- published: 01 Nov 2022
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The Roman circus (from Latin, "circle") was a large open-air venue used for public events in the ancient Roman Empire. The circuses were similar to the ancient Greek hippodromes, although circuses served varying purposes and differed in design and construction. Along with theatres and amphitheatres, Circuses were one of the main entertainment sites of the time. Circuses were venues for chariot races, horse races, and performances that commemorated important events of the empire were performed there. For events that involved re-enactments of naval battles, the circus was flooded with water.
According to Edward Gibbon, in Chapter XXXI of his work The History of the Decline and Fall of the Roman Empire, the Roman people, at the start of the 5th century:
The performance space of the Roman circus was normally, despite its name, an oblong rectangle of two linear sections of race track, separated by a median strip running along the length of about two thirds the track, joined at one end with a semicircular section and at the other end with an undivided section of track closed (in most cases) by a distinctive starting gate known as the carceres, thereby creating a circuit for the races. The Circus of Maxentius epitomises the design.
Meta is a Canada-based biomedical content curation website which provides material from journals and papers to users. Meta' provides research relevant to users in real-time using machine learning. The company is headquartered in Toronto, Ontario.
Meta, formerly Sciencescape Inc., was founded in 2010 by Sam and Amy Molyneux. Before co-founding Meta, Sam Molyneux studied cancer genomics at the Ontario Cancer Institute at Princess Margaret Hospital in Toronto. The service was developed with the intention of curating the millions of articles in the area of academic publishing.
As of June 2013, the Meta website included 45 million pages.
Meta includes coverage of the biomedical sciences with real-time updates from PubMed. The website provides access to over 22 million papers with publication dates as early as the 1800s. By sifting through papers and learning from user behavior, the service pinpoints key pieces of research and provides relevant search results. To sort and display significant content, the database uses eigenvalues to assess multiple academic journals. Meta also provides visualizations about a field of research by organizing papers by their date of publication and citation count and then presenting the information on a graph that allows users to quickly identify key papers historical papers.
FF Meta is a humanist sans-serif typeface family designed by Erik Spiekermann and released in 1991 through his FontFont library. According to Spiekermann, FF Meta was intended to be a “complete antithesis of Helvetica,” which he found “boring and bland.” It originated from an unused commission for the Deutsche Bundespost (West German Post Office). Throughout the 1990s, FF Meta was embraced by the international design community with Spiekermann and E. M. Ginger writing that it had been dubiously praised as the Helvetica of the 1990s.
FF Meta has been adopted by numerous corporations and other organizations as a corporate typeface, for signage or in their logo. These include Imperial College London, The Weather Channel, Free Tibet, Herman Miller, Zimmer Holdings, and Fort Wayne International Airport.
Characteristics of this typeface are:
Empty may refer to:
Metric are a Canadian rock band founded in 1998 in Toronto. The band consists of Emily Haines (lead vocals, synthesizers, guitar, tambourine, harmonica, piano), James Shaw (guitar, synthesizers, theremin, backing vocals), Joshua Winstead (bass, synthesizers, backing vocals) and Joules Scott-Key (drums, percussion). The band started in 1998 as a duo formed by Haines and Shaw with the name "Mainstream". After releasing an EP titled Mainstream EP, they changed the band's name to Metric, after a sound that was programmed by Shaw on his keyboard. In 2001, Winstead and Scott-Key joined them.
Their first official studio album, Old World Underground, Where Are You Now?, was released on September 2, 2003. It was followed by Live It Out, released on October 4, 2005. The album was nominated for the 2006 Polaris Music Prize for the "Canadian Album of the Year" and for the 2006 Juno Awards for "Best Alternative Album". Their third studio album, Grow Up and Blow Away, was recorded in 2001 and it was initially planned as their debut album. The album was delayed for many years and it was finally released on June 26, 2007, with some changes to the track list. Some songs were also slightly reworked.
Empty is the first studio album released by Christian rock band Tait. This album features Pete Stewart from Grammatrain, who is absent in the next album. Several songs are influenced by the passing of Michael Tait's late father Nathel, for whom the band is named.
The advance pre-release copy for this album contained slightly different mixes to the released CD and omitted the track "Altars" as well as both hidden tracks. "Altars" is the only song from this album to be turned into a music video; "Loss For Words" was featured on the soundtrack for the movie Extreme Days.
There are two hidden tracks on this CD, one an instrumental piece that appears after the closing track "Unglued," the other in the pregap (or "zero" index) before the opening track "Alibi," which can be accessed by pressing the 'rewind' button on the CD player when track one begins. The disc scans back 6 minutes and 48 seconds into negative numbers revealing answering machine messages with Michael Tait doing various character impersonations. There is also a short joke-oriented piece in this hidden track.
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An animation analyzing the history and design of the Meta typeface designed by Eric Spiekermann.
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The Roman circus (from Latin, "circle") was a large open-air venue used for public events in the ancient Roman Empire. The circuses were similar to the ancient Greek hippodromes, although circuses served varying purposes and differed in design and construction. Along with theatres and amphitheatres, Circuses were one of the main entertainment sites of the time. Circuses were venues for chariot races, horse races, and performances that commemorated important events of the empire were performed there. For events that involved re-enactments of naval battles, the circus was flooded with water.
According to Edward Gibbon, in Chapter XXXI of his work The History of the Decline and Fall of the Roman Empire, the Roman people, at the start of the 5th century:
The performance space of the Roman circus was normally, despite its name, an oblong rectangle of two linear sections of race track, separated by a median strip running along the length of about two thirds the track, joined at one end with a semicircular section and at the other end with an undivided section of track closed (in most cases) by a distinctive starting gate known as the carceres, thereby creating a circuit for the races. The Circus of Maxentius epitomises the design.