Start can refer to multiple topics:
"Start!" is the eleventh UK single release by punk rock band, The Jam and their second number-one, following "Going Underground"/"Dreams of Children". Upon its release on 15 August 1980, it debuted at number three, and two weeks later reached number one for one week. Written by Paul Weller and produced by Vic Coppersmith-Heaven and The Jam, "Start!" was the lead single from the band's fifth album Sound Affects. The single's B-side is "Liza Radley".
"Start!" is based on both the main guitar riff and bass riff of The Beatles' 1966 song "Taxman" from the album Revolver, written by George Harrison. Likewise, The Jam's "Dreams of Children" had featured the same "Taxman" bassline, played then as a lead guitar riff.
The album version of the song runs at 2:30 and features trumpets in the final section. The single version, also featured on the "Snap!" compilation, is edited and slightly remixed, and omits the trumpets.
Beastie Boys covered the song, which appears on their 1999 single, "Alive".
Start (Russian: Старт, transliterated Cmapm) was a 35 mm single lens reflex Soviet camera produced by Mechanical Factory of Krasnogorsk (KMZ) during the years of 1958–1964. The camera was inspired by Exakta camera. Start had Bayonet-mount lenses with Exakta-style shutter release arm, KMZ Helios-44 58 mm f/2 normal lens, cloth focal-panel shutter.
An improved version, Start-2, was produced ca. 1963–1964. It had automatic diaphragm and meteric prism.
The Lady Killer is the third studio album by American recording artist CeeLo Green, released November 5, 2010, on Elektra Records. Production for the album was handled by Salaam Remi, Element, The Smeezingtons, Fraser T Smith, Paul Epworth, and Jack Splash.
The album debuted at number nine on the US Billboard 200 chart, selling 41,000 copies in its first week. It achieved respectable chart success elsewhere and produced three singles, including the international hit "Fuck You". The album has sold 498,000 copies in the United States as of October 2012, and it has been certified double platinum in the United Kingdom. Upon its release, The Lady Killer received generally positive reviews from music critics, who praised its production, classicist soul music approach, and Green's singing.
Green reportedly "spent three years on The Lady Killer, recording close to 70 songs". Thirteen tracks that didn't make the final selection for The Lady Killer were leaked online in June 2010 as an album titled Stray Bullets including the song "You Don't Shock Me Anymore", and collaborations with The B-52's ("Cho Cho The Cat"), Soko (a remix of "I'll Kill Her"), and Goodie Mob ("Night Train").
"Bodies" is a Sex Pistols song about the shock of abortion from the 1977 album Never Mind the Bollocks, Here's the Sex Pistols. The lyrics contain very graphic imagery about a terminated fetus and feature a great deal of profanity for the time: the third and final verse begins with a couplet in which the word fuck is repeated five times in rapid succession. Along with the later "Belsen Was a Gas," it is probably the most graphic and controversial Sex Pistols song in both its subject matter and style. Musically, it is also the fastest and heaviest song in the Sex Pistols canon — characterized by thudding drums, droning buzzsaw guitar, and shouted vocals. As such, it can be considered a significant antecedent to the genres of hardcore, thrash, and speed metal that was to emerge in the mid-to-late-1980s.
"Bodies" is one of two songs on Never Mind the Bollocks, Here's the Sex Pistols which original Pistols bassist Glen Matlock did not co-write. It is also the only song on the album on which Sid Vicious actually plays bass, although his part was later overdubbed. The song was, like all other Sex Pistols songs, credited to the entire band, though Vicious was in the hospital with hepatitis when the band wrote it. It is mostly about a fan named Pauline, who was (as the song states) from Birmingham. She had been in a mental institution, where she apparently lived in a tree house, in the garden of the institution. This was where the line 'Her name was Pauline, she lived in a tree' comes from. The institution was also where she seems to have been raped by one of the male nurses. When she was released, she travelled to London, where she became a punk rock fan. She had several abortions. According to legend, she showed up once at John Lydon's door wearing nothing but a clear plastic bag and holding an aborted fetus in a clear plastic bag.
"Bodies" is the first episode of the 14th season of Law & Order, and 302nd episode overall.
A teenage girl is found murdered in an alley, having been brutally assaulted and raped. Detectives Briscoe and Green later find a connection to an unsolved Brooklyn homicide from five years earlier, featuring a similar victim and modus operandi. The detectives are able to link several unsolved homicides and missing persons reports and believe them all to be the work of a serial killer. After speaking to some of the victims' families, they realize the victims were all abducted or found far from their homes, meaning they likely summoned a taxi. An investigation of the cab company leads them to the apartment of Mark Bruner, whose unsettling demeanor and evasion of the detectives' questions quickly make him a suspect. He is eventually held and charged with two counts of murder, and DNA evidence points to his irrefutable guilt.
i was there
when they would stare
at you just like
the light had fallen
from the sun
you'd think that
jesus had come
i called you sugar on that day
and later sweetness drove my manic haze
and i found another name
so gorgeous was the day we met
i couldn't speak except to say how
gorgeous that i thought you were to me
delirious and daylight falling
into night i fell
i thought i'd drown myself
i thought i'd drown myself in you
well i shook the honey glaze from my head
and i realized, yeah i realized
i'd do anything for you
i'd do anything for you
my eyes were spinning round
like the twist of a top
my head reeling round so fast
i didn't think it could stop
but i stopped and
gorgeous was the day we met
i couldn't speak except to say how
gorgeous that i thought you were to me
so gorgeous was the day we met
i couldn't speak except to say how
gorgeous that the two of us could be
spill myself all over you like syrup
all delicious and stuck on you
yeah we'll wreck ourselves
yeah we'll wreck ourselves ?as two?
no unseen force can deny this -
why would it even try?
it'll never stop
it'll never go away
my eyes were spinning round
like the twist of a top
my head reeling round so fast
i didn't think it could stop
but i stopped and
gorgeous was the day we met
i couldn't speak except to say how
gorgeous that i thought you were to me
so gorgeous was the day we met
i couldn't speak except to say how
gorgeous that the two of us could be
so gorgeous was the day we met
i couldn't speak except to say how
gorgeous that the two of us could be
so so gorgeous