Television documentary

Documentary television is a genre of television programming that broadcasts documentaries.

Mind control

Mind control (also known as brainwashing, reeducation, brainsweeping, coercive persuasion, thought control, or thought reform) is a theory that human subjects can be indoctrinated in a way that causes "an impairment of autonomy, an inability to think independently, and a disruption of beliefs and affiliations. In this context, brainwashing refers to the involuntary reeducation of basic beliefs and values".

Theories of brainwashing and of mind control were originally developed to explain how totalitarian regimes appeared to systematically indoctrinate prisoners of war through propaganda and torture techniques. These theories were later expanded and modified by psychologists including Margaret Singer and Philip Zimbardo to explain a wider range of phenomena, especially conversions to some new religious movements (NRMs). The suggestion that NRMs use mind control techniques has resulted in scientific and legal debate; with Eileen Barker, James Richardson, and other scholars, as well as legal experts, rejecting at least the popular understanding of the concept.

Television

Television is a telecommunication medium used for transmitting sound with moving images in monochrome (black-and-white), or in colour, and in two or three dimensions. It can refer to a television set, a television program, or the medium of television transmission. Television is a mass medium, for entertainment, education, news and advertising.

Television became available in crude experimental forms in the late 1920s. After World War II, an improved form became popular in the United States and Britain, and television sets became commonplace in homes, businesses, and institutions. During the 1950s, television was the primary medium for influencing public opinion. In the mid-1960s, color broadcasting was introduced in the US and most other developed countries. The availability of storage media such as VHS tape (1976), DVDs (1997), and high-definition Blu-ray Discs (2006) enabled viewers to watch recorded material such as movies. At the end of the first decade of the 2000s, digital television transmissions greatly increased in popularity. Another development was the move from standard-definition television (SDTV) (576i, with 576 interlaced lines of resolution and 480i) to high-definition television (HDTV), which provides a resolution that is substantially higher. HDTV may be transmitted in various formats: 1080p, 1080i and 720p. Since 2010, with the invention of smart television, Internet television has increased the availability of television programs and movies via the Internet through services such as Netflix, iPlayer, Hulu, Roku and Chromecast.

Documentary film

A documentary film is a nonfictional motion picture intended to document some aspect of reality, primarily for the purposes of instruction or maintaining a historical record. Such films were originally shot on film stock—the only medium available—but now include video and digital productions that can be either direct-to-video, made into a TV show or released for screening in cinemas. "Documentary" has been described as a "filmmaking practice, a cinematic tradition, and mode of audience reception" that is continually evolving and is without clear boundaries.

Defining documentary

In popular myth, the word documentary was coined by Scottish documentarian John Grierson in his review of Robert Flaherty's film Moana (1926), published in the New York Sun on 8 February 1926, written by "The Moviegoer" (a pen name for Grierson).

Grierson's principles of documentary were that cinema's potential for observing life could be exploited in a new art form; that the "original" actor and "original" scene are better guides than their fiction counterparts to interpreting the modern world; and that materials "thus taken from the raw" can be more real than the acted article. In this regard, Grierson's definition of documentary as "creative treatment of actuality" has gained some acceptance, with this position at variance with Soviet film-maker Dziga Vertov's provocation to present "life as it is" (that is, life filmed surreptitiously) and "life caught unawares" (life provoked or surprised by the camera).