɔːr/, locally: [ˈbɔɫ.mɔɻ]) is the largest city in the U.S. state of Maryland, and the 26th-most populous city in the country. It is the largest independent city in the United States. Baltimore has more public monuments than any other city per capita in the country and is home to some of the earliest National Register historic districts in the nation, including Fell's Point (1969), Federal Hill (1970) and Mount Vernon Place (1971). More than 65,000 properties, or roughly one in three buildings in the city, are listed on the National Register, more than any other city in the nation.

Founded in 1729, Baltimore is the second largest seaport in the Mid-Atlantic. Baltimore's Inner Harbor was once the second leading port of entry for immigrants to the United States and a major manufacturing center. After a decline in major manufacturing, industrialization and rail transportation, Baltimore shifted to a service-oriented economy, with the Johns Hopkins Hospital (founded 1889), and Johns Hopkins University (founded 1876), now the city's top two employers.

Opera

Opera /ˈɒprə/ (Italian: [ˈɔːpera]; English plural: operas; Italian plural: opere [ˈɔːpere]) is an art form in which singers and musicians perform a dramatic work combining text (libretto) and musical score, usually in a theatrical setting. In traditional opera, singers do two types of singing: recitative, a speech-inflected style and arias, a more melodic style. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 1800s has been led by a conductor.

Opera is part of the Western classical music tradition. It started in Italy at the end of the 16th century (with Jacopo Peri's lost Dafne, produced in Florence in 1598) and soon spread through the rest of Europe: Schütz in Germany, Lully in France, and Purcell in England all helped to establish their national traditions in the 17th century. In the 18th century, Italian opera continued to dominate most of Europe (except France), attracting foreign composers such as Handel. Opera seria was the most prestigious form of Italian opera, until Gluck reacted against its artificiality with his "reform" operas in the 1760s. Today the most renowned figure of late 18th century opera is Mozart, who began with opera seria but is most famous for his Italian comic operas, especially The Marriage of Figaro (Le Nozze Di Figaro), Don Giovanni, and Così fan tutte, as well as The Magic Flute (Die Zauberflöte), a landmark in the German tradition.