April Rain

April Rain is the second full-length album by the Dutch symphonic metal band, Delain. It was released in the Benelux on 20 March 2009 and was released internationally on 30 March 2009 by Roadrunner Records. It was released in Australia on 10 April 2009.

History

Martijn Westerholt, founder of Delain, originally did not intend Delain to be a live band. But after the success of debut album Lucidity a live band was created which recorded the album April Rain. While Delain's previous album Lucidity featured many guest appearances, this album has only two: Maria Ahn, cellist from the Ahn Trio and Finnish singer Marco Hietala, who was featured on multiple tracks of Lucidity as well. "Virtue and Vice" is the only song on April Rain containing death growls performed by guitarist Ronald Landa, who also contributes clean vocals on "Invidia".

Demo versions of "Stay Forever" and "Start Swimming" were already played live by Delain in 2007 and 2008. In November 2008, a version of the song "I'll Reach You" with alternate lyrics was performed live on a Dutch TV show to get attention for UNICEF & BT's "Inspiring Young Minds" charity.

Album

Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 ¹⁄₃ rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.

An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.

Rock

Rock commonly refers to:

Rock or Rocks may also refer to:

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Post-rock

Post-rock is a subgenre of rock music characterized by the influence and use of instruments commonly associated with rock, but using rhythms and "guitars as facilitators of timbre and textures" not traditionally found in rock. Post-rock bands are often instrumental.

Sigur Rós, Stereolab, Mogwai, Don Caballero and Tortoise are among the more prominent bands described as post-rock, but their styles are very different, despite being instrumental bands centered on guitars and drums. As such, the term has been the subject of backlash from listeners and artists alike.

Although firmly rooted in the indie or underground scene of the 1980s and early '90s, post-rock's style often bears little resemblance musically to that of contemporary indie rock.

Origin of the term

The term "post-rock" is believed to have been coined by critic Simon Reynolds in his review of Bark Psychosis' album Hex, published in the March 1994 issue of Mojo magazine. Reynolds expanded upon the idea later in the May 1994 issue of The Wire.