Heaven

Heaven, the heavens or seven heavens, is a common religious, cosmological, or transcendent place where heavenly beings such as gods, angels, jinn, saints, or venerated ancestors are said to originate, be enthroned, or to live. According to the beliefs of some religions, heavenly beings can descend to earth or incarnate, and earthly beings can ascend to Heaven in the afterlife, or in exceptional cases enter Heaven alive.

Heaven is often described as a "higher place", the holiest place, a Paradise, in contrast to Hell or the Underworld or the "low places", and universally or conditionally accessible by earthly beings according to various standards of divinity, goodness, piety, faith, or other virtues or right beliefs or simply the will of God. Some believe in the possibility of a Heaven on Earth in a World to Come.

Another belief is in an axis mundi or world tree which connects the heavens, the terrestrial world, and the underworld. In Indian religions, Heaven is considered as Svarga loka, and the soul is again subjected to rebirth in different living forms according to its karma. This cycle can be broken after a soul achieves Moksha or Nirvana. Any place of existence, either of humans, souls or deities, outside the tangible world (Heaven, Hell, or other) is referred to as otherworld.

Niña

La Niña (Spanish for The Girl) was one of the three Spanish ships used by Italian explorer Christopher Columbus in his first voyage to the West Indies in 1492. As was tradition for Spanish ships of the day, she bore a female saint's name, Santa Clara. However, she was commonly referred to by her nickname, La Niña, which was probably a pun on the name of her owner, Juan Niño of Moguer. She was a standard caravel-type vessel.

The other ships of the Columbus expedition were the caravel-type Pinta and the carrack-type Santa María. The Niña was by far Columbus's favorite. She was originally lateen sail rigged caravela latina, but she was re-rigged as caravela redonda at Las Palmas, in the Canary Islands, with square sails for better ocean performance. There is no authentic documentation on the specifics of the Niña's design, although Michele de Cuneo, who accompanied Columbus on his second voyage, mentioned that the Nina was "about 60 toneladas" (60 tons), which may indicate a medium-sized caravel of around 50 feet (15 m) in length on deck. Often said to have had three masts, there is some evidence she may have had four masts.

Look at Me (film)

Look at Me (French: Comme une image) is a 2004 drama film directed by Agnès Jaoui. The movie won "Best Screenplay" award at the 2004 Cannes Film Festival. The film features a clip from the 1948 film Blood on the Moon.

Plot

The protagonist, Lolita Cassard, lacks confidence and self-esteem because she doesn't look like the women who fill the pages of fashion magazines. Her father, Étienne Cassard, is a respected novelist, but rarely considers the feelings of others, only thinking of himself and worrying about aging. Pierre Millet, a younger writer, doubts he will ever be successful. Meanwhile, Sylvia Millet, a singing teacher, believes in her husband's talent, but doubts her own and that of her student, Lolita. When Sylvia discovers that Lolita is the daughter of Étienne, an author whom she admires, she befriends Lolita in order to gain access to Étienne for her husband's sake. Lolita does not believe or see that Sylvia is just another person being generous to her because her father is famous. She begins to confide in Sylvia about her father, love life, and self-confidence issues. Sylvia surprisingly takes a liking to Lolita and begins to see Étienne for the man he really is. Throughout the film Sébastien, a young journalist, befriends Lolita. He is the only one with pure intents, even after he finds out who her father is. He takes a liking to Lolita, but she refuses to show any interests and is only infatuated with another boy, Mathieu. Mathieu is everything Sébastien is not. Mathieu only has interest for Lolita because of her father and mistreats her. Lolita casts all of these same behaviors on Sébastien and does not realize that he truly does like her for herself. After a crazy weekend at Étienne's cottage, Sylvia leaves Pierre because he has become just like Étienne, Lolita goes after Sébastien because she realizes he has honest intentions, and Étienne is repeatedly reminded that he is an indifferent father to Lolita.