Sequence, a board-and-card game, was invented by Douglas Reuter in Minneapolis, Minnesota, over a two-year period in the 1970s. Mr. Reuter originally called the game, "Sequence Five". Reuter spent years developing the concept, and, in June 1981, granted Jax Ltd. an exclusive license to manufacture, distribute and sell the board game, Sequence, and its subsequent variations. The game was first sold in a retail store in 1982.
The object of the game is to form rows of five poker chips on the board by placing the chips on the board spaces corresponding to cards played from your hand.
Playing Board (19-3/4” x 15-1/4”); Instructions; 135 poker chips (50 blue, 50 green, 35 red); two full standard card decks (52 cards each, 104 cards total, no Jokers)
Sequence can be played with two to 12 players, so long as the number of players is divisible by two or three (i.e., not 5, 7 or 11). If there are more than three individual players, they should divide evenly into two or three teams (up to three teams of four players). With two teams, players alternate their physical positions with opponents around the playing surface. With three teams, players of a team must be positioned at every third player around the playing surface.
In music, a sequence is the restatement of a motif or longer melodic (or harmonic) passage at a higher or lower pitch in the same voice. It is one of the most common and simple methods of elaborating a melody in eighteenth and nineteenth century classical music (Classical period and Romantic music). Characteristics of sequences:
It is possible for melody or harmony to form a sequence without the other participating.
A real sequence is a sequence where the subsequent segments are exact transpositions of the first segment. A tonal sequence is a sequence where the subsequent segments are diatonic transpositions of the first segments. A modified sequence is a sequence where the subsequent segments are decorated or embellished so as to not destroy the character of the original segment. A false sequence is a literal repetition of the beginning of a figure and stating the rest in sequence. A modulating sequence is a sequence that leads from one tonal center to the next, with each segment technically being in a different key in some sequences. A rhythmic sequence is the repetition of a rhythm with free use of pitches.
Sequence was a short-lived but influential British film journal founded in 1947 by Lindsay Anderson, Gavin Lambert and Karel Reisz.
Anderson had returned to Oxford after his time with the army Intelligence Corps in Delhi, Lambert was a schoolfriend of Anderson from Cheltenham College who had dropped out of English at Magdalen College on discovering that he would have to study Middle English under C. S. Lewis, while Reiz was a chemistry graduate from Emmanuel College, Cambridge who later said "I met Lindsay Anderson on a Green Line bus. I was going to the British Film Institute to look at some film for my editing book and he was going to see Ford's The Iron Horse."
Founded as the Film Society Magazine, the organ of the Oxford Film Society, in 1947, with Penelope Houston as its first editor, the journal quickly changed its name to Sequence, and produced fourteen issues between 1947 and 1952, the last few being edited by Reisz and Anderson. The British Free Cinema movement, co-founded in 1956 by Lindsay Anderson, Karel Reisz, Tony Richardson and Lorenza Mazzetti, drew on the principles first expressed by the journal. Articles from Sequence by Anderson were published in Lindsay Anderson: The Collected Writings edited by Paul Ryan (London: Plexus, 2004).
Legend was a video game publishing house also known as Microl/Legend, and earlier as simply Microl. Legend's chairman and founder was John Peel.
Legend was a posthumous compilation album of unreleased material by American Southern rock band Lynyrd Skynyrd, which contained previously unreleased demos from the albums before the 1977 plane crash. However, the vast majority of tracks on Legend are now available on other albums. The album was certified Gold on 7/27/2001 by the RIAA.
Legend: The Music of Jerry Goldsmith is a musical film score by American composer Jerry Goldsmith, released in 1986 for the worldwide release of the film of the same name, (excluding the US). The album was released on compact disc in 1992 through Silva Screen records and featured alternate cover art and additional songs.
Goldsmith's score was featured in the original version of the film, but due to a disappointing test screening with the original orchestral score, director Ridley Scott decided to make changes to the film. Sidney Sheinberg, president of MCA (the parent company of Universal at the time), felt that the Goldsmith score would not appeal to the youth and pressed Scott for a new score. German group Tangerine Dream was contracted to complete a new, more contemporary score—-a job they completed in three weeks. Until 2002, only European audiences could see Legend with Goldsmith's score.
Pixels is a 2015 American science fiction action-comedy film produced by Columbia Pictures, 1492 Pictures and Happy Madison Productions. The film was directed by Chris Columbus. Its screenplay was written by Tim Herlihy and Timothy Dowling, with a screen story penned by Tim Herlihy and based on French director Patrick Jean's 2010 short film of the same name. The film features computer animated video games characters, special effects, and stars Adam Sandler, Kevin James, Josh Gad, Peter Dinklage, Michelle Monaghan, Brian Cox, Ashley Benson, and Jane Krakowski. The film's plot has extraterrestrials misinterpreting video-feeds of classic arcade games as a declaration of war, and invading Earth using technology inspired by games such as Pac-Man and Space Invaders. To counter the alien assault, the United States hire former arcade champions to lead the planet's defense.
Principal photography on the film began in 2014 in Toronto, Ontario, Canada. It was released in 2D, 3D, and IMAX 3D in 2015. The film had a production budget of $88 million, with print and marketing bringing it to a total cost of around $145 million. The worldwide gross was $244 million. Despite receiving generally negative reviews, the movie was a commercial success.