- published: 17 Jan 2014
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Bob Dylan (/ˈdɪlən/; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter, artist and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest, although Dylan repudiated suggestions from journalists that he was a spokesman for his generation. Nevertheless, early songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the American civil rights and anti-war movements. After he left his initial base in the American folk music revival, his six-minute single "Like a Rolling Stone" altered the range of popular music in 1965. His mid-1960s recordings, backed by rock musicians, reached the top end of the United States music charts while also attracting denunciation and criticism from others in the folk movement.
Dylan's lyrics have incorporated various political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed to the burgeoning counterculture. Initially inspired by the performances of Little Richard, and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has amplified and personalized musical genres. His recording career, spanning 50 years, has explored the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and the Great American Songbook. Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but songwriting is considered his greatest contribution.
Bob Dylan is the eponymous debut album of American singer-songwriter Bob Dylan, released on March 19, 1962 by Columbia Records (Mono-CL 1779; Stereo-CS 8579). Produced by Columbia's legendary talent scout John H. Hammond, who signed Dylan to the label, the album features folk standards, plus two original compositions, "Talkin' New York" and "Song to Woody".
Dylan met John Hammond at a rehearsal session for Carolyn Hester on September 14, 1961, at the apartment shared by Hester and her then-husband, Richard Fariña. Hester had invited Dylan to the session as a harmonica player, and Hammond approved him as a session player after hearing him rehearse, with recommendations from his son, musician John P. Hammond, and from Liam Clancy.
Hammond later told Robert Shelton that he decided to sign Dylan "on the spot", and invited him to the Columbia offices for a more formal audition recording. No record of that recording has turned up in Columbia's files, but Hammond, Dylan, and Columbia's A&R director Mitch Miller have all confirmed that an audition took place. (Producer Fred Catero, then a recording engineer for Columbia Records, claims to have the master of that session. It is not the original demo for Columbia, but a session from December 6, 1962, recorded by John Hammond, Sr.)
Bob Dylan, Performing Artist is a series of three books written by music critic Paul Williams concerning the music of American singer-songwriter Bob Dylan. Unlike many other books about Dylan, these are not biographical but focus primarily on the performances delivered at various concerts over a period of almost forty years. The performances Williams analyzes were either personally attended or reviewed from audio-tapes (and sometimes from videotapes). In an interview published in Isis magazine's August 1990 issue, Williams told interviewer Derek Barker, "I didn't want to write about the person, I wanted to write about what this person has created, his art, his music."Bob Dylan, Performing Artist is considered one of the leading critical analyses of Dylan's songs and performances.
The first volume of the Performing Artist series, which covers the years 1960 through 1973, also recounts Dylan's childhood from his birth in May 1941 to August 1959. Early Years ends in December 1973 with Williams' review of the album Planet Waves.
"500 Miles" (also known as "500 Miles Away from Home" or "Railroaders' Lament") is a folk song made popular in the United States and Europe during the 1960s folk revival. The simple repetitive lyrics offer a lament by a traveller who is far from home, out of money and too ashamed to return.
The song is generally credited as being written by Hedy West, and a 1961 copyright is held by Atzal Music, Inc. "500 Miles" is West's "most anthologized song." Some recordings have also credited Curly Williams, and/or John Phillips as co-writers. David Neale writes that "500 Miles" may be related to the older folk song, "900 Miles", which may itself have origins in the southern American fiddle tunes "Reuben's Train" and "Train 45".
five hunderd miles justin timberlake feat. Carey Mulligan & Stark Sands 500 miles justin timberlake lyrics five hunderd miles justin timberlake cover cohen brothers movie Inside Llewyn Davis movie
If you missed the train I'm on You will know that I am gone You can hear the whistle blow a hundred miles A hundred miles, a hundred miles, A hundred miles, a hundred miles You can hear the whistle blow a hundred miles Lord, I'm one, Lord, I'm two, Lord, I'm three, Lord, I'm four Lord, I'm five hundred miles away from home Away from home, away from home, Away from home, away from home Lord, I'm five hundred miles away from home [Instrumental] Not a shirt on my back Not a penny to my name Lord, I can't go back home this ole way This ole way, this ole way, This ole way, this ole way, Lord, I can't go back home this this ole way If you missed the train I'm on You will know that I am gone You can hear the whistle blow a hundred miles A hundred miles, a hundred miles, A hundred mile...
Un classique du folk américain, popularisé en France par Richard ANTHONY. Hugues AUGRAY a aussi proposé sa version. Joan BAEZ, PETER, PAUL AND MARY, The SHADOWS et bien d'autres artistes l"ont inclus dans leur répertoire. Arrangement personnel.
Song written by Bob Dylan
Blowin in The Wind Bob Dylan How many roads must a man walk down, Before you can call him a man? How many seas must a white dove sail, Before she sleeps in the sand? Yes, and how many times must cannonballs fly, Before they're forever banned? The answer, my friend, is blowin' in the wind The answer is blowin' in the wind Yes, and how many years can a mountain exist, Before it's washed to the seas (sea) Yes, and how many years can some people exist, Before they're allowed to be free? Yes, and how many times can a man turn his head, And pretend that he just doesn't see? The answer, my friend, is blowin' in the wind The answer is blowin' in the wind. Yes, and how many times must a man look up, Before he can see the sky? Yes, and how many ears must one man have, Before he can hear people cr...
Justin Timberlake, Carey Mulligan, and Stark Sands sing Five Hundred Miles from the Inside Llewyn Davis soundtrack.
Joan Baez-500 miles If you miss the train I'm on You will know that I am gone You can hear the whistle blow a hundred miles ... A hundred miles ... ... ... You can hear the whistle blow a hundred miles ... Lord I'm one Lord I'm two Lord I'm three Lord I'm four Lord I'm five hundred miles from my home Five hundred miles ... ... ... Lord I'm five hundred miles from my home Not a shirt on my back Not a penny to my name Lord I can't go a home this away ... This away ... ... ... Lord I can't go a home this away ... If you miss the train I'm on You will know that I am gone You can hear the whistle blow a hundred miles ... A hundred miles ... ... ... You can hear the whistle blow a hundred miles ...
Bob Dylan (/ˈdɪlən/; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter, artist and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest, although Dylan repudiated suggestions from journalists that he was a spokesman for his generation. Nevertheless, early songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the American civil rights and anti-war movements. After he left his initial base in the American folk music revival, his six-minute single "Like a Rolling Stone" altered the range of popular music in 1965. His mid-1960s recordings, backed by rock musicians, reached the top end of the United States music charts while also attracting denunciation and criticism from others in the folk movement.
Dylan's lyrics have incorporated various political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed to the burgeoning counterculture. Initially inspired by the performances of Little Richard, and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has amplified and personalized musical genres. His recording career, spanning 50 years, has explored the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and the Great American Songbook. Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but songwriting is considered his greatest contribution.
Well, if I had to do it all over again,
Babe, I'd do it all over you.
And if I had to wait for ten thousand years,
Babe, I'd even do that too.
Well, a dog's got his bone in the alley,
A cat, she's got nine lives,
A millionaire's got a million dollars,
King Saud's got four hundred wives.
Well, ev'rybody's got somethin'
That they're lookin' forward to.
I'm lookin' forward to when I can do it all again
And babe, I'll do it all over you.
Well, if I had my way tomorrow or today,
Babe, I'd run circles all around.
I'd jump up in the wind, do a somersault and spin,
I'd even dance a jig on the ground.
Well, everybody gets their hour,
Everybody gets their time,
Little David when he picked up his pebbles,
Even Sampson after he went blind.
Well, everybody gets the chance
To do what they want to do.
When my time arrives you better run for your life
'Cause babe, I'll do it all over you.
Well, I don't need no money, I just need a day that's sunny,
Baby, and my days are gonna come.
And I grab me a pint, you know that I'm a giant
When you hear me yellin', "Fee-fi-fo-fum."
Well, you cut me like a jigsaw puzzle,
You made me to a walkin' wreck,
Then you pushed my heart through my backbone,
Then you knocked off my head from my neck.
Well, if I'm ever standin' steady
A-doin' what I want to do,
Well, I tell you little lover that you better run for cover
'Cause babe, I'll do it all over you.
I'm just restin' at your gate so that I won't be late
And, momma, I'm a-just sittin' on the shelf.
Look out your window fair and you'll see me squattin' there
Just a-fumblin' and a-mumblin' to myself.
Well, after my cigarette's been smoked up,
After all my liquor's been drunk,
After my dreams are dreamed out,
After all my thoughts have been thunk,
Well, after I do some of these things,
I'm gonna do what I have to do.
And I tell you on the side, that you better run and hide