Monday, July 31, 2017

It's Churchy LaFemme Week: Part I -- Special Frog Legs Edition

From le magnifique 2010 compilation C'est Chic! French girl singers of the 1960s...


...please enjoy the splendidly monikered Les Gam's and their perhaps overly Gallic girl group offering "L'Ete Reviendra."

Which translates, in case you were wondering, as "summer will return."



I should add that I got turned on to the CD above, and all it contains, by my younger brother, who has -- shall we say -- eclectic tastes. Thanks, Drew!

Coming tomorrow: A song by a woman who was a genuine muse of the Nouvelle Vague.

Friday, July 28, 2017

The Greatest Power Pop Compilation of All Time! Okay, Maybe One of the Greatest, But Hey -- I'm Excited!!!

Holy cow: tracks from my next two album projects -- The Hounds' The Album We Never Made and The Weasels' Crimes Against Nature: Greatest Hits 1973-2016 -- are now available for free download on an utterly fantastic compilation via our great good buddy and ace DJ Wayne Lundqvist Ford.






125 bands from all around the world -- no waiting!

Hey, it's free -- go download it NOW!.

Have a great weekend, everybody!

Thursday, July 27, 2017

The Wolf Also Rises

So, no -- Tom Petty and the Heartbreakers DIDN'T do "Kings Highway" at last night's concert at Forest Hills Stadium. But it was a great night out anyway, with the band in spectacular form, musically, and a nice cross section of material selected from throughout their 40 years together. The set list, not surprisingly, was heavy on the stuff from Full Moon Fever ("I Won't Back Down" sounded particularly good). There was also a long mini-set of stuff from the unappreciated (by me) Wildflowers album, but that worked out fine because it gave me a chance to go the bathroom. In any event, a wonderful show.

I should add, however, that I saw exactly one African-American in the audience of 14,000, which gives one pause, even if it really has no larger significance.

I should also add that, perhaps inexplicably, two attendees came dressed as members of the Teletubbies.


And I would be remiss if I didn't note that opening act Peter Wolf -- with the help of a brilliant band -- came perilously close to stealing the show; both his voice and manic stage moves are totally undimmed by time since the J. Geils days.

Of course, he didn't do my favorite of his solo stuff...



...but he did do this more recent tune, and absolutely killed.



All in all, as I said, a great night out.

Wednesday, July 26, 2017

Social Notes From All Over

Going to see Tom Petty and the Heartbreakers tonight at Forest Hills Stadium.

And this is the song I really want to hear them do.



A certain Shady Dame of my acquaintance has never seen 'em before. Me, I was lucky -- I caught them in a small club when they were touring the first album (they opened for Roger McGuinn, who covered "American Girl.")

They were the loudest band I ever heard, and absolutely devastatingly great. With luck, they still will be.

Tuesday, July 25, 2017

Closed for Monkey (Dental) Business


Having a little problem with my chompers that needs professional attention.

Regular -- hopefully pain free -- posting resumes on the morrow.

Monday, July 24, 2017

Your Monday Moment of "There Were Giants in the Earth in Those Days"

From the fabulous Subtle as a Flying Mallet album in 1975, please enjoy Greatest Living Welshman Dave Edmunds -- superbly backed by Brinsley Schwarz -- and perhaps the coolest live cover of Chuck Berry's "Let It Rock" ever heard by sentient mammalian ears.



I bring that up because of this sad news: The great man himself is now officially retired. Via Brian Setzer:


I interviewed Edmunds in 1975, when Mallet came out, and he was an absolutely lovely guy (as well as, obviously, one of the most gifted musicians of his generation; I don't think he ever made a bad record.) He will be missed, but hey -- at least he's alive and well and quit at the top of his game.

I should add that I happened to see Edmunds live (with Rockpile, which is the subject for another column) at the Bottom Line on the night in 1978 when Keith Richards got out of jail from his Canadian heroin bust. Imagine my delight when Edmunds brought Keith out to sit in with the band on the aforementioned "Let It Rock."



Imagine my disappointment when, as you can hear, the resulting performance turned out to be an unholy mess. Seriously -- every couple of years I pull that out to see if I'm mis-remembering how awful it was, and every time I do I'm disappointed all over again.

Fun trivia note: I was at an Edmunds show at Tramps in the early '90s, where I ran into Willie Nile, who said "Hey Simels -- when are you gonna get that Floor Models box set together?" I laughed, but nearly two decades later it suddenly struck me as a good idea. Which, in fact, it turned out to be.

Thanks for the memories, Dave!!!

Friday, July 21, 2017

Music By People I Actually Know Personally (An Occasional Series)

From 2017, please enjoy The John Sally Ride -- featuring friend of PowerPop and proprietor of the fabulous music blog BURNING WOOD Sal Nunziato on drums -- and their brilliantly monikered and addictively catchy "She Walks Her Dog in Pajamas."



And who are these guys? Let's go directly to the official press release!

NEW RELEASE ON THE KOOL KAT LABEL!

The John Sally Ride was inevitable. Long time friends, with thousands of combined hours listening to and talking about music, the trio of musicians that comprise this exciting new band had been making music separately for years. The time had finally come to make a record together. It wasn't just their mutual love of The Kinks, David Bowie and Todd Rundgren. And it wasn't just that special knack of finishing each other's musical sentences. It was all of that, for sure. But, like any great band/record, it all starts with the songs and the magic that suddenly took hold of these gents when they finally hit the studio.

John Dunbar (A Confederacy Of Dunces The Kunks), Sal Maida (Roxy Music, Sparks, Milk N Cookies, Cracker) and Sal Nunziato (Pep In The Cat, The Hard Copies, Burning Wood) made a record, just like their musical heroes made records, with original music and lyrics, instruments and voices. "A New Set Of Downs" is that record.

“Anchored by Maida’s great bass line, Dunbar makes the best of the opener ‘One of These Days You’ll Have One of Those Days,’ a very Kinks-like composition with kazoo and guitar flourishes. The steady rhythm of ‘I Didn’t Know I Was Saying Goodbye’ is another gem about an unexpected break-up. Dunbar gets stuff off his chest with ‘Your Closest Friends,’ a rant that mentions ‘If you met them now for the first time you’d hate their guts.’ And easily the catchiest tune is the single ‘Not Taking Credit’. Another big highlight is ‘The Girl You Won’t Leave Your Wife For,’ with its dense melody and harmonies in the chorus. Easily Dunbar’s most accessible work. Highly Recommended.” – Powerpopaholic.com

“I've always liked the indie pop of John Dunbar. It's great melodic pop, the sort we thrive upon. ‘Not Taking Credit’ shows how Power Pop the trio could be and Dunbar's vocals lend well to that genre, but the news from the resulting album is that it is far more harmonic pop than power. Imagine a cross between The Monkees and Squeeze. The singalong shuffle of the opener, ‘One Of These Days You'll Have One Of Those Days’ emphasizes the Monkees comparison. ‘She Walks Her Dog In Pyjamas’ with its psych guitar is in Small Faces territory. ‘From Expectation To Surrender’ comes across as a sweet sounding chirpier version of The Proclaimers and it's great to hear Maida's bass lines again on ‘I Love The Girl (You Won't Leave Your Wife For)’. ‘I Love The Girl’ is almost Lindisfarne with it's almost folk backdrop. The trio have fashioned up a real feel good album to accompany the nights getting lighter. Nunziato's drumming seems to hold the whole thing together. This is great summer pop. It's hard to name a favourite track, I loved ‘Not Taking Credit’ from first listen and still do, but I'll go for ‘Your Closest Friends’, a real chipper song that sums up what the band are about. This album is a great listen and now you have your chance to confirm that.” – IDontHearASingle.com GREAT!!

And here's another nifty track from the record.



Seriously -- the whole album is pretty much the most delightful surprise I've had so far this year.

So what are you waiting for? Get over to the Kool Kat website [we love them because they also distribute the Floor Models] and buy the CD now!!!

Have a great weekend, everybody!

Thursday, July 20, 2017

Tomorrow is Only a Day Away


Sorry to be such a slacker this week. Regular posting -- featuring music by yet another person I actually know personally -- resumes on Friday.

Wednesday, July 19, 2017

Music By People I Actually Know Personally (An Occasional Series)

From some time in the late 80s, please enjoy H20 -- featuring friend of PowerPop Tommy Stewart wildly overplaying on bass (because that's what he does) -- and their fiendishly catchy "Still the Morn."


Tommy fills in the details:

The band H2O was Jimmy Hamiter on lead vocals and keys (minimoog and polymoog), Larry Jones on guitar and backing vocals, Dave Jutras on drums, and myself on bass and Taurus pedals. The song "Still The Morn" was written by the previous version of H2O (different guitarist, two female vocalists, and two keyboardists), and when the band reformed after a few months, it remained a four-piece.




Apart from being a great guy and a great musician, Tommy used to read my poor scribblings at The Magazine Formerly Known as Stereo Review, so obviously he's way cool. He also keeps tab on the rightwing lunacy at the odious Free Republic website on a weekly basis over at FIRST DRAFT.

Tuesday, July 18, 2017

Closed for Monkey Business


Great Max Weinberg show last night, but I'm too exhausted to post today.

Regular -- non-simian -- stuff resumes on the morrow.