Stephen

Stephen or Steven /ˈstiːvən/ is a masculine first name, derived from the Greek name Στέφανος (Stéfanos), in turn from the Greek word "στέφανος", meaning "wreath, crown, honour, reward", literally "that which surrounds or encompasses". In ancient Greece, a wreath was given to the winner of a contest (from which the crown, symbol of rulers derived). The use of the noun was first recorded in Homer's Iliad. The name is significant to Christians: according to the Book of Acts in the New Testament, Saint Stephen was a deacon who was stoned to death and is regarded as the first Christian martyr. The name has many variants, which include Stephan, Stevan, Stefan and Stevon.

In Middle English, the name Stephen or Stephan was pronounced as a bi-syllabic word — Step-hen or Step-han — much like a Scandinavian surname. Steve was pronounced as it is in Modern English. This etymological usage began a decline in the mid-19th century.

Steve is the common short form, while various diminutives such as Stevie and Ste are also used. Many family names are derived from Stephen: the most common are Stephens/Stevens and Stephenson/Stevenson (others include Stephen, Stephan, Staphan, Stefan, Stevin and Stever).

La campanella

"La campanella" (Italian for "The little bell") is the nickname given to the third of Franz Liszt's six Grandes études de Paganini ("Grand Paganini Études"), S. 141 (1851). It is in the key of G-sharp minor. This piece is a revision of an earlier version from 1838, the Études d'exécution transcendente d'après Paganini, S. 140. Its melody comes from the final movement of Niccolò Paganini's Violin Concerto No. 2 in B minor, where the tune was reinforced by a little handbell.

The étude is played at a brisk allegretto tempo and studies right hand jumping between intervals larger than one octave, sometimes even stretching for two whole octaves within the time of a sixteenth note. As a whole, the étude can be practiced to increase dexterity and accuracy at large jumps on the piano, along with agility of the weaker fingers of the hand. The largest intervals reached by the right hand are fifteenths (two octaves) and sixteenths (two octaves and a second). Sixteenth notes are played between the two notes, and the same note is played two octaves or two octaves and a second higher with no rest. Little time is provided for the pianist to move the hand, thus forcing the pianist to avoid tension within the muscles. Fifteenth intervals are quite common in the beginning of the étude, while the sixteenth intervals appear twice, at the thirtieth and thirty-second measures.

Big Daddy

Big Daddy may refer to:

People

Politicians

Sportsmen

You Can

"You Can" is a 1981 single by Madleen Kane and produced by Giorgio Moroder. The song was written by Yolanda Yvette Adams, Donald Ray Atkins and Marcus Ecby. Along with the track, "Fire in My Heart", "You Can" was Kane's most successful single on the dance charts, spending three weeks at number one. The single was her only Hot 100 chart entry, peaking at #77.

Charts

Weekly charts

References

Flat Earth

The flat Earth model is an archaic conception of the Earth's shape as a plane or disk. Many ancient cultures subscribed to a flat Earth cosmography, including Greece until the classical period, the Bronze Age and Iron Age civilizations of the Near East until the Hellenistic period, India until the Gupta period (early centuries AD) and China until the 17th century. That paradigm was also typically held in the aboriginal cultures of the Americas, and the notion of a flat Earth domed by the firmament in the shape of an inverted bowl was common in pre-scientific societies.

The idea of a spherical Earth appeared in Greek philosophy with Pythagoras (6th century BC), although most Pre-Socratics retained the flat Earth model. Aristotle accepted the spherical shape of the Earth on empirical grounds around 330 BC, and knowledge of the spherical Earth gradually began to spread beyond the Hellenistic world from then on.

Historical development

Ancient Near East

In early Egyptian and Mesopotamian thought the world was portrayed as a flat disk floating in the ocean. A similar model is found in the Homeric account of the 8th century BC in which "Okeanos, the personified body of water surrounding the circular surface of the Earth, is the begetter of all life and possibly of all gods." The Israelites likely had a similar cosmology, with the earth as a flat disc floating on water beneath an arced firmament separating it from the heavens.