Fire was the third album by Wild Orchid, which was scheduled to be released on June 19, 2001. This was the group's final release with Ferguson, as well as their final release as a trio and with RCA Records.
The album was recorded from 1999 to 2000, with several of the tracks being co-written and co-produced by 'N Sync member JC Chasez, Oliver Leiber, Robbie Neville, 3AM and Sweden's Epicenter. Stefanie Ridel told them, "The album's lighter, more fun - and more in step with how we feel about ourselves." She also stated that the album would be filled with energy and spirit, in comparison to the group's previous two albums, which she thought were overly serious.
Promotion for the album began back in 1999 while Wild Orchid was in the midst of recording it. They performed "World Without You" and "Candle Light" while opening for Cher's Do You Believe? Tour, they performed the title track "Fire" while opening for 'N Sync's 'N Sync in Concert tour during their winter shows and they performed "World Without You" on Great Pretenders. "It's All Your Fault" was also featured in the 2000 film What Women Want.
In the sci-fi television series Lexx, the fictional planet "Fire" is the afterlife for all evil souls, and the location for much of Season 3. It shares a tight mutual orbit and an atmosphere with the Planet "Water", which is the afterlife for all good souls in the Lexx universe. Both worlds are locked in a perpetual war.
The souls on Water and Fire have no memory of how they arrived there; they simply "woke up" there one day. They are incapable of sexual reproduction and there are no children on either planet. When anyone dies on Planet Fire or Planet Water, they go to a spiritual holding cell in which time stands still, giving the illusion that no time has passed nomatter how long they have been there. When space opens up they "wake up" again whole and healthy on their respective home planet.
Fire is destroyed by the Lexx under the command of Xev at the end of Season 3. With Fire gone, Prince can not reincarnate so he instead chooses to possess the Lexx and destroy Water. When Water and Fire are both destroyed, it is revealed that both planets were actually on the other side of the Sun in our solar system and that all the souls contained on both worlds will be reincarnated on Earth.
"Fire" is a hit song by R&B/funk band Ohio Players. The song was the opening track from the album of the same name and hit #1 on both the Billboard Hot 100 (where it was succeeded by Linda Ronstadt's "You're No Good") and the Hot Soul Singles chart in early 1975. It spent five weeks atop the soul chart. "Fire" was the Ohio Players' only entry on the new disco/dance chart, where it peaked at #10. The tune is considered to be the band's signature song along with "Love Rollercoaster."
The song was recorded at Mercury Records' Chicago-based studio. While performing it in California, the band let Stevie Wonder hear the basic track for the song and he predicted that it would become a big hit. The song is noted for its sound of a siren recorded from a fire truck, heard at the beginning, as well as in the instrumental break in the middle. The edit version avoided much of the repetition of the music.
A cover of the song was released by Canadian New Wave band Platinum Blonde on their third album Contact in 1987. Another cover, also from 1987, is featured on the album Rhythm Killers by Sly and Robbie, produced by Bill Laswell. For their 2014 album For the Love of Money, industrial hip hop outfit Tackhead covered the song.
Kappa Mikey is an American animated sitcom created by Larry Schwarz, who chose 4Kids Entertainment as the worldwide licensing, marketing and official promotional agent of the series. The show is Nicktoons's first original half-hour series, bought during the same period as other Animation Collective series such as Three Delivery and Speed Racer: The Next Generation, as well as Flash shows from other studios, such as Edgar & Ellen and The Secret Show, though the latter was made from BBC. The series premiered on January 6, 2006. The series is MTV's first global acquisition, and was available on iTunes until 2009.
Kappa Mikey was marketed as "the first anime to be produced entirely in the United States", according to press releases from MTV, Nicktoons Network, and various other sources, as the term anime in English is generally reserved for animation originally produced for the Japanese market. It uses Japanese animation and culture as inspiration for its concept, rather than being "true" anime. As a matter of fact, the series is a homage/parody of Japanese anime. On February 16, 2008, during their "Music Week", Nicktoons Network aired their first and only original television movie, an hour-long Kappa Mikey musical entitled "Kappa Karaoke". Officially, the episode's title is "The Karaoke Episode". The last three episodes aired after the show was stuck on a hiatus. These episodes were aired in September 2008.
He is the fifth letter of the Semitic abjads, including Phoenician Hē , Hebrew Hē ה, Aramaic Hē , Syriac Hē ܗ, and Arabic Hāʾ ﻫ. Its sound value is a voiceless glottal fricative ([h]).
The proto-Canaanite letter gave rise to the Greek Epsilon, Etruscan 𐌄, Latin E, Ë and Ɛ, and Cyrillic Е, Ё, Є and Э. He, like all Phoenician letters, represented a consonant, but the Latin, Greek and Cyrillic equivalents have all come to represent vowel sounds.
In Proto-Northwest Semitic there were still three voiceless fricatives: uvular ḫ, glottal h, and pharyngeal ḥ. In the Wadi el-Hol script, these appear to be expressed by derivatives of the following Egyptian hieroglyphs
ḫayt "thread",
hillul "jubilation", compare South Arabian h, ḥ, ḫ, Ge'ez ሀ, ሐ, ኀ, and
ḥasir "court". In the Phoenician alphabet, ḫayt and ḥasir are merged into Heth "fence", while hillul is replaced by He "window".
Hebrew spelling: הֵא
In modern Hebrew, the letter represents a voiceless glottal fricative. /h/ may also be dropped, although this pronunciation is seen as substandard.
Hey!!! is FLOW's twenty second single. Its A-Side was used as the third opening theme song for the anime Beelzebub (manga). The single has two editions: regular and limited. The limited edition comes with a bonus DVD that contains extra footage. It reached #23 on the Oricon charts and charted for 2 weeks. *
On the Soul (Greek Περὶ Ψυχῆς, Perì Psūchês; Latin De Anima) is a major treatise by Aristotle on the nature of living things. His discussion centres on the kinds of souls possessed by different kinds of living things, distinguished by their different operations. Thus plants have the capacity for nourishment and reproduction, the minimum that must be possessed by any kind of living organism. Lower animals have, in addition, the powers of sense-perception and self-motion (action). Humans have all these as well as intellect.
Aristotle holds that the soul (psyche, ψυχή) is the form, or essence of any living thing; that it is not a distinct substance from the body that it is in. That it is the possession of soul (of a specific kind) that makes an organism an organism at all, and thus that the notion of a body without a soul, or of a soul in the wrong kind of body, is simply unintelligible. (He argues that some parts of the soul—the intellect—can exist without the body, but most cannot.) It is difficult to reconcile these points with the popular picture of a soul as a sort of spiritual substance "inhabiting" a body. Some commentators have suggested that Aristotle's term soul is better translated as lifeforce.
[Intro:]
No souls to sell here mate...
They say The fool thinks himself to be wise man, but the wise man knows himself to be a fool.
I say that, to say this...
[Chorus:]
You might take my life,
But you can't take my soul!
You can't take my soul!
You might take my freedom,
But you can't take my soul!
You can't take my soul!
You might take my life,
But you can't take my soul!
You can't take my soul!
You might take my freedom,
But you can't take my soul!
You can't take my soul!
[Verse 1:]
They can't use my music to advertise for Coca Cola
They can't use my music to advertise for Motorola
They can't use my music to advertise for anything
The truth, I guess that's the reason the industry won't let me in
Refuse to be a product or brand, I'm human
Refuse to contribute to the gangster Illusion
Whether I'm number One, Number two, or Number Three
I'm unique and there will never be another me
And there will never be another you
Be proud of who you are, don't copy what the others do
They are not superior, you are not inferior
When we realize that is gonna be hysteria
Not commercial, always controversial what my pen has written
When they listen many have risen from the mental prison
That's why you don't see my face upon the television
But every time I try to sleep I hear the devil singing
[Chorus:]
You might take my life,
But you can't take my soul!
You can't take my soul!
You might take my freedom,
But you can't take my soul!
You can't take my soul!
You might take my life,
But you can't take my soul!
You can't take my soul!
You might take my freedom,
But you can't take my soul!
You can't take my soul!
[Verse 2:]
They can't use my music to advertise your watch or your car
Can't use it to advertise the drink you got at the bar
Can't use my music to advertise for anything
The truth, I guess that's the reason the industry won't let me in
My Integrity is the reason I'm thinking separately
Keep your three-sixty I can do this independently
It's likely I'm quite mad (why?)
Cause I say with ease slavery gave the streets Nikey's and I-pads
They don't like my rhymes, see my style is like a lecture
But I'd rather die, than smile with my oppressor
I'm an honourable student, with the facts and you're Ju-dish
Your not Hip Hop or Grime, your just McDonald's music
Not commercial, always controversial what my pen has written
When they listen many have risen from the mental prison
That's why you don't see my face upon the television
But every time I try to sleep I hear the devil singing
[Chorus: x2]
You might take my life,
But you can't take my soul!
You can't take my soul!
You might take my freedom,
But you can't take my soul!
You can't take my soul!
You might take my life,
But you can't take my soul!
You can't take my soul!
You might take my freedom,
But you can't take my soul!