- published: 23 Mar 2014
- views: 60278
Create your page here
-
remove the playlistArthur Sullivan
-
remove the playlistLatest Videos
-
remove the playlistLongest Videos
- remove the playlistArthur Sullivan
- remove the playlistLatest Videos
- remove the playlistLongest Videos
back to playlist
I. Andante - Allegro Ma Non Troppo Vivace - 00:00
II. Andante Espressivo - 13:24
III. Allegretto - Moderato - Tempo Primo - 20:42
IV. Allegro Vivace e con brio - 26:59
Sullivan began work on his symphony in 1863, very early in his career. From holiday in Ireland, he wrote that "as I was jolting home through wind and rain... in an open jaunting-car, the whole first movement of a symphony came into my head with a real Irish flavour about it -- besides scraps of the other movements." The composer later wrote, "I always meant to call it the 'Irish Symphony', but I modestly refrained, as it was courting comparison with the 'Scotch Symphony'." The title did not appear on the published score until after Sullivan's death, in the Novello edition of 1915.
The first performance of the symphony was at The Crystal Palace in March 1866, thanks to the popular singer, Jenny Lind, who sponsored the concert and attracted an audience of 3,000 for her singing in the first half of the programme. The conductor was August Manns, who had previously conducted the London première of Sullivan's incidental music to The Tempest.
The symphony was well received, though the music critics, both then and later, observed the influence of other composers. The Times wrote, "Mr Sullivan should abjure Mendelssohn, even Beethoven and above all Schumann, for a year and a day."In his 1960 study of Sullivan's music Gervase Hughes also detects echoes of Schumann, and of Schubert as well.
Recordings made at the very birth of recorded sound, by George Gouraud, Edison's representative in London, including recordings made at a dinner attended by Sir Arthur Sullivan on October 5th 1888. The video also features other historic sound recordings from 1888, 1907 and 1912, including recordings made by Savoyard Walter Passmore, as well as historic movies filmed in England and Ireland in 1888, 1896, 1898, 1900 and 1903,
- published: 15 Jan 2013
- views: 49495
Sir Arthur Sullivan
Cello Concerto
reconstructed by Charles Mackerras and David Mackie
1. Allegro moderato
2. Andante espressivo
3. Molto vivace
Paul Watkins, performing on Sullivan's own cello, and the BBC Symphony Orchestra conducted by Charles Mackerras
- published: 09 Jul 2015
- views: 4368
Live captation of the Volksopera production of Sullivan's The Zoo, on the OdeGand festival, Ghent, NTGent, 17th of October 2016
- published: 01 Dec 2016
- views: 692
Honorables miembros y visitantes del Imperio MrJohannStraussViena,me complace presentarles:
Obra.- Overture The Pirates of Penzance
Compositor.- Sir Arthur Sullivan
Interpretaciòn.- "D'Oyly Carte Opera Company
Disfruten de esta maravilla de obra y dejen su comentario si asì lo desean.
¡Suscrìbanse! (es gratis)
Gracias
- published: 18 Jun 2014
- views: 2301
London Choral Society
BBC Concert Orchestra
Teresa Cahill, soprano
Margaret Phillips, organ
Ronald Corp, conductor
(Broadcast in 1988; CD released in 2001 by BBC Music Magazine.)
The Festival Te Deum is the popular name for an 1872 composition by Arthur Sullivan, written to celebrate the recovery of Albert Edward, Prince of Wales (later King Edward VII of the United Kingdom) from typhoid fever. The prince's father, Prince Albert, had died of typhoid fever in 1861, and so the prince's recovery was especial cause for celebration.
The Festival Te Deum was first performed on 1 May 1872 at The Crystal Palace in a special "Thanksgiving Day" concert organised by the Prince's brother, Alfred, Duke of Edinburgh, who was a friend of Sullivan's and commissioned the piece. Sullivan was allowed to dedicate the work to the prince's mother, Queen Victoria: an unusual honour.
At the original performance, the London contingent of the Handel Festival Choir of 2,000 performers constituted the chorus, and the audience numbered 26,000. The Times wrote, "we are glad to be able to speak in terms of unqualified praise. It is not only, in our opinion, the most finished composition for which we are indebted to [Sullivan's] pen but an honour to English art." Sullivan was "uproariously cheered" at the premiere. (Wikipedia)
http://en.wikipedia.org/wiki/Festival_Te_Deum
1. Chorus
We praise thee, O God: we acknowledge thee to be the Lord.
All the earth doth worship thee: the Father everlasting.
To thee all Angels cry aloud: the Heavens and all the powers therein.
2. Solo (soprano) and Chorus
To thee Cherubim and Seraphim: continually do cry,
Holy, Holy, Holy: Lord God of Sabaoth;
Heaven and earth are full of the Majesty: of thy Glory.
3. Chorus
The glorious company of the Apostles: praise thee.
The goodly fellowship of the Prophets: praise thee.
The noble army of Martyrs: praise thee.
The holy Church throughout all the world: doth acknowledge thee;
The Father: of an infinite Majesty;
Thine honourable, true: and only Son;
Also the Holy Ghost: the Comforter.
Thou art the King of Glory: O Christ.
Thou art the everlasting Son: of the Father.
4. Solo (soprano)
When Thou tookest upon Thee to deliver man: thou didst not abhor the Virgin's womb.
When thou hadst overcome the sharpness of death: thou didst open the Kingdom of Heaven to all believers.
Thou sittest at the right hand of God: in the Glory of the Father.
5. Chorus
We believe that Thou shalt come: to be our Judge.
We therefore pray Thee, help Thy servants: whom Thou hast redeemed with Thy precious blood.
Make them to be numbered with Thy Saints: in glory everlasting.
6. Solo (soprano) and Chorus
O Lord, save Thy people: and bless Thine heritage.
Govern them: and lift them up for ever.
Day by day: we magnify thee;
And we worship thy Name: ever world without end.
7. Chorus
Vouchsafe, O Lord: to keep us this day without sin.
O Lord, have mercy upon us: have mercy upon us.
O Lord, let Thy mercy lighten upon us: as our trust is in thee.
O Lord, in thee have I trusted: let me never be confounded.
O Lord, save the Queen: and mercifully hear us when we call upon thee. Amen.
- published: 02 Jun 2014
- views: 10271
March - King Henry's Song - Graceful Dance - Water Music.
Performed by Emmanuel Lawler (tenor) with the RTE Concert Orchestra conducted by Andrew Penny.
- published: 10 Apr 2017
- views: 185
- Composer: Sir Arthur Seymour Sullivan MVO (13 May 1842 -- 22 November 1900)
- Performers: Webster Booth (tenor), Herbert Dawson (organ)
- Year of recording: 1939
The Lost Chord, song for voice & piano, written in 1877.
Arthur Sullivan's setting of The Lost Chord, by Adelaide Procter, is one of the very few non-theatrical works by the composer that one might hear today. Two versions of the ballad's origins exist, both stemming from Sullivan. The first of these claims The Lost Chord was composed, "in sorrow at my brother's death"; the other reports that Sullivan wrote the ballad while at the bedside of his dying brother, Frederic. Whatever the case may have been, the intensity and solemnity of the piece are undeniable.
When Sullivan set Procter's poem to music, her works were very popular both in England and abroad; they were published in the United States and also translated into German. In 1877, her poems were in greater demand in England than those of any living writer except Tennyson. The theme of The Lost Chord is ancient, something precious and magical that may only be discovered by chance. A person seated at the organ fumbling over the keys accidentally plays a chord that feels "Like the sound of a great Amen." The poem goes on to describe the effect of this chord, which "flooded the crimson twilight," "quieted pain and sorrow," and "linked all perplexed meanings." The high point of the poem, and of Sullivan's setting, is the penultimate verse, from which the poem derives its name: "I have sought, but I seek it vainly / That one lost chord divine, / Which came from the soul of the organ / And entered into mine." In the final verse, the organist muses that he will hear this "lost chord" again "only in heaven." Sullivan's setting of The Lost Chord is appropriately sober. Repeated notes at the opening are similar to solemn passages in Patience, The Prodigal Son, and In Memoriam. Musically, The Lost Chord follows an AA1BA2 pattern, with the first stanza's melody (A) given a new accompaniment for its repeat (A1), which is then contrasted with new material (B). Yet another altered version of the stanza closes the ballad. Sullivan spices the piece with an unexpected harmonic change near the end of the first stanza.
The ballad became associated with Mrs. Mary Frances ("Fanny") Ronalds. Rumor has it the Prince of Wales once stated he would travel the length of Great Britain to hear Ronalds sing The Lost Chord. Fanny Ronalds and Arthur Sullivan carried on a clandestine relationship for over 20 years. Overexposure to The Lost Chord provoked parodies and earnest mockery from the public and critics alike. In 1960, a commentator wrote: "It is to be hoped that Adelaide Procter's elusive Chord has how been lost forever." Posterity has tended to look upon The Lost Chord and other songs such as Sad Memories, Looking Back and Once Again, as examples of "the depths to which Sullivan could fall" when he tried to make money. In the late 1970s, however, Nicholas Temperley was brave enough to describe the work as "Sullivan's maligned masterpiece."
- published: 31 Dec 2015
- views: 5014
Sir Arthur Sullivan Cello Concerto reconstructed by Charles Mackerras and David Mackie 1. Allegro moderato 2. Andante espressivo 3. Molto vivace Paul .
Julian Lloyd Webber plays Sullivan's Cello concerto conducted by Sir Charles Mackerras .
YouTube's largest collection of Sir Arthur Sullivan's solo works.
Honorables Miembros del Imperio MrJohannStraussViena,en esta maravillosa ocasiòn les presentarè una obra bellisima denominada Opening Dance .
- published: 06 Jun 2016
- views: 352
On 5th October 1888 (yes, you read that year right), Sir Arthur Sullivan was present at a "phonograph party". At this event, he made a recording of his own voice to send to Thomas Edison (who had the idea that the phonograph may be used in a way similar to the letter). His comments are made having heard various recordings played to him at the event.
Also, earlier in 1888, a press conference was played a recording of Sullivan's "The Lost Chord" (amongst others). This recording is thought to be the same recording, made in 1888, and is performed by anonymous artists on cornet and piano. While not all that interesting musically, the recording is of supreme historical interst as being the first properly listenable recording of music ever made. One musical observation I have is to note the restrained attitude towards rubato - the presumably British players don't seem to be indulging in the sometimes wayward rhythmic tos and fros of the Austro-German piano school in this recording. There is still a degree of non-sychronisation between cornet melody and piano accomaniment though, typical of the treatment of melody and accompaniment in piano solo recordings from a few years later.
Anyway, afterwards (the cylinder runs out before the work has been completed, and irritatingly just as it starts to rise to its climax) you hear Sullivan's voice from the other event. He is first introduced, and then makes the following speech - rather perspicacious all things considered!:
Dear Mr. Edison, if my friend Edmund Yates has been a little incoherent it is in consequence of the excellent dinner and good wines that he has drunk. Therefore I think you will excuse him. He has his lucid intervals. For myself, I can only say that I am astonished and somewhat terrified at the result of this evening's experiments: astonished at the wonderful power you have developed, and terrified at the thought that so much hideous and bad music may be put on record for ever. But all the same I think it is the most wonderful thing that I have ever experienced, and I congratulate you with all my heart on this wonderful discovery. Arthur Sullivan.
- published: 11 Apr 2008
- views: 57364
Orchestrated by Roderick Spencer.
Scene VI : Christmas Revels.
Castle Hall. Servants, Players And Guests - Procession of The Boar's Head and Roast Beef - Comic Pas de Quatre (Fugue) - Drunken Jester's Dance - Blind Man's Buff - Entrance and Procession of Father Christmas - Mistletoe Dance. 00:00-13:35
Final Scene : 1897
Britain's Glory: English, Irish, Scottish And Colonial Troops. Military Manoeuvres - Sailors' Hornpipe - Pas Redouble - Finale: Britannia. The Albert Memorial. God Save The Queen. 13:35-24:45
Performed by the RTE Sinfonietta conducted by Andrew Penny.
Uploading from Marco Polo is problematic to say the least as random tracks (or complete CD's) are blocked. Anyway, here are a couple of scenes.
- published: 10 Apr 2017
- views: 217
Arthur Sullivan
Sir Arthur Seymour Sullivan MVO (13 May 1842 – 22 November 1900) was an English composer. He is best known for his series of 14 operatic collaborations with the dramatist W. S. Gilbert, including H.M.S. Pinafore, The Pirates of Penzance and The Mikado. His works comprise 23 operas, 13 major orchestral works, eight choral works and oratorios, two ballets, incidental music to several plays, and numerous hymns and other church pieces, songs, and piano and chamber pieces. The best known of his hymns and songs include "Onward Christian Soldiers" and "The Lost Chord".
The son of a military bandmaster, Sullivan composed his first anthem at age eight. He was selected as soloist in the boys' choir of the Chapel Royal. In 1856, the Royal Academy of Music awarded the first Mendelssohn Scholarship to the 14-year-old Sullivan, allowing him to study first at the Academy and then in Germany, at the Leipzig Conservatoire. His graduation piece was a suite of incidental music to Shakespeare's The Tempest. When it was performed in London in 1862, it was an immediate sensation. Sullivan began his composing career with a series of ambitious works, interspersed with hymns, parlour ballads and other light pieces. Among his best received early pieces were a ballet, L'Île Enchantée (1864), and his Irish Symphony, Cello Concerto and Overture in C (In Memoriam) (all in 1866). From 1861 to 1872, he supplemented his income by working as a church organist and music teacher, and writing hymns and songs.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Arthur_Sullivan
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Sullivan
Sullivan may refer to:
People
Fictional characters
Places
- Sullivan, Kern County, California
- Sullivan, Sutter County, California
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Sullivan
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Lost
Lost may refer to:
Cinema and television
Literature
Music
Albums
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Lost
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
The Lost Chord
"The Lost Chord" is a song composed by Arthur Sullivan in 1877 at the bedside of his brother Fred during Fred's last illness. The manuscript is dated 13 January 1877; Fred Sullivan died five days later. The lyric was written as a poem by Adelaide Anne Procter called "A Lost Chord," published in 1858 in The English Woman's Journal.
The song was immediately successful and became particularly associated with American contralto Antoinette Sterling, with Sullivan's close friend and mistress, Fanny Ronalds, and with British contralto Clara Butt. Sullivan was proud of the song and later noted: "I have composed much music since then, but have never written a second Lost Chord."
Many singers have recorded the song, including Enrico Caruso, who sang it at the Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victims of the Titanic disaster. The piece has endured as one of Sullivan's best-known songs, and the setting is still performed today.
Background
In 1877, Arthur Sullivan was already Britain's foremost composer, having produced such critically praised pieces as his Irish Symphony, his Overture di Ballo, many hymns and songs, such as "Onward, Christian Soldiers", and the popular short operas Cox and Box and Trial by Jury. Adelaide Anne Procter was an extremely popular poet in Britain, second in fame only to Alfred Lord Tennyson. On the early published sheet music for the song, Procter's name is written in larger letters than Sullivan's. Sullivan's father's death had inspired him to write his Overture In C (In Memoriam) over a dozen years earlier.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/The_Lost_Chord
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Arthur
Arthur is a common masculine given name. Its etymology is disputed, but its popularity derives from its being the name of the legendary hero King Arthur.
Art and Artie are diminutive forms of the name. A common spelling variant used in many Slavic, Romance, and Germanic languages is Artur.
Etymology
The origin of the name Arthur remains a matter of debate. Some suggest it is derived from the Roman nomen gentile (family name) Artōrius, of obscure and contested etymology (but possibly of Messapic or Etruscan origin). Some scholars have noted that the legendary King Arthur's name only appears as Arthur, or Arturus, in early Latin Arthurian texts, never as Artōrius (although the Classical Latin Artōrius became Arturius in some Vulgar Latin dialects). However, this may not say anything about the origin of the name Arthur, as Artōrius would regularly become Art(h)ur when borrowed into Welsh.
Another possibility is that it is derived from a Brittonic patronym *Arto-rīg-ios (the root of which, *arto-rīg- "bear-king" is to be found in the Old Irish personal name Art-ri) via a Latinized form Artōrius. Less likely is the commonly proposed derivation from Welsh arth "bear" + (g)wr "man" (earlier *Arto-uiros in Brittonic); there are phonological difficulties with this theory—notably that a Brittonic compound name *Arto-uiros should produce Old Welsh *Artgur and Middle/Modern Welsh *Arthwr and not Arthur (in Welsh poetry the name is always spelled Arthur and is exclusively rhymed with words ending in -ur—never words ending in -wr—which confirms that the second element cannot be [g]wr "man").
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Arthur
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
- Loading...
-
36:20Sir Arthur Sullivan - Symphony in E Major "Irish" (1866)
Sir Arthur Sullivan - Symphony in E Major "Irish" (1866)Sir Arthur Sullivan - Symphony in E Major "Irish" (1866)
I. Andante - Allegro Ma Non Troppo Vivace - 00:00 II. Andante Espressivo - 13:24 III. Allegretto - Moderato - Tempo Primo - 20:42 IV. Allegro Vivace e con brio - 26:59 Sullivan began work on his symphony in 1863, very early in his career. From holiday in Ireland, he wrote that "as I was jolting home through wind and rain... in an open jaunting-car, the whole first movement of a symphony came into my head with a real Irish flavour about it -- besides scraps of the other movements." The composer later wrote, "I always meant to call it the 'Irish Symphony', but I modestly refrained, as it was courting comparison with the 'Scotch Symphony'." The title did not appear on the published score until after Sullivan's death, in the Novello edition of 1915. The first performance of the symphony was at The Crystal Palace in March 1866, thanks to the popular singer, Jenny Lind, who sponsored the concert and attracted an audience of 3,000 for her singing in the first half of the programme. The conductor was August Manns, who had previously conducted the London première of Sullivan's incidental music to The Tempest. The symphony was well received, though the music critics, both then and later, observed the influence of other composers. The Times wrote, "Mr Sullivan should abjure Mendelssohn, even Beethoven and above all Schumann, for a year and a day."In his 1960 study of Sullivan's music Gervase Hughes also detects echoes of Schumann, and of Schubert as well. -
16:57A dinner with Sir Arthur Sullivan (rare 1888 recordings)
A dinner with Sir Arthur Sullivan (rare 1888 recordings)A dinner with Sir Arthur Sullivan (rare 1888 recordings)
Recordings made at the very birth of recorded sound, by George Gouraud, Edison's representative in London, including recordings made at a dinner attended by Sir Arthur Sullivan on October 5th 1888. The video also features other historic sound recordings from 1888, 1907 and 1912, including recordings made by Savoyard Walter Passmore, as well as historic movies filmed in England and Ireland in 1888, 1896, 1898, 1900 and 1903, -
17:08Sir Arthur Sullivan - Cello Concerto
Sir Arthur Sullivan - Cello ConcertoSir Arthur Sullivan - Cello Concerto
Sir Arthur Sullivan Cello Concerto reconstructed by Charles Mackerras and David Mackie 1. Allegro moderato 2. Andante espressivo 3. Molto vivace Paul Watkins, performing on Sullivan's own cello, and the BBC Symphony Orchestra conducted by Charles Mackerras -
40:50The Zoo - Arthur Sullivan
The Zoo - Arthur SullivanThe Zoo - Arthur Sullivan
Live captation of the Volksopera production of Sullivan's The Zoo, on the OdeGand festival, Ghent, NTGent, 17th of October 2016 -
7:57Arthur Sullivan - The Pirates of Penzance Overture
Arthur Sullivan - The Pirates of Penzance OvertureArthur Sullivan - The Pirates of Penzance Overture
Honorables miembros y visitantes del Imperio MrJohannStraussViena,me complace presentarles: Obra.- Overture The Pirates of Penzance Compositor.- Sir Arthur Sullivan Interpretaciòn.- "D'Oyly Carte Opera Company Disfruten de esta maravilla de obra y dejen su comentario si asì lo desean. ¡Suscrìbanse! (es gratis) Gracias -
7:25Arthur Sullivan - The Mikado - Overture
Arthur Sullivan - The Mikado - Overture -
32:51Sir Arthur Sullivan - Festival Te Deum
Sir Arthur Sullivan - Festival Te DeumSir Arthur Sullivan - Festival Te Deum
London Choral Society BBC Concert Orchestra Teresa Cahill, soprano Margaret Phillips, organ Ronald Corp, conductor (Broadcast in 1988; CD released in 2001 by BBC Music Magazine.) The Festival Te Deum is the popular name for an 1872 composition by Arthur Sullivan, written to celebrate the recovery of Albert Edward, Prince of Wales (later King Edward VII of the United Kingdom) from typhoid fever. The prince's father, Prince Albert, had died of typhoid fever in 1861, and so the prince's recovery was especial cause for celebration. The Festival Te Deum was first performed on 1 May 1872 at The Crystal Palace in a special "Thanksgiving Day" concert organised by the Prince's brother, Alfred, Duke of Edinburgh, who was a friend of Sullivan's and commissioned the piece. Sullivan was allowed to dedicate the work to the prince's mother, Queen Victoria: an unusual honour. At the original performance, the London contingent of the Handel Festival Choir of 2,000 performers constituted the chorus, and the audience numbered 26,000. The Times wrote, "we are glad to be able to speak in terms of unqualified praise. It is not only, in our opinion, the most finished composition for which we are indebted to [Sullivan's] pen but an honour to English art." Sullivan was "uproariously cheered" at the premiere. (Wikipedia) http://en.wikipedia.org/wiki/Festival_Te_Deum 1. Chorus We praise thee, O God: we acknowledge thee to be the Lord. All the earth doth worship thee: the Father everlasting. To thee all Angels cry aloud: the Heavens and all the powers therein. 2. Solo (soprano) and Chorus To thee Cherubim and Seraphim: continually do cry, Holy, Holy, Holy: Lord God of Sabaoth; Heaven and earth are full of the Majesty: of thy Glory. 3. Chorus The glorious company of the Apostles: praise thee. The goodly fellowship of the Prophets: praise thee. The noble army of Martyrs: praise thee. The holy Church throughout all the world: doth acknowledge thee; The Father: of an infinite Majesty; Thine honourable, true: and only Son; Also the Holy Ghost: the Comforter. Thou art the King of Glory: O Christ. Thou art the everlasting Son: of the Father. 4. Solo (soprano) When Thou tookest upon Thee to deliver man: thou didst not abhor the Virgin's womb. When thou hadst overcome the sharpness of death: thou didst open the Kingdom of Heaven to all believers. Thou sittest at the right hand of God: in the Glory of the Father. 5. Chorus We believe that Thou shalt come: to be our Judge. We therefore pray Thee, help Thy servants: whom Thou hast redeemed with Thy precious blood. Make them to be numbered with Thy Saints: in glory everlasting. 6. Solo (soprano) and Chorus O Lord, save Thy people: and bless Thine heritage. Govern them: and lift them up for ever. Day by day: we magnify thee; And we worship thy Name: ever world without end. 7. Chorus Vouchsafe, O Lord: to keep us this day without sin. O Lord, have mercy upon us: have mercy upon us. O Lord, let Thy mercy lighten upon us: as our trust is in thee. O Lord, in thee have I trusted: let me never be confounded. O Lord, save the Queen: and mercifully hear us when we call upon thee. Amen. -
18:56Arthur Sullivan : Henry VIII, Suite from the incidental music (1877)
Arthur Sullivan : Henry VIII, Suite from the incidental music (1877)Arthur Sullivan : Henry VIII, Suite from the incidental music (1877)
March - King Henry's Song - Graceful Dance - Water Music. Performed by Emmanuel Lawler (tenor) with the RTE Concert Orchestra conducted by Andrew Penny. -
4:07Arthur Sullivan - The Lost Chord
Arthur Sullivan - The Lost ChordArthur Sullivan - The Lost Chord
- Composer: Sir Arthur Seymour Sullivan MVO (13 May 1842 -- 22 November 1900) - Performers: Webster Booth (tenor), Herbert Dawson (organ) - Year of recording: 1939 The Lost Chord, song for voice & piano, written in 1877. Arthur Sullivan's setting of The Lost Chord, by Adelaide Procter, is one of the very few non-theatrical works by the composer that one might hear today. Two versions of the ballad's origins exist, both stemming from Sullivan. The first of these claims The Lost Chord was composed, "in sorrow at my brother's death"; the other reports that Sullivan wrote the ballad while at the bedside of his dying brother, Frederic. Whatever the case may have been, the intensity and solemnity of the piece are undeniable. When Sullivan set Procter's poem to music, her works were very popular both in England and abroad; they were published in the United States and also translated into German. In 1877, her poems were in greater demand in England than those of any living writer except Tennyson. The theme of The Lost Chord is ancient, something precious and magical that may only be discovered by chance. A person seated at the organ fumbling over the keys accidentally plays a chord that feels "Like the sound of a great Amen." The poem goes on to describe the effect of this chord, which "flooded the crimson twilight," "quieted pain and sorrow," and "linked all perplexed meanings." The high point of the poem, and of Sullivan's setting, is the penultimate verse, from which the poem derives its name: "I have sought, but I seek it vainly / That one lost chord divine, / Which came from the soul of the organ / And entered into mine." In the final verse, the organist muses that he will hear this "lost chord" again "only in heaven." Sullivan's setting of The Lost Chord is appropriately sober. Repeated notes at the opening are similar to solemn passages in Patience, The Prodigal Son, and In Memoriam. Musically, The Lost Chord follows an AA1BA2 pattern, with the first stanza's melody (A) given a new accompaniment for its repeat (A1), which is then contrasted with new material (B). Yet another altered version of the stanza closes the ballad. Sullivan spices the piece with an unexpected harmonic change near the end of the first stanza. The ballad became associated with Mrs. Mary Frances ("Fanny") Ronalds. Rumor has it the Prince of Wales once stated he would travel the length of Great Britain to hear Ronalds sing The Lost Chord. Fanny Ronalds and Arthur Sullivan carried on a clandestine relationship for over 20 years. Overexposure to The Lost Chord provoked parodies and earnest mockery from the public and critics alike. In 1960, a commentator wrote: "It is to be hoped that Adelaide Procter's elusive Chord has how been lost forever." Posterity has tended to look upon The Lost Chord and other songs such as Sad Memories, Looking Back and Once Again, as examples of "the depths to which Sullivan could fall" when he tried to make money. In the late 1970s, however, Nicholas Temperley was brave enough to describe the work as "Sullivan's maligned masterpiece." -
31:52Sir Arthur Sullivan Cello Concerto
Sir Arthur Sullivan Cello ConcertoSir Arthur Sullivan Cello Concerto
Sir Arthur Sullivan Cello Concerto reconstructed by Charles Mackerras and David Mackie 1. Allegro moderato 2. Andante espressivo 3. Molto vivace Paul . Julian Lloyd Webber plays Sullivan's Cello concerto conducted by Sir Charles Mackerras . YouTube's largest collection of Sir Arthur Sullivan's solo works. Honorables Miembros del Imperio MrJohannStraussViena,en esta maravillosa ocasiòn les presentarè una obra bellisima denominada Opening Dance . -
3:42Edison phonograph cylinder (1888): Sir Arthur Sullivan (1842-1900) - The Lost Chord & Speech
Edison phonograph cylinder (1888): Sir Arthur Sullivan (1842-1900) - The Lost Chord & SpeechEdison phonograph cylinder (1888): Sir Arthur Sullivan (1842-1900) - The Lost Chord & Speech
On 5th October 1888 (yes, you read that year right), Sir Arthur Sullivan was present at a "phonograph party". At this event, he made a recording of his own voice to send to Thomas Edison (who had the idea that the phonograph may be used in a way similar to the letter). His comments are made having heard various recordings played to him at the event. Also, earlier in 1888, a press conference was played a recording of Sullivan's "The Lost Chord" (amongst others). This recording is thought to be the same recording, made in 1888, and is performed by anonymous artists on cornet and piano. While not all that interesting musically, the recording is of supreme historical interst as being the first properly listenable recording of music ever made. One musical observation I have is to note the restrained attitude towards rubato - the presumably British players don't seem to be indulging in the sometimes wayward rhythmic tos and fros of the Austro-German piano school in this recording. There is still a degree of non-sychronisation between cornet melody and piano accomaniment though, typical of the treatment of melody and accompaniment in piano solo recordings from a few years later. Anyway, afterwards (the cylinder runs out before the work has been completed, and irritatingly just as it starts to rise to its climax) you hear Sullivan's voice from the other event. He is first introduced, and then makes the following speech - rather perspicacious all things considered!: Dear Mr. Edison, if my friend Edmund Yates has been a little incoherent it is in consequence of the excellent dinner and good wines that he has drunk. Therefore I think you will excuse him. He has his lucid intervals. For myself, I can only say that I am astonished and somewhat terrified at the result of this evening's experiments: astonished at the wonderful power you have developed, and terrified at the thought that so much hideous and bad music may be put on record for ever. But all the same I think it is the most wonderful thing that I have ever experienced, and I congratulate you with all my heart on this wonderful discovery. Arthur Sullivan. -
24:51Arthur Sullivan : Victoria and Merrie England, Scenes VI & VIII from the ballet (1897)
Arthur Sullivan : Victoria and Merrie England, Scenes VI & VIII from the ballet (1897)Arthur Sullivan : Victoria and Merrie England, Scenes VI & VIII from the ballet (1897)
Orchestrated by Roderick Spencer. Scene VI : Christmas Revels. Castle Hall. Servants, Players And Guests - Procession of The Boar's Head and Roast Beef - Comic Pas de Quatre (Fugue) - Drunken Jester's Dance - Blind Man's Buff - Entrance and Procession of Father Christmas - Mistletoe Dance. 00:00-13:35 Final Scene : 1897 Britain's Glory: English, Irish, Scottish And Colonial Troops. Military Manoeuvres - Sailors' Hornpipe - Pas Redouble - Finale: Britannia. The Albert Memorial. God Save The Queen. 13:35-24:45 Performed by the RTE Sinfonietta conducted by Andrew Penny. Uploading from Marco Polo is problematic to say the least as random tracks (or complete CD's) are blocked. Anyway, here are a couple of scenes. -
4:21The Long Day Closes by Arthur Sullivan 2008 Prom
The Long Day Closes by Arthur Sullivan 2008 PromThe Long Day Closes by Arthur Sullivan 2008 Prom
Taken from the 2008 BBC Proms concert in the Royal Albert Hall London -
23:36Arthur Sullivan : The Merchant of Venice, Extended Suite from the incidental music (1871)
Arthur Sullivan : The Merchant of Venice, Extended Suite from the incidental music (1871)Arthur Sullivan : The Merchant of Venice, Extended Suite from the incidental music (1871)
Introduction - Barcarole (Serenade) - Introduction and Bourree - Danse Grotesque - A la Valse - Melodrama - Finale. Performed by Emmanuel Lawler (tenor) with the RTE Concert Orchestra conducted by Andrew Penny. -
4:41Arthur Sullivan - Henry VIII Suite March
Arthur Sullivan - Henry VIII Suite MarchArthur Sullivan - Henry VIII Suite March
Ilustres miembros del Imperio MrJohannStraussViena,sean bienvenidos a una nueva emisión de este su canal,me complace presentarles: Obra.- Henry VIII Suite March Compositor.- Sir Arthur Sullivan Interpretación a cargo de.- The Royal Philharmonic Orchestra Conductor .- Royston Nash. Pintura.- Balaclava (1876) [A major Battle in the Crimean War] Pintora.- Elizabeth Thompson Disfruten de esta marcha tan patriotica,dejen un comentario si vosotros desean y denle like. ¡Suscríbanse! (es gratis) Gracias -
1:17:16Arthur Sullivan's Songwriting Technique - David Owen Norris
Arthur Sullivan's Songwriting Technique - David Owen NorrisArthur Sullivan's Songwriting Technique - David Owen Norris
As the musical half of the great Gilbert and Sullivan operetta-writing partnership, Sir Arthur Sullivan was behind some of the most memorable songs in English, but what were his secrets? Professor David Owen Norris outlines Sullivan's approach to writing his songs. The transcript and downloadable versions of this part of the 'Sullivan Song Day' conference are available from the on the Gresham College website: http://www.gresham.ac.uk/lectures-and-events/sullivan-song-day-1 Gresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website. http://www.gresham.ac.uk -
6:27Sullivan - Imperial March - Royal Philharmonic Orchestra
Sullivan - Imperial March - Royal Philharmonic OrchestraSullivan - Imperial March - Royal Philharmonic Orchestra
Sir Arthur Sullivan's 'Imperial March' was written for the opening of the Imperial Institute by Queen Victoria. It was first performed in 1893, five months before the opening of Gilbert & Sullivan's 'Utopia Limited'. It is scored for full orchestra, with harp and percussion. One can sense the influence of Verdi on Sullivan. (Album notes). ('Imperial March' was included on this album to supplement the very short musical introduction to Act 1 of 'Utopia Limited'). Royal Philharmonic Orchestra Conductor: Royston Nash Recorded in 1975 -
1:03:57Sir Arthur Sullivan - The Golden Legend : Part One
Sir Arthur Sullivan - The Golden Legend : Part OneSir Arthur Sullivan - The Golden Legend : Part One
Leeds Centenary performance, 15 March 1986, in Leeds Town Hall Part Two is here - https://www.youtube.com/watch?v=8HscFJ7SZJo Elsie - Sheila Armstrong, soprano Ursula - Sarah Walker, contralto Prince Henry of Hoheneck - Robert Tear, tenor Lucifer - Brian Rayner-Cook,bass-baritone Leeds Philharmonic Choir, chorusmaster Graham Barber BBC Philharmonic Orchestra, leader Andrew Orton Sir Charles Mackerras, conductor Brian Rayner-Cook took over from Richard Van Allan at very late notice and learned the role on the train to Leeds. My own transfer from my off-air recording on cassette. The side-change comes towards the end of Sarah Walker's "Slowly, slowly up the wall" aria but is fairly brief. -
1:58:22Arthur Sullivan: The Golden Legend (Longfellow Chorus Radio Broadcast)
Arthur Sullivan: The Golden Legend (Longfellow Chorus Radio Broadcast)Arthur Sullivan: The Golden Legend (Longfellow Chorus Radio Broadcast)
As heard on Maine Public Classical, Maine Public Broadcasting Network, 8PM, February 22, 2017. 00:00:00 Announcer 00:00:53 Evangeline March, Edward Rice, orchestrated Charles Kaufmann 00:04:33 Announcer 00:07:26 The Golden Legend, Scenes One and Two 00:51:43 Announcer 00:53:57 Last Farewell Waltz, Edward Rice, orchestrated Charles Kaufmann 01:00:26 Announcer 01:02:11 The Golden Legend, Scenes Three, Four and Five; Epilogue 01:49:14 Announcer 01:50:10 The Musical Sufferings of John Kreisler, Christopher Kies -
3:44Arthur Sullivan, Funeral March & Final Chorus (from 'King Arthur')
Arthur Sullivan, Funeral March & Final Chorus (from 'King Arthur')Arthur Sullivan, Funeral March & Final Chorus (from 'King Arthur')
RTE Concert Orch. & Coir, Andrew Penny (dir.)
'Arthur Sullivan' is featured as a movie character in the following productions:
The Story of Gilbert and Sullivan (1953)
Actors: Muriel Aked (actress), George Woodbridge (actor), Arthur Howard (actor), Michael Ripper (actor), John Rae (actor), Frank Williams (actor), Leonard Sachs (actor), Lloyd Lamble (actor), Robert Morley (actor), Maurice Evans (actor), Peter Finch (actor), Wilfrid Hyde-White (actor), Philip Ray (actor), Frank Launder (producer), Sidney Gilliat (producer),
Genres: Biography, Drama, Musical,Taglines: Great in Song! Great in Romance! Great in Lusty Humor! Music! Mirth! Magic!
The Return of Gilbert & Sullivan (1952)
Actors: Irving Allen (producer), Scatman Crothers (actor), Melville Cooper (actor), Billy Gray (actor), Alvin Hammer (actor), Tudor Owen (actor), Irving Allen (director), William S. Gilbert (writer), Lyn Murray (composer), Joseph Gluck (editor), Richard Karlan (actor), Val Raset (miscellaneous crew), Pat Hogan (actor), Dee Turnell (actress), Sid Kuller (director),
Genres: Music, Short,Lillian Russell (1940)
Actors: Don Ameche (actor), Claud Allister (actor), Irving Bacon (actor), Nigel Bruce (actor), Paul E. Burns (actor), Edward Arnold (actor), Richard Carle (actor), Leo Carrillo (actor), Joseph Cawthorn (actor), Frank Darien (actor), William B. Davidson (actor), Hal K. Dawson (actor), A.S. 'Pop' Byron (actor), Henry Fonda (actor), Eddie Foy Jr. (actor),
Genres: Biography, Drama, Musical,Sullivan, Arthur Filmography
-
2006, role: composer
-
2006, role: composer
-
2006, role: composer
-
2006, role: composer
-
2006, role: composer
-
2005, role: composer
-
2005, role: composer
-
2005, role: composer
-
2005, role: composer
-
2005, role: composer
-
2004, role: composer
-
2004, role: composer
-
2004, role: composer
-
2004, role: composer
-
2003, role: composer
-
2002, role: composer
-
2001, role: composer
-
2001, role: composer
-
1993, role: composer
-
1990, role: composer
-
1987, role: composer
-
1985, role: composer
-
1983, role: composer
-
1982, role: composer
-
1980, role: composer
-
1975, role: composer
-
1975, role: composer
-
1973, role: composer
-
1972, role: composer
-
1967, role: composer
-
1939, role: composer
-
1926, role: composer
-
1907, role: composer
-
1906, role: composer
-
1906, role: composer
Sullivan, Arthur Filmography
-
1957, role: actor , character name: Johnny
-
1949, role: actor , character name: Handler
-
1948, role: actor , character name: Fighter
Sullivan, Arthur Filmography
-
1967, role: editor
Matching books:
Sir Arthur Sullivan
ALBUMS
- Ruddigore (Ohio Light Opera feat. conductor: Michael Borowitz) released: 2010
- Ivanhoe: Act 1 released: 2010
- The Complete Gilbert & Sullivan released: 2003
- The Very Best of Gilbert & Sullivan released: 2003
- Iolanthe (1960 D’Oyly Carte cast) released: 2003
- The Yeomen of the Guard (1964 D’Oyly Carte cast) / Trial by Jury (1963 D’Oyly Carte cast) released: 2003
- The Gold Collection released: 2003
- The Pirates of Penzance (1957 D’Oyly Carte cast) released: 2002
- The Mikado (1957 D’Oyly Carte cast) released: 2002
- Favourite Gilbert and Sullivan released: 2002
- BBC Music, Volume 9, Number 7: Te Deum, Cello Concerto, Macbeth Overture (BBC Symphony Orchestra feat. conductor: Charles Mackerras, cello: Paul Watkins) released: 2001
- Vintage Favourites released: 2001
- The Mikado (1950 D’Oyly Carte cast) released: 2001
- H.M.S. Pinafore (The D'Oyly Carte Opera Company With the New Promenade Orchestra feat. conductor: Isidore Godfrey) released: 2001
- The Best of Gilbert and Sullivan (D’Oyly Carte Opera Company) released: 2000
- The Mikado (1917 HMV cast) released: 1999
- BBC Music, Volume 7, Number 9: The Rose of Persia released: 1999
- The Mikado (1926 D’Oyly Carte cast) / The Sorcerer (1933 D’Oyly Carte cast) released: 1998
- The Pirates of Penzance (Or, the Slave of Duty) (Broadway Cast Album) released: 1998
- The Ultimate Gilbert and Sullivan released: 1998
- The Yeomen of the Guard / Trial by Jury (Orchestra & Chorus of the Welsh National Opera feat. conductor: Sir Charles Mackerras) released: 1995
- A Gilbert and Sullivan Gala (Winnipeg Symphony Orchestra feat. conductor: Bramwell Tovey) released: 1994
- H. M. S. Pinafore (Orchestra & Chorus of the Welsh National Opera feat. conductor: Sir Charles Mackerras) released: 1994
- Princess Ida (1965 D’Oyly Carte cast) / Pineapple Poll released: 1993
- Ruddigore (1962 D’Oyly Carte cast) / Cox and Box (1961 D’Oyly Carte cast) released: 1993
- The Sorcerer (1966 D’Oyly Carte cast) / The Zoo (1978 D’Oyly Carte cast) released: 1993
- The Grand Duke (1976 D’Oyly Carte cast) released: 1993
- The Gondoliers (1991 D’Oyly Carte cast) released: 1993
- Iolanthe (1991 D’Oyly Carte cast) released: 1993
- The Mikado (Complete) / Iolanthe (Highlights) (Sadler's Wells Orchestra & Chorus feat. conductor: Alexander Faris) released: 1993
- Utopia Limited (1975 D’Oyly Carte cast) released: 1993
- The Pirates of Penzance (Highlights) (1967 D’Oyly Carte cast) released: 1993
- The Pirates of Penzance (Orchestra & Chorus of the Welsh National Opera feat. conductor: Sir Charles Mackerras) released: 1993
- The Yeomen of the Guard (Glyndebourne Festival Chorus, Pro Arte Orchestra feat. conductor: Sir Malcolm Sargent) released: 1992
- Ballet Music (RTE Concert Orchestra feat. conductor: Andrew Penny) released: 1992
- The Pirates of Penzance (Pro Arte Orchestra, Glyndebourne Festival Chorus feat. conductor: Sir Malcolm Sargent) released: 1992
- H.M.S. Pinafore / Trial by Jury (Glyndebourne Festival Chorus, Pro Arte Orchestra feat. conductor: Sir Malcolm Sargent) released: 1992
- The Mikado released: 1992
- The Mikado: Highlights (The D'Oyly Carte Opera Company feat. orchestra: The Royal Philharmonic Orchestra, conductor: Royston Nash) released: 1991
- World of Gilbert & Sullivan released: 1991
- The Mikado (The D'Oyly Carte Opera Company) released: 1990
- The Pirates of Penzance (The D'Oyly Carte Opera Company feat. conductor: John Pryce Jones) released: 1990
- Patience (1961 D’Oyly Carte cast) released: 1989
- H.M.S. Pinafore (1959 D’Oyly Carte cast) released: 1989
- The Pirates of Penzance (1967 D’Oyly Carte cast) released: 1989
- The Mikado (The English National Opera) released: 1988
- Ruddigore / The Tempest / The Merchant of Venice Suite (feat conductor: Sir Malcolm Sargent, conductor: Sir Vivian Dunn) released: 1987
- Iolanthe (Glyndebourne Festival Chorus, Pro Arte Orchestra feat. conductor: Sir Malcolm Sargent) released: 1987
- Patience / Irish Symphony (feat. conductor: Sir Malcolm Sargent, conductor: Sir Charles Groves) released: 1987
- Sullivan: Cello Concerto in D / Herbert: Cello Concerto no. 2 / Elgar: Romance released: 1986
- The Mikado: Highlights From the English National Opera Production released: 1986
- The Gondoliers (1960 D’Oyly Carte cast) released: 1986
- The Mikado (Glyndebourne Festival Chorus, Pro Arte Orchestra feat. conductor: Sir Malcolm Sargent) released: 1957
- Iolanthe (1951 D’Oyly Carte cast) released: 1952
- Accompaniment CD: Gilbert & Sulivan Volume 1 released:
- Operettas released:
- Shakespeare's Tempest released:
- Gilbert and Sullivan Highlights released:
- The Gondoliers (Glyndebourne Festival Chorus, Pro Arte Orchestra feat. conductor: Sir Malcolm Sargent) released:
- Gilbert & Sullivan Overtures released:
- Pirates of Penzance released:
- Gondoliers released:
- The Pirates of Penzance (1983 film cast) released:
- A Gilbert & Sullivan Songbook released:
- The Mikado (1973 D’Oyly Carte cast) released:
- Gilbert and Sullivan Highlights (Thomas Edmonds, Dennis Olsen, feat. orchestra: Adelaide Symphony Orchestra, conductor: James Christiansen) released:
- Gilbert & Sullivan Weekend released:
- H.M.S. Pinafore (1930 D'Oyly Carte) released:
- H.M.S, Pinafore Part I released:
- The D'Oyly Carte Opera Company Performs Gilbert & Sullivan: 56 Favourites released:
- A Gilbert & Sullivan Gallery released:
- The Very Best of Gilbert & Sullivan released:
Ruddigore (Ohio Light Opera feat. conductor: Michael Borowitz)
Released 2010- add to main playlist Play in Full Screen Act II Opening: I Once Was
- add to main playlist Play in Full Screen Dialogue: 'This is a painful state'
- add to main playlist Play in Full Screen Scene: 'Happily coupled are we'
- add to main playlist Play in Full Screen Scene: 'So ho my pretty!'
- add to main playlist Play in Full Screen Scene: 'For a week… Painted emblems'
- add to main playlist Play in Full Screen Song: 'When the night wind howls'
- add to main playlist Play in Full Screen Dialogue: 'I recognize you now'
- add to main playlist Play in Full Screen Chorus: 'He yields!'
- add to main playlist Play in Full Screen Scene: 'My poor master'
- add to main playlist Play in Full Screen Duet: 'I once was'
- add to main playlist Play in Full Screen Dialogue: 'We have been married'
- add to main playlist Play in Full Screen Trio: 'My eyes are fully opened'
- add to main playlist Play in Full Screen Melodrama: 'Master the deed is done'
- add to main playlist Play in Full Screen Duet: 'There grew a little flower'
- add to main playlist Play in Full Screen Dialogue: 'Stop a bit!'
- add to main playlist Play in Full Screen Finale: 'When a man has been'
Ivanhoe: Act 1
Released 2010- add to main playlist Play in Full Screen Scene 1 - Cedric's Hall at Rotherwood: Introduction
- add to main playlist Play in Full Screen Scene 1 - Cedric's Hall at Rotherwood: Cedric: 'Each day this realm of England faints and fails' - with Men
- add to main playlist Play in Full Screen Scene 1 - Cedric's Hall at Rotherwood: Isaac: 'Good Thane, most noble Thane, I pray...' - with Men, Cedric, Squire
- add to main playlist Play in Full Screen Scene 1 - Cedric's Hall at Rotherwood: Cedric: 'Welcome, Sir Knights!' - with de Bracy, Brian, Isaac, Women, Men, Rowena
- add to main playlist Play in Full Screen Scene 1 - Cedric's Hall at Rotherwood: Cedric: 'Drink, drink ye all...' - with Men, de Bracy, Brian, Rowena, Ivanhoe
- add to main playlist Play in Full Screen Scene 1 - Cedric's Hall at Rotherwood: Men: 'The Palmer! The holy Palmer!' - with Ivanhoe, Cedric, Brian, Rowena, de Bracy
- add to main playlist Play in Full Screen Scene 1 - Cedric's Hall at Rotherwood: DeBracy: 'Is she not fair? And she is rich withal' - with Brian, Men
- add to main playlist Play in Full Screen Scene 2 - An Ante-room in Rotherwood: Rowena: 'O moon, art thou clad in silver mail...'
- add to main playlist Play in Full Screen Scene 2 - An Ante-room in Rotherwood: Rowena: 'Good Palmer, thou didst speak of one I knew...' - with Ivanhoe
- add to main playlist Play in Full Screen Scene 2 - An Ante-room in Rotherwood: Ivanhoe: 'Like mountain lark my spirit upward springs' - with Isaac
- add to main playlist Play in Full Screen Scene 3 - The Lists at Ashby: Sopranos: 'Will there be no more fighting' - with Chorus, Friar, King
- add to main playlist Play in Full Screen Scene 3 - The Lists at Ashby: Chorus: 'Plantagenesta!'
- add to main playlist Play in Full Screen Scene 3 - The Lists at Ashby: Prince John: 'Isaac, my Jew, my purse of Gold' - with Cedric, de Bracy, Rebecca
- add to main playlist Play in Full Screen Scene 3 - The Lists at Ashby: Prince John: 'Tis from our Royal brother, Louis of France' - with Heralds, Crowd
- add to main playlist Play in Full Screen Scene 3 - The Lists at Ashby: Sopranos: 'What means his motto?' - with Crowd, Friar, Locksley, Prince John, Rowena, Cedric
The Complete Gilbert & Sullivan
Released 2003- add to main playlist Play in Full Screen The Mikado: Overture
- add to main playlist Play in Full Screen The Mikado: Act I. “If you want to know who we are”
- add to main playlist Play in Full Screen The Mikado: Act I. “Gentlemen, I pray you tell me”
- add to main playlist Play in Full Screen The Mikado: Act I. “A wand’ring minstrel I”
- add to main playlist Play in Full Screen The Mikado: Act I. “Our great Mikado, virtuous man”
- add to main playlist Play in Full Screen The Mikado: Act I. “Young man, despair”
- add to main playlist Play in Full Screen The Mikado: Act I. “And have I journey’d for a month”
- add to main playlist Play in Full Screen The Mikado: Act I. “Behold the Lord High Executioner!”
- add to main playlist Play in Full Screen The Mikado: Act I. “As someday it may happen that a victim must be found”
- add to main playlist Play in Full Screen The Mikado: Act I. “Comes a train of little ladies”
- add to main playlist Play in Full Screen The Mikado: Act I. “Three little maids from school are we”
- add to main playlist Play in Full Screen The Mikado: Act I. “So please you, Sir, we much regret”
- add to main playlist Play in Full Screen The Mikado: Act I. “Were you not to Ko-Ko plighted”
- add to main playlist Play in Full Screen The Mikado: Act I. “I am so proud, If I allowed”
- add to main playlist Play in Full Screen The Mikado: Act I. “With aspect stern and gloomy stride”
- add to main playlist Play in Full Screen The Mikado: Act I. “The threatn’d cloud has pass’d away”
- add to main playlist Play in Full Screen The Mikado: Act I. “Your revels cease! Assist me, all of you!”
- add to main playlist Play in Full Screen The Mikado: Act I. “Oh fool, that flee-est My hallow’d joys!”
- add to main playlist Play in Full Screen The Mikado: Act I. “For he’s going to marry Yum Yum”
- add to main playlist Play in Full Screen The Mikado: Act I. “The hour of gladness is dead and gone”
- add to main playlist Play in Full Screen The Mikado: Act I. “Ye torrents roar! Ye tempests howl!”
The Very Best of Gilbert & Sullivan
Released 2003- add to main playlist Play in Full Screen The Mikado: Three Little Maids From School Are We
- add to main playlist Play in Full Screen The Mikado: A Wand'ring Minstrel I
- add to main playlist Play in Full Screen The Mikado: On a Tree by a River a Little Tom-Tit
- add to main playlist Play in Full Screen The Mikado: Behold the Lord High Executioner
- add to main playlist Play in Full Screen The Mikado: As Some Day It May Happen
- add to main playlist Play in Full Screen The Mikado: The Sun Whose Rays Are All Ablaze
- add to main playlist Play in Full Screen The Mikado: Here's How-De-Do
- add to main playlist Play in Full Screen The Mikado: The Flowers That Bloom in the Spring
- add to main playlist Play in Full Screen The Mikado: There Is Beauty in the Bellow of Blast
- add to main playlist Play in Full Screen The Mikado: For He's Gone and Married Yum-Yum
- add to main playlist Play in Full Screen HMS Pinafore: When I Was a Lad
- add to main playlist Play in Full Screen HMS Pinafore: I'm Called Little Buttercup
- add to main playlist Play in Full Screen HMS Pinafore: Never Mind the Why and Wherefore
- add to main playlist Play in Full Screen HMS Pinafore: We Sail the Ocean Blue
- add to main playlist Play in Full Screen HMS Pinafore: I'm Called the Captain of the Pinafore
- add to main playlist Play in Full Screen HMS Pinafore: Oh Joy! Oh Rapture Unforeseen
- add to main playlist Play in Full Screen Trial by Jury: When I, Good Friends, Was Called to the Bar
- add to main playlist Play in Full Screen The Sorcerer: My Name Is John Wellington Wells
- add to main playlist Play in Full Screen Patience: The Soldiers of Our Queen
- add to main playlist Play in Full Screen Patience: Am I Alone and Unobserved
- add to main playlist Play in Full Screen Patience: If You're Anxious to Shine
- add to main playlist Play in Full Screen Patience: So Go to Him and Say to Him
- add to main playlist Play in Full Screen The Yeomen of the Guard: When Our Gallant Norman Foes
- add to main playlist Play in Full Screen The Yeomen of the Guard: I Have a Song to Sing, O!
- add to main playlist Play in Full Screen The Yeomen of the Guard: When Maiden Loves, She Sits and Sighs
- add to main playlist Play in Full Screen The Yeomen of the Guard: Tower Warders, Under Orders
Iolanthe (1960 D’Oyly Carte cast)
Released 2003- add to main playlist Play in Full Screen Iolanthe: Overture
- add to main playlist Play in Full Screen Iolanthe: Act I. "Tripping hither, tripping thither"
- add to main playlist Play in Full Screen Iolanthe: Act I. "Iolanthe"
- add to main playlist Play in Full Screen Iolanthe: Act I. "Good morrow, good mother"
- add to main playlist Play in Full Screen Iolanthe: Act I. "Fare thee well, attractive stranger"
- add to main playlist Play in Full Screen Iolanthe: Act I. "Good morrow, good lover"
- add to main playlist Play in Full Screen Iolanthe: Act I. "None shall part us"
- add to main playlist Play in Full Screen Iolanthe: Act I. "Loudly let the trumpet bray"
- add to main playlist Play in Full Screen Iolanthe: Act I. "Entrance of the Lord Chancellor"
- add to main playlist Play in Full Screen Iolanthe: Act I. "The law is the embodiment"
- add to main playlist Play in Full Screen Iolanthe: Act I. "My well-beloved Lord"
- add to main playlist Play in Full Screen Iolanthe: Act I. "Nay, tempt me not"
- add to main playlist Play in Full Screen Iolanthe: Act I. "Spurn not the nobly born"
- add to main playlist Play in Full Screen Iolanthe: Act I. "Lords, it may not be"
- add to main playlist Play in Full Screen Iolanthe: Act I. "Said I to myself, said I"
- add to main playlist Play in Full Screen Iolanthe: Act I. "When darkly looms the day"
The Yeomen of the Guard (1964 D’Oyly Carte cast) / Trial by Jury (1963 D’Oyly Carte cast)
Released 2003- add to main playlist Play in Full Screen The Yeomen of the Guard: Act II. “Night has spread her pall once more”
- add to main playlist Play in Full Screen The Yeomen of the Guard: Act II. “Oh! a private buffoon is a light-hearted loon”
- add to main playlist Play in Full Screen The Yeomen of the Guard: Act II. “Hereupon we’re both agreed”
- add to main playlist Play in Full Screen The Yeomen of the Guard: Act II. “Free from his fetters grim”
- add to main playlist Play in Full Screen The Yeomen of the Guard: Act II. “Strange adventure!”
- add to main playlist Play in Full Screen The Yeomen of the Guard: Act II. “Hark! What was that, sir?”
- add to main playlist Play in Full Screen The Yeomen of the Guard: Act II. “A man who would woo a fair maid”
- add to main playlist Play in Full Screen The Yeomen of the Guard: Act II. “When a wooer goes a-wooing”
- add to main playlist Play in Full Screen The Yeomen of the Guard: Act II. “Rapture, rapture”
- add to main playlist Play in Full Screen The Yeomen of the Guard: Act II. “Comes the pretty young bride”
- add to main playlist Play in Full Screen Trial by Jury: “Hark, the hour of ten is sounding”
- add to main playlist Play in Full Screen Trial by Jury: “When first my old, old love I knew”
- add to main playlist Play in Full Screen Trial by Jury: “When I, good friends, was call’d to the Bar”
- add to main playlist Play in Full Screen Trial by Jury: “Where is the plaintiff?”
- add to main playlist Play in Full Screen Trial by Jury: “May it please you, m’Lud”
- add to main playlist Play in Full Screen Trial by Jury: “Oh, gentlemen, listen I pray”
- add to main playlist Play in Full Screen Trial by Jury: “A nice dilemma we have here”
- add to main playlist Play in Full Screen Trial by Jury: “I love him, I love him”
The Gold Collection
Released 2003- add to main playlist Play in Full Screen The Mikado: Three Little Maids From School
- add to main playlist Play in Full Screen The Mikado: A Wandering Minstrel I
- add to main playlist Play in Full Screen The Mikado: On a Tree by the River a Little Tom-Tit
- add to main playlist Play in Full Screen The Mikado: Behold the Lord High Executioner!
- add to main playlist Play in Full Screen The Mikado: As Some Day It May Happen
- add to main playlist Play in Full Screen The Mikado: The Sun Whose Rays Are All Ablaze
- add to main playlist Play in Full Screen The Mikado: Here's a How-De-Do
- add to main playlist Play in Full Screen The Mikado: The Flowers That Bloom in the Spring
- add to main playlist Play in Full Screen The Mikado: There Is Beauty in the Bellow of Blast
- add to main playlist Play in Full Screen The Mikado: For He's Gone and Married Yum-Yum
- add to main playlist Play in Full Screen H.M.S. Pinafore: When I Was a Lad
- add to main playlist Play in Full Screen H.M.S. Pinafore: I'm Called Little Buttercup
- add to main playlist Play in Full Screen H.M.S. Pinafore: Nevermind the Way and Wherefore
- add to main playlist Play in Full Screen H.M.S. Pinafore: We Sail the Ocean Blue
- add to main playlist Play in Full Screen H.M.S. Pinafore: I'm Called the Captain of Pinafore
- add to main playlist Play in Full Screen H.M.S. Pinafore: Oh Joy! Oh Rapture Unforeseen
- add to main playlist Play in Full Screen Trial by Jury: When I, Good Friends, Was Called to the Bar
- add to main playlist Play in Full Screen The Sorcerer: My Name Is John Wellington Wells
- add to main playlist Play in Full Screen Patience: The Soldiers of Our Queen
- add to main playlist Play in Full Screen Patience: Am I Alone and Unobserved?
- add to main playlist Play in Full Screen Patience: If You're Anxious to Shine
- add to main playlist Play in Full Screen Patience: So Go to Him and Say to Him
- add to main playlist Play in Full Screen The Yeomen of the Guard: When Our Gallant Norman Foes
- add to main playlist Play in Full Screen The Yeomen of the Guard: I Have a Song to Sing, O!
- add to main playlist Play in Full Screen The Yeomen of the Guard: When Maiden Loves, She Sits and Sighs
- add to main playlist Play in Full Screen The Yeomen of the Guard: Tower Warders Under Orders
The Pirates of Penzance (1957 D’Oyly Carte cast)
Released 2002- add to main playlist Play in Full Screen The Pirates of Penzance: Overture
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Pour, oh pour the pirate sherry”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “When Fred’ric was a little lad”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Oh, better far to live and die”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Oh, false one, you have deceived me”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “What shall I do”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Climbing over rocky mountain”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Stop, ladies, pray!”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Oh, is there not one maiden breast”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Oh, sisters, deaf to pity’s name”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Poor wand’ring one”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “What ought we to do”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “How beautifully blue the sky”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Stay, we must not lose our senses”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Hold, Monsters!”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “I am the very model of a modern Major-General”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Oh, men of dark and dismal fate”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “I’m telling a terrible story”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “You may go, for you’re at liberty”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Oh, master, hear one word”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Pray observe the magnanimity”
The Mikado (1957 D’Oyly Carte cast)
Released 2002- add to main playlist Play in Full Screen The Mikado: Overture
- add to main playlist Play in Full Screen The Mikado: Act I. “If you want to know who we are”
- add to main playlist Play in Full Screen The Mikado: Act I. “A wand’ring minstrel I”
- add to main playlist Play in Full Screen The Mikado: Act I. “Our great Mikado, virtuous man”
- add to main playlist Play in Full Screen The Mikado: Act I. “Young man, despair, likewise go to”
- add to main playlist Play in Full Screen The Mikado: Act I. “And have I journey’d for a month”
- add to main playlist Play in Full Screen The Mikado: Act I. “Behold the Lord High Executioner!”
- add to main playlist Play in Full Screen The Mikado: Act I. “Taken from a county jail”
- add to main playlist Play in Full Screen The Mikado: Act I. “As some day it may happen”
- add to main playlist Play in Full Screen The Mikado: Act I. “Comes a train of little ladies”
- add to main playlist Play in Full Screen The Mikado: Act I. “Three little maids from school are we”
- add to main playlist Play in Full Screen The Mikado: Act I. “So please you, Sir, we much regret”
- add to main playlist Play in Full Screen The Mikado: Act I. “Were you not to Ko-Ko plighted”
- add to main playlist Play in Full Screen The Mikado: Act I. “I am so proud, If I allowed”
- add to main playlist Play in Full Screen The Mikado: Act I. “With aspect stern and gloomy stride”
- add to main playlist Play in Full Screen The Mikado: Act I. “To ask you what you mean to do”
- add to main playlist Play in Full Screen The Mikado: Act I. “The threatened cloud has passed away”
- add to main playlist Play in Full Screen The Mikado: Act I. “As in a month you’ve got to die”
- add to main playlist Play in Full Screen The Mikado: Act I. “Your revels cease!”
- add to main playlist Play in Full Screen The Mikado: Act I. “Oh fool, that fleest”
- add to main playlist Play in Full Screen The Mikado: Act I. “Away, nor prosecute your quest”
- add to main playlist Play in Full Screen The Mikado: Act I. “For he’s going to marry Yum-Yum”
- add to main playlist Play in Full Screen The Mikado: Act I. “The hour of gladness is dead and gone”
- add to main playlist Play in Full Screen The Mikado: Act I. “Oh, faithless one”
- add to main playlist Play in Full Screen The Mikado: Act I. “Ye torrents roar! Ye tempests howl!”
Favourite Gilbert and Sullivan
Released 2002- add to main playlist Play in Full Screen Oh, Better Far to Live and Die
- add to main playlist Play in Full Screen Oh, Sisters, Deaf to Pity's Name... Poor Wandering One!
- add to main playlist Play in Full Screen I Am the Very Model of a Modern Major General
- add to main playlist Play in Full Screen When a Felon's Not Engaged in His Employment
- add to main playlist Play in Full Screen With Cat-Like Tread
- add to main playlist Play in Full Screen I Am the Monarch of the Sea
- add to main playlist Play in Full Screen When I Was a Lad I Served a Term
- add to main playlist Play in Full Screen Never Mind the Why and Wherefore
- add to main playlist Play in Full Screen Oh Joy, Oh Rapture Unforeseen
- add to main playlist Play in Full Screen A Wand'ring Minstrel I
- add to main playlist Play in Full Screen Behold the Lord High Executioner
- add to main playlist Play in Full Screen Three Little Maids From School
- add to main playlist Play in Full Screen A More Humane Mikado
- add to main playlist Play in Full Screen When Britain Really Ruled the Waves
- add to main playlist Play in Full Screen If You Go In
- add to main playlist Play in Full Screen If We're Weak Enough to Tarry
- add to main playlist Play in Full Screen In Enterprise of Martial Kind
- add to main playlist Play in Full Screen When a Merry Maiden Marries
- add to main playlist Play in Full Screen Then One of Us Will Be a Queen
- add to main playlist Play in Full Screen Take a Pair of Sparkling Eyes
- add to main playlist Play in Full Screen Dance a Cachuca, Fandango, Bolero
- add to main playlist Play in Full Screen When I Put This Uniform On
- add to main playlist Play in Full Screen A Magnet Hung in a Hardware Shop
- add to main playlist Play in Full Screen So Go to Him and Say to Him
- add to main playlist Play in Full Screen When Maiden Loves She Sits and Sighs
- add to main playlist Play in Full Screen I Have a Song to Sing, O!
BBC Music, Volume 9, Number 7: Te Deum, Cello Concerto, Macbeth Overture (BBC Symphony Orchestra feat. conductor: Charles Mackerras, cello: Paul Watkins)
Released 2001- add to main playlist Play in Full Screen Macbeth Overture
- add to main playlist Play in Full Screen Cello Concerto: I. Allegro moderato
- add to main playlist Play in Full Screen Cello Concerto: II. Andante espressivo
- add to main playlist Play in Full Screen Cello Concerto: III. Molto vivace
- add to main playlist Play in Full Screen Te Deum: We praise Thee, O God (chorus)
- add to main playlist Play in Full Screen Te Deum: To Thee Cherubim (soprano, chrous)
- add to main playlist Play in Full Screen Te Deum: The Glorious Company of the Apostles (chorus)
- add to main playlist Play in Full Screen Te Deum: When Thou tookest upon Thee (soprano)
- add to main playlist Play in Full Screen Te Deum: We believe that Thou shalt come (chorus)
- add to main playlist Play in Full Screen Te Deum: O Lord, save Thy people (soprano, chorus)
- add to main playlist Play in Full Screen Te Deum: Vouchsafe, O Lord (chorus)
Vintage Favourites
Released 2001- add to main playlist Play in Full Screen Gondoliers: For the Merriest Fellows We Are
- add to main playlist Play in Full Screen We're Called Gondolieri
- add to main playlist Play in Full Screen In Enterprise of Martial Kind
- add to main playlist Play in Full Screen I Stole the Prince
- add to main playlist Play in Full Screen When a Merry Maiden Marries
- add to main playlist Play in Full Screen A Regular Royal Queen
- add to main playlist Play in Full Screen Take a Pair of Sparkling Eyes
- add to main playlist Play in Full Screen In a Contemplative Fashion
- add to main playlist Play in Full Screen Mikado: A Wandering Minstrel I
- add to main playlist Play in Full Screen I've Got a Little List
- add to main playlist Play in Full Screen Three Little Maids From School
- add to main playlist Play in Full Screen The Sun Whose Rays
- add to main playlist Play in Full Screen Here's a How-De-Do
- add to main playlist Play in Full Screen A More Humane Mikado
- add to main playlist Play in Full Screen The Flowers That Bloom in the Spring
- add to main playlist Play in Full Screen Tit Willow
- add to main playlist Play in Full Screen There Is Beauty in the Bellow of the Blast
- add to main playlist Play in Full Screen Pirates of Penzance: Pirate King's Song
- add to main playlist Play in Full Screen Poor Wand'Ring One
- add to main playlist Play in Full Screen I Am the Very Model of a Modern Major-General
- add to main playlist Play in Full Screen When the Foeman Bears His Steel
- add to main playlist Play in Full Screen A Policeman's Lot
- add to main playlist Play in Full Screen With Catlike Tread
- add to main playlist Play in Full Screen Hms Pinafore: I'm Called Little Buttercup
- add to main playlist Play in Full Screen I Am the Captain of the Pinafore
- add to main playlist Play in Full Screen When I Was a Lad
- add to main playlist Play in Full Screen The Yeomen of the Guard: When Our Gallane Norman Foes
- add to main playlist Play in Full Screen Is Life a Boon?
- add to main playlist Play in Full Screen Hereupon We're Both Agreed
The Mikado (1950 D’Oyly Carte cast)
Released 2001- add to main playlist Play in Full Screen The Mikado: Act I. Overture
- add to main playlist Play in Full Screen The Mikado: Act I. “If you want to know who we are” (Chorus of Nobles)
- add to main playlist Play in Full Screen The Mikado: Act I. Recitative “Gentlemen, I pray you” (Nanki-Poo)
- add to main playlist Play in Full Screen The Mikado: Act I. “A wand’ring minstrel I” (Nanki-Poo, Chorus)
- add to main playlist Play in Full Screen The Mikado: Act I. “Our great Mikado, virtuous man” (Pish-Tush, Chorus)
- add to main playlist Play in Full Screen The Mikado: Act I. “Young man, despair” (Pooh-Bah, Nanki-Poo, Pish Tush)
- add to main playlist Play in Full Screen The Mikado: Act I. Recitative “And I have journeyed for a month” (Nanki-Poo, Pooh-Bah)
- add to main playlist Play in Full Screen The Mikado: Act I. “Behold the Lord High Executioner… Taken from the county jail” (Chorus of Nobles, Ko-Ko)
- add to main playlist Play in Full Screen The Mikado: Act I. “As some day it may happen” (Ko-Ko, Chorus of Men)
- add to main playlist Play in Full Screen The Mikado: Act I. “Comes a train of little ladies” (Chorus of Girls)
- add to main playlist Play in Full Screen The Mikado: Act I. “Three little maids from school” (Yum-Yum, Peep-Bo, Pitti-Sing, Chorus of Girls)
- add to main playlist Play in Full Screen The Mikado: Act I. “So please sir, we much regret” (Yum-Yum, Peep-Bo, Pitti-Sing, Pooh-Bah)
- add to main playlist Play in Full Screen The Mikado: Act I. “Were you not to Ko-Ko plighted” (Yum-Yum, Nanki-Poo)
- add to main playlist Play in Full Screen The Mikado: Act I. “I am so proud” (Pooh-Bah, Ko-Ko, Pish-Tush)
- add to main playlist Play in Full Screen The Mikado: Act I. Finale Act I (Chorus, Pooh-Bah, Pish-Tush, Yum-Yum, Peep-Bo, Pitti-Sing, Ko-Ko, Katisha, Ensemble)
H.M.S. Pinafore (The D'Oyly Carte Opera Company With the New Promenade Orchestra feat. conductor: Isidore Godfrey)
Released 2001- add to main playlist Play in Full Screen Overture
- add to main playlist Play in Full Screen We Sail the Ocean Blue
- add to main playlist Play in Full Screen Hail, Men-O'-Wars Men / I'm Called Little Buttercup
- add to main playlist Play in Full Screen But Tell Me / The Nightingale Sighed for the Moon's Bright Ray
- add to main playlist Play in Full Screen A Maiden Fair to See
- add to main playlist Play in Full Screen My Gallant Crew, Good Morning / I Am the Captain of the Pinafore
- add to main playlist Play in Full Screen Sir, You Are Sad
- add to main playlist Play in Full Screen Sorry Her Lot Who Loves Too Well
- add to main playlist Play in Full Screen Over the Bright Blue Sea / Sir Joseph's Barge Is Seen
- add to main playlist Play in Full Screen Gaily Tripping
- add to main playlist Play in Full Screen Now Give Three Cheers / I Am the Monarch of the Sea
- add to main playlist Play in Full Screen When I Was a Lad
- add to main playlist Play in Full Screen For I Hold That on the Seas
- add to main playlist Play in Full Screen A British Tar
- add to main playlist Play in Full Screen Refrain, Audacious Tar
- add to main playlist Play in Full Screen Finale Act I
- add to main playlist Play in Full Screen Interlude
- add to main playlist Play in Full Screen Fair Moon, to Thee I Sing
- add to main playlist Play in Full Screen Things Are Seldom What They Seem
- add to main playlist Play in Full Screen The Hours Creep on Apace
- add to main playlist Play in Full Screen A Simple Sailor Lowly Born
- add to main playlist Play in Full Screen Never Mind the Why and Wherefore
- add to main playlist Play in Full Screen Kind Captain, I've Important Information
- add to main playlist Play in Full Screen Carefully on Tiptoe Stealing
- add to main playlist Play in Full Screen Pretty Daughter of Mine / He Is an Englishman
- add to main playlist Play in Full Screen Farewell My Own
- add to main playlist Play in Full Screen My Pain and My Distress / A Many Years Ago
- add to main playlist Play in Full Screen Oh Joy, Oh Rapture Unforeseen / Finale Act II
The Best of Gilbert and Sullivan (D’Oyly Carte Opera Company)
Released 2000- add to main playlist Play in Full Screen H.M.S Pinafore: Overture
- add to main playlist Play in Full Screen H.M.S Pinafore: We Sail the Ocean Blue
- add to main playlist Play in Full Screen H.M.S. Pinafore: Never Mind the Why and Wherefore
- add to main playlist Play in Full Screen The Yeomen of the Guard: When Maiden Loves She Sits and Sighs
- add to main playlist Play in Full Screen The Yeomen of the Guard: Here's a Man of Jollity
- add to main playlist Play in Full Screen Iolanthe: Triping Hither, Tripping Thither
- add to main playlist Play in Full Screen Iolanthe: The Law Is the True Embodiment
- add to main playlist Play in Full Screen Iolanthe: When I Went to the Bar
- add to main playlist Play in Full Screen Iolanthe: Strephon's a Member of Parliament!
- add to main playlist Play in Full Screen Iolanthe: When Britain Really Rulled the Waves
- add to main playlist Play in Full Screen Iolanthe: Soon as We May
- add to main playlist Play in Full Screen The Pirates of Penzance: Overture
- add to main playlist Play in Full Screen The Pirates of Penzance: Poor Wand'ring One
- add to main playlist Play in Full Screen The Pirates of Penzance: I Am the Very Model
- add to main playlist Play in Full Screen The Pirates of Penzance: When the Foeman Bares His Steel
- add to main playlist Play in Full Screen The Pirates of Penzance: With Cat-Like Tread
- add to main playlist Play in Full Screen The Mikado: If You Want to Know Who We Are
- add to main playlist Play in Full Screen The Mikado: The Flowers That Bloom in the Spring
- add to main playlist Play in Full Screen The Mikado: On a Tree by a River
- add to main playlist Play in Full Screen Patience: The Soldiers of Our Queen
- add to main playlist Play in Full Screen Patience: If You Want a Receipt for That Popular Mystery
- add to main playlist Play in Full Screen Patience: Am I Alone and Unobserved?
- add to main playlist Play in Full Screen Patience: If You're Anxious for to Shine
- add to main playlist Play in Full Screen The Gondoliers: We're Are Called Gondolieri
- add to main playlist Play in Full Screen The Gondoliers: From the Sunny Spanish Shore
- add to main playlist Play in Full Screen The Gondoliers: For Ev'ry One Who Feels Inclined
- add to main playlist Play in Full Screen The Gondoliers: Take a Pair of Sparkling Eyes
- add to main playlist Play in Full Screen The Gondoliers: Dance a Cachucha
The Mikado (1917 HMV cast)
Released 1999- add to main playlist Play in Full Screen The Mikado: Overture
- add to main playlist Play in Full Screen The Mikado: Act I. “If you want to know who we are”
- add to main playlist Play in Full Screen The Mikado: Act I. “Gentlemen, I pray you tell me”
- add to main playlist Play in Full Screen The Mikado: Act I. “A wand’ring minstrel I”
- add to main playlist Play in Full Screen The Mikado: Act I. “Our great Mikado, virtuous man”
- add to main playlist Play in Full Screen The Mikado: Act I. “Young man, despair, likewise go to”
- add to main playlist Play in Full Screen The Mikado: Act I. “And have I journey’d for a month”
- add to main playlist Play in Full Screen The Mikado: Act I. “Behold the Lord High Executioner!”
- add to main playlist Play in Full Screen The Mikado: Act I. “Taken from a county jail”
- add to main playlist Play in Full Screen The Mikado: Act I. “As some day it may happen”
- add to main playlist Play in Full Screen The Mikado: Act I. “Comes a train of little ladies”
- add to main playlist Play in Full Screen The Mikado: Act I. “Three little maids from school are we”
- add to main playlist Play in Full Screen The Mikado: Act I. “So please you, Sir, we much regret”
- add to main playlist Play in Full Screen The Mikado: Act I. “Were you not to Ko-Ko plighted”
- add to main playlist Play in Full Screen The Mikado: Act I. “I am so proud, If I allowed”
- add to main playlist Play in Full Screen The Mikado: Act I. “With aspect stern and gloomy stride”
- add to main playlist Play in Full Screen The Mikado: Act I. “To ask you what you mean to do”
- add to main playlist Play in Full Screen The Mikado: Act I. “The threatened cloud has passed away”
- add to main playlist Play in Full Screen The Mikado: Act I. “As in a month you’ve got to die”
- add to main playlist Play in Full Screen The Mikado: Act I. “Your revels cease!”
- add to main playlist Play in Full Screen The Mikado: Act I. “Oh fool, that fleest”
- add to main playlist Play in Full Screen The Mikado: Act I. “Away, nor prosecute your quest”
- add to main playlist Play in Full Screen The Mikado: Act I. “For he’s going to marry Yum-Yum”
- add to main playlist Play in Full Screen The Mikado: Act I. “The hour of gladness is dead and gone”
- add to main playlist Play in Full Screen The Mikado: Act I. “Oh, faithless one”
- add to main playlist Play in Full Screen The Mikado: Act I. “Ye torrents roar! Ye tempests howl!”
- add to main playlist Play in Full Screen The Mikado: Act II. “Braid the raven hair”
- add to main playlist Play in Full Screen The Mikado: Act II. “The sun, whose rays are all ablaze”
- add to main playlist Play in Full Screen The Mikado: Act II. “Brightly dawns our wedding day”
- add to main playlist Play in Full Screen The Mikado: Act II. “Here’s a how-de-do”
- add to main playlist Play in Full Screen The Mikado: Act II. “Mi-ya-sa-ma, mi-ya-sa-ma”
- add to main playlist Play in Full Screen The Mikado: Act II. “From every kind of man”
- add to main playlist Play in Full Screen The Mikado: Act II. “A more humane Mikado never did in Japan exist”
- add to main playlist Play in Full Screen The Mikado: Act II. “The criminal cried as he dropped him down”
- add to main playlist Play in Full Screen The Mikado: Act II. “See how the Fates their gifts allot”
- add to main playlist Play in Full Screen The Mikado: Act II. “The flowers that bloom in the spring”
- add to main playlist Play in Full Screen The Mikado: Act II. “Alone, and yet alive”
- add to main playlist Play in Full Screen The Mikado: Act II. “Hearts do not break!”
- add to main playlist Play in Full Screen The Mikado: Act II. “On a tree by a river a little tom-tit”
- add to main playlist Play in Full Screen The Mikado: Act II. “There is beauty in the bellow of the blast”
- add to main playlist Play in Full Screen The Mikado: Act II. “For he’s gone and married Yum-Yum”
- add to main playlist Play in Full Screen The Mikado: [unknown fragment]
- add to main playlist Play in Full Screen The Mikado: [unknown fragment]
- add to main playlist Play in Full Screen The Mikado: [unknown fragment]
BBC Music, Volume 7, Number 9: The Rose of Persia
Released 1999- add to main playlist Play in Full Screen The Rose of Persia, Act 1: Overture
- add to main playlist Play in Full Screen The Rose of Persia, Act 1: As we lie in languor lazy (Chorus of Wives)
- add to main playlist Play in Full Screen The Rose of Persia, Act 1: When Islam first arose (Abdallah and Chorus of Wives)
- add to main playlist Play in Full Screen The Rose of Persia, Act 1: Oh, Life has put into my hand (Dancing Sunbeam)
- add to main playlist Play in Full Screen The Rose of Persia, Act 1: Sunbeam! the Priest keeps saying, sotto voce (Blush)
- add to main playlist Play in Full Screen The Rose of Persia, Act 1: If you ask me to advise you (Desire)
- add to main playlist Play in Full Screen The Rose of Persia, Act 1: Neath my lattice through the night (Rose-in-Bloom)
- add to main playlist Play in Full Screen The Rose of Persia, Act 1: Tramps and scamps and halt and blind (Men)
- add to main playlist Play in Full Screen The Rose of Persia, Act 1: When my father sent me to Ispahan (Hassan and Chorus)
- add to main playlist Play in Full Screen The Rose of Persia, Act 1: Peace be upon this house! (Yussuf)
- add to main playlist Play in Full Screen The Rose of Persia, Act 1: Musical maidens are we (Ensemble with Dance and Chorus, Rose-in-Bloom, Scent-of-Lilies and Heart's Desire)
- add to main playlist Play in Full Screen The Rose of Persia, Act 1: Peace be upon this house! (Abdallah)
- add to main playlist Play in Full Screen The Rose of Persia, Act 1: For the Sultan's Executioner (All)
- add to main playlist Play in Full Screen The Rose of Persia, Act 1: I'm the Sultan's vigilant Vizier (Vizier)
- add to main playlist Play in Full Screen The Rose of Persia, Act 1: Oh, luckless hour! (Girls)
- add to main playlist Play in Full Screen The Rose of Persia, Act 2: Oh, what is love? (Desire)
- add to main playlist Play in Full Screen The Rose of Persia, Act 2: If you or I should tell the truth (Girls)
- add to main playlist Play in Full Screen The Rose of Persia, Act 2: From Morning Prayer the Sultan of Persia comes! (Chorus)
The Mikado (1926 D’Oyly Carte cast) / The Sorcerer (1933 D’Oyly Carte cast)
Released 1998- add to main playlist Play in Full Screen The Mikado: Act II. “Braid the raven hair”
- add to main playlist Play in Full Screen The Mikado: Act II. “The sun whose rays”
- add to main playlist Play in Full Screen The Mikado: Act II. “Brightly dawns our wedding day”
- add to main playlist Play in Full Screen The Mikado: Act II. “Here’s a how-de-do”
- add to main playlist Play in Full Screen The Mikado: Act II. “Mi-ya Sa-ma… From every kind of man”
- add to main playlist Play in Full Screen The Mikado: Act II. “A more humane Mikado”
- add to main playlist Play in Full Screen The Mikado: Act II. “The criminal cried”
- add to main playlist Play in Full Screen The Mikado: Act II. “See how the fates”
- add to main playlist Play in Full Screen The Mikado: Act II. “The flowers that bloom in the spring”
- add to main playlist Play in Full Screen The Mikado: Act II. “Alone, and yet alive… Hearts do not break”
- add to main playlist Play in Full Screen The Mikado: Act II. “On a tree by a river”
- add to main playlist Play in Full Screen The Mikado: Act II. “There is beauty in the bellow of the blast”
- add to main playlist Play in Full Screen The Mikado: Act II. “For he's gone and married”
- add to main playlist Play in Full Screen The Sorcerer: Act I. “Ring forth, ye bells”
- add to main playlist Play in Full Screen The Sorcerer: Act I. “Constance, my daughter”
- add to main playlist Play in Full Screen The Sorcerer: Act I. “The air is charged… Time was when love”
- add to main playlist Play in Full Screen The Sorcerer: Act I. “My kindly friends… Oh, happy young heart!”
- add to main playlist Play in Full Screen The Sorcerer: Act I. “Welcome, joy!”
- add to main playlist Play in Full Screen The Sorcerer: Act I. “All is prepar'd… With heart and voice”
- add to main playlist Play in Full Screen The Sorcerer: Act I. “My name is John Wellington Wells”
- add to main playlist Play in Full Screen The Sorcerer: Act I. “Sprites of earth and air”
- add to main playlist Play in Full Screen The Sorcerer: Act I. “Be happy all… Eat, drink and be gay!”
- add to main playlist Play in Full Screen The Sorcerer: Act II. “Thou hast the pow’r… Is it not love”
- add to main playlist Play in Full Screen The Sorcerer: Act II. “I rejoice that it's decided”
- add to main playlist Play in Full Screen The Sorcerer: Act II. “Oh, I have wrought much evil”
- add to main playlist Play in Full Screen The Sorcerer: Act II. “Oh joyous boon!”
- add to main playlist Play in Full Screen The Sorcerer: Act II. “Come to my mansion… Now to the banquet we press”
The Pirates of Penzance (Or, the Slave of Duty) (Broadway Cast Album)
Released 1998- add to main playlist Play in Full Screen Pour, O Pour the Pirate Sherry
- add to main playlist Play in Full Screen When Frederic Was a Little Lad
- add to main playlist Play in Full Screen Oh, Better Far to Live and Die
- add to main playlist Play in Full Screen Oh, False One, You Have Deceived Me!
- add to main playlist Play in Full Screen Climbing Over Rocky Mountain
- add to main playlist Play in Full Screen Stop, Ladies, Pray!
- add to main playlist Play in Full Screen Oh, Is There Not One Maiden Breast
- add to main playlist Play in Full Screen Poor Wandering One
- add to main playlist Play in Full Screen What Ought We to Do?
- add to main playlist Play in Full Screen How Beautifully Blue the Sky
- add to main playlist Play in Full Screen Stay, We Must Not Lose Our Senses
- add to main playlist Play in Full Screen Hold, Monsters!
- add to main playlist Play in Full Screen I Am the Very Model of a Modern Major-General
- add to main playlist Play in Full Screen Oh, Men of Dark and Dismal Fate
The Ultimate Gilbert and Sullivan
Released 1998- add to main playlist Play in Full Screen We Shall Sail the Ocean Blue
- add to main playlist Play in Full Screen I'm Called Little Buttercup
- add to main playlist Play in Full Screen My Gallant Crew, Good Morning (I Am the Captain of the Pinafore)
- add to main playlist Play in Full Screen I'm the Monarch of the Sea
- add to main playlist Play in Full Screen When I Was a Lad
- add to main playlist Play in Full Screen Nevermind the Why and Wherefore
- add to main playlist Play in Full Screen Kind Captain, I've Important Information
- add to main playlist Play in Full Screen Carefully on Tip-Toe Stealing
- add to main playlist Play in Full Screen For He Is an Englishman
- add to main playlist Play in Full Screen I Am The Very Model Of a Modern Major General
- add to main playlist Play in Full Screen When a Felon's Not Engaged in His Employment
- add to main playlist Play in Full Screen With Cat Like Tread
- add to main playlist Play in Full Screen My Name is John Wellington Wells
- add to main playlist Play in Full Screen Take a Pair of Sparkling Eves
- add to main playlist Play in Full Screen If You're Anxious to Shine
- add to main playlist Play in Full Screen If You Want to Know Who We Are
- add to main playlist Play in Full Screen A Wand'ring Minstrel I
- add to main playlist Play in Full Screen Behold the Lord High Executioner
- add to main playlist Play in Full Screen As Someday It May Happen (I've Got a Little List)
- add to main playlist Play in Full Screen Three Little Maids From School are We
- add to main playlist Play in Full Screen The Sun Whose Rays Are All Ablaze (The Moon and I)
- add to main playlist Play in Full Screen Here's a How-De-Do!
- add to main playlist Play in Full Screen From Ev'ry Kind of Man Obedience I Expect
- add to main playlist Play in Full Screen A More Humane Mikado Never Did in Japan Exist (To Let the Punishment Fit the Crime)
- add to main playlist Play in Full Screen The Criminal Cried as He Dropp'd Him Down
- add to main playlist Play in Full Screen The Flowers That Bloom in the Spring, Tra La
- add to main playlist Play in Full Screen On a Tree by a River a Little Tom Tit (Oh Willow, Titwillow)
- add to main playlist Play in Full Screen There is Beauty in the Bellow of the Blast
- add to main playlist Play in Full Screen For He's Gone and Married Yum Yum
The Yeomen of the Guard / Trial by Jury (Orchestra & Chorus of the Welsh National Opera feat. conductor: Sir Charles Mackerras)
Released 1995- add to main playlist Play in Full Screen Overture
- add to main playlist Play in Full Screen When Maiden Loves
- add to main playlist Play in Full Screen Tower Warder, Under Orders / This Is the Autumn of or Life
- add to main playlist Play in Full Screen When Our Gallant Norman Foes
- add to main playlist Play in Full Screen Alas! I Waver to and From
- add to main playlist Play in Full Screen Is Life a Boon?
- add to main playlist Play in Full Screen Here's a Man of Jollity
- add to main playlist Play in Full Screen I Have a Song to Sing, O!
- add to main playlist Play in Full Screen How Say You, Maiden
- add to main playlist Play in Full Screen I've Jibe and Joke, and Quip and Crank
- add to main playlist Play in Full Screen Tis Done, I Am a Bride... Though Tear and Long-drawn Sigh
- add to main playlist Play in Full Screen Were I Thy Bride
- add to main playlist Play in Full Screen Oh, Sergeant Meryll, Is It True
A Gilbert and Sullivan Gala (Winnipeg Symphony Orchestra feat. conductor: Bramwell Tovey)
Released 1994- add to main playlist Play in Full Screen Iolanthe: Overture
- add to main playlist Play in Full Screen The Yeomen of the Guard: “I have a song to sing O!”
- add to main playlist Play in Full Screen H.M.S. Pinafore: “The hours creep on apace”
- add to main playlist Play in Full Screen H.M.S. Pinafore: “Never mind the why and wherefore”
- add to main playlist Play in Full Screen H.M.S. Pinafore: “I am the very model of a modern Major-General”
- add to main playlist Play in Full Screen [dialogue]
- add to main playlist Play in Full Screen The Gondoliers: “In a contemplative fashion”
- add to main playlist Play in Full Screen The Pirates of Penzance: “All is prepared”
- add to main playlist Play in Full Screen The Pirates of Penzance: “Stay, Frederic, stay”
- add to main playlist Play in Full Screen Iolanthe: “Love, unrequited, robs me of my rest”
- add to main playlist Play in Full Screen The Mikado: “Three little maids”
- add to main playlist Play in Full Screen Trial by Jury: Finale “O joy unbounded”
- add to main playlist Play in Full Screen [dialogue]
- add to main playlist Play in Full Screen Iolanthe: “O foolish fay”
- add to main playlist Play in Full Screen The Pirates of Penzance: “Stop, ladies pray!”
- add to main playlist Play in Full Screen The Pirates of Penzance: “O is there not one maiden breast?”
- add to main playlist Play in Full Screen The Pirates of Penzance: “Poor wand’ring one”
- add to main playlist Play in Full Screen [dialogue]
- add to main playlist Play in Full Screen The Mikado: “As some day it may happen”
- add to main playlist Play in Full Screen The Mikado: “The flowers that bloom in the spring”
- add to main playlist Play in Full Screen The Mikado: “Alone and yet alive!”
- add to main playlist Play in Full Screen The Mikado: “On a tree by a river a little tom-tit”
- add to main playlist Play in Full Screen The Mikado: “There is beauty in the bellow of the blast”
- add to main playlist Play in Full Screen The Mikado: “For he’s gone and married Yum-Yum”
- add to main playlist Play in Full Screen The Gondoliers: “Once more gondolieri”
H. M. S. Pinafore (Orchestra & Chorus of the Welsh National Opera feat. conductor: Sir Charles Mackerras)
Released 1994- add to main playlist Play in Full Screen Overture
- add to main playlist Play in Full Screen We Sail the Ocean Blue
- add to main playlist Play in Full Screen I'm Called Little Buttercup
- add to main playlist Play in Full Screen But Tell Me Who's the Youth
- add to main playlist Play in Full Screen The Nightingale
- add to main playlist Play in Full Screen A Maiden Fair to See
- add to main playlist Play in Full Screen My Gallant Crew
- add to main playlist Play in Full Screen Sir, You Are Sad!
- add to main playlist Play in Full Screen Sorry Her Lot
- add to main playlist Play in Full Screen Over the Bright Blue Sea
- add to main playlist Play in Full Screen Sir Joseph's Barge Is Seen
- add to main playlist Play in Full Screen Now Give Three Cheers
- add to main playlist Play in Full Screen When I Was a Lad
- add to main playlist Play in Full Screen For I Hold That on the Seas
- add to main playlist Play in Full Screen A British Tar
- add to main playlist Play in Full Screen Refrain, Audacious Tar
- add to main playlist Play in Full Screen Can I Survive This Overbearing?
- add to main playlist Play in Full Screen Entr'acte
- add to main playlist Play in Full Screen Fair Moon, to Thee I Sing
- add to main playlist Play in Full Screen Things Are Seldom What They Seem
- add to main playlist Play in Full Screen The Hours Creep on Apace
- add to main playlist Play in Full Screen Never Mind the Why and Wherefore
- add to main playlist Play in Full Screen Kind Captain, I've Important Information
- add to main playlist Play in Full Screen Carefully on Tiptoe Stealing
- add to main playlist Play in Full Screen Farewell, My Own!
- add to main playlist Play in Full Screen A Many Years Ago
- add to main playlist Play in Full Screen O Joy, Oh Rapture Unforseen!
Princess Ida (1965 D’Oyly Carte cast) / Pineapple Poll
Released 1993- add to main playlist Play in Full Screen Princess Ida: Act III. “Death to the invader” (Chorus, Melissa)
- add to main playlist Play in Full Screen Princess Ida: Act III. “I built upon a rock” (Princess)
- add to main playlist Play in Full Screen Princess Ida: Act III. “Whene’er I spoke sarcastic joke” (Gama, Chorus)
- add to main playlist Play in Full Screen Princess Ida: Act III. “When anger spreads his wing” (Chorus)
- add to main playlist Play in Full Screen Princess Ida: Act III. “This helmet I support” (Arac, Guron, Synthius, Chorus)
- add to main playlist Play in Full Screen Princess Ida: Act III. “This is our duty plain” (Chorus)
- add to main playlist Play in Full Screen Princess Ida: Act III. Finale “With joy abiding”
- add to main playlist Play in Full Screen Pineapple Poll: Scene I. Opening Dance
- add to main playlist Play in Full Screen Pineapple Poll: Scene I. Poll’s Solo and Pas de deux
- add to main playlist Play in Full Screen Pineapple Poll: Scene I. Belaye’s Solo
- add to main playlist Play in Full Screen Pineapple Poll: Scene I. Pas de Trois
- add to main playlist Play in Full Screen Pineapple Poll: Scene I. Finale
- add to main playlist Play in Full Screen Pineapple Poll: Scene II. Poll’s Solo, Jasper’s Solo
- add to main playlist Play in Full Screen Pineapple Poll: Scene III. Belaye’s Solo and Sailors’ Drill
- add to main playlist Play in Full Screen Pineapple Poll: Scene III. Poll’s Solo
- add to main playlist Play in Full Screen Pineapple Poll: Scene III. Entry of Belaye with Blanche as Bride
- add to main playlist Play in Full Screen Pineapple Poll: Scene III. Reconciliation
- add to main playlist Play in Full Screen Pineapple Poll: Scene III. Grande Finale
Ruddigore (1962 D’Oyly Carte cast) / Cox and Box (1961 D’Oyly Carte cast)
Released 1993- add to main playlist Play in Full Screen Ruddigore: Overture
- add to main playlist Play in Full Screen Ruddigore: Act I. “Fair is Rose as bright as May day” (Zorah, Chorus)
- add to main playlist Play in Full Screen Ruddigore: Act I. “Sir Rupert Murgatroyd, his leisure and his riches” (Hannah, Chorus)
- add to main playlist Play in Full Screen Ruddigore: Act I. “If somebody there chanced to be” (Rose)
- add to main playlist Play in Full Screen Ruddigore: Act I. “I know a youth who loves a little maid” (Rose, Robin)
- add to main playlist Play in Full Screen Ruddigore: Act I. “From the briny sea… I shipp’d, d’ye see” (Richard, Chorus)
- add to main playlist Play in Full Screen Ruddigore: Act I. Hornpipe
- add to main playlist Play in Full Screen Ruddigore: Act I. “My boy, you may take it from me” (Robin, Richard)
- add to main playlist Play in Full Screen Ruddigore: Act I. “The battle’s roar is over” (Rose, Richard)
- add to main playlist Play in Full Screen Ruddigore: Act I. “In sailing o’er life’s ocean wide” (Rose, Richard, Robin)
- add to main playlist Play in Full Screen Ruddigore: Act I. “Cheerily carols the lark… To a garden full of posies” (Margaret)
- add to main playlist Play in Full Screen Ruddigore: Act I. “Welcome, gentry” (Chorus)
- add to main playlist Play in Full Screen Ruddigore: Act I. “Oh why am I moody and sad?” (Sir Despard, Chorus)
- add to main playlist Play in Full Screen Ruddigore: Act I. “You understand? I think I do” (Richard, Sir Despard)
- add to main playlist Play in Full Screen Ruddigore: Act I. Finale “Hail the bride of seventeen summers”
- add to main playlist Play in Full Screen Ruddigore: Act I. Finale “Hold, bride and bridegroom”
The Sorcerer (1966 D’Oyly Carte cast) / The Zoo (1978 D’Oyly Carte cast)
Released 1993- add to main playlist Play in Full Screen The Sorcerer: Overture
- add to main playlist Play in Full Screen The Sorcerer: Act I. “Ring forth ye bells” (Chorus)
- add to main playlist Play in Full Screen The Sorcerer: Act I. “Constance, my daughter” (Mrs. Partlet, Constance)
- add to main playlist Play in Full Screen The Sorcerer: Act I. “When he is here, I sigh with pleasure” (Constance)
- add to main playlist Play in Full Screen The Sorcerer: Act I. “The air is cherged with amatory numbers” (Dr. Daly)
- add to main playlist Play in Full Screen The Sorcerer: Act I. “Time was, when love and I were acquainted” (Dr. Daly)
- add to main playlist Play in Full Screen The Sorcerer: Act I. “Sir Marmaduke” (Sir Marmaduke, Dr. Daly, Alexis)
- add to main playlist Play in Full Screen The Sorcerer: Act I. “With heart and with voice” (Chorus)
- add to main playlist Play in Full Screen The Sorcerer: Act I. “My kindly friends… Oh, happy young heart” (Aline)
- add to main playlist Play in Full Screen The Sorcerer: Act I. “My child, I join in the these congratulations” (Lady Sangazure)
- add to main playlist Play in Full Screen The Sorcerer: Act I. “With heart and with voice” (Chorus)
- add to main playlist Play in Full Screen The Sorcerer: Act I. “Welcome joy! Adieu to sadness!” (Lady Sangazure, Sir Marmaduke)
- add to main playlist Play in Full Screen The Sorcerer: Act I. “All is prepar’d for sealing and for signing” (Aline, Alexis, Lawyer, Chorus)
- add to main playlist Play in Full Screen The Sorcerer: Act I. “Love feeds on many kinds of food” (Alexis)
- add to main playlist Play in Full Screen The Sorcerer: Act I. “My name is John Wellington Wells” (Mr. Wells)
- add to main playlist Play in Full Screen The Sorcerer: Act I. “Sprites of earth and air” (Aline, Alexis, Mr. Wells, Chorus)
- add to main playlist Play in Full Screen The Sorcerer: Act I. Finale “Now to the banquet we press”
The Grand Duke (1976 D’Oyly Carte cast)
Released 1993- add to main playlist Play in Full Screen The Grand Duke: Overture
- add to main playlist Play in Full Screen The Grand Duke: Act I. “Won’t it be a pretty wedding?” (Elsa, Bertha, Olga, Gretchen, Chorus)
- add to main playlist Play in Full Screen The Grand Duke: Act I. “Pretty Lisa, fair and tasty” (Lisa, Ludwig, Chorus)
- add to main playlist Play in Full Screen The Grand Duke: Act I. “By the mystic regulation” (Ludwig, Chorus)
- add to main playlist Play in Full Screen The Grand Duke: Act I. “Were I a king in very truth” (Ernest, Chorus)
- add to main playlist Play in Full Screen The Grand Duke: Act I. “How would I play this part” (Julia, Ernest)
- add to main playlist Play in Full Screen The Grand Duke: Act I. “My goodness me! What shall I do?” (Chorus, Ludwig)
- add to main playlist Play in Full Screen The Grand Duke: Act I. “Ten minutes since I met a chap” (Ludwig, Chorus)
- add to main playlist Play in Full Screen The Grand Duke: Act I. “About a century since” (Dr. Tannhäuser, Julia, Lisa, Ernest, Ludwig)
- add to main playlist Play in Full Screen The Grand Duke: Act I. “Strange the views some people hold” (Julia, Lisa, Ernest, Dr. Tannhäuser, Ludwig)
- add to main playlist Play in Full Screen The Grand Duke: Act I. “Now take a card, and gaily sing” (Julia, Lisa, Ernest, Dr. Tannhäuser, Ludwig)
- add to main playlist Play in Full Screen The Grand Duke: Act I. “The good Grand Duke of Pfenning Halbpfenning” (Chorus)
- add to main playlist Play in Full Screen The Grand Duke: Act I. “A pattern to professors of monarchical autonomy” (Grand Duke)
- add to main playlist Play in Full Screen The Grand Duke: Act I. “As o’er our penny roll we sing” (Baroness, Grand Duke)
- add to main playlist Play in Full Screen The Grand Duke: Act I. “When you find you’re a broken-down critter” (Grand Duke)
- add to main playlist Play in Full Screen The Grand Duke: Act I. Finale “Come hither, all you people”
The Gondoliers (1991 D’Oyly Carte cast)
Released 1993- add to main playlist Play in Full Screen Oh Happiness The Very Pith in Barataria
- add to main playlist Play in Full Screen Rising Early in the Morning
- add to main playlist Play in Full Screen Take a Pair of Sparkling Eyes
- add to main playlist Play in Full Screen Here We Are, At the Risk of Our Lives
- add to main playlist Play in Full Screen Dance A Cachucha
- add to main playlist Play in Full Screen There Lived a King
- add to main playlist Play in Full Screen In A Contemplative Fashion
- add to main playlist Play in Full Screen With Ducal Pomp and Ducal Pride
- add to main playlist Play in Full Screen On the Day When I Was Wedded
- add to main playlist Play in Full Screen To Help Unhappy Commoners
- add to main playlist Play in Full Screen I Am A Courtier Grave and Serious
- add to main playlist Play in Full Screen Here Is A Case Unprecedented
- add to main playlist Play in Full Screen Now Let the Loyal Lieges Gather Round
- add to main playlist Play in Full Screen This Statement We Receive
- add to main playlist Play in Full Screen Once More Gondolieri
Iolanthe (1991 D’Oyly Carte cast)
Released 1993- add to main playlist Play in Full Screen When All Night Long
- add to main playlist Play in Full Screen Strephon's a Member of Parliament!
- add to main playlist Play in Full Screen When Britain Really Ruled the Waves
- add to main playlist Play in Full Screen In Vain to Us You Plead
- add to main playlist Play in Full Screen Oh, Foolish Fay
- add to main playlist Play in Full Screen Though P'raps I May Incur Your Blame
- add to main playlist Play in Full Screen Love, Unrequited, Robs Me of My Rest
- add to main playlist Play in Full Screen If You Go In
- add to main playlist Play in Full Screen Fold Your Flapping Wings
- add to main playlist Play in Full Screen If We're Weak Enough to Tarry
- add to main playlist Play in Full Screen My Lord, A Suppliant at Your Feet I Kneel
- add to main playlist Play in Full Screen It May Not Be for So the Fates Decide!
- add to main playlist Play in Full Screen Finale: Soon As We May
The Mikado (Complete) / Iolanthe (Highlights) (Sadler's Wells Orchestra & Chorus feat. conductor: Alexander Faris)
Released 1993- add to main playlist Play in Full Screen The Mikado: Act II. No. 7 "The criminal cried, as he dropped him down"
- add to main playlist Play in Full Screen The Mikado: Act II. No. 8 "See how the Fates their gifts allot"
- add to main playlist Play in Full Screen The Mikado: Act II. No. 9 "The flowers that bloom in the spring"
- add to main playlist Play in Full Screen The Mikado: Act II. No. 10 "Alone and yet alive!"
- add to main playlist Play in Full Screen The Mikado: Act II. No. 10a "Hearts do not break!"
- add to main playlist Play in Full Screen The Mikado: Act II. No. 11 "On a tree by a river, a little Tom-tit sang Willow, tit-Willow"
- add to main playlist Play in Full Screen The Mikado: Act II. No. 12 "There is a beauty in the bellow of the blast"
- add to main playlist Play in Full Screen The Mikado: Act II. No. 13 "For he's gone and married Yum-Yum"
- add to main playlist Play in Full Screen Iolanthe: Act I. Overture
- add to main playlist Play in Full Screen Iolanthe: Act I. No. 5 "None shall part us"
- add to main playlist Play in Full Screen Iolanthe: Act I. No. 6a Entrance and March of the Peers "Loudly let the trumpet bray"
- add to main playlist Play in Full Screen Iolanthe: Act I. No. 9 "Nay tempt me not"
- add to main playlist Play in Full Screen Iolanthe: Act I. No. 10 "Spurn not the nobly born"
- add to main playlist Play in Full Screen Iolanthe: Act I. No. 12 "When I went to the bar"
- add to main playlist Play in Full Screen Iolanthe: Act I. No. 13 "When next your houses do assemble"
- add to main playlist Play in Full Screen Iolanthe: Act II. No. 1 "When all night long a chap remains"
- add to main playlist Play in Full Screen Iolanthe: Act II. No. 2 "Strephon's a member of Parliament"
- add to main playlist Play in Full Screen Iolanthe: Act II. No. 3 "When Britain really ruled the waves"
- add to main playlist Play in Full Screen Iolanthe: Act II. No. 5 "O foolish fay"
- add to main playlist Play in Full Screen Iolanthe: Act II. No. 7 "Love, unrequited robs me of my rest"
- add to main playlist Play in Full Screen Iolanthe: Act II. No. 7a "When you're lying awake with a dismal headache"
- add to main playlist Play in Full Screen Iolanthe: Act II. No. 8 "He who shies at such a prize"
- add to main playlist Play in Full Screen Iolanthe: Act II. No. 9 "If we're weak enough to tarry"
- add to main playlist Play in Full Screen Iolanthe: Act II. No. 10 "My Lord - a suppliant at your feet"
- add to main playlist Play in Full Screen Iolanthe: Act II. No. 10a "He loves if in the bygone years"
- add to main playlist Play in Full Screen Iolanthe: Act II. No. 11 "It may not be - for so the Fates decide"
- add to main playlist Play in Full Screen Iolanthe: Act II. No. 12 "Soon as we may"
Utopia Limited (1975 D’Oyly Carte cast)
Released 1993- add to main playlist Play in Full Screen Utopia Limited: Imperial March
- add to main playlist Play in Full Screen Utopia Limited: Act I. Introduction
- add to main playlist Play in Full Screen Utopia Limited: Act I. “In lazy languor” (Phylla, Chorus)
- add to main playlist Play in Full Screen Utopia Limited: Act I. “O make way for the wise men!” (Chorus)
- add to main playlist Play in Full Screen Utopia Limited: Act I. “In every mental lore” (Scaphio, Phantis, Chorus)
- add to main playlist Play in Full Screen Utopia Limited: Act I. “Let all your doubts take wing” (Scaphio, Phantis)
- add to main playlist Play in Full Screen Utopia Limited: Act I. “Quaff the nectar” (Chorus)
- add to main playlist Play in Full Screen Utopia Limited: Act I. “A king of autocratic power we” (King, Chorus)
- add to main playlist Play in Full Screen Utopia Limited: Act I. “Altho’ of native maids the cream” (Nekaya, Kalyba)
- add to main playlist Play in Full Screen Utopia Limited: Act I. “Bold-fac’d ranger” (Lady Sophy, Chorus)
- add to main playlist Play in Full Screen Utopia Limited: Act I. “First you’re born” (King, Scaphio, Phantis)
- add to main playlist Play in Full Screen Utopia Limited: Act I. “Subjected to your heavenly gaze” (Lady Sophy, King)
- add to main playlist Play in Full Screen Utopia Limited: Act I. “O maiden rich in Girton lore” (Chorus, Zara, Captain FitzBattleaxe)
- add to main playlist Play in Full Screen Utopia Limited: Act I. “Ah! gallant soldier, brave and true” (Chorus, Zara, Captain FitzBattleaxe)
- add to main playlist Play in Full Screen Utopia Limited: Act I. “It’s understood, I think” (Zara, Captain FitzBattleaxe, Scaphio, Phantis)
- add to main playlist Play in Full Screen Utopia Limited: Act I. “O admirable art!” (Zara, Captain FitzBattleaxe)
- add to main playlist Play in Full Screen Utopia Limited: Act I. Finale “Altho’ your royal summons to appear”
- add to main playlist Play in Full Screen Utopia Limited: Act I. Finale “A company promoter this, with special education”
The Pirates of Penzance (Highlights) (1967 D’Oyly Carte cast)
Released 1993- add to main playlist Play in Full Screen The Pirates of Penzance: Overture
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Pour, oh pour the pirate sherry”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “When Fred’ric was a little lad”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Oh, better far to live and die”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Climbing over rocky mountain”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Oh, is there not one maiden breast”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Oh, sisters, deaf to pity’s name, For shame!”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Poor wand’ring one!”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “How beautifully blue the sky”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Stay, we must not lose our senses”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “I am the very model of a modern Major-General”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act II. “Oh, dry the glist’ning tear”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act II. “Then Frederic… When the foeman bares his steel”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act II. “Stay, Fred’ric stay!”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act II. “When a felon’s not engaged in his employment”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act II. “With cat-like tread”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act II. “Hush! Hush! Not a word”
- add to main playlist Play in Full Screen The Pirates of Penzance: Act II. “Sighing softly to the river”
The Pirates of Penzance (Orchestra & Chorus of the Welsh National Opera feat. conductor: Sir Charles Mackerras)
Released 1993- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Pour, oh pour the pirate sherry” (Chorus of Pirates, Samuel)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “When Fred’ric was a little lad” (Ruth)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Oh, better far to live and die” (Pirate King, Chorus)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Oh! false one, you have deceived me” (Ruth, Frederic)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Climbing over rocky mountain” (Chorus of Girls)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Stop, ladies, pray!” (Edith, Kate, Frederic, Chorus of Girls)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Oh! Is there not one maiden breast” (Frederic, Chorus of Girls)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Poor wand’ring one” (Mabel, Chorus)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “What ought we to do? Gentle sisters, say!” (Edith, Kate, Chorus of Girls)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “How beautifully blue the sky” (Mabel, Frederic, Chorus of Girls)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Stay, we must not lose our senses” (Frederic, Chorus of Girls and Pirates)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Hold, monsters!” (Mabel, Major-General, Samuel, Chorus)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “I am the very model of a modern Major-General” (Major-General, Chorus)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Oh! men of dark and dismal fate” (Mabel, Edith, Kate, Frederic, Samuel, Pirate King, Major-General, Ruth, Chorus)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act II. “Oh! Dry the glist’ning tear” (Mabel, Chorus)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act II. “Now, Frederic, let your escort lion-hearted” (Frederic, Major-General)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act II. “When the foeman bares his steel” (Mabel, Edith, Sergeant)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act II. “Now for the pirates’ lair!” (Ruth, Frederic, Pirate King)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act II. “When you had left our pirate fold” (Ruth, Frederic, Pirate King)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act II. “Away, away, my heart’s on fire!” (Ruth, Frederic, Pirate King)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act II. “All is prepared! Your gallant crew await you!” (Mabel, Frederic)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act II. “Stay, Frederic, stay!” (Mabel, Frederic)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act II. “No, I’ll be brave! Oh, family descent” (Mabel, Sergeant, Chorus of Police)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act II. “When a felon’s not engaged in his employment” (Sergeant, Chorus of Police)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act II. “A rollicking band of pirates we” (Sergeant, Chorus of Pirates and Police)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act II. “With cat-like tread” (Samuel, Chorus of Pirates)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act II. “Hush! Hush! Not a word” (Frederic, King, Major-General, Chorus of Police and Pirates)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act II. “Sighing softly to the river” (Major-General, Chorus of Pirates and Police)
The Yeomen of the Guard (Glyndebourne Festival Chorus, Pro Arte Orchestra feat. conductor: Sir Malcolm Sargent)
Released 1992- add to main playlist Play in Full Screen The Yeomen of the Guard: Overture
- add to main playlist Play in Full Screen The Yeomen of the Guard: Act I. “When a maiden loves” (Phœbe)
- add to main playlist Play in Full Screen The Yeomen of the Guard: Act I. “Tower warders, under orders” (People, Yeomen of the Guard, Second Yeoman)
- add to main playlist Play in Full Screen The Yeomen of the Guard: Act I. “When our gallant Norman foes” (Dame Carruthers, Yeoman)
- add to main playlist Play in Full Screen The Yeomen of the Guard: Act I. “Alas, I waver to and fro” (Phœbe, Leonard, Meryll)
- add to main playlist Play in Full Screen The Yeomen of the Guard: Act I. “Is life a boon?” (Fairfax)
- add to main playlist Play in Full Screen The Yeomen of the Guard: Act I. “Here’s a man of jollity” (Crowd)
- add to main playlist Play in Full Screen The Yeomen of the Guard: Act I. “I have a song to sing, O!” (Elsie, Point, Crowd)
- add to main playlist Play in Full Screen The Yeomen of the Guard: Act I. “How say you maiden” (Lieutenant, Point, Elsie)
- add to main playlist Play in Full Screen The Yeomen of the Guard: Act I. “I’ve jibe and joke” (Point)
- add to main playlist Play in Full Screen The Yeomen of the Guard: Act I. “’Tis done! I am a bride” (Elsie)
- add to main playlist Play in Full Screen The Yeomen of the Guard: Act I. “Were I thy bride” (Phœbe)
- add to main playlist Play in Full Screen The Yeomen of the Guard: Act I. “Oh, Sergeant Meryll, is it true?” (Yeomen, Meryll, Fairfax, Phœbe, Wilfred, People, Elsie, Lieutenant, Dame Carruthers, Point)
Ballet Music (RTE Concert Orchestra feat. conductor: Andrew Penny)
Released 1992- add to main playlist Play in Full Screen L'Ile enchantée No. 1: Prelude
- add to main playlist Play in Full Screen L'Ile enchantée No. 2: Dance of Numphs and Satyrs - Pas de Chales
- add to main playlist Play in Full Screen L'Ile enchantée No. 3: Galop
- add to main playlist Play in Full Screen L'Ile enchantée No. 4: Storm - Entrance of the Gnomes - Entrance of Fairy Queen
- add to main playlist Play in Full Screen L'Ile enchantée No. 5: Pas de deux
- add to main playlist Play in Full Screen L'Ile enchantée No. 6: Mazurka
- add to main playlist Play in Full Screen L'Ile enchantée No. 6a: Variation
- add to main playlist Play in Full Screen L'Ile enchantée No. 7: Scene des disparitions
- add to main playlist Play in Full Screen L'Ile enchantée No. 8: Tempo di valse
- add to main playlist Play in Full Screen L'Ile enchantée No. 8a: Variation for Mlle. Carmine
- add to main playlist Play in Full Screen L'Ile enchantée No. 9: Pas de trois (after Mlle. Carmine's Variation)
- add to main playlist Play in Full Screen L'Ile enchantée No. 10: Scene de jalousie
- add to main playlist Play in Full Screen L'Ile enchantée No. 11
- add to main playlist Play in Full Screen L'Ile enchantée No. 12: Galop
- add to main playlist Play in Full Screen L'Ile enchantée No. 13: Finale
- add to main playlist Play in Full Screen Thespis No. 1: Introduction - Allegro moderato
- add to main playlist Play in Full Screen Thespis No. 2: Pas de Chales - Andante
- add to main playlist Play in Full Screen Thespis No. 3: Valse
- add to main playlist Play in Full Screen Thespis No. 4: St. George and the Dragon
- add to main playlist Play in Full Screen Thespis No. 5: Galop
The Pirates of Penzance (Pro Arte Orchestra, Glyndebourne Festival Chorus feat. conductor: Sir Malcolm Sargent)
Released 1992- add to main playlist Play in Full Screen The Pirates of Penzance: Overture
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Pour, oh pour the pirate sherry” (Pirates, Samuel)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “When Frederic was a little lad” (Ruth)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Oh, far better to live and die” (Pirate King, Pirates)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Oh, false one, you have deceived me!” (Frederic, Ruth)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “What shall I do?… Climbing over rocky mountain” (Frederic, Girls, Edith, Kate)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Stop, ladies, pray!” (Frederic, Girls, Edith)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Oh, is there not one maiden breast?” (Frederic, GIrls, Mabel)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Oh, sisters, deaf to pity’s name” (Mabel, Girls)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Poor wandering one” (Mabel, Girls)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “What ought we to do?” (Edith, Kate, Girls, Mabel, Frederic)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Stay, we must not lose our senses” (Frederic, Girls, Pirates)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Here’s a first rate opportunity” (Pirates)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Hold, monsters!” (Edith, Samuel, Girls, Major-General Stanley, Pirates)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “I am the very model of a modern Major-General” (Major-General, Girls, Pirates)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Oh, men of dark and dismal fate” (Major-General, Samuel, Pirate King, Pirates)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “I’m telling a terrible story” (Major-General, Others except Ruth)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “O master, hear one word” (Ruth, Pirates, Frederic)
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I. “Pray observe the magnanimity” (All except Ruth)
H.M.S. Pinafore / Trial by Jury (Glyndebourne Festival Chorus, Pro Arte Orchestra feat. conductor: Sir Malcolm Sargent)
Released 1992- add to main playlist Play in Full Screen H.M.S. Pinafore: Overture
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “We sail the ocean blue” (Sailors)
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “Hail, men-o’-war’s men” (Buttercup)
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “I’m called Little Buttercup” (Buttercup)
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “But tell me, who’s the youth” (Buttercup, Boatswain)
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “The nightingale sighed for the moon’s bright ray” (Ralph, Sailors, Buttercup)
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “A maiden fair to see” (Ralph, Sailors)
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “My gallant crew, good morning” (Captain Corcoran, Sailors)
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “I am the captain of the Pinafore” (Captain Corcoran, Sailors)
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “Sir, you are sad” (Buttercup, Captain Corcoran)
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “Sorry her lot who loves too well” (Josephine)
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “Over the bright blue sea” (Female Relatives of Sir Joseph Porter, Sailors, Captain Corcoran)
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “I am the monarch of the sea” (Sir Joseph, Hebe, Relatives, Sailors)
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “When I was a lad I served a term” (Sir Joseph, Relatives, Sailors)
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “A British tar is a soaring soul” (Ralph, Boatswain, Boatswain’s Mate, Sailors)
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “Refrain, audacious tar” (Josephine, Ralph)
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “Can I survive this overbearing” (Ralph, Sailors, Hebe, Relatives, Dick, Josephine)
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “Oh joy, oh rapture unforeseen” (Ralph, Josephine, Sailors, Relatives, Dick)
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “This very night” (Josephine, Hebe, Ralph, Boatswain, Relatives, Sailors, Dick)
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “Let’s give three cheers” (Josephine, Hebe, Ralph, Boatswain, Relatives, Sailors)
- add to main playlist Play in Full Screen H.M.S. Pinafore: Entr’acte
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act II. “Fair moon to thee I sing” (Captain Corcoran)
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act II. “Things are seldom what they seem” (Buttercup, Captain, Corcoran)
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act II. “The hours creep on apace” (Josephine)
The Mikado
Released 1992- add to main playlist Play in Full Screen The Mikado: Act I. “If you want to know who we are” (Chorus of Nobles)
- add to main playlist Play in Full Screen The Mikado: Act I. “A wandering minstrel I” (Nanki-Poo, Chorus)
- add to main playlist Play in Full Screen The Mikado: Act I. “Our great Mikado, virtuous man” (Pish-Tush, Chorus)
- add to main playlist Play in Full Screen The Mikado: Act I. “Young man, despair, likewise go to” (Pooh-Bah, Nanki-Poo, Pish-Tush)
- add to main playlist Play in Full Screen The Mikado: Act I. “And have I journeyed for a month” (Pooh-Bah, Nanki-Poo)
- add to main playlist Play in Full Screen The Mikado: Act I. “Behold the Lord High Executioner!” (Ko-Ko, Chorus)
- add to main playlist Play in Full Screen The Mikado: Act I. “As some day it may happen” (Ko-Ko, Chorus of Nobles)
- add to main playlist Play in Full Screen The Mikado: Act I. “Comes a train of little ladies” (Chorus of Schoolgirls)
- add to main playlist Play in Full Screen The Mikado: Act I. “Three little maids from school are we” (Yum-Yum, Peep-Bo, Pitti-Sing, Chorus of Schoolgirls)
- add to main playlist Play in Full Screen The Mikado: Act I. “So please you, sir, we much regret” (Yum-Yum, Peep-Bo, Pitti-Sing, Pooh-Bah, Chorus of Schoolgirls)
- add to main playlist Play in Full Screen The Mikado: Act I. “Were you not to Ko-Ko plighted” (Yum-Yum, Nanki-Poo)
- add to main playlist Play in Full Screen The Mikado: Act I. “I am so proud” (Pooh-Bah, Ko-Ko, Pish-Tush)
- add to main playlist Play in Full Screen The Mikado: Act II. “With aspect stern and gloomy stride” (All)
- add to main playlist Play in Full Screen The Mikado: Act II. “Braid the raven hair” (Pitti-Sing, Chorus of Schoolgirls)
- add to main playlist Play in Full Screen The Mikado: Act II. “The sun, whose rays are all ablaze” (Yum-Yum)
- add to main playlist Play in Full Screen The Mikado: Act II. “Brightly dawns our wedding day” (Yum-Yum, Pitti-Sing, Nanki-Poo, Pish-Tush)
- add to main playlist Play in Full Screen The Mikado: Act II. “Here’s a how-de-do! If I marry you” (Yum-Yum, Nanki-Poo, Ko-Ko)
- add to main playlist Play in Full Screen The Mikado: Act II. “Miya sama, miya sama” (Chorus, Mikado, Katisha)
- add to main playlist Play in Full Screen The Mikado: Act II. “A more humane Mikado never did in Japan exist” (Mikado, Chorus)
- add to main playlist Play in Full Screen The Mikado: Act II. “The criminal cried as he dropped him down” (Ko-ko, Pitti-Sing, Pooh-Bah, Chorus)
- add to main playlist Play in Full Screen The Mikado: Act II. “See how the Fates their gifts allot” (Pitti-Sing, Katisha, Ko-Ko, Pooh-Bah, Mikado)
- add to main playlist Play in Full Screen The Mikado: Act II. “The flowers that bloom in the spring” (Nanki-Poo, Ko-Ko, Yum-Yum, Pitti-Sing, Pooh-Bah)
- add to main playlist Play in Full Screen The Mikado: Act II. “Alone, and yet alive” (Katisha)
- add to main playlist Play in Full Screen The Mikado: Act II. “On a tree by a river, a little tom-tit sang, ‘Willow, tit-willow’” (Ko-Ko)
- add to main playlist Play in Full Screen The Mikado: Act II. “There is beauty in the bellow of the blast” (Katisha, Ko-Ko)
- add to main playlist Play in Full Screen The Mikado: Act II. “For he’s gone and married Yum-Yum” (All)
The Mikado: Highlights (The D'Oyly Carte Opera Company feat. orchestra: The Royal Philharmonic Orchestra, conductor: Royston Nash)
Released 1991- add to main playlist Play in Full Screen The Mikado: Overture
- add to main playlist Play in Full Screen The Mikado: Act I. "If you want to know who we are" (Chorus of Men)
- add to main playlist Play in Full Screen The Mikado: Act I. "Gentlemen, I pray you tell me" (Nanki-Poo, Pish-Tush)
- add to main playlist Play in Full Screen The Mikado: Act I. "A wand'ring minstrel I" (Nanki-Poo and Men)
- add to main playlist Play in Full Screen The Mikado: Act I. "Our great Mikado, virtuous man" (Pish-Tush and Men)
- add to main playlist Play in Full Screen The Mikado: Act I. "Behold the Lord High Executioner" (Ko-Ko and Men)
- add to main playlist Play in Full Screen The Mikado: Act I. "As someday it may happen that a victim must be found" (Ko-Ko and Men)
- add to main playlist Play in Full Screen The Mikado: Act I. "Three little maids from school are we" (Yum-Yum, Peep-Bo, Pitti-Sing and Girls)
- add to main playlist Play in Full Screen The Mikado: Act I. "So please you, Sir, we much regret" (Yum-Yum, Peep-Bo, Pitti-Sing, Pooh-Bah and Girls)
- add to main playlist Play in Full Screen The Mikado: Act I. "For he's going to marry Yum-Yum" (Ensemble)
- add to main playlist Play in Full Screen The Mikado: Act I. "The hour of gladness is dead and gone" (Ensemble)
- add to main playlist Play in Full Screen The Mikado: Act I. "Ye torrents roar! Ye tempests howl!" (Ensemble)
- add to main playlist Play in Full Screen The Mikado: Act II. "Braid the raven hair, Weave the supple tresses" (Pitti-Sing and Girls)
- add to main playlist Play in Full Screen The Mikado: Act II. "The sun whose rays are all ablaze" (Yum-Yum)
- add to main playlist Play in Full Screen The Mikado: Act II. "Miya sama, miya sama, o n'mma no maye ni" (Chorus)
- add to main playlist Play in Full Screen The Mikado: Act II. "From ev'ry kind of man Obedience I expect" (Mikado, Katisha, Chorus)
- add to main playlist Play in Full Screen The Mikado: Act II. "A more humane Mikado never did in Japan exist" (Mikado, Chorus)
- add to main playlist Play in Full Screen The Mikado: Act II. "The criminal cried as he dropp'd him down" (Ko-Ko, Pitti-Sing, Pooh-Bah, Chorus)
- add to main playlist Play in Full Screen The Mikado: Act II. "The flowers that bloom in the spring, tra la" (Nanki-Poo, Ko-Ko, Yum-Yum, Pitti-Sing, Pooh-Bah)
- add to main playlist Play in Full Screen The Mikado: Act II. "On a tree by a river a little tom tit" (Ko-Ko)
- add to main playlist Play in Full Screen The Mikado: Act II. "There is beauty in the bellow of the blast" (Katisha, Ko-Ko)
- add to main playlist Play in Full Screen The Mikado: Act II. Fanfare
- add to main playlist Play in Full Screen The Mikado: Act II. "For he's gone and married Yum-Yum" (Ensemble)
World of Gilbert & Sullivan
Released 1991- add to main playlist Play in Full Screen The Pirates of Penzance: I Am the Very Model of a Modern major General
- add to main playlist Play in Full Screen The Pirates of Penzance: When a Foeman Bares His Steel
- add to main playlist Play in Full Screen The Pirates of Penzance: Poor Wand’ring One
- add to main playlist Play in Full Screen The Pirates of Penzance: When a Felon’s Not Engaged in His Employment
- add to main playlist Play in Full Screen Iolanthe: Loudly Let the Trumpet Bray
- add to main playlist Play in Full Screen Iolanthe: If You Go in You’re Sure to Win
- add to main playlist Play in Full Screen The Goldoliers: We’re Called Gondolieri
- add to main playlist Play in Full Screen The Goldoliers: In Enterprises of Martial Kind
- add to main playlist Play in Full Screen The Goldoliers: Take a Pair of Sparkling Eyes
- add to main playlist Play in Full Screen The Goldoliers: Dance a Cachucha, Fandango, Bolero
- add to main playlist Play in Full Screen HMS Pinafore: Now Give Three Cheers... I Am the Monarch of the Sea... When I Was a Lad
- add to main playlist Play in Full Screen HMS Pinafore: I’m Called Little Buttercup
- add to main playlist Play in Full Screen HMS Pinafore: Never Mind the Why and Wherefore
- add to main playlist Play in Full Screen The Mikado: A Wand’ring Minstrel I
- add to main playlist Play in Full Screen The Mikado: Three Little Maids From School Are We
- add to main playlist Play in Full Screen The Mikado: As Someday It May Happen
- add to main playlist Play in Full Screen The Mikado: The Flowers That Bloom in the Spring
- add to main playlist Play in Full Screen The Mikado: On a Tree by a River a Little Tom-Tit
- add to main playlist Play in Full Screen The Yeomen of the Guard: When Our Gallent Norman Foes
- add to main playlist Play in Full Screen The Yeomen of the Guard: I Have a Song to Sing, O!
The Mikado (The D'Oyly Carte Opera Company)
Released 1990- add to main playlist Play in Full Screen Braid The Raven Hair
- add to main playlist Play in Full Screen The Sun, Whose Rays Are All Ablaze
- add to main playlist Play in Full Screen Brightly Dawns Our Wedding Day
- add to main playlist Play in Full Screen Here's A How-De-Do! If I Marry You
- add to main playlist Play in Full Screen Mi-Ya-Sa-Ma, Mi-Ya-Sa-Ma
- add to main playlist Play in Full Screen A More Humane Mikado Never Did In Japan Exist
- add to main playlist Play in Full Screen The Criminal Cried As He Dropped Him Down
- add to main playlist Play in Full Screen See How The Fates Their Gifts Allot
- add to main playlist Play in Full Screen The Flowers That Bloom In The Spring
- add to main playlist Play in Full Screen Alone, And Yet Alive
- add to main playlist Play in Full Screen On A Tree By A River
- add to main playlist Play in Full Screen There Is Beauty In The Bellow Of The Blast
- add to main playlist Play in Full Screen Finale Act Two
The Pirates of Penzance (The D'Oyly Carte Opera Company feat. conductor: John Pryce Jones)
Released 1990- add to main playlist Play in Full Screen Overture
- add to main playlist Play in Full Screen Pour, O Pour the Pirate Sherry
- add to main playlist Play in Full Screen When Fred'ric Was a Little Lad
- add to main playlist Play in Full Screen Oh, Better Far to Live and Die
- add to main playlist Play in Full Screen Oh! False One, You Have Deceiv'd Me
- add to main playlist Play in Full Screen Climbing Over Rocky Mountain
- add to main playlist Play in Full Screen Stop, Ladies, Pray!
- add to main playlist Play in Full Screen Oh, Is There Not One Maiden Breast
- add to main playlist Play in Full Screen Poor Wand'ring One!
- add to main playlist Play in Full Screen What Ought We To Do?
- add to main playlist Play in Full Screen How Beautifully Blue The Sky
- add to main playlist Play in Full Screen Stay, We Must Not Lose Our Senses
- add to main playlist Play in Full Screen Hold, Monsters!
- add to main playlist Play in Full Screen I Am The Very Model
- add to main playlist Play in Full Screen Finale Act One
Patience (1961 D’Oyly Carte cast)
Released 1989- add to main playlist Play in Full Screen Patience: Overture
- add to main playlist Play in Full Screen Patience: Act I. “Twenty love-sick maidens we”
- add to main playlist Play in Full Screen Patience: Act I. “Still brooding on their mad infatuation”
- add to main playlist Play in Full Screen Patience: Act I. “I cannot tell what this love may be”
- add to main playlist Play in Full Screen Patience: Act I. “Twenty love-sick maidens we”
- add to main playlist Play in Full Screen Patience: Act I. “The soldiers of our Queen”
- add to main playlist Play in Full Screen Patience: Act I. “If you want a receipt for that popular mystery”
- add to main playlist Play in Full Screen Patience: Act I. “In a doleful train two and two we walk all day”
- add to main playlist Play in Full Screen Patience: Act I. “Twenty love-sick maidens we”
- add to main playlist Play in Full Screen Patience: Act I. “When I first put this uniform on”
- add to main playlist Play in Full Screen Patience: Act I. “Am I alone and unobserved?”
- add to main playlist Play in Full Screen Patience: Act I. “If you’re anxious for to shine”
- add to main playlist Play in Full Screen Patience: Act I. “Long years ago – fourteen, maybe”
- add to main playlist Play in Full Screen Patience: Act I. “Prithee, pretty maiden – prithee”
- add to main playlist Play in Full Screen Patience: Act I. “Though to marry you”
- add to main playlist Play in Full Screen Patience: Act I. “Let the merry cymbals sound”
- add to main playlist Play in Full Screen Patience: Act I. “Now tell us, we pray you”
- add to main playlist Play in Full Screen Patience: Act I. “Heart broken at my Patience’s barbarity”
- add to main playlist Play in Full Screen Patience: Act I. “Stay, we implore you, before our hopes are blighted”
- add to main playlist Play in Full Screen Patience: Act I. “Your maidens hearts, ah, do steel”
H.M.S. Pinafore (1959 D’Oyly Carte cast)
Released 1989- add to main playlist Play in Full Screen H.M.S. Pinafore: Overture
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “We shall sail the ocean blue”
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “Hail! Men o’ war’s men”
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “The nightingale sighed”
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “A maiden fair to see”
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “My gallant crew, good morning”
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “Sir, you are sad”
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “Sorry her lot who loves too well”
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “Over the bright blue sea”
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “Sir Joseph’s barge is seen”
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “Now give three cheers”
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “When I was a lad”
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “A British tar”
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “Refrain, audacious tar”
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I. “Can I survive the overbearing”
The Pirates of Penzance (1967 D’Oyly Carte cast)
Released 1989- add to main playlist Play in Full Screen Overture
- add to main playlist Play in Full Screen Act I. "Pour, oh pour the pirate sherry"
- add to main playlist Play in Full Screen Act I. "When Fred’ric was a little lad"
- add to main playlist Play in Full Screen Act I. "Oh, better far to live and die"
- add to main playlist Play in Full Screen Act I. "Oh, false one, you have deceived me"
- add to main playlist Play in Full Screen Act I. "Climbing over rocky mountain"
- add to main playlist Play in Full Screen Act I. "Stop! ladies, pray! A man!"
- add to main playlist Play in Full Screen Act I. "Oh, is there not one maiden breast"
- add to main playlist Play in Full Screen Act I. "Oh, sisters, deaf to pity’s name, For shame!"
- add to main playlist Play in Full Screen Act I. "Poor wand’ring one!"
- add to main playlist Play in Full Screen Act I. "What ought we to do, Gentle sisters, say?"
- add to main playlist Play in Full Screen Act I. "How beautifully blue the sky"
- add to main playlist Play in Full Screen Act I. "Stay, we must not lose our senses"
- add to main playlist Play in Full Screen Act I. "Hold, Monsters!"
- add to main playlist Play in Full Screen Act I. "I am the very model of a modern Major-General"
The Mikado (The English National Opera)
Released 1988- add to main playlist Play in Full Screen If you want to know who we are
- add to main playlist Play in Full Screen A wandering minstrel I
- add to main playlist Play in Full Screen Our great Mikado
- add to main playlist Play in Full Screen Young man, despair
- add to main playlist Play in Full Screen Behold, the Lord High Executioner
- add to main playlist Play in Full Screen I've got a little list
- add to main playlist Play in Full Screen Comes a train of little ladies
- add to main playlist Play in Full Screen Three little maids
- add to main playlist Play in Full Screen So please you, sir
- add to main playlist Play in Full Screen Were you not to Ko-Ko plighted
- add to main playlist Play in Full Screen Finale Act I: The threatened cloud has passed away
- add to main playlist Play in Full Screen Braid the raven hair
- add to main playlist Play in Full Screen The sun whose rays
- add to main playlist Play in Full Screen Here's a how-de-do!
- add to main playlist Play in Full Screen A more humane Mikado
- add to main playlist Play in Full Screen The flowers that bloom in the spring
- add to main playlist Play in Full Screen Alone, and yet alive
- add to main playlist Play in Full Screen On a tree by a river ("Tit willow")
- add to main playlist Play in Full Screen There is beauty in the bellow of the blast
Ruddigore / The Tempest / The Merchant of Venice Suite (feat conductor: Sir Malcolm Sargent, conductor: Sir Vivian Dunn)
Released 1987- add to main playlist Play in Full Screen Ruddigore: Overture
- add to main playlist Play in Full Screen Ruddigore: Act I. “Fair is Rose as bright May day” (Bridesmaids, Zorah)
- add to main playlist Play in Full Screen Ruddigore: Act I. “Sir Rupert Murgatroyd” (Hanna, Chorus)
- add to main playlist Play in Full Screen Ruddigore: Act I. “If somebody there chanced to be” (Rose)
- add to main playlist Play in Full Screen Ruddigore: Act I. “I know a youth who loves a little maid” (Rose, Robin)
- add to main playlist Play in Full Screen Ruddigore: Act I. “From the briny sea” (Bridesmaids)
- add to main playlist Play in Full Screen Ruddigore: Act I. “I shippd, d’ye see, in a Revenue sloop” (Richard)
- add to main playlist Play in Full Screen Ruddigore: Act I. “My boy, you may take it from me” (Robin)
- add to main playlist Play in Full Screen Ruddigore: Act I. “The battle’s roar is over” (Richard, Rose)
- add to main playlist Play in Full Screen Ruddigore: Act I. “In sailing o’er life’s ocean wide” (Rose, Richard, Robin)
- add to main playlist Play in Full Screen Ruddigore: Act I. “Cheerily carols the lark” (Margaret)
- add to main playlist Play in Full Screen Ruddigore: Act I. “To a garden full of posies” (Margaret)
- add to main playlist Play in Full Screen Ruddigore: Act I. “Welcome gentry for your entry” (Chorus)
- add to main playlist Play in Full Screen Ruddigore: Act I. “Oh, why am I moody and sad?” (Sir Despard, Chorus)
- add to main playlist Play in Full Screen Ruddigore: Act I. “You understand?” (Richard, Sir Despard)
- add to main playlist Play in Full Screen Ruddigore: Act I. “Hail the bride of seventeen summers” (Chorus)
- add to main playlist Play in Full Screen Ruddigore: Act I. “When the buds are blossoming” (Rose, Hannah, Richard, Adam, Chorus)
- add to main playlist Play in Full Screen Ruddigore: Act I. “Hold, bridge and bridgegroom” (Sir Despard, Rose, Robin, Zorah, Richard, Margaret, Chorus)
- add to main playlist Play in Full Screen Ruddigore: Act I. “O, happy the lily” (All)
Iolanthe (Glyndebourne Festival Chorus, Pro Arte Orchestra feat. conductor: Sir Malcolm Sargent)
Released 1987- add to main playlist Play in Full Screen Iolanthe: Overture
- add to main playlist Play in Full Screen Iolanthe: Act I. “Tripping hither, tripping thither” (Celia, Leila, Fairies)
- add to main playlist Play in Full Screen Iolanthe: Act I. “Iolanthe!” (Queen of the Fairies, Iolanthe, Celia, Leila, Fairies)
- add to main playlist Play in Full Screen Iolanthe: Act I. “Good morrow, good mother” (Stephon, Fairies)
- add to main playlist Play in Full Screen Iolanthe: Act I. “Fare thee well, attractive stranger” (Queen, Fairies)
- add to main playlist Play in Full Screen Iolanthe: Act I. “Good morrow, good lover” (Phyllis, Strephon)
- add to main playlist Play in Full Screen Iolanthe: Act I. “None shall part us from each other” (Phyllis, Strephon)
- add to main playlist Play in Full Screen Iolanthe: Act I. “Loudly let the trumpet bray!” (March of the Peers) (Peers)
- add to main playlist Play in Full Screen Iolanthe: Act I. “The Law is the true embodiment” (Lord Chancellor, Peers)
- add to main playlist Play in Full Screen Iolanthe: Act I. “My well-loved lord and guardian dear” (Phyllis, Peers)
- add to main playlist Play in Full Screen Iolanthe: Act I. “Of all of the young ladies I know” (Tolloller, Mountararat, Phyllis, Peers)
- add to main playlist Play in Full Screen Iolanthe: Act I. “Nay, tempt me not” (Phyllis)
- add to main playlist Play in Full Screen Iolanthe: Act I. “Spurn not the nobly born” (Tolloller, Peers)
- add to main playlist Play in Full Screen Iolanthe: Act I. “My Lords, it may not be” (Phyllis, Lord Chancellor, Strephon, Peers)
- add to main playlist Play in Full Screen Iolanthe: Act I. “A shepherd I” (Strephon, Tolloller, Mountararat, Lord Chancellor, Peers)
- add to main playlist Play in Full Screen Iolanthe: Act I. “When I went to the Bar as a very young man” (Lord Chancellor)
- add to main playlist Play in Full Screen Iolanthe: Act I. “When darkly looms the day” (Strephon, Mountararat, Iolanthe, Tolloller, Phyllis, Peers)
- add to main playlist Play in Full Screen Iolanthe: Act I. “Oh, shameless one, tremble!” (Phyllis, Strephon, Tolloller, Lord Chancellor, Peers)
- add to main playlist Play in Full Screen Iolanthe: Act I. “In babyhood upon her lap I lay” (Strephon, Lord Chancellor, Mountararat, Phyllis, Peers)
- add to main playlist Play in Full Screen Iolanthe: Act I. “For riches and rank I do not long” (Phyllis)
- add to main playlist Play in Full Screen Iolanthe: Act I. “To you I give my heart” (Phyllis, Tolloller, Mountararat, Peers, Strephon)
- add to main playlist Play in Full Screen Iolanthe: Act I. “Tripping hither, tripping thither” (Fairies)
- add to main playlist Play in Full Screen Iolanthe: Act I. “The lady of my love” (Strephon, Queen, Lord Chancellor, Tolloller, Mountararat, Fairies, Peers)
- add to main playlist Play in Full Screen Iolanthe: Act I. “Go away, madam” (Lord Chancellor, Queen, Phyllis, Fairies, Peers)
- add to main playlist Play in Full Screen Iolanthe: Act I. “Oh, Chancellor unwary” (Queen, Lord Chancellor, Celia, Leila, Fairies, Peers)
- add to main playlist Play in Full Screen Iolanthe: Act I. “With Strephon for your foe” (All)
Patience / Irish Symphony (feat. conductor: Sir Malcolm Sargent, conductor: Sir Charles Groves)
Released 1987- add to main playlist Play in Full Screen Patience: Overture
- add to main playlist Play in Full Screen Patience. Act I. “Twenty lovesick maidens we” (Maidens, Angela, Ella)
- add to main playlist Play in Full Screen Patience. Act I. “Still brooding on their mad infatuation” (Patience, Saphir, Angela, Maidens)
- add to main playlist Play in Full Screen Patience. Act I. “I cannot tell what this love may be” (Patience, Maidens)
- add to main playlist Play in Full Screen Patience. Act I. “The soldiers of our Queen” (Dragoons, Colonel Calverley)
- add to main playlist Play in Full Screen Patience. Act I. “In a doleful train… Twenty lovesick maidens we” (Ella, Angela, Saphir, Maidens, Dragoons, Bunthorne)
- add to main playlist Play in Full Screen Patience. Act I. “When I first put this uniform on” (Colonel Calverley)
- add to main playlist Play in Full Screen Patience. Act I. “Am I alone and unobserved?” (Bunthorne)
- add to main playlist Play in Full Screen Patience. Act I. “Long years ago, fourteen maybe” (Patience, Angela)
- add to main playlist Play in Full Screen Patience. Act I. “Prithee pretty maiden” (Grosvenor, Patience)
- add to main playlist Play in Full Screen Patience. Act I. “Let the merry cymbals sound” (Maidens)
- add to main playlist Play in Full Screen Patience. Act I. “Now tell us, we pray you” (Duke, Colonel, Major, Dragoons, Bunthorne, Maidens)
- add to main playlist Play in Full Screen Patience. Act I. “Your maiden hearts” (Duke, Dragoons, Maidens)
- add to main playlist Play in Full Screen Patience. Act I. “Come walk up and purchase with avidity” (Bunthorne, Maidens, Dragoons, Jane, Patience)
- add to main playlist Play in Full Screen Patience. Act I. “True love must single-hearted be” (Patience, Bunthorne, Colonel, Major, Saphir, Angela)
- add to main playlist Play in Full Screen Patience. Act I. “I hear the soft note… But who is this?” (All)
Sullivan: Cello Concerto in D / Herbert: Cello Concerto no. 2 / Elgar: Romance
Released 1986- add to main playlist Play in Full Screen Romance, op. 62
- add to main playlist Play in Full Screen Cello Concerto in D major: I. Allegro moderato (cadenza: Sir Charles Mackerras)
- add to main playlist Play in Full Screen Cello Concerto in D major: II. Andante espressivo
- add to main playlist Play in Full Screen Cello Concerto in D major: III. Molto vivace
- add to main playlist Play in Full Screen Cello Concerto no. 2 in E minor, op. 30: I. Allegro impetuoso
- add to main playlist Play in Full Screen Cello Concerto no. 2 in E minor, op. 30: II. Lento - Andante tranquillo
- add to main playlist Play in Full Screen Cello Concerto no. 2 in E minor, op. 30: III. Allegro (Tempo I)
The Mikado: Highlights From the English National Opera Production
Released 1986- add to main playlist Play in Full Screen If You Want to Know Who We Are
- add to main playlist Play in Full Screen A Wandering Minstrel, I
- add to main playlist Play in Full Screen Our Great Mikado
- add to main playlist Play in Full Screen Young Man, Despair
- add to main playlist Play in Full Screen Behold the Lord, High Executioner!
- add to main playlist Play in Full Screen I've Got a Little List
- add to main playlist Play in Full Screen Three Little Maids
- add to main playlist Play in Full Screen Braid the Raven Hair
- add to main playlist Play in Full Screen The Sun, Whose Rays
- add to main playlist Play in Full Screen The Flowers That Bloom in the Spring
- add to main playlist Play in Full Screen On a Tree by a River ("Tit Willow")
- add to main playlist Play in Full Screen There Is Beauty in the Bellow of the Blast
The Gondoliers (1960 D’Oyly Carte cast)
Released 1986- add to main playlist Play in Full Screen The Gondoliers: Overture
- add to main playlist Play in Full Screen The Gondoliers: Act I. “List and learn”
- add to main playlist Play in Full Screen The Gondoliers: Act I. “Good morrow, pretty maids”
- add to main playlist Play in Full Screen The Gondoliers: Act I. “For the merriest fellows are we”
- add to main playlist Play in Full Screen The Gondoliers: Act I. “See, see at last they come to make their choice”
- add to main playlist Play in Full Screen The Gondoliers: Act I. “Buon’ giorno, signorine!”
- add to main playlist Play in Full Screen The Gondoliers: Act I. “We’re called gondolieri, but that’s a vagary”
- add to main playlist Play in Full Screen The Gondoliers: Act I. “And now to choose our brides!”
- add to main playlist Play in Full Screen The Gondoliers: Act I. “Are you peeping?”
- add to main playlist Play in Full Screen The Gondoliers: Act I. “Thank you gallant gondolieri”
- add to main playlist Play in Full Screen The Gondoliers: Act I. “From the sunny Spanish shore”
- add to main playlist Play in Full Screen The Gondoliers: Act I. “In enterprise of martial kind”
- add to main playlist Play in Full Screen The Gondoliers: Act I. “O rapture, when alone together”
- add to main playlist Play in Full Screen The Gondoliers: Act I. “There was a time, a time for ever gone”
- add to main playlist Play in Full Screen The Gondoliers: Act I. “I stole the Prince”
- add to main playlist Play in Full Screen The Gondoliers: Act I. “But, bless my heart, consider my position!”
- add to main playlist Play in Full Screen The Gondoliers: Act I. “Try we life-long we can never”
- add to main playlist Play in Full Screen The Gondoliers: Act I. “Bride-groom and bride!”
- add to main playlist Play in Full Screen The Gondoliers: Act I. “When a merry maiden marries”
- add to main playlist Play in Full Screen The Gondoliers: Act I. “Kind sir, you cannot have the heart, our lives to part”
- add to main playlist Play in Full Screen The Gondoliers: Act I. “Do not give way to this uncalled-for grief”
- add to main playlist Play in Full Screen The Gondoliers: Act I. “Then one of us will be a queen”
The Mikado (Glyndebourne Festival Chorus, Pro Arte Orchestra feat. conductor: Sir Malcolm Sargent)
Released 1957- add to main playlist Play in Full Screen The Mikado: Overture
- add to main playlist Play in Full Screen The Mikado: Act I. “If you want to know who we are” (Nobles)
- add to main playlist Play in Full Screen The Mikado: Act I. “Gentlemen, I pray you tell me” (Nanki-Poo, A Noble)
- add to main playlist Play in Full Screen The Mikado: Act I. “A wand’ring minstrel, I” (Nanki-Poo, Nobles)
- add to main playlist Play in Full Screen The Mikado: Act I. “Our great Mikado, virtous man” (Pish-Tush, Nobles)
- add to main playlist Play in Full Screen The Mikado: Act I. “Young man, despair” (Poo-Bah, Nanki-Poo, Pish-Tush)
- add to main playlist Play in Full Screen The Mikado: Act I. “And have I journey’d for a month” (Nanki-Poo, Poo-Bah)
- add to main playlist Play in Full Screen The Mikado: Act I. “Behold the Lord High Executioner!” (Nobles, Ko-Ko)
- add to main playlist Play in Full Screen The Mikado: Act I. “As some day it may happen” (Ko-Ko, Nobles)
- add to main playlist Play in Full Screen The Mikado: Act I. “Comes a train of little ladies” (Girls)
- add to main playlist Play in Full Screen The Mikado: Act I. “Three little maids from school” (Yum-Yum, Peep-Bo, Pitti-Sing, Girls)
- add to main playlist Play in Full Screen The Mikado: Act I. “So please you, sir, we much regret” (Yum-Yum, Peep-Bo, Pitti-Sing, Poo-Bah, Girls)
- add to main playlist Play in Full Screen The Mikado: Act I. “Were you not to Ko-Ko plighted” (Nanki-Poo, Yum-Yum)
- add to main playlist Play in Full Screen The Mikado: Act I. “I am so proud” (Poo-Bah, Ko-Ko, Pish-Tush)
- add to main playlist Play in Full Screen The Mikado: Act I. “With aspect stern” (Nobles, Girls, Poo-Bah, Ko-Ko, Nanki-Poo, Yum-Yum, Others)
- add to main playlist Play in Full Screen The Mikado: Act I. “Your revels cease” (Katisha, Nanki-Poo, Pitti-Sing, Yum-Yum, Others)
Accompaniment CD: Gilbert & Sulivan Volume 1
- add to main playlist Play in Full Screen The Pirates of Penzance: When Fred'ric Was A Little Lad (vocal version)
- add to main playlist Play in Full Screen The Pirates of Penzance: Oh Is There not One Maiden Breast (vocal version)
- add to main playlist Play in Full Screen The Pirates of Penzance: Poor Wand'ring One (vocal version)
- add to main playlist Play in Full Screen The Pirates of Penzance: I am the Very Model of a Modern Major-General (vocal version)
- add to main playlist Play in Full Screen The Pirates of Penzance: When a Felon's not Engaged (vocal version)
- add to main playlist Play in Full Screen H.M.S. Pinafore: I'm Called Little Buttercup (vocal version)
- add to main playlist Play in Full Screen H.M.S. Pinafore: I am the Captain of the Pinafore (vocal version)
- add to main playlist Play in Full Screen H.M.S. Pinafore: When I Was a Lad I Served a Term (vocal version)
- add to main playlist Play in Full Screen Princess Ida: O Goddess Wise (vocal version)
- add to main playlist Play in Full Screen Ruddigore: To a Garden Full of Posies (vocal version)
- add to main playlist Play in Full Screen The Gondoliers: Take a Pair of Sparkling Eyes (vocal version)
- add to main playlist Play in Full Screen The Pirates of Penzance: When Fred'ric Was A Little Lad (accompaniment version)
- add to main playlist Play in Full Screen The Pirates of Penzance: Oh Is There not One Maiden Breast (accompaniment version)
- add to main playlist Play in Full Screen The Pirates of Penzance: Poor Wand'ring One (accompaniment version)
- add to main playlist Play in Full Screen The Pirates of Penzance: I am the Very Model of a Modern Major-General (accompaniment version)
- add to main playlist Play in Full Screen The Pirates of Penzance: When a Felon's not Engaged (accompaniment version)
- add to main playlist Play in Full Screen H.M.S. Pinafore: I'm Called Little Buttercup (accompaniment version)
- add to main playlist Play in Full Screen H.M.S. Pinafore: I am the Captain of the Pinafore (accompaniment version)
- add to main playlist Play in Full Screen H.M.S. Pinafore: When I Was a Lad I Served a Term (accompaniment version)
- add to main playlist Play in Full Screen Princess Ida: O Goddess Wise (accompaniment version)
- add to main playlist Play in Full Screen Ruddigore: To a Garden Full of Posies (accompaniment version)
- add to main playlist Play in Full Screen The Gondoliers: Take a Pair of Sparkling Eyes (accompaniment version)
Shakespeare's Tempest
- add to main playlist Play in Full Screen The Tempest: Introduction
- add to main playlist Play in Full Screen The Tempest: Act III Prelude
- add to main playlist Play in Full Screen The Tempest: Banquet Dance
- add to main playlist Play in Full Screen The Tempest: Act IV Overture
- add to main playlist Play in Full Screen The Tempest: Dance of the Nymps and Reapers
- add to main playlist Play in Full Screen The Tempest: Act V Prelude
- add to main playlist Play in Full Screen The Tempest: Postlude
- add to main playlist Play in Full Screen The Tempest: Overture
- add to main playlist Play in Full Screen The Tempest Suite no. 2
- add to main playlist Play in Full Screen The Tempest Suite no. 1
Gilbert and Sullivan Highlights
- add to main playlist Play in Full Screen The Mikado: Act I, Chorus "If you wan to to know who we are" / Song "A Wandering Minstrel I"
- add to main playlist Play in Full Screen The Mikado: Act II, Song "The sun Whose rays"
- add to main playlist Play in Full Screen The Mikado: Act II, Finale
- add to main playlist Play in Full Screen The Yeoman of the Guard: Act I, Song "When Maiden Loves, she Sits and Sighs"
- add to main playlist Play in Full Screen The Yeoman of the Guard: Act I, Duet "I Have a Song to Sing, O!"
- add to main playlist Play in Full Screen Iolanthe: Act I, Chorus, (Entrance and March of the Peers), "Loudly let the Trumpets Bray"
- add to main playlist Play in Full Screen Iolanthe: Act II, Duet, "If we're Weak Enough to Tarry"
- add to main playlist Play in Full Screen Iolanthe: Act II, Finale "Soon as we May, Off and Away"
- add to main playlist Play in Full Screen The Gondoliers: Act II, Song "Take a Pair of Sparkling Eyes"
- add to main playlist Play in Full Screen The Gondoliers: Act II, Gavotte "I am a Courtier, Grave and Serious"
- add to main playlist Play in Full Screen The Gondoliers: Act II, Chorus "Dance a Cachucha, Fandango, Bolero"
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I, Song "I am the Very Model of a Modern Major-General"
- add to main playlist Play in Full Screen The Pirates of Penzance: Act I, Song "Oh, is There not one Maiden Breast" / Recit and Song "Poor Wandering One"
- add to main playlist Play in Full Screen The Pirates of Penzance: Act II, Song "When a Felon's not Engaged in his Employment"
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I, Chorus, We Sail the Ocean Blue", Recit amd Song, "For I'm Called Little Buttercup"
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act I, Song and Chorus, "I am the Captain of the Pinafore"
- add to main playlist Play in Full Screen H.M.S. Pinafore: Act II, Finale, Quartette, "Oh Joy, Oh Rapture Unforeseen"
The Gondoliers (Glyndebourne Festival Chorus, Pro Arte Orchestra feat. conductor: Sir Malcolm Sargent)
- add to main playlist Play in Full Screen The Gondoliers: Overture
- add to main playlist Play in Full Screen The Gondoliers: Act I. “List and learn, ye dainty roses” (Chorus)
- add to main playlist Play in Full Screen The Gondoliers: Act I. “Good morrow, pretty maids” (Francesco, Fiametta, Antonio, Giorgio, Vittoria, Giulia)
- add to main playlist Play in Full Screen The Gondoliers: Act I. “For the merriest fellows” (Antonio, Chorus, Fiametta)
- add to main playlist Play in Full Screen The Gondoliers: Act I. “Buon’giorno, signorine” (Marco, Giuseppe, Chorus)
- add to main playlist Play in Full Screen The Gondoliers: Act I. “We’re called gondolieri” (Marco, Giuseppe)
- add to main playlist Play in Full Screen The Gondoliers: Act I. “And now to choose our brides” (Marco, Giuseppe, Fiametta, Vittoria, Gianetta, Tessa, Chorus)
- add to main playlist Play in Full Screen The Gondoliers: Act I. “Thank you, gallant gondolieri” (Gianetta, Tessa, Chorus)
- add to main playlist Play in Full Screen The Gondoliers: Act I. “From the sunny Spanish shore” (Duke, Duchess, Casilda, Luiz)
- add to main playlist Play in Full Screen The Gondoliers: Act I. “In enterprise of martial kind” (Duke, Casilda, Duchess, Luiz)
- add to main playlist Play in Full Screen The Gondoliers: Act I. “O rapture when alone” (Casilda, Luiz)
- add to main playlist Play in Full Screen The Gondoliers: Act I. “There was a time” (Luiz, Casilda)
- add to main playlist Play in Full Screen The Gondoliers: Act I. “I stole the Prince” (Don Alhambra, Casilda, Luiz, Duke, Duchess)
- add to main playlist Play in Full Screen The Gondoliers: Act I. “But bless my heart” (Casilda, Don Alhambra)
- add to main playlist Play in Full Screen The Gondoliers: Act I. “Try we life-long” (Casilda, Duchess, Luiz, Duke, Don Alhambra)
- add to main playlist Play in Full Screen The Gondoliers: Act I. “Bridegroom and bride” (Chorus)
- add to main playlist Play in Full Screen The Gondoliers: Act I. “When a merry maiden marries” (Tessa, Chorus)
- add to main playlist Play in Full Screen The Gondoliers: Act I. “Kind sir, you cannot have the heart” (Gianetta)
- add to main playlist Play in Full Screen The Gondoliers: Act I. “Do not give way” (Don Alhambra, Gianetta, Tessa, Marco, Giuseppe)
- add to main playlist Play in Full Screen The Gondoliers: Act I. “Then one of us will be a queen” (Gianetta, Tessa, Marco, Giuseppe, Chorus)
- add to main playlist Play in Full Screen The Gondoliers: Act I. “Replying we sing” (Marco, Giuseppe, Chorus)
- add to main playlist Play in Full Screen The Gondoliers: Act I. “For everyone who feels inclined” (Marco, Giuseppe, Chorus)
- add to main playlist Play in Full Screen The Gondoliers: Act I. “Come, let’s away” (Marco, Giuseppe, Gianetta, Tessa)
- add to main playlist Play in Full Screen The Gondoliers: Act I. “Then away they go to an island fair” (Chorus, Marco, Giuseppe, Gianetta, Tessa)
Gilbert & Sullivan Overtures
- add to main playlist Play in Full Screen The Mikado
- add to main playlist Play in Full Screen Iolanthe
- add to main playlist Play in Full Screen HMS Pinafore
- add to main playlist Play in Full Screen The Pirates of Penzance
- add to main playlist Play in Full Screen Ruddigore
- add to main playlist Play in Full Screen The Gondoliers
- add to main playlist Play in Full Screen The Yeomen of the Guard
- add to main playlist Play in Full Screen Di Ballo Overture
Pirates of Penzance
- add to main playlist Play in Full Screen Pour, oh pour the Pirate Sherry
- add to main playlist Play in Full Screen When Frederic Was a Little Lad
- add to main playlist Play in Full Screen I Am a Pirate King
- add to main playlist Play in Full Screen Oh, Is There Not One Maiden Breast / Poor Wand'ring One
- add to main playlist Play in Full Screen What Ought We to Do / How Beautiful the Sky
- add to main playlist Play in Full Screen Stay, We Must Not Lose Our Senses
- add to main playlist Play in Full Screen Hold, Monsters! / Modern Major General
- add to main playlist Play in Full Screen When a Forman Bears His Steel
- add to main playlist Play in Full Screen When You Had Left Our Pirate Fold
- add to main playlist Play in Full Screen Stay, Frederic, Stay
- add to main playlist Play in Full Screen When a Felon's Not Engaged
- add to main playlist Play in Full Screen With a Cat-Like Tread
- add to main playlist Play in Full Screen Hush! Hush! / Singing Softly to the River
Gondoliers
- add to main playlist Play in Full Screen Opening Chorus
- add to main playlist Play in Full Screen From the Sunny Spanish Shores / In Enterprise Of A Marital Kind
- add to main playlist Play in Full Screen O Rapture
- add to main playlist Play in Full Screen I Stole The Prince
- add to main playlist Play in Full Screen When I Marry
- add to main playlist Play in Full Screen Finale Act 1: Kind Sir, You Cannot Have The Heart
- add to main playlist Play in Full Screen Here We Are At The Risk Of Our Lives / Rising Early In The Morning
- add to main playlist Play in Full Screen Take A Pair Of Sparkling Eyes
- add to main playlist Play in Full Screen There Lived A King
- add to main playlist Play in Full Screen In a Contemplative Fashion
- add to main playlist Play in Full Screen On The Day When I Was Wedded
- add to main playlist Play in Full Screen Small Titles And Orders
- add to main playlist Play in Full Screen Gavotte
- add to main playlist Play in Full Screen Dance Of Cachucha
The Pirates of Penzance (1983 film cast)
- add to main playlist Play in Full Screen Overture
- add to main playlist Play in Full Screen Street Scene
- add to main playlist Play in Full Screen Prelude
- add to main playlist Play in Full Screen Pour, O Pour the Pirate Sherry
- add to main playlist Play in Full Screen When Frederic Was a Little Lad
- add to main playlist Play in Full Screen Oh, Better Far to Live and Die
- add to main playlist Play in Full Screen Beach Scene
- add to main playlist Play in Full Screen Oh, False One, You Have Deceived Me
- add to main playlist Play in Full Screen Climbing Over a Rocky Mountain
- add to main playlist Play in Full Screen Stop, Ladies, Pray! / Oh Is There Not One Maiden Breast?
- add to main playlist Play in Full Screen Poor Wandering One
- add to main playlist Play in Full Screen Stay, We Must Not Lose Our Senses
- add to main playlist Play in Full Screen I Am the Very Model of a Modern Major-General
- add to main playlist Play in Full Screen Major-General Scene
- add to main playlist Play in Full Screen Oh, Men of Dark and Dismal Fate
- add to main playlist Play in Full Screen Act Two Prelude
- add to main playlist Play in Full Screen Oh, Dry the Glistening Tear
- add to main playlist Play in Full Screen Then Frederic, Let Your Escort Lion Hearted
- add to main playlist Play in Full Screen When the Foeman Bares His Steel
- add to main playlist Play in Full Screen Now For The Pirates' Lair / When You Had Left Our Pirate Fold
- add to main playlist Play in Full Screen Paradox Scene
- add to main playlist Play in Full Screen My Eyes Are Fully Open
- add to main playlist Play in Full Screen Away, Away! My Heart's on Fire
- add to main playlist Play in Full Screen Stay, Frederic, Stay
- add to main playlist Play in Full Screen No, I Am Brave
- add to main playlist Play in Full Screen When a Felon's Not Engaged in His Employment
- add to main playlist Play in Full Screen A Rollicking Band of Pirates We
- add to main playlist Play in Full Screen With Cat-Like Tread, Upon Our Prey We Steal
- add to main playlist Play in Full Screen Hush, Hush! Not A Word / Sighing Softly To The River
- add to main playlist Play in Full Screen Now What Is This, and What Is That?
- add to main playlist Play in Full Screen The Chase
- add to main playlist Play in Full Screen Poor, Wandering Ones (Finale)
- add to main playlist Play in Full Screen End Credits
A Gilbert & Sullivan Songbook
- add to main playlist Play in Full Screen Pinafore: I Am the Monarch of the Sea / When I Was a Lad
- add to main playlist Play in Full Screen Pinafore: I'm Called Little Buttercup
- add to main playlist Play in Full Screen Trial By Jury: When I, Good Friends, Was Called to the Bar
- add to main playlist Play in Full Screen The Pirates Of Penzance: Ah, Leave Me Not to Pine
- add to main playlist Play in Full Screen Princess Ida: Merrily Ring the Luncheon Bell
- add to main playlist Play in Full Screen The Mikado: Tit-Willow
- add to main playlist Play in Full Screen The Pirates Of Penzance: I Am the Very Model
- add to main playlist Play in Full Screen The Mikado: I've Got a Little List
- add to main playlist Play in Full Screen The Mikado: A Wand'ring Minstrel
- add to main playlist Play in Full Screen The Mikado: Three Little Maids
- add to main playlist Play in Full Screen Princess Ida: I Built Upon a Rock
- add to main playlist Play in Full Screen The Pirates Of Penzance: When the Foeman Bares His Steel
- add to main playlist Play in Full Screen The Pirates Of Penzance: A Policeman's Lot
- add to main playlist Play in Full Screen The Mikado: Brightly Dawns Our Wedding Day
- add to main playlist Play in Full Screen The Mikado: The Flowers That Bloom in the Spring
- add to main playlist Play in Full Screen The Pirates Of Penzance: Hail, Poetry
- add to main playlist Play in Full Screen Patience: When I Go Out of Door
The Mikado (1973 D’Oyly Carte cast)
- add to main playlist Play in Full Screen The Mikado: Overture
- add to main playlist Play in Full Screen The Mikado: Act I. “If you want to know who we are”
- add to main playlist Play in Full Screen The Mikado: Act I. “Gentlemen, I pray you tell me”
- add to main playlist Play in Full Screen The Mikado: Act I. “A wand’ring minstrel I”
- add to main playlist Play in Full Screen The Mikado: Act I. “Our great Mikado, virtuous man”
- add to main playlist Play in Full Screen The Mikado: Act I. “Young man, despair”
- add to main playlist Play in Full Screen The Mikado: Act I. “And have I journey’d for a month”
- add to main playlist Play in Full Screen The Mikado: Act I. “Behold the Lord High Executioner!”
- add to main playlist Play in Full Screen The Mikado: Act I. “As someday it may happen that a victim must be found”
- add to main playlist Play in Full Screen The Mikado: Act I. “Comes a train of little ladies”
- add to main playlist Play in Full Screen The Mikado: Act I. “Three little maids from school are we”
- add to main playlist Play in Full Screen The Mikado: Act I. “So please you, Sir, we much regret”
- add to main playlist Play in Full Screen The Mikado: Act I. “Were you not to Ko-Ko plighted”
- add to main playlist Play in Full Screen The Mikado: Act I. “I am so proud, If I allowed”
- add to main playlist Play in Full Screen The Mikado: Act I. “With aspect stern and gloomy stride”
- add to main playlist Play in Full Screen The Mikado: Act I. “The threatn’d cloud has pass’d away”
- add to main playlist Play in Full Screen The Mikado: Act I. “Your revels cease! Assist me, all of you!”
- add to main playlist Play in Full Screen The Mikado: Act I. “Oh fool, that flee-est My hallow’d joys!”
- add to main playlist Play in Full Screen The Mikado: Act I. “For he’s going to marry Yum-Yum”
- add to main playlist Play in Full Screen The Mikado: Act I. “The hour of gladness is dead and gone”
- add to main playlist Play in Full Screen The Mikado: Act I. “Ye torrents roar! Ye tempests howl!”
Gilbert and Sullivan Highlights (Thomas Edmonds, Dennis Olsen, feat. orchestra: Adelaide Symphony Orchestra, conductor: James Christiansen)
- add to main playlist Play in Full Screen The Gondoliers: Overture
- add to main playlist Play in Full Screen The Gondoliers: Take a Pair of Sparkling Eyes
- add to main playlist Play in Full Screen The Gondoliers: We're Called Gondolieri
- add to main playlist Play in Full Screen The Gondoliers: In Enterprise of Martial Kind
- add to main playlist Play in Full Screen The Gondoliers: I am a Courtier Grave and Serious
- add to main playlist Play in Full Screen The Gondoliers: Dance a Cachuca
- add to main playlist Play in Full Screen The Mikado: A Wand'ring Minstral I
- add to main playlist Play in Full Screen The Mikado: Behold The Lord High Executioner
- add to main playlist Play in Full Screen The Mikado: As Some Day It May Happen
- add to main playlist Play in Full Screen The Mikado: Here's a How-de-do
- add to main playlist Play in Full Screen The Mikado: Were You not to Ko-Ko Plighted
- add to main playlist Play in Full Screen The Mikado: Tit Willow
- add to main playlist Play in Full Screen The Mikado: The Flowers that Bloom in the Spring
- add to main playlist Play in Full Screen The Mikado: For He's Gone and Married Yum-Yum
- add to main playlist Play in Full Screen The Yeomen of the Guard: When a Wooer Goes a-Wooing
- add to main playlist Play in Full Screen The Yeomen of the Guard: Is Life a Boon
- add to main playlist Play in Full Screen The Yeomen of the Guard: I Have a Song to Sing
- add to main playlist Play in Full Screen Trial By Jury: The Judge's Song
- add to main playlist Play in Full Screen Trial By Jury: When First My Old, Old Love I Knew
- add to main playlist Play in Full Screen Trial By Jury: Oh Gentlemen Listen, I Pray
- add to main playlist Play in Full Screen Patience: Am I Alone and Unobserved?
- add to main playlist Play in Full Screen Patience: Sing Hey to You, Good Day to You
- add to main playlist Play in Full Screen Ruddigore: From the Briny Sea I Shipped D'Ye See
- add to main playlist Play in Full Screen Ruddigore: The Battle's Roar is Over
- add to main playlist Play in Full Screen Ruddigore: In Sailing O'er Life's Ocean Wide
Gilbert & Sullivan Weekend
- add to main playlist Play in Full Screen Now Give Three Cheers / I Am the Monarch of the Sea / When I Was a Lad
- add to main playlist Play in Full Screen I'm Called Little Buttercup
- add to main playlist Play in Full Screen Never Mind the Why & Wherefore
- add to main playlist Play in Full Screen A Wand'ring Minstrel I
- add to main playlist Play in Full Screen Three Little Maids From School Are We
- add to main playlist Play in Full Screen As Someday It May Happen
- add to main playlist Play in Full Screen The Flowers That Bloom in the Spring
- add to main playlist Play in Full Screen On a Tree by a River a Little Tom-Tit
- add to main playlist Play in Full Screen When Our Gallant Norman Foes
- add to main playlist Play in Full Screen I Have a Song to Sing, O!
- add to main playlist Play in Full Screen I Am the Very Model of a Modern Major-General
- add to main playlist Play in Full Screen When the Foeman Bares His Steel
- add to main playlist Play in Full Screen Poor Wand'ring One
- add to main playlist Play in Full Screen When a Felon's Not Engaged in His Employment
- add to main playlist Play in Full Screen Loudly Let the Trumpet Bray
- add to main playlist Play in Full Screen If You Go in You're Sure to Win
- add to main playlist Play in Full Screen We're Called Gondolieri
- add to main playlist Play in Full Screen In Enterprise of Martial Kind
- add to main playlist Play in Full Screen Take a Pair of Sparkling Eyes
- add to main playlist Play in Full Screen Dance a Cachucha, Fandango, Bolero
H.M.S. Pinafore (1930 D'Oyly Carte)
- add to main playlist Play in Full Screen Entr'acte
- add to main playlist Play in Full Screen Fair Moon, to Thee I Sing
- add to main playlist Play in Full Screen Things Are Seldom What They Seem
- add to main playlist Play in Full Screen The Hours Creep on Apace
- add to main playlist Play in Full Screen Never Mind the Why and Wherefore
- add to main playlist Play in Full Screen Kind Captain
- add to main playlist Play in Full Screen Carefully on Tip Toe Stealing
- add to main playlist Play in Full Screen He Is an Englishman!
- add to main playlist Play in Full Screen In Uttering a Reprobation
- add to main playlist Play in Full Screen Farewell My Own
- add to main playlist Play in Full Screen My Pain and My Distress
- add to main playlist Play in Full Screen A Many Years Ago
- add to main playlist Play in Full Screen Oh Joy, Oh Rapture
H.M.S, Pinafore Part I
- add to main playlist Play in Full Screen Overture
- add to main playlist Play in Full Screen We Sail The Ocean Blue
- add to main playlist Play in Full Screen Hail! Men-O'-Wars'-Men
- add to main playlist Play in Full Screen I'm Called Little Buttercup
- add to main playlist Play in Full Screen But Tell Me Who's The Youth
- add to main playlist Play in Full Screen The Nightingale Sighed
- add to main playlist Play in Full Screen A Maiden Fair To See
- add to main playlist Play in Full Screen My Gallant Crew, Good Morning!
- add to main playlist Play in Full Screen I Am The Captain Of The Pinafore
- add to main playlist Play in Full Screen Sir, You Are Sad
- add to main playlist Play in Full Screen Sorry Her Lot
- add to main playlist Play in Full Screen Over The Bright Blue Sea
- add to main playlist Play in Full Screen Sir Joseph's Barge Is Seen
- add to main playlist Play in Full Screen Now Give Three Cheers
- add to main playlist Play in Full Screen When I Was A Lad
- add to main playlist Play in Full Screen For I Hold That On The Seas
- add to main playlist Play in Full Screen A British Tar Is A Soaring Soul
- add to main playlist Play in Full Screen Refrain, Audacious Tar
- add to main playlist Play in Full Screen Can I Survive This Overbearing?
- add to main playlist Play in Full Screen This Very Night
The D'Oyly Carte Opera Company Performs Gilbert & Sullivan: 56 Favourites
- add to main playlist Play in Full Screen Hark the Hour of Ten Is Sounding
- add to main playlist Play in Full Screen Judge's Song
- add to main playlist Play in Full Screen We Sail the Ocean Blue ... Buttercup's Song
- add to main playlist Play in Full Screen My Gallant Crew ... I Am the Captain of the Pinafore
- add to main playlist Play in Full Screen When I Was a Lad
- add to main playlist Play in Full Screen Never Mind the Why and Wherefore
- add to main playlist Play in Full Screen He Is an Englishman
- add to main playlist Play in Full Screen Pirate King's Song
- add to main playlist Play in Full Screen Oh Is There Not One Maiden Breast? ... Poor Wandering One
- add to main playlist Play in Full Screen How Beautifully Blue the Sky
- add to main playlist Play in Full Screen I Am the Very Model of a Modern Major General
- add to main playlist Play in Full Screen When the Foeman Bears His Steel
- add to main playlist Play in Full Screen When You Had Left Our Pirate Fold
- add to main playlist Play in Full Screen Ah! Leave Me Not to Pine Alone
- add to main playlist Play in Full Screen A Policeman's Lot Is Not a Happy One
- add to main playlist Play in Full Screen With Catlike Tread
- add to main playlist Play in Full Screen March and Entry of the Peers
- add to main playlist Play in Full Screen The Law Is the True Embodiment
- add to main playlist Play in Full Screen When I Went to the Bar
- add to main playlist Play in Full Screen When All Night Long
- add to main playlist Play in Full Screen When Britain Really Ruled the Waves
- add to main playlist Play in Full Screen Oh Foolish Fay
- add to main playlist Play in Full Screen Nightmare Song
- add to main playlist Play in Full Screen If You Go In
- add to main playlist Play in Full Screen Finale: Soon as We May
A Gilbert & Sullivan Gallery
- add to main playlist Play in Full Screen Overture - The Yeoman of the Guard
- add to main playlist Play in Full Screen Pour Oh Pour the Pirate Sherry - Pirates of Penzance
- add to main playlist Play in Full Screen Poor Wand'ring One - Pirates of Penzance
- add to main playlist Play in Full Screen When the Foreman Bares his Steel - Pirates of Penzance
- add to main playlist Play in Full Screen I'm Called Little Buttercup - HMS Pinafore
- add to main playlist Play in Full Screen I am the Monarch of the Sea - HMS Pinafore
- add to main playlist Play in Full Screen When I was a Lad - HMS Pinafore
- add to main playlist Play in Full Screen Fair Moon the Thee I Sing - HMS Pinafore
- add to main playlist Play in Full Screen Never Mind the Why and Wherefore - HMS Pinafore
- add to main playlist Play in Full Screen A Wand'ring Minstrel - The Mikado
- add to main playlist Play in Full Screen As Someday it May Happen - The Mikado
- add to main playlist Play in Full Screen Three Little Maids - The Mikado
- add to main playlist Play in Full Screen The Sun Whose Rays are all Ablaze - The Mikado
- add to main playlist Play in Full Screen The Flowers that Bloom in the Spring - The Mikado
- add to main playlist Play in Full Screen None Shall Part Us - Iolanthe
- add to main playlist Play in Full Screen When I went to the Bar - Iolanthe
- add to main playlist Play in Full Screen If We're Weak Enough to Tarry - Iolanthe
- add to main playlist Play in Full Screen If Somebody There Chanced to Be - Ruddigore
- add to main playlist Play in Full Screen My Eyes are Fully Open - Ruddigore
- add to main playlist Play in Full Screen There Grew a Little Flower - Ruddigore
- add to main playlist Play in Full Screen When a Merry Maiden Marries - The Gondoliers
- add to main playlist Play in Full Screen Rising Early One Morning - The Gondoliers
- add to main playlist Play in Full Screen Dance a Cachucha - The Gondoliers
The Very Best of Gilbert & Sullivan
- add to main playlist Play in Full Screen If You Want to Know Who We Are / A Wandering Minstrel I (The Mikado)
- add to main playlist Play in Full Screen Three Little Maids From School (The Mikado)
- add to main playlist Play in Full Screen Here's a How-De-Do (The Mikado)
- add to main playlist Play in Full Screen The Flowers That Bloom in the Spring (The Mikado)
- add to main playlist Play in Full Screen Tit Willow (The Mikado)
- add to main playlist Play in Full Screen Is Life a Boon? (The Yeoman of the Guard)
- add to main playlist Play in Full Screen Were I Thy Bride (The Yeoman of the Guard)
- add to main playlist Play in Full Screen We Sail the Ocean Blue... I'm Called Little Buttercup (H.M.S. Pinafore)
- add to main playlist Play in Full Screen I Am the Captain of the Pinafore (H.M.S. Pinafore)
- add to main playlist Play in Full Screen When I Was a Lad (H.M.S. Pinafore)
- add to main playlist Play in Full Screen Never Mind the Why and Wherefore (H.M.S. Pinafore)
- add to main playlist Play in Full Screen He Is an Englishman (H.M.S. Pinafore)
- add to main playlist Play in Full Screen Oh Is There Not One Maiden Breast... Poor Wandering One (The Pirates of Penzance)
- add to main playlist Play in Full Screen I Am the Very Model of a Modern Major-General (The Pirates of Penzance)
- add to main playlist Play in Full Screen When a Felon's Not Engaged in His Employment (The Pirates of Penzance)
- add to main playlist Play in Full Screen With Catlike Tread (The Pirates of Penzance)
- add to main playlist Play in Full Screen When Britain Really Ruled the Waves (Iolanthe)
- add to main playlist Play in Full Screen If You Go In (Iolanthe)
- add to main playlist Play in Full Screen The Judge's Song (Trial by Jury)
- add to main playlist Play in Full Screen When a Merry Maiden Marries (The Gondoliers)
- add to main playlist Play in Full Screen Take a Pair of Sparkling Eyes (The Gondoliers)
- add to main playlist Play in Full Screen In a Contemporary Fashion (The Gondoliers)
- add to main playlist Play in Full Screen Once More Gondelieri (The Gondoliers)
Born: 1842-05-13
Died: 1900-11-22
-
Sir Arthur Sullivan - Symphony in E Major "Irish" (1866)
I. Andante - Allegro Ma Non Troppo Vivace - 00:00 II. Andante Espressivo - 13:24 III. Allegretto - Moderato - Tempo Primo - 20:42 IV. Allegro Vivace e con brio - 26:59 Sullivan began work on his symphony in 1863, very early in his career. From holiday in Ireland, he wrote that "as I was jolting home through wind and rain... in an open jaunting-car, the whole first movement of a symphony came into my head with a real Irish flavour about it -- besides scraps of the other movements." The composer later wrote, "I always meant to call it the 'Irish Symphony', but I modestly refrained, as it was courting comparison with the 'Scotch Symphony'." The title did not appear on the published score until after Sullivan's death, in the Novello edition of 1915. The first performance of the symphony was ...
published: 23 Mar 2014 -
A dinner with Sir Arthur Sullivan (rare 1888 recordings)
Recordings made at the very birth of recorded sound, by George Gouraud, Edison's representative in London, including recordings made at a dinner attended by Sir Arthur Sullivan on October 5th 1888. The video also features other historic sound recordings from 1888, 1907 and 1912, including recordings made by Savoyard Walter Passmore, as well as historic movies filmed in England and Ireland in 1888, 1896, 1898, 1900 and 1903,
published: 15 Jan 2013 -
Sir Arthur Sullivan - Cello Concerto
Sir Arthur Sullivan Cello Concerto reconstructed by Charles Mackerras and David Mackie 1. Allegro moderato 2. Andante espressivo 3. Molto vivace Paul Watkins, performing on Sullivan's own cello, and the BBC Symphony Orchestra conducted by Charles Mackerras
published: 09 Jul 2015 -
The Zoo - Arthur Sullivan
Live captation of the Volksopera production of Sullivan's The Zoo, on the OdeGand festival, Ghent, NTGent, 17th of October 2016
published: 01 Dec 2016 -
Arthur Sullivan - The Pirates of Penzance Overture
Honorables miembros y visitantes del Imperio MrJohannStraussViena,me complace presentarles: Obra.- Overture The Pirates of Penzance Compositor.- Sir Arthur Sullivan Interpretaciòn.- "D'Oyly Carte Opera Company Disfruten de esta maravilla de obra y dejen su comentario si asì lo desean. ¡Suscrìbanse! (es gratis) Gracias
published: 18 Jun 2014 -
Arthur Sullivan - The Mikado - Overture
Conductor: John Carewe Orchestra: Nürnberger Symphoniker
published: 20 Jan 2013 -
Sir Arthur Sullivan - Festival Te Deum
London Choral Society BBC Concert Orchestra Teresa Cahill, soprano Margaret Phillips, organ Ronald Corp, conductor (Broadcast in 1988; CD released in 2001 by BBC Music Magazine.) The Festival Te Deum is the popular name for an 1872 composition by Arthur Sullivan, written to celebrate the recovery of Albert Edward, Prince of Wales (later King Edward VII of the United Kingdom) from typhoid fever. The prince's father, Prince Albert, had died of typhoid fever in 1861, and so the prince's recovery was especial cause for celebration. The Festival Te Deum was first performed on 1 May 1872 at The Crystal Palace in a special "Thanksgiving Day" concert organised by the Prince's brother, Alfred, Duke of Edinburgh, who was a friend of Sullivan's and commissioned the piece. Sullivan was allowed to de...
published: 02 Jun 2014 -
Arthur Sullivan : Henry VIII, Suite from the incidental music (1877)
March - King Henry's Song - Graceful Dance - Water Music. Performed by Emmanuel Lawler (tenor) with the RTE Concert Orchestra conducted by Andrew Penny.
published: 10 Apr 2017 -
Arthur Sullivan - The Lost Chord
- Composer: Sir Arthur Seymour Sullivan MVO (13 May 1842 -- 22 November 1900) - Performers: Webster Booth (tenor), Herbert Dawson (organ) - Year of recording: 1939 The Lost Chord, song for voice & piano, written in 1877. Arthur Sullivan's setting of The Lost Chord, by Adelaide Procter, is one of the very few non-theatrical works by the composer that one might hear today. Two versions of the ballad's origins exist, both stemming from Sullivan. The first of these claims The Lost Chord was composed, "in sorrow at my brother's death"; the other reports that Sullivan wrote the ballad while at the bedside of his dying brother, Frederic. Whatever the case may have been, the intensity and solemnity of the piece are undeniable. When Sullivan set Procter's poem to music, her works were very popul...
published: 31 Dec 2015 -
Sir Arthur Sullivan Cello Concerto
Sir Arthur Sullivan Cello Concerto reconstructed by Charles Mackerras and David Mackie 1. Allegro moderato 2. Andante espressivo 3. Molto vivace Paul . Julian Lloyd Webber plays Sullivan's Cello concerto conducted by Sir Charles Mackerras . YouTube's largest collection of Sir Arthur Sullivan's solo works. Honorables Miembros del Imperio MrJohannStraussViena,en esta maravillosa ocasiòn les presentarè una obra bellisima denominada Opening Dance .
published: 06 Jun 2016 -
Edison phonograph cylinder (1888): Sir Arthur Sullivan (1842-1900) - The Lost Chord & Speech
On 5th October 1888 (yes, you read that year right), Sir Arthur Sullivan was present at a "phonograph party". At this event, he made a recording of his own voice to send to Thomas Edison (who had the idea that the phonograph may be used in a way similar to the letter). His comments are made having heard various recordings played to him at the event. Also, earlier in 1888, a press conference was played a recording of Sullivan's "The Lost Chord" (amongst others). This recording is thought to be the same recording, made in 1888, and is performed by anonymous artists on cornet and piano. While not all that interesting musically, the recording is of supreme historical interst as being the first properly listenable recording of music ever made. One musical observation I have is to note the r...
published: 11 Apr 2008 -
Arthur Sullivan : Victoria and Merrie England, Scenes VI & VIII from the ballet (1897)
Orchestrated by Roderick Spencer. Scene VI : Christmas Revels. Castle Hall. Servants, Players And Guests - Procession of The Boar's Head and Roast Beef - Comic Pas de Quatre (Fugue) - Drunken Jester's Dance - Blind Man's Buff - Entrance and Procession of Father Christmas - Mistletoe Dance. 00:00-13:35 Final Scene : 1897 Britain's Glory: English, Irish, Scottish And Colonial Troops. Military Manoeuvres - Sailors' Hornpipe - Pas Redouble - Finale: Britannia. The Albert Memorial. God Save The Queen. 13:35-24:45 Performed by the RTE Sinfonietta conducted by Andrew Penny. Uploading from Marco Polo is problematic to say the least as random tracks (or complete CD's) are blocked. Anyway, here are a couple of scenes.
published: 10 Apr 2017 -
The Long Day Closes by Arthur Sullivan 2008 Prom
Taken from the 2008 BBC Proms concert in the Royal Albert Hall London
published: 24 Feb 2009 -
Arthur Sullivan : The Merchant of Venice, Extended Suite from the incidental music (1871)
Introduction - Barcarole (Serenade) - Introduction and Bourree - Danse Grotesque - A la Valse - Melodrama - Finale. Performed by Emmanuel Lawler (tenor) with the RTE Concert Orchestra conducted by Andrew Penny.
published: 10 Apr 2017 -
Arthur Sullivan - Henry VIII Suite March
Ilustres miembros del Imperio MrJohannStraussViena,sean bienvenidos a una nueva emisión de este su canal,me complace presentarles: Obra.- Henry VIII Suite March Compositor.- Sir Arthur Sullivan Interpretación a cargo de.- The Royal Philharmonic Orchestra Conductor .- Royston Nash. Pintura.- Balaclava (1876) [A major Battle in the Crimean War] Pintora.- Elizabeth Thompson Disfruten de esta marcha tan patriotica,dejen un comentario si vosotros desean y denle like. ¡Suscríbanse! (es gratis) Gracias
published: 08 Aug 2014 -
Arthur Sullivan's Songwriting Technique - David Owen Norris
As the musical half of the great Gilbert and Sullivan operetta-writing partnership, Sir Arthur Sullivan was behind some of the most memorable songs in English, but what were his secrets? Professor David Owen Norris outlines Sullivan's approach to writing his songs. The transcript and downloadable versions of this part of the 'Sullivan Song Day' conference are available from the on the Gresham College website: http://www.gresham.ac.uk/lectures-and-events/sullivan-song-day-1 Gresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website. http://www.gresham.ac.uk
published: 20 Oct 2011 -
Sullivan - Imperial March - Royal Philharmonic Orchestra
Sir Arthur Sullivan's 'Imperial March' was written for the opening of the Imperial Institute by Queen Victoria. It was first performed in 1893, five months before the opening of Gilbert & Sullivan's 'Utopia Limited'. It is scored for full orchestra, with harp and percussion. One can sense the influence of Verdi on Sullivan. (Album notes). ('Imperial March' was included on this album to supplement the very short musical introduction to Act 1 of 'Utopia Limited'). Royal Philharmonic Orchestra Conductor: Royston Nash Recorded in 1975
published: 26 Oct 2012 -
Sir Arthur Sullivan - The Golden Legend : Part One
Leeds Centenary performance, 15 March 1986, in Leeds Town Hall Part Two is here - https://www.youtube.com/watch?v=8HscFJ7SZJo Elsie - Sheila Armstrong, soprano Ursula - Sarah Walker, contralto Prince Henry of Hoheneck - Robert Tear, tenor Lucifer - Brian Rayner-Cook,bass-baritone Leeds Philharmonic Choir, chorusmaster Graham Barber BBC Philharmonic Orchestra, leader Andrew Orton Sir Charles Mackerras, conductor Brian Rayner-Cook took over from Richard Van Allan at very late notice and learned the role on the train to Leeds. My own transfer from my off-air recording on cassette. The side-change comes towards the end of Sarah Walker's "Slowly, slowly up the wall" aria but is fairly brief.
published: 20 Jul 2017 -
Arthur Sullivan: The Golden Legend (Longfellow Chorus Radio Broadcast)
As heard on Maine Public Classical, Maine Public Broadcasting Network, 8PM, February 22, 2017. 00:00:00 Announcer 00:00:53 Evangeline March, Edward Rice, orchestrated Charles Kaufmann 00:04:33 Announcer 00:07:26 The Golden Legend, Scenes One and Two 00:51:43 Announcer 00:53:57 Last Farewell Waltz, Edward Rice, orchestrated Charles Kaufmann 01:00:26 Announcer 01:02:11 The Golden Legend, Scenes Three, Four and Five; Epilogue 01:49:14 Announcer 01:50:10 The Musical Sufferings of John Kreisler, Christopher Kies
published: 24 Feb 2017 -
Arthur Sullivan, Funeral March & Final Chorus (from 'King Arthur')
RTE Concert Orch. & Coir, Andrew Penny (dir.)
published: 30 Jun 2014
Sir Arthur Sullivan - Symphony in E Major "Irish" (1866)
- Order: Reorder
- Duration: 36:20
- Updated: 23 Mar 2014
- views: 60278
I. Andante - Allegro Ma Non Troppo Vivace - 00:00
II. Andante Espressivo - 13:24
III. Allegretto - Moderato - Tempo Primo - 20:42
IV. Allegro Vivace e con brio ...
I. Andante - Allegro Ma Non Troppo Vivace - 00:00
II. Andante Espressivo - 13:24
III. Allegretto - Moderato - Tempo Primo - 20:42
IV. Allegro Vivace e con brio - 26:59
Sullivan began work on his symphony in 1863, very early in his career. From holiday in Ireland, he wrote that "as I was jolting home through wind and rain... in an open jaunting-car, the whole first movement of a symphony came into my head with a real Irish flavour about it -- besides scraps of the other movements." The composer later wrote, "I always meant to call it the 'Irish Symphony', but I modestly refrained, as it was courting comparison with the 'Scotch Symphony'." The title did not appear on the published score until after Sullivan's death, in the Novello edition of 1915.
The first performance of the symphony was at The Crystal Palace in March 1866, thanks to the popular singer, Jenny Lind, who sponsored the concert and attracted an audience of 3,000 for her singing in the first half of the programme. The conductor was August Manns, who had previously conducted the London première of Sullivan's incidental music to The Tempest.
The symphony was well received, though the music critics, both then and later, observed the influence of other composers. The Times wrote, "Mr Sullivan should abjure Mendelssohn, even Beethoven and above all Schumann, for a year and a day."In his 1960 study of Sullivan's music Gervase Hughes also detects echoes of Schumann, and of Schubert as well.
https://wn.com/Sir_Arthur_Sullivan_Symphony_In_E_Major_Irish_(1866)
I. Andante - Allegro Ma Non Troppo Vivace - 00:00
II. Andante Espressivo - 13:24
III. Allegretto - Moderato - Tempo Primo - 20:42
IV. Allegro Vivace e con brio - 26:59
Sullivan began work on his symphony in 1863, very early in his career. From holiday in Ireland, he wrote that "as I was jolting home through wind and rain... in an open jaunting-car, the whole first movement of a symphony came into my head with a real Irish flavour about it -- besides scraps of the other movements." The composer later wrote, "I always meant to call it the 'Irish Symphony', but I modestly refrained, as it was courting comparison with the 'Scotch Symphony'." The title did not appear on the published score until after Sullivan's death, in the Novello edition of 1915.
The first performance of the symphony was at The Crystal Palace in March 1866, thanks to the popular singer, Jenny Lind, who sponsored the concert and attracted an audience of 3,000 for her singing in the first half of the programme. The conductor was August Manns, who had previously conducted the London première of Sullivan's incidental music to The Tempest.
The symphony was well received, though the music critics, both then and later, observed the influence of other composers. The Times wrote, "Mr Sullivan should abjure Mendelssohn, even Beethoven and above all Schumann, for a year and a day."In his 1960 study of Sullivan's music Gervase Hughes also detects echoes of Schumann, and of Schubert as well.
- published: 23 Mar 2014
- views: 60278
A dinner with Sir Arthur Sullivan (rare 1888 recordings)
- Order: Reorder
- Duration: 16:57
- Updated: 15 Jan 2013
- views: 49495
Recordings made at the very birth of recorded sound, by George Gouraud, Edison's representative in London, including recordings made at a dinner attended by Sir...
Recordings made at the very birth of recorded sound, by George Gouraud, Edison's representative in London, including recordings made at a dinner attended by Sir Arthur Sullivan on October 5th 1888. The video also features other historic sound recordings from 1888, 1907 and 1912, including recordings made by Savoyard Walter Passmore, as well as historic movies filmed in England and Ireland in 1888, 1896, 1898, 1900 and 1903,
https://wn.com/A_Dinner_With_Sir_Arthur_Sullivan_(Rare_1888_Recordings)
Recordings made at the very birth of recorded sound, by George Gouraud, Edison's representative in London, including recordings made at a dinner attended by Sir Arthur Sullivan on October 5th 1888. The video also features other historic sound recordings from 1888, 1907 and 1912, including recordings made by Savoyard Walter Passmore, as well as historic movies filmed in England and Ireland in 1888, 1896, 1898, 1900 and 1903,
- published: 15 Jan 2013
- views: 49495
Sir Arthur Sullivan - Cello Concerto
- Order: Reorder
- Duration: 17:08
- Updated: 09 Jul 2015
- views: 4368
Sir Arthur Sullivan
Cello Concerto
reconstructed by Charles Mackerras and David Mackie
1. Allegro moderato
2. Andante espressivo
3. Molto vivace
Paul Watkins...
Sir Arthur Sullivan
Cello Concerto
reconstructed by Charles Mackerras and David Mackie
1. Allegro moderato
2. Andante espressivo
3. Molto vivace
Paul Watkins, performing on Sullivan's own cello, and the BBC Symphony Orchestra conducted by Charles Mackerras
https://wn.com/Sir_Arthur_Sullivan_Cello_Concerto
Sir Arthur Sullivan
Cello Concerto
reconstructed by Charles Mackerras and David Mackie
1. Allegro moderato
2. Andante espressivo
3. Molto vivace
Paul Watkins, performing on Sullivan's own cello, and the BBC Symphony Orchestra conducted by Charles Mackerras
- published: 09 Jul 2015
- views: 4368
The Zoo - Arthur Sullivan
- Order: Reorder
- Duration: 40:50
- Updated: 01 Dec 2016
- views: 692
Live captation of the Volksopera production of Sullivan's The Zoo, on the OdeGand festival, Ghent, NTGent, 17th of October 2016
Live captation of the Volksopera production of Sullivan's The Zoo, on the OdeGand festival, Ghent, NTGent, 17th of October 2016
https://wn.com/The_Zoo_Arthur_Sullivan
Live captation of the Volksopera production of Sullivan's The Zoo, on the OdeGand festival, Ghent, NTGent, 17th of October 2016
- published: 01 Dec 2016
- views: 692
Arthur Sullivan - The Pirates of Penzance Overture
- Order: Reorder
- Duration: 7:57
- Updated: 18 Jun 2014
- views: 2301
Honorables miembros y visitantes del Imperio MrJohannStraussViena,me complace presentarles:
Obra.- Overture The Pirates of Penzance
Compositor.- Sir Arthur Sul...
Honorables miembros y visitantes del Imperio MrJohannStraussViena,me complace presentarles:
Obra.- Overture The Pirates of Penzance
Compositor.- Sir Arthur Sullivan
Interpretaciòn.- "D'Oyly Carte Opera Company
Disfruten de esta maravilla de obra y dejen su comentario si asì lo desean.
¡Suscrìbanse! (es gratis)
Gracias
https://wn.com/Arthur_Sullivan_The_Pirates_Of_Penzance_Overture
Honorables miembros y visitantes del Imperio MrJohannStraussViena,me complace presentarles:
Obra.- Overture The Pirates of Penzance
Compositor.- Sir Arthur Sullivan
Interpretaciòn.- "D'Oyly Carte Opera Company
Disfruten de esta maravilla de obra y dejen su comentario si asì lo desean.
¡Suscrìbanse! (es gratis)
Gracias
- published: 18 Jun 2014
- views: 2301
Arthur Sullivan - The Mikado - Overture
- Order: Reorder
- Duration: 7:25
- Updated: 20 Jan 2013
- views: 22356
Sir Arthur Sullivan - Festival Te Deum
- Order: Reorder
- Duration: 32:51
- Updated: 02 Jun 2014
- views: 10271
London Choral Society
BBC Concert Orchestra
Teresa Cahill, soprano
Margaret Phillips, organ
Ronald Corp, conductor
(Broadcast in 1988; CD released in 2001 by BB...
London Choral Society
BBC Concert Orchestra
Teresa Cahill, soprano
Margaret Phillips, organ
Ronald Corp, conductor
(Broadcast in 1988; CD released in 2001 by BBC Music Magazine.)
The Festival Te Deum is the popular name for an 1872 composition by Arthur Sullivan, written to celebrate the recovery of Albert Edward, Prince of Wales (later King Edward VII of the United Kingdom) from typhoid fever. The prince's father, Prince Albert, had died of typhoid fever in 1861, and so the prince's recovery was especial cause for celebration.
The Festival Te Deum was first performed on 1 May 1872 at The Crystal Palace in a special "Thanksgiving Day" concert organised by the Prince's brother, Alfred, Duke of Edinburgh, who was a friend of Sullivan's and commissioned the piece. Sullivan was allowed to dedicate the work to the prince's mother, Queen Victoria: an unusual honour.
At the original performance, the London contingent of the Handel Festival Choir of 2,000 performers constituted the chorus, and the audience numbered 26,000. The Times wrote, "we are glad to be able to speak in terms of unqualified praise. It is not only, in our opinion, the most finished composition for which we are indebted to [Sullivan's] pen but an honour to English art." Sullivan was "uproariously cheered" at the premiere. (Wikipedia)
http://en.wikipedia.org/wiki/Festival_Te_Deum
1. Chorus
We praise thee, O God: we acknowledge thee to be the Lord.
All the earth doth worship thee: the Father everlasting.
To thee all Angels cry aloud: the Heavens and all the powers therein.
2. Solo (soprano) and Chorus
To thee Cherubim and Seraphim: continually do cry,
Holy, Holy, Holy: Lord God of Sabaoth;
Heaven and earth are full of the Majesty: of thy Glory.
3. Chorus
The glorious company of the Apostles: praise thee.
The goodly fellowship of the Prophets: praise thee.
The noble army of Martyrs: praise thee.
The holy Church throughout all the world: doth acknowledge thee;
The Father: of an infinite Majesty;
Thine honourable, true: and only Son;
Also the Holy Ghost: the Comforter.
Thou art the King of Glory: O Christ.
Thou art the everlasting Son: of the Father.
4. Solo (soprano)
When Thou tookest upon Thee to deliver man: thou didst not abhor the Virgin's womb.
When thou hadst overcome the sharpness of death: thou didst open the Kingdom of Heaven to all believers.
Thou sittest at the right hand of God: in the Glory of the Father.
5. Chorus
We believe that Thou shalt come: to be our Judge.
We therefore pray Thee, help Thy servants: whom Thou hast redeemed with Thy precious blood.
Make them to be numbered with Thy Saints: in glory everlasting.
6. Solo (soprano) and Chorus
O Lord, save Thy people: and bless Thine heritage.
Govern them: and lift them up for ever.
Day by day: we magnify thee;
And we worship thy Name: ever world without end.
7. Chorus
Vouchsafe, O Lord: to keep us this day without sin.
O Lord, have mercy upon us: have mercy upon us.
O Lord, let Thy mercy lighten upon us: as our trust is in thee.
O Lord, in thee have I trusted: let me never be confounded.
O Lord, save the Queen: and mercifully hear us when we call upon thee. Amen.
https://wn.com/Sir_Arthur_Sullivan_Festival_Te_Deum
London Choral Society
BBC Concert Orchestra
Teresa Cahill, soprano
Margaret Phillips, organ
Ronald Corp, conductor
(Broadcast in 1988; CD released in 2001 by BBC Music Magazine.)
The Festival Te Deum is the popular name for an 1872 composition by Arthur Sullivan, written to celebrate the recovery of Albert Edward, Prince of Wales (later King Edward VII of the United Kingdom) from typhoid fever. The prince's father, Prince Albert, had died of typhoid fever in 1861, and so the prince's recovery was especial cause for celebration.
The Festival Te Deum was first performed on 1 May 1872 at The Crystal Palace in a special "Thanksgiving Day" concert organised by the Prince's brother, Alfred, Duke of Edinburgh, who was a friend of Sullivan's and commissioned the piece. Sullivan was allowed to dedicate the work to the prince's mother, Queen Victoria: an unusual honour.
At the original performance, the London contingent of the Handel Festival Choir of 2,000 performers constituted the chorus, and the audience numbered 26,000. The Times wrote, "we are glad to be able to speak in terms of unqualified praise. It is not only, in our opinion, the most finished composition for which we are indebted to [Sullivan's] pen but an honour to English art." Sullivan was "uproariously cheered" at the premiere. (Wikipedia)
http://en.wikipedia.org/wiki/Festival_Te_Deum
1. Chorus
We praise thee, O God: we acknowledge thee to be the Lord.
All the earth doth worship thee: the Father everlasting.
To thee all Angels cry aloud: the Heavens and all the powers therein.
2. Solo (soprano) and Chorus
To thee Cherubim and Seraphim: continually do cry,
Holy, Holy, Holy: Lord God of Sabaoth;
Heaven and earth are full of the Majesty: of thy Glory.
3. Chorus
The glorious company of the Apostles: praise thee.
The goodly fellowship of the Prophets: praise thee.
The noble army of Martyrs: praise thee.
The holy Church throughout all the world: doth acknowledge thee;
The Father: of an infinite Majesty;
Thine honourable, true: and only Son;
Also the Holy Ghost: the Comforter.
Thou art the King of Glory: O Christ.
Thou art the everlasting Son: of the Father.
4. Solo (soprano)
When Thou tookest upon Thee to deliver man: thou didst not abhor the Virgin's womb.
When thou hadst overcome the sharpness of death: thou didst open the Kingdom of Heaven to all believers.
Thou sittest at the right hand of God: in the Glory of the Father.
5. Chorus
We believe that Thou shalt come: to be our Judge.
We therefore pray Thee, help Thy servants: whom Thou hast redeemed with Thy precious blood.
Make them to be numbered with Thy Saints: in glory everlasting.
6. Solo (soprano) and Chorus
O Lord, save Thy people: and bless Thine heritage.
Govern them: and lift them up for ever.
Day by day: we magnify thee;
And we worship thy Name: ever world without end.
7. Chorus
Vouchsafe, O Lord: to keep us this day without sin.
O Lord, have mercy upon us: have mercy upon us.
O Lord, let Thy mercy lighten upon us: as our trust is in thee.
O Lord, in thee have I trusted: let me never be confounded.
O Lord, save the Queen: and mercifully hear us when we call upon thee. Amen.
- published: 02 Jun 2014
- views: 10271
Arthur Sullivan : Henry VIII, Suite from the incidental music (1877)
- Order: Reorder
- Duration: 18:56
- Updated: 10 Apr 2017
- views: 185
March - King Henry's Song - Graceful Dance - Water Music.
Performed by Emmanuel Lawler (tenor) with the RTE Concert Orchestra conducted by Andrew Penny.
March - King Henry's Song - Graceful Dance - Water Music.
Performed by Emmanuel Lawler (tenor) with the RTE Concert Orchestra conducted by Andrew Penny.
https://wn.com/Arthur_Sullivan_Henry_Viii,_Suite_From_The_Incidental_Music_(1877)
March - King Henry's Song - Graceful Dance - Water Music.
Performed by Emmanuel Lawler (tenor) with the RTE Concert Orchestra conducted by Andrew Penny.
- published: 10 Apr 2017
- views: 185
Arthur Sullivan - The Lost Chord
- Order: Reorder
- Duration: 4:07
- Updated: 31 Dec 2015
- views: 5014
- Composer: Sir Arthur Seymour Sullivan MVO (13 May 1842 -- 22 November 1900)
- Performers: Webster Booth (tenor), Herbert Dawson (organ)
- Year of recording: 1...
- Composer: Sir Arthur Seymour Sullivan MVO (13 May 1842 -- 22 November 1900)
- Performers: Webster Booth (tenor), Herbert Dawson (organ)
- Year of recording: 1939
The Lost Chord, song for voice & piano, written in 1877.
Arthur Sullivan's setting of The Lost Chord, by Adelaide Procter, is one of the very few non-theatrical works by the composer that one might hear today. Two versions of the ballad's origins exist, both stemming from Sullivan. The first of these claims The Lost Chord was composed, "in sorrow at my brother's death"; the other reports that Sullivan wrote the ballad while at the bedside of his dying brother, Frederic. Whatever the case may have been, the intensity and solemnity of the piece are undeniable.
When Sullivan set Procter's poem to music, her works were very popular both in England and abroad; they were published in the United States and also translated into German. In 1877, her poems were in greater demand in England than those of any living writer except Tennyson. The theme of The Lost Chord is ancient, something precious and magical that may only be discovered by chance. A person seated at the organ fumbling over the keys accidentally plays a chord that feels "Like the sound of a great Amen." The poem goes on to describe the effect of this chord, which "flooded the crimson twilight," "quieted pain and sorrow," and "linked all perplexed meanings." The high point of the poem, and of Sullivan's setting, is the penultimate verse, from which the poem derives its name: "I have sought, but I seek it vainly / That one lost chord divine, / Which came from the soul of the organ / And entered into mine." In the final verse, the organist muses that he will hear this "lost chord" again "only in heaven." Sullivan's setting of The Lost Chord is appropriately sober. Repeated notes at the opening are similar to solemn passages in Patience, The Prodigal Son, and In Memoriam. Musically, The Lost Chord follows an AA1BA2 pattern, with the first stanza's melody (A) given a new accompaniment for its repeat (A1), which is then contrasted with new material (B). Yet another altered version of the stanza closes the ballad. Sullivan spices the piece with an unexpected harmonic change near the end of the first stanza.
The ballad became associated with Mrs. Mary Frances ("Fanny") Ronalds. Rumor has it the Prince of Wales once stated he would travel the length of Great Britain to hear Ronalds sing The Lost Chord. Fanny Ronalds and Arthur Sullivan carried on a clandestine relationship for over 20 years. Overexposure to The Lost Chord provoked parodies and earnest mockery from the public and critics alike. In 1960, a commentator wrote: "It is to be hoped that Adelaide Procter's elusive Chord has how been lost forever." Posterity has tended to look upon The Lost Chord and other songs such as Sad Memories, Looking Back and Once Again, as examples of "the depths to which Sullivan could fall" when he tried to make money. In the late 1970s, however, Nicholas Temperley was brave enough to describe the work as "Sullivan's maligned masterpiece."
https://wn.com/Arthur_Sullivan_The_Lost_Chord
- Composer: Sir Arthur Seymour Sullivan MVO (13 May 1842 -- 22 November 1900)
- Performers: Webster Booth (tenor), Herbert Dawson (organ)
- Year of recording: 1939
The Lost Chord, song for voice & piano, written in 1877.
Arthur Sullivan's setting of The Lost Chord, by Adelaide Procter, is one of the very few non-theatrical works by the composer that one might hear today. Two versions of the ballad's origins exist, both stemming from Sullivan. The first of these claims The Lost Chord was composed, "in sorrow at my brother's death"; the other reports that Sullivan wrote the ballad while at the bedside of his dying brother, Frederic. Whatever the case may have been, the intensity and solemnity of the piece are undeniable.
When Sullivan set Procter's poem to music, her works were very popular both in England and abroad; they were published in the United States and also translated into German. In 1877, her poems were in greater demand in England than those of any living writer except Tennyson. The theme of The Lost Chord is ancient, something precious and magical that may only be discovered by chance. A person seated at the organ fumbling over the keys accidentally plays a chord that feels "Like the sound of a great Amen." The poem goes on to describe the effect of this chord, which "flooded the crimson twilight," "quieted pain and sorrow," and "linked all perplexed meanings." The high point of the poem, and of Sullivan's setting, is the penultimate verse, from which the poem derives its name: "I have sought, but I seek it vainly / That one lost chord divine, / Which came from the soul of the organ / And entered into mine." In the final verse, the organist muses that he will hear this "lost chord" again "only in heaven." Sullivan's setting of The Lost Chord is appropriately sober. Repeated notes at the opening are similar to solemn passages in Patience, The Prodigal Son, and In Memoriam. Musically, The Lost Chord follows an AA1BA2 pattern, with the first stanza's melody (A) given a new accompaniment for its repeat (A1), which is then contrasted with new material (B). Yet another altered version of the stanza closes the ballad. Sullivan spices the piece with an unexpected harmonic change near the end of the first stanza.
The ballad became associated with Mrs. Mary Frances ("Fanny") Ronalds. Rumor has it the Prince of Wales once stated he would travel the length of Great Britain to hear Ronalds sing The Lost Chord. Fanny Ronalds and Arthur Sullivan carried on a clandestine relationship for over 20 years. Overexposure to The Lost Chord provoked parodies and earnest mockery from the public and critics alike. In 1960, a commentator wrote: "It is to be hoped that Adelaide Procter's elusive Chord has how been lost forever." Posterity has tended to look upon The Lost Chord and other songs such as Sad Memories, Looking Back and Once Again, as examples of "the depths to which Sullivan could fall" when he tried to make money. In the late 1970s, however, Nicholas Temperley was brave enough to describe the work as "Sullivan's maligned masterpiece."
- published: 31 Dec 2015
- views: 5014
Sir Arthur Sullivan Cello Concerto
- Order: Reorder
- Duration: 31:52
- Updated: 06 Jun 2016
- views: 352
Sir Arthur Sullivan Cello Concerto reconstructed by Charles Mackerras and David Mackie 1. Allegro moderato 2. Andante espressivo 3. Molto vivace Paul .
Julia...
Sir Arthur Sullivan Cello Concerto reconstructed by Charles Mackerras and David Mackie 1. Allegro moderato 2. Andante espressivo 3. Molto vivace Paul .
Julian Lloyd Webber plays Sullivan's Cello concerto conducted by Sir Charles Mackerras .
YouTube's largest collection of Sir Arthur Sullivan's solo works.
Honorables Miembros del Imperio MrJohannStraussViena,en esta maravillosa ocasiòn les presentarè una obra bellisima denominada Opening Dance .
https://wn.com/Sir_Arthur_Sullivan_Cello_Concerto
Sir Arthur Sullivan Cello Concerto reconstructed by Charles Mackerras and David Mackie 1. Allegro moderato 2. Andante espressivo 3. Molto vivace Paul .
Julian Lloyd Webber plays Sullivan's Cello concerto conducted by Sir Charles Mackerras .
YouTube's largest collection of Sir Arthur Sullivan's solo works.
Honorables Miembros del Imperio MrJohannStraussViena,en esta maravillosa ocasiòn les presentarè una obra bellisima denominada Opening Dance .
- published: 06 Jun 2016
- views: 352
Edison phonograph cylinder (1888): Sir Arthur Sullivan (1842-1900) - The Lost Chord & Speech
- Order: Reorder
- Duration: 3:42
- Updated: 11 Apr 2008
- views: 57364
On 5th October 1888 (yes, you read that year right), Sir Arthur Sullivan was present at a "phonograph party". At this event, he made a recording of his own voic...
On 5th October 1888 (yes, you read that year right), Sir Arthur Sullivan was present at a "phonograph party". At this event, he made a recording of his own voice to send to Thomas Edison (who had the idea that the phonograph may be used in a way similar to the letter). His comments are made having heard various recordings played to him at the event.
Also, earlier in 1888, a press conference was played a recording of Sullivan's "The Lost Chord" (amongst others). This recording is thought to be the same recording, made in 1888, and is performed by anonymous artists on cornet and piano. While not all that interesting musically, the recording is of supreme historical interst as being the first properly listenable recording of music ever made. One musical observation I have is to note the restrained attitude towards rubato - the presumably British players don't seem to be indulging in the sometimes wayward rhythmic tos and fros of the Austro-German piano school in this recording. There is still a degree of non-sychronisation between cornet melody and piano accomaniment though, typical of the treatment of melody and accompaniment in piano solo recordings from a few years later.
Anyway, afterwards (the cylinder runs out before the work has been completed, and irritatingly just as it starts to rise to its climax) you hear Sullivan's voice from the other event. He is first introduced, and then makes the following speech - rather perspicacious all things considered!:
Dear Mr. Edison, if my friend Edmund Yates has been a little incoherent it is in consequence of the excellent dinner and good wines that he has drunk. Therefore I think you will excuse him. He has his lucid intervals. For myself, I can only say that I am astonished and somewhat terrified at the result of this evening's experiments: astonished at the wonderful power you have developed, and terrified at the thought that so much hideous and bad music may be put on record for ever. But all the same I think it is the most wonderful thing that I have ever experienced, and I congratulate you with all my heart on this wonderful discovery. Arthur Sullivan.
https://wn.com/Edison_Phonograph_Cylinder_(1888)_Sir_Arthur_Sullivan_(1842_1900)_The_Lost_Chord_Speech
On 5th October 1888 (yes, you read that year right), Sir Arthur Sullivan was present at a "phonograph party". At this event, he made a recording of his own voice to send to Thomas Edison (who had the idea that the phonograph may be used in a way similar to the letter). His comments are made having heard various recordings played to him at the event.
Also, earlier in 1888, a press conference was played a recording of Sullivan's "The Lost Chord" (amongst others). This recording is thought to be the same recording, made in 1888, and is performed by anonymous artists on cornet and piano. While not all that interesting musically, the recording is of supreme historical interst as being the first properly listenable recording of music ever made. One musical observation I have is to note the restrained attitude towards rubato - the presumably British players don't seem to be indulging in the sometimes wayward rhythmic tos and fros of the Austro-German piano school in this recording. There is still a degree of non-sychronisation between cornet melody and piano accomaniment though, typical of the treatment of melody and accompaniment in piano solo recordings from a few years later.
Anyway, afterwards (the cylinder runs out before the work has been completed, and irritatingly just as it starts to rise to its climax) you hear Sullivan's voice from the other event. He is first introduced, and then makes the following speech - rather perspicacious all things considered!:
Dear Mr. Edison, if my friend Edmund Yates has been a little incoherent it is in consequence of the excellent dinner and good wines that he has drunk. Therefore I think you will excuse him. He has his lucid intervals. For myself, I can only say that I am astonished and somewhat terrified at the result of this evening's experiments: astonished at the wonderful power you have developed, and terrified at the thought that so much hideous and bad music may be put on record for ever. But all the same I think it is the most wonderful thing that I have ever experienced, and I congratulate you with all my heart on this wonderful discovery. Arthur Sullivan.
- published: 11 Apr 2008
- views: 57364
Arthur Sullivan : Victoria and Merrie England, Scenes VI & VIII from the ballet (1897)
- Order: Reorder
- Duration: 24:51
- Updated: 10 Apr 2017
- views: 217
Orchestrated by Roderick Spencer.
Scene VI : Christmas Revels.
Castle Hall. Servants, Players And Guests - Procession of The Boar's Head and Roast Beef - Comi...
Orchestrated by Roderick Spencer.
Scene VI : Christmas Revels.
Castle Hall. Servants, Players And Guests - Procession of The Boar's Head and Roast Beef - Comic Pas de Quatre (Fugue) - Drunken Jester's Dance - Blind Man's Buff - Entrance and Procession of Father Christmas - Mistletoe Dance. 00:00-13:35
Final Scene : 1897
Britain's Glory: English, Irish, Scottish And Colonial Troops. Military Manoeuvres - Sailors' Hornpipe - Pas Redouble - Finale: Britannia. The Albert Memorial. God Save The Queen. 13:35-24:45
Performed by the RTE Sinfonietta conducted by Andrew Penny.
Uploading from Marco Polo is problematic to say the least as random tracks (or complete CD's) are blocked. Anyway, here are a couple of scenes.
https://wn.com/Arthur_Sullivan_Victoria_And_Merrie_England,_Scenes_Vi_Viii_From_The_Ballet_(1897)
Orchestrated by Roderick Spencer.
Scene VI : Christmas Revels.
Castle Hall. Servants, Players And Guests - Procession of The Boar's Head and Roast Beef - Comic Pas de Quatre (Fugue) - Drunken Jester's Dance - Blind Man's Buff - Entrance and Procession of Father Christmas - Mistletoe Dance. 00:00-13:35
Final Scene : 1897
Britain's Glory: English, Irish, Scottish And Colonial Troops. Military Manoeuvres - Sailors' Hornpipe - Pas Redouble - Finale: Britannia. The Albert Memorial. God Save The Queen. 13:35-24:45
Performed by the RTE Sinfonietta conducted by Andrew Penny.
Uploading from Marco Polo is problematic to say the least as random tracks (or complete CD's) are blocked. Anyway, here are a couple of scenes.
- published: 10 Apr 2017
- views: 217
The Long Day Closes by Arthur Sullivan 2008 Prom
- Order: Reorder
- Duration: 4:21
- Updated: 24 Feb 2009
- views: 92725
Taken from the 2008 BBC Proms concert in the Royal Albert Hall London
- published: 24 Feb 2009
- views: 92725
Arthur Sullivan : The Merchant of Venice, Extended Suite from the incidental music (1871)
- Order: Reorder
- Duration: 23:36
- Updated: 10 Apr 2017
- views: 211
Introduction - Barcarole (Serenade) - Introduction and Bourree - Danse Grotesque - A la Valse - Melodrama - Finale.
Performed by Emmanuel Lawler (tenor) with ...
Introduction - Barcarole (Serenade) - Introduction and Bourree - Danse Grotesque - A la Valse - Melodrama - Finale.
Performed by Emmanuel Lawler (tenor) with the RTE Concert Orchestra conducted by Andrew Penny.
https://wn.com/Arthur_Sullivan_The_Merchant_Of_Venice,_Extended_Suite_From_The_Incidental_Music_(1871)
Introduction - Barcarole (Serenade) - Introduction and Bourree - Danse Grotesque - A la Valse - Melodrama - Finale.
Performed by Emmanuel Lawler (tenor) with the RTE Concert Orchestra conducted by Andrew Penny.
- published: 10 Apr 2017
- views: 211
Arthur Sullivan - Henry VIII Suite March
- Order: Reorder
- Duration: 4:41
- Updated: 08 Aug 2014
- views: 2132
Ilustres miembros del Imperio MrJohannStraussViena,sean bienvenidos a una nueva emisión de este su canal,me complace presentarles:
Obra.- Henry VIII Suite Ma...
Ilustres miembros del Imperio MrJohannStraussViena,sean bienvenidos a una nueva emisión de este su canal,me complace presentarles:
Obra.- Henry VIII Suite March
Compositor.- Sir Arthur Sullivan
Interpretación a cargo de.- The Royal Philharmonic Orchestra
Conductor .- Royston Nash.
Pintura.- Balaclava (1876)
[A major Battle in the Crimean War]
Pintora.- Elizabeth Thompson
Disfruten de esta marcha tan patriotica,dejen un comentario si vosotros desean y denle like.
¡Suscríbanse! (es gratis)
Gracias
https://wn.com/Arthur_Sullivan_Henry_Viii_Suite_March
Ilustres miembros del Imperio MrJohannStraussViena,sean bienvenidos a una nueva emisión de este su canal,me complace presentarles:
Obra.- Henry VIII Suite March
Compositor.- Sir Arthur Sullivan
Interpretación a cargo de.- The Royal Philharmonic Orchestra
Conductor .- Royston Nash.
Pintura.- Balaclava (1876)
[A major Battle in the Crimean War]
Pintora.- Elizabeth Thompson
Disfruten de esta marcha tan patriotica,dejen un comentario si vosotros desean y denle like.
¡Suscríbanse! (es gratis)
Gracias
- published: 08 Aug 2014
- views: 2132
Arthur Sullivan's Songwriting Technique - David Owen Norris
- Order: Reorder
- Duration: 1:17:16
- Updated: 20 Oct 2011
- views: 14776
As the musical half of the great Gilbert and Sullivan operetta-writing partnership, Sir Arthur Sullivan was behind some of the most memorable songs in English, ...
As the musical half of the great Gilbert and Sullivan operetta-writing partnership, Sir Arthur Sullivan was behind some of the most memorable songs in English, but what were his secrets?
Professor David Owen Norris outlines Sullivan's approach to writing his songs.
The transcript and downloadable versions of this part of the 'Sullivan Song Day' conference are available from the on the Gresham College website:
http://www.gresham.ac.uk/lectures-and-events/sullivan-song-day-1
Gresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website.
http://www.gresham.ac.uk
https://wn.com/Arthur_Sullivan's_Songwriting_Technique_David_Owen_Norris
As the musical half of the great Gilbert and Sullivan operetta-writing partnership, Sir Arthur Sullivan was behind some of the most memorable songs in English, but what were his secrets?
Professor David Owen Norris outlines Sullivan's approach to writing his songs.
The transcript and downloadable versions of this part of the 'Sullivan Song Day' conference are available from the on the Gresham College website:
http://www.gresham.ac.uk/lectures-and-events/sullivan-song-day-1
Gresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website.
http://www.gresham.ac.uk
- published: 20 Oct 2011
- views: 14776
Sullivan - Imperial March - Royal Philharmonic Orchestra
- Order: Reorder
- Duration: 6:27
- Updated: 26 Oct 2012
- views: 2352
Sir Arthur Sullivan's 'Imperial March' was written for the opening of the Imperial Institute by Queen Victoria. It was first performed in 1893, five months befo...
Sir Arthur Sullivan's 'Imperial March' was written for the opening of the Imperial Institute by Queen Victoria. It was first performed in 1893, five months before the opening of Gilbert & Sullivan's 'Utopia Limited'. It is scored for full orchestra, with harp and percussion. One can sense the influence of Verdi on Sullivan. (Album notes).
('Imperial March' was included on this album to supplement the very short musical introduction to Act 1 of 'Utopia Limited').
Royal Philharmonic Orchestra
Conductor: Royston Nash
Recorded in 1975
https://wn.com/Sullivan_Imperial_March_Royal_Philharmonic_Orchestra
Sir Arthur Sullivan's 'Imperial March' was written for the opening of the Imperial Institute by Queen Victoria. It was first performed in 1893, five months before the opening of Gilbert & Sullivan's 'Utopia Limited'. It is scored for full orchestra, with harp and percussion. One can sense the influence of Verdi on Sullivan. (Album notes).
('Imperial March' was included on this album to supplement the very short musical introduction to Act 1 of 'Utopia Limited').
Royal Philharmonic Orchestra
Conductor: Royston Nash
Recorded in 1975
- published: 26 Oct 2012
- views: 2352
Sir Arthur Sullivan - The Golden Legend : Part One
- Order: Reorder
- Duration: 1:03:57
- Updated: 20 Jul 2017
- views: 136
Leeds Centenary performance, 15 March 1986, in Leeds Town Hall
Part Two is here - https://www.youtube.com/watch?v=8HscFJ7SZJo
Elsie - Sheila Armstrong, sopran...
Leeds Centenary performance, 15 March 1986, in Leeds Town Hall
Part Two is here - https://www.youtube.com/watch?v=8HscFJ7SZJo
Elsie - Sheila Armstrong, soprano
Ursula - Sarah Walker, contralto
Prince Henry of Hoheneck - Robert Tear, tenor
Lucifer - Brian Rayner-Cook,bass-baritone
Leeds Philharmonic Choir, chorusmaster Graham Barber
BBC Philharmonic Orchestra, leader Andrew Orton
Sir Charles Mackerras, conductor
Brian Rayner-Cook took over from Richard Van Allan at very late notice and learned the role on the train to Leeds.
My own transfer from my off-air recording on cassette. The side-change comes towards the end of Sarah Walker's "Slowly, slowly up the wall" aria but is fairly brief.
https://wn.com/Sir_Arthur_Sullivan_The_Golden_Legend_Part_One
Leeds Centenary performance, 15 March 1986, in Leeds Town Hall
Part Two is here - https://www.youtube.com/watch?v=8HscFJ7SZJo
Elsie - Sheila Armstrong, soprano
Ursula - Sarah Walker, contralto
Prince Henry of Hoheneck - Robert Tear, tenor
Lucifer - Brian Rayner-Cook,bass-baritone
Leeds Philharmonic Choir, chorusmaster Graham Barber
BBC Philharmonic Orchestra, leader Andrew Orton
Sir Charles Mackerras, conductor
Brian Rayner-Cook took over from Richard Van Allan at very late notice and learned the role on the train to Leeds.
My own transfer from my off-air recording on cassette. The side-change comes towards the end of Sarah Walker's "Slowly, slowly up the wall" aria but is fairly brief.
- published: 20 Jul 2017
- views: 136
Arthur Sullivan: The Golden Legend (Longfellow Chorus Radio Broadcast)
- Order: Reorder
- Duration: 1:58:22
- Updated: 24 Feb 2017
- views: 204
As heard on Maine Public Classical, Maine Public Broadcasting Network, 8PM, February 22, 2017.
00:00:00 Announcer
00:00:53 Evangeline March, Edward Rice, orch...
As heard on Maine Public Classical, Maine Public Broadcasting Network, 8PM, February 22, 2017.
00:00:00 Announcer
00:00:53 Evangeline March, Edward Rice, orchestrated Charles Kaufmann
00:04:33 Announcer
00:07:26 The Golden Legend, Scenes One and Two
00:51:43 Announcer
00:53:57 Last Farewell Waltz, Edward Rice, orchestrated Charles Kaufmann
01:00:26 Announcer
01:02:11 The Golden Legend, Scenes Three, Four and Five; Epilogue
01:49:14 Announcer
01:50:10 The Musical Sufferings of John Kreisler, Christopher Kies
https://wn.com/Arthur_Sullivan_The_Golden_Legend_(Longfellow_Chorus_Radio_Broadcast)
As heard on Maine Public Classical, Maine Public Broadcasting Network, 8PM, February 22, 2017.
00:00:00 Announcer
00:00:53 Evangeline March, Edward Rice, orchestrated Charles Kaufmann
00:04:33 Announcer
00:07:26 The Golden Legend, Scenes One and Two
00:51:43 Announcer
00:53:57 Last Farewell Waltz, Edward Rice, orchestrated Charles Kaufmann
01:00:26 Announcer
01:02:11 The Golden Legend, Scenes Three, Four and Five; Epilogue
01:49:14 Announcer
01:50:10 The Musical Sufferings of John Kreisler, Christopher Kies
- published: 24 Feb 2017
- views: 204
Arthur Sullivan, Funeral March & Final Chorus (from 'King Arthur')
- Order: Reorder
- Duration: 3:44
- Updated: 30 Jun 2014
- views: 1133
-
Sir Arthur Sullivan - Symphony in E Major "Irish" (1866)
I. Andante - Allegro Ma Non Troppo Vivace - 00:00 II. Andante Espressivo - 13:24 III. Allegretto - Moderato - Tempo Primo - 20:42 IV. Allegro Vivace e con brio - 26:59 Sullivan began work on his symphony in 1863, very early in his career. From holiday in Ireland, he wrote that "as I was jolting home through wind and rain... in an open jaunting-car, the whole first movement of a symphony came into my head with a real Irish flavour about it -- besides scraps of the other movements." The composer later wrote, "I always meant to call it the 'Irish Symphony', but I modestly refrained, as it was courting comparison with the 'Scotch Symphony'." The title did not appear on the published score until after Sullivan's death, in the Novello edition of 1915. The first performance of the symphony was ...
published: 23 Mar 2014 -
A dinner with Sir Arthur Sullivan (rare 1888 recordings)
Recordings made at the very birth of recorded sound, by George Gouraud, Edison's representative in London, including recordings made at a dinner attended by Sir Arthur Sullivan on October 5th 1888. The video also features other historic sound recordings from 1888, 1907 and 1912, including recordings made by Savoyard Walter Passmore, as well as historic movies filmed in England and Ireland in 1888, 1896, 1898, 1900 and 1903,
published: 15 Jan 2013 -
Sir Arthur Sullivan - Cello Concerto
Sir Arthur Sullivan Cello Concerto reconstructed by Charles Mackerras and David Mackie 1. Allegro moderato 2. Andante espressivo 3. Molto vivace Paul Watkins, performing on Sullivan's own cello, and the BBC Symphony Orchestra conducted by Charles Mackerras
published: 09 Jul 2015 -
The Zoo - Arthur Sullivan
Live captation of the Volksopera production of Sullivan's The Zoo, on the OdeGand festival, Ghent, NTGent, 17th of October 2016
published: 01 Dec 2016 -
Arthur Sullivan - The Pirates of Penzance Overture
Honorables miembros y visitantes del Imperio MrJohannStraussViena,me complace presentarles: Obra.- Overture The Pirates of Penzance Compositor.- Sir Arthur Sullivan Interpretaciòn.- "D'Oyly Carte Opera Company Disfruten de esta maravilla de obra y dejen su comentario si asì lo desean. ¡Suscrìbanse! (es gratis) Gracias
published: 18 Jun 2014 -
Arthur Sullivan - The Mikado - Overture
Conductor: John Carewe Orchestra: Nürnberger Symphoniker
published: 20 Jan 2013 -
Sir Arthur Sullivan - Festival Te Deum
London Choral Society BBC Concert Orchestra Teresa Cahill, soprano Margaret Phillips, organ Ronald Corp, conductor (Broadcast in 1988; CD released in 2001 by BBC Music Magazine.) The Festival Te Deum is the popular name for an 1872 composition by Arthur Sullivan, written to celebrate the recovery of Albert Edward, Prince of Wales (later King Edward VII of the United Kingdom) from typhoid fever. The prince's father, Prince Albert, had died of typhoid fever in 1861, and so the prince's recovery was especial cause for celebration. The Festival Te Deum was first performed on 1 May 1872 at The Crystal Palace in a special "Thanksgiving Day" concert organised by the Prince's brother, Alfred, Duke of Edinburgh, who was a friend of Sullivan's and commissioned the piece. Sullivan was allowed to de...
published: 02 Jun 2014 -
Arthur Sullivan : Henry VIII, Suite from the incidental music (1877)
March - King Henry's Song - Graceful Dance - Water Music. Performed by Emmanuel Lawler (tenor) with the RTE Concert Orchestra conducted by Andrew Penny.
published: 10 Apr 2017 -
Arthur Sullivan - The Lost Chord
- Composer: Sir Arthur Seymour Sullivan MVO (13 May 1842 -- 22 November 1900) - Performers: Webster Booth (tenor), Herbert Dawson (organ) - Year of recording: 1939 The Lost Chord, song for voice & piano, written in 1877. Arthur Sullivan's setting of The Lost Chord, by Adelaide Procter, is one of the very few non-theatrical works by the composer that one might hear today. Two versions of the ballad's origins exist, both stemming from Sullivan. The first of these claims The Lost Chord was composed, "in sorrow at my brother's death"; the other reports that Sullivan wrote the ballad while at the bedside of his dying brother, Frederic. Whatever the case may have been, the intensity and solemnity of the piece are undeniable. When Sullivan set Procter's poem to music, her works were very popul...
published: 31 Dec 2015 -
Sir Arthur Sullivan Cello Concerto
Sir Arthur Sullivan Cello Concerto reconstructed by Charles Mackerras and David Mackie 1. Allegro moderato 2. Andante espressivo 3. Molto vivace Paul . Julian Lloyd Webber plays Sullivan's Cello concerto conducted by Sir Charles Mackerras . YouTube's largest collection of Sir Arthur Sullivan's solo works. Honorables Miembros del Imperio MrJohannStraussViena,en esta maravillosa ocasiòn les presentarè una obra bellisima denominada Opening Dance .
published: 06 Jun 2016 -
Edison phonograph cylinder (1888): Sir Arthur Sullivan (1842-1900) - The Lost Chord & Speech
On 5th October 1888 (yes, you read that year right), Sir Arthur Sullivan was present at a "phonograph party". At this event, he made a recording of his own voice to send to Thomas Edison (who had the idea that the phonograph may be used in a way similar to the letter). His comments are made having heard various recordings played to him at the event. Also, earlier in 1888, a press conference was played a recording of Sullivan's "The Lost Chord" (amongst others). This recording is thought to be the same recording, made in 1888, and is performed by anonymous artists on cornet and piano. While not all that interesting musically, the recording is of supreme historical interst as being the first properly listenable recording of music ever made. One musical observation I have is to note the r...
published: 11 Apr 2008 -
Arthur Sullivan : Victoria and Merrie England, Scenes VI & VIII from the ballet (1897)
Orchestrated by Roderick Spencer. Scene VI : Christmas Revels. Castle Hall. Servants, Players And Guests - Procession of The Boar's Head and Roast Beef - Comic Pas de Quatre (Fugue) - Drunken Jester's Dance - Blind Man's Buff - Entrance and Procession of Father Christmas - Mistletoe Dance. 00:00-13:35 Final Scene : 1897 Britain's Glory: English, Irish, Scottish And Colonial Troops. Military Manoeuvres - Sailors' Hornpipe - Pas Redouble - Finale: Britannia. The Albert Memorial. God Save The Queen. 13:35-24:45 Performed by the RTE Sinfonietta conducted by Andrew Penny. Uploading from Marco Polo is problematic to say the least as random tracks (or complete CD's) are blocked. Anyway, here are a couple of scenes.
published: 10 Apr 2017 -
The Long Day Closes by Arthur Sullivan 2008 Prom
Taken from the 2008 BBC Proms concert in the Royal Albert Hall London
published: 24 Feb 2009 -
Arthur Sullivan : The Merchant of Venice, Extended Suite from the incidental music (1871)
Introduction - Barcarole (Serenade) - Introduction and Bourree - Danse Grotesque - A la Valse - Melodrama - Finale. Performed by Emmanuel Lawler (tenor) with the RTE Concert Orchestra conducted by Andrew Penny.
published: 10 Apr 2017 -
Arthur Sullivan - Henry VIII Suite March
Ilustres miembros del Imperio MrJohannStraussViena,sean bienvenidos a una nueva emisión de este su canal,me complace presentarles: Obra.- Henry VIII Suite March Compositor.- Sir Arthur Sullivan Interpretación a cargo de.- The Royal Philharmonic Orchestra Conductor .- Royston Nash. Pintura.- Balaclava (1876) [A major Battle in the Crimean War] Pintora.- Elizabeth Thompson Disfruten de esta marcha tan patriotica,dejen un comentario si vosotros desean y denle like. ¡Suscríbanse! (es gratis) Gracias
published: 08 Aug 2014 -
Arthur Sullivan's Songwriting Technique - David Owen Norris
As the musical half of the great Gilbert and Sullivan operetta-writing partnership, Sir Arthur Sullivan was behind some of the most memorable songs in English, but what were his secrets? Professor David Owen Norris outlines Sullivan's approach to writing his songs. The transcript and downloadable versions of this part of the 'Sullivan Song Day' conference are available from the on the Gresham College website: http://www.gresham.ac.uk/lectures-and-events/sullivan-song-day-1 Gresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website. http://www.gresham.ac.uk
published: 20 Oct 2011 -
Sullivan - Imperial March - Royal Philharmonic Orchestra
Sir Arthur Sullivan's 'Imperial March' was written for the opening of the Imperial Institute by Queen Victoria. It was first performed in 1893, five months before the opening of Gilbert & Sullivan's 'Utopia Limited'. It is scored for full orchestra, with harp and percussion. One can sense the influence of Verdi on Sullivan. (Album notes). ('Imperial March' was included on this album to supplement the very short musical introduction to Act 1 of 'Utopia Limited'). Royal Philharmonic Orchestra Conductor: Royston Nash Recorded in 1975
published: 26 Oct 2012 -
Sir Arthur Sullivan - The Golden Legend : Part One
Leeds Centenary performance, 15 March 1986, in Leeds Town Hall Part Two is here - https://www.youtube.com/watch?v=8HscFJ7SZJo Elsie - Sheila Armstrong, soprano Ursula - Sarah Walker, contralto Prince Henry of Hoheneck - Robert Tear, tenor Lucifer - Brian Rayner-Cook,bass-baritone Leeds Philharmonic Choir, chorusmaster Graham Barber BBC Philharmonic Orchestra, leader Andrew Orton Sir Charles Mackerras, conductor Brian Rayner-Cook took over from Richard Van Allan at very late notice and learned the role on the train to Leeds. My own transfer from my off-air recording on cassette. The side-change comes towards the end of Sarah Walker's "Slowly, slowly up the wall" aria but is fairly brief.
published: 20 Jul 2017 -
Arthur Sullivan: The Golden Legend (Longfellow Chorus Radio Broadcast)
As heard on Maine Public Classical, Maine Public Broadcasting Network, 8PM, February 22, 2017. 00:00:00 Announcer 00:00:53 Evangeline March, Edward Rice, orchestrated Charles Kaufmann 00:04:33 Announcer 00:07:26 The Golden Legend, Scenes One and Two 00:51:43 Announcer 00:53:57 Last Farewell Waltz, Edward Rice, orchestrated Charles Kaufmann 01:00:26 Announcer 01:02:11 The Golden Legend, Scenes Three, Four and Five; Epilogue 01:49:14 Announcer 01:50:10 The Musical Sufferings of John Kreisler, Christopher Kies
published: 24 Feb 2017 -
Arthur Sullivan, Funeral March & Final Chorus (from 'King Arthur')
RTE Concert Orch. & Coir, Andrew Penny (dir.)
published: 30 Jun 2014
Sir Arthur Sullivan - Symphony in E Major "Irish" (1866)
- Order: Reorder
- Duration: 36:20
- Updated: 23 Mar 2014
- views: 60278
I. Andante - Allegro Ma Non Troppo Vivace - 00:00
II. Andante Espressivo - 13:24
III. Allegretto - Moderato - Tempo Primo - 20:42
IV. Allegro Vivace e con brio ...
I. Andante - Allegro Ma Non Troppo Vivace - 00:00
II. Andante Espressivo - 13:24
III. Allegretto - Moderato - Tempo Primo - 20:42
IV. Allegro Vivace e con brio - 26:59
Sullivan began work on his symphony in 1863, very early in his career. From holiday in Ireland, he wrote that "as I was jolting home through wind and rain... in an open jaunting-car, the whole first movement of a symphony came into my head with a real Irish flavour about it -- besides scraps of the other movements." The composer later wrote, "I always meant to call it the 'Irish Symphony', but I modestly refrained, as it was courting comparison with the 'Scotch Symphony'." The title did not appear on the published score until after Sullivan's death, in the Novello edition of 1915.
The first performance of the symphony was at The Crystal Palace in March 1866, thanks to the popular singer, Jenny Lind, who sponsored the concert and attracted an audience of 3,000 for her singing in the first half of the programme. The conductor was August Manns, who had previously conducted the London première of Sullivan's incidental music to The Tempest.
The symphony was well received, though the music critics, both then and later, observed the influence of other composers. The Times wrote, "Mr Sullivan should abjure Mendelssohn, even Beethoven and above all Schumann, for a year and a day."In his 1960 study of Sullivan's music Gervase Hughes also detects echoes of Schumann, and of Schubert as well.
https://wn.com/Sir_Arthur_Sullivan_Symphony_In_E_Major_Irish_(1866)
I. Andante - Allegro Ma Non Troppo Vivace - 00:00
II. Andante Espressivo - 13:24
III. Allegretto - Moderato - Tempo Primo - 20:42
IV. Allegro Vivace e con brio - 26:59
Sullivan began work on his symphony in 1863, very early in his career. From holiday in Ireland, he wrote that "as I was jolting home through wind and rain... in an open jaunting-car, the whole first movement of a symphony came into my head with a real Irish flavour about it -- besides scraps of the other movements." The composer later wrote, "I always meant to call it the 'Irish Symphony', but I modestly refrained, as it was courting comparison with the 'Scotch Symphony'." The title did not appear on the published score until after Sullivan's death, in the Novello edition of 1915.
The first performance of the symphony was at The Crystal Palace in March 1866, thanks to the popular singer, Jenny Lind, who sponsored the concert and attracted an audience of 3,000 for her singing in the first half of the programme. The conductor was August Manns, who had previously conducted the London première of Sullivan's incidental music to The Tempest.
The symphony was well received, though the music critics, both then and later, observed the influence of other composers. The Times wrote, "Mr Sullivan should abjure Mendelssohn, even Beethoven and above all Schumann, for a year and a day."In his 1960 study of Sullivan's music Gervase Hughes also detects echoes of Schumann, and of Schubert as well.
- published: 23 Mar 2014
- views: 60278
A dinner with Sir Arthur Sullivan (rare 1888 recordings)
- Order: Reorder
- Duration: 16:57
- Updated: 15 Jan 2013
- views: 49495
Recordings made at the very birth of recorded sound, by George Gouraud, Edison's representative in London, including recordings made at a dinner attended by Sir...
Recordings made at the very birth of recorded sound, by George Gouraud, Edison's representative in London, including recordings made at a dinner attended by Sir Arthur Sullivan on October 5th 1888. The video also features other historic sound recordings from 1888, 1907 and 1912, including recordings made by Savoyard Walter Passmore, as well as historic movies filmed in England and Ireland in 1888, 1896, 1898, 1900 and 1903,
https://wn.com/A_Dinner_With_Sir_Arthur_Sullivan_(Rare_1888_Recordings)
Recordings made at the very birth of recorded sound, by George Gouraud, Edison's representative in London, including recordings made at a dinner attended by Sir Arthur Sullivan on October 5th 1888. The video also features other historic sound recordings from 1888, 1907 and 1912, including recordings made by Savoyard Walter Passmore, as well as historic movies filmed in England and Ireland in 1888, 1896, 1898, 1900 and 1903,
- published: 15 Jan 2013
- views: 49495
Sir Arthur Sullivan - Cello Concerto
- Order: Reorder
- Duration: 17:08
- Updated: 09 Jul 2015
- views: 4368
Sir Arthur Sullivan
Cello Concerto
reconstructed by Charles Mackerras and David Mackie
1. Allegro moderato
2. Andante espressivo
3. Molto vivace
Paul Watkins...
Sir Arthur Sullivan
Cello Concerto
reconstructed by Charles Mackerras and David Mackie
1. Allegro moderato
2. Andante espressivo
3. Molto vivace
Paul Watkins, performing on Sullivan's own cello, and the BBC Symphony Orchestra conducted by Charles Mackerras
https://wn.com/Sir_Arthur_Sullivan_Cello_Concerto
Sir Arthur Sullivan
Cello Concerto
reconstructed by Charles Mackerras and David Mackie
1. Allegro moderato
2. Andante espressivo
3. Molto vivace
Paul Watkins, performing on Sullivan's own cello, and the BBC Symphony Orchestra conducted by Charles Mackerras
- published: 09 Jul 2015
- views: 4368
The Zoo - Arthur Sullivan
- Order: Reorder
- Duration: 40:50
- Updated: 01 Dec 2016
- views: 692
Live captation of the Volksopera production of Sullivan's The Zoo, on the OdeGand festival, Ghent, NTGent, 17th of October 2016
Live captation of the Volksopera production of Sullivan's The Zoo, on the OdeGand festival, Ghent, NTGent, 17th of October 2016
https://wn.com/The_Zoo_Arthur_Sullivan
Live captation of the Volksopera production of Sullivan's The Zoo, on the OdeGand festival, Ghent, NTGent, 17th of October 2016
- published: 01 Dec 2016
- views: 692
Arthur Sullivan - The Pirates of Penzance Overture
- Order: Reorder
- Duration: 7:57
- Updated: 18 Jun 2014
- views: 2301
Honorables miembros y visitantes del Imperio MrJohannStraussViena,me complace presentarles:
Obra.- Overture The Pirates of Penzance
Compositor.- Sir Arthur Sul...
Honorables miembros y visitantes del Imperio MrJohannStraussViena,me complace presentarles:
Obra.- Overture The Pirates of Penzance
Compositor.- Sir Arthur Sullivan
Interpretaciòn.- "D'Oyly Carte Opera Company
Disfruten de esta maravilla de obra y dejen su comentario si asì lo desean.
¡Suscrìbanse! (es gratis)
Gracias
https://wn.com/Arthur_Sullivan_The_Pirates_Of_Penzance_Overture
Honorables miembros y visitantes del Imperio MrJohannStraussViena,me complace presentarles:
Obra.- Overture The Pirates of Penzance
Compositor.- Sir Arthur Sullivan
Interpretaciòn.- "D'Oyly Carte Opera Company
Disfruten de esta maravilla de obra y dejen su comentario si asì lo desean.
¡Suscrìbanse! (es gratis)
Gracias
- published: 18 Jun 2014
- views: 2301
Arthur Sullivan - The Mikado - Overture
- Order: Reorder
- Duration: 7:25
- Updated: 20 Jan 2013
- views: 22356
Sir Arthur Sullivan - Festival Te Deum
- Order: Reorder
- Duration: 32:51
- Updated: 02 Jun 2014
- views: 10271
London Choral Society
BBC Concert Orchestra
Teresa Cahill, soprano
Margaret Phillips, organ
Ronald Corp, conductor
(Broadcast in 1988; CD released in 2001 by BB...
London Choral Society
BBC Concert Orchestra
Teresa Cahill, soprano
Margaret Phillips, organ
Ronald Corp, conductor
(Broadcast in 1988; CD released in 2001 by BBC Music Magazine.)
The Festival Te Deum is the popular name for an 1872 composition by Arthur Sullivan, written to celebrate the recovery of Albert Edward, Prince of Wales (later King Edward VII of the United Kingdom) from typhoid fever. The prince's father, Prince Albert, had died of typhoid fever in 1861, and so the prince's recovery was especial cause for celebration.
The Festival Te Deum was first performed on 1 May 1872 at The Crystal Palace in a special "Thanksgiving Day" concert organised by the Prince's brother, Alfred, Duke of Edinburgh, who was a friend of Sullivan's and commissioned the piece. Sullivan was allowed to dedicate the work to the prince's mother, Queen Victoria: an unusual honour.
At the original performance, the London contingent of the Handel Festival Choir of 2,000 performers constituted the chorus, and the audience numbered 26,000. The Times wrote, "we are glad to be able to speak in terms of unqualified praise. It is not only, in our opinion, the most finished composition for which we are indebted to [Sullivan's] pen but an honour to English art." Sullivan was "uproariously cheered" at the premiere. (Wikipedia)
http://en.wikipedia.org/wiki/Festival_Te_Deum
1. Chorus
We praise thee, O God: we acknowledge thee to be the Lord.
All the earth doth worship thee: the Father everlasting.
To thee all Angels cry aloud: the Heavens and all the powers therein.
2. Solo (soprano) and Chorus
To thee Cherubim and Seraphim: continually do cry,
Holy, Holy, Holy: Lord God of Sabaoth;
Heaven and earth are full of the Majesty: of thy Glory.
3. Chorus
The glorious company of the Apostles: praise thee.
The goodly fellowship of the Prophets: praise thee.
The noble army of Martyrs: praise thee.
The holy Church throughout all the world: doth acknowledge thee;
The Father: of an infinite Majesty;
Thine honourable, true: and only Son;
Also the Holy Ghost: the Comforter.
Thou art the King of Glory: O Christ.
Thou art the everlasting Son: of the Father.
4. Solo (soprano)
When Thou tookest upon Thee to deliver man: thou didst not abhor the Virgin's womb.
When thou hadst overcome the sharpness of death: thou didst open the Kingdom of Heaven to all believers.
Thou sittest at the right hand of God: in the Glory of the Father.
5. Chorus
We believe that Thou shalt come: to be our Judge.
We therefore pray Thee, help Thy servants: whom Thou hast redeemed with Thy precious blood.
Make them to be numbered with Thy Saints: in glory everlasting.
6. Solo (soprano) and Chorus
O Lord, save Thy people: and bless Thine heritage.
Govern them: and lift them up for ever.
Day by day: we magnify thee;
And we worship thy Name: ever world without end.
7. Chorus
Vouchsafe, O Lord: to keep us this day without sin.
O Lord, have mercy upon us: have mercy upon us.
O Lord, let Thy mercy lighten upon us: as our trust is in thee.
O Lord, in thee have I trusted: let me never be confounded.
O Lord, save the Queen: and mercifully hear us when we call upon thee. Amen.
https://wn.com/Sir_Arthur_Sullivan_Festival_Te_Deum
London Choral Society
BBC Concert Orchestra
Teresa Cahill, soprano
Margaret Phillips, organ
Ronald Corp, conductor
(Broadcast in 1988; CD released in 2001 by BBC Music Magazine.)
The Festival Te Deum is the popular name for an 1872 composition by Arthur Sullivan, written to celebrate the recovery of Albert Edward, Prince of Wales (later King Edward VII of the United Kingdom) from typhoid fever. The prince's father, Prince Albert, had died of typhoid fever in 1861, and so the prince's recovery was especial cause for celebration.
The Festival Te Deum was first performed on 1 May 1872 at The Crystal Palace in a special "Thanksgiving Day" concert organised by the Prince's brother, Alfred, Duke of Edinburgh, who was a friend of Sullivan's and commissioned the piece. Sullivan was allowed to dedicate the work to the prince's mother, Queen Victoria: an unusual honour.
At the original performance, the London contingent of the Handel Festival Choir of 2,000 performers constituted the chorus, and the audience numbered 26,000. The Times wrote, "we are glad to be able to speak in terms of unqualified praise. It is not only, in our opinion, the most finished composition for which we are indebted to [Sullivan's] pen but an honour to English art." Sullivan was "uproariously cheered" at the premiere. (Wikipedia)
http://en.wikipedia.org/wiki/Festival_Te_Deum
1. Chorus
We praise thee, O God: we acknowledge thee to be the Lord.
All the earth doth worship thee: the Father everlasting.
To thee all Angels cry aloud: the Heavens and all the powers therein.
2. Solo (soprano) and Chorus
To thee Cherubim and Seraphim: continually do cry,
Holy, Holy, Holy: Lord God of Sabaoth;
Heaven and earth are full of the Majesty: of thy Glory.
3. Chorus
The glorious company of the Apostles: praise thee.
The goodly fellowship of the Prophets: praise thee.
The noble army of Martyrs: praise thee.
The holy Church throughout all the world: doth acknowledge thee;
The Father: of an infinite Majesty;
Thine honourable, true: and only Son;
Also the Holy Ghost: the Comforter.
Thou art the King of Glory: O Christ.
Thou art the everlasting Son: of the Father.
4. Solo (soprano)
When Thou tookest upon Thee to deliver man: thou didst not abhor the Virgin's womb.
When thou hadst overcome the sharpness of death: thou didst open the Kingdom of Heaven to all believers.
Thou sittest at the right hand of God: in the Glory of the Father.
5. Chorus
We believe that Thou shalt come: to be our Judge.
We therefore pray Thee, help Thy servants: whom Thou hast redeemed with Thy precious blood.
Make them to be numbered with Thy Saints: in glory everlasting.
6. Solo (soprano) and Chorus
O Lord, save Thy people: and bless Thine heritage.
Govern them: and lift them up for ever.
Day by day: we magnify thee;
And we worship thy Name: ever world without end.
7. Chorus
Vouchsafe, O Lord: to keep us this day without sin.
O Lord, have mercy upon us: have mercy upon us.
O Lord, let Thy mercy lighten upon us: as our trust is in thee.
O Lord, in thee have I trusted: let me never be confounded.
O Lord, save the Queen: and mercifully hear us when we call upon thee. Amen.
- published: 02 Jun 2014
- views: 10271
Arthur Sullivan : Henry VIII, Suite from the incidental music (1877)
- Order: Reorder
- Duration: 18:56
- Updated: 10 Apr 2017
- views: 185
March - King Henry's Song - Graceful Dance - Water Music.
Performed by Emmanuel Lawler (tenor) with the RTE Concert Orchestra conducted by Andrew Penny.
March - King Henry's Song - Graceful Dance - Water Music.
Performed by Emmanuel Lawler (tenor) with the RTE Concert Orchestra conducted by Andrew Penny.
https://wn.com/Arthur_Sullivan_Henry_Viii,_Suite_From_The_Incidental_Music_(1877)
March - King Henry's Song - Graceful Dance - Water Music.
Performed by Emmanuel Lawler (tenor) with the RTE Concert Orchestra conducted by Andrew Penny.
- published: 10 Apr 2017
- views: 185
Arthur Sullivan - The Lost Chord
- Order: Reorder
- Duration: 4:07
- Updated: 31 Dec 2015
- views: 5014
- Composer: Sir Arthur Seymour Sullivan MVO (13 May 1842 -- 22 November 1900)
- Performers: Webster Booth (tenor), Herbert Dawson (organ)
- Year of recording: 1...
- Composer: Sir Arthur Seymour Sullivan MVO (13 May 1842 -- 22 November 1900)
- Performers: Webster Booth (tenor), Herbert Dawson (organ)
- Year of recording: 1939
The Lost Chord, song for voice & piano, written in 1877.
Arthur Sullivan's setting of The Lost Chord, by Adelaide Procter, is one of the very few non-theatrical works by the composer that one might hear today. Two versions of the ballad's origins exist, both stemming from Sullivan. The first of these claims The Lost Chord was composed, "in sorrow at my brother's death"; the other reports that Sullivan wrote the ballad while at the bedside of his dying brother, Frederic. Whatever the case may have been, the intensity and solemnity of the piece are undeniable.
When Sullivan set Procter's poem to music, her works were very popular both in England and abroad; they were published in the United States and also translated into German. In 1877, her poems were in greater demand in England than those of any living writer except Tennyson. The theme of The Lost Chord is ancient, something precious and magical that may only be discovered by chance. A person seated at the organ fumbling over the keys accidentally plays a chord that feels "Like the sound of a great Amen." The poem goes on to describe the effect of this chord, which "flooded the crimson twilight," "quieted pain and sorrow," and "linked all perplexed meanings." The high point of the poem, and of Sullivan's setting, is the penultimate verse, from which the poem derives its name: "I have sought, but I seek it vainly / That one lost chord divine, / Which came from the soul of the organ / And entered into mine." In the final verse, the organist muses that he will hear this "lost chord" again "only in heaven." Sullivan's setting of The Lost Chord is appropriately sober. Repeated notes at the opening are similar to solemn passages in Patience, The Prodigal Son, and In Memoriam. Musically, The Lost Chord follows an AA1BA2 pattern, with the first stanza's melody (A) given a new accompaniment for its repeat (A1), which is then contrasted with new material (B). Yet another altered version of the stanza closes the ballad. Sullivan spices the piece with an unexpected harmonic change near the end of the first stanza.
The ballad became associated with Mrs. Mary Frances ("Fanny") Ronalds. Rumor has it the Prince of Wales once stated he would travel the length of Great Britain to hear Ronalds sing The Lost Chord. Fanny Ronalds and Arthur Sullivan carried on a clandestine relationship for over 20 years. Overexposure to The Lost Chord provoked parodies and earnest mockery from the public and critics alike. In 1960, a commentator wrote: "It is to be hoped that Adelaide Procter's elusive Chord has how been lost forever." Posterity has tended to look upon The Lost Chord and other songs such as Sad Memories, Looking Back and Once Again, as examples of "the depths to which Sullivan could fall" when he tried to make money. In the late 1970s, however, Nicholas Temperley was brave enough to describe the work as "Sullivan's maligned masterpiece."
https://wn.com/Arthur_Sullivan_The_Lost_Chord
- Composer: Sir Arthur Seymour Sullivan MVO (13 May 1842 -- 22 November 1900)
- Performers: Webster Booth (tenor), Herbert Dawson (organ)
- Year of recording: 1939
The Lost Chord, song for voice & piano, written in 1877.
Arthur Sullivan's setting of The Lost Chord, by Adelaide Procter, is one of the very few non-theatrical works by the composer that one might hear today. Two versions of the ballad's origins exist, both stemming from Sullivan. The first of these claims The Lost Chord was composed, "in sorrow at my brother's death"; the other reports that Sullivan wrote the ballad while at the bedside of his dying brother, Frederic. Whatever the case may have been, the intensity and solemnity of the piece are undeniable.
When Sullivan set Procter's poem to music, her works were very popular both in England and abroad; they were published in the United States and also translated into German. In 1877, her poems were in greater demand in England than those of any living writer except Tennyson. The theme of The Lost Chord is ancient, something precious and magical that may only be discovered by chance. A person seated at the organ fumbling over the keys accidentally plays a chord that feels "Like the sound of a great Amen." The poem goes on to describe the effect of this chord, which "flooded the crimson twilight," "quieted pain and sorrow," and "linked all perplexed meanings." The high point of the poem, and of Sullivan's setting, is the penultimate verse, from which the poem derives its name: "I have sought, but I seek it vainly / That one lost chord divine, / Which came from the soul of the organ / And entered into mine." In the final verse, the organist muses that he will hear this "lost chord" again "only in heaven." Sullivan's setting of The Lost Chord is appropriately sober. Repeated notes at the opening are similar to solemn passages in Patience, The Prodigal Son, and In Memoriam. Musically, The Lost Chord follows an AA1BA2 pattern, with the first stanza's melody (A) given a new accompaniment for its repeat (A1), which is then contrasted with new material (B). Yet another altered version of the stanza closes the ballad. Sullivan spices the piece with an unexpected harmonic change near the end of the first stanza.
The ballad became associated with Mrs. Mary Frances ("Fanny") Ronalds. Rumor has it the Prince of Wales once stated he would travel the length of Great Britain to hear Ronalds sing The Lost Chord. Fanny Ronalds and Arthur Sullivan carried on a clandestine relationship for over 20 years. Overexposure to The Lost Chord provoked parodies and earnest mockery from the public and critics alike. In 1960, a commentator wrote: "It is to be hoped that Adelaide Procter's elusive Chord has how been lost forever." Posterity has tended to look upon The Lost Chord and other songs such as Sad Memories, Looking Back and Once Again, as examples of "the depths to which Sullivan could fall" when he tried to make money. In the late 1970s, however, Nicholas Temperley was brave enough to describe the work as "Sullivan's maligned masterpiece."
- published: 31 Dec 2015
- views: 5014
Sir Arthur Sullivan Cello Concerto
- Order: Reorder
- Duration: 31:52
- Updated: 06 Jun 2016
- views: 352
Sir Arthur Sullivan Cello Concerto reconstructed by Charles Mackerras and David Mackie 1. Allegro moderato 2. Andante espressivo 3. Molto vivace Paul .
Julia...
Sir Arthur Sullivan Cello Concerto reconstructed by Charles Mackerras and David Mackie 1. Allegro moderato 2. Andante espressivo 3. Molto vivace Paul .
Julian Lloyd Webber plays Sullivan's Cello concerto conducted by Sir Charles Mackerras .
YouTube's largest collection of Sir Arthur Sullivan's solo works.
Honorables Miembros del Imperio MrJohannStraussViena,en esta maravillosa ocasiòn les presentarè una obra bellisima denominada Opening Dance .
https://wn.com/Sir_Arthur_Sullivan_Cello_Concerto
Sir Arthur Sullivan Cello Concerto reconstructed by Charles Mackerras and David Mackie 1. Allegro moderato 2. Andante espressivo 3. Molto vivace Paul .
Julian Lloyd Webber plays Sullivan's Cello concerto conducted by Sir Charles Mackerras .
YouTube's largest collection of Sir Arthur Sullivan's solo works.
Honorables Miembros del Imperio MrJohannStraussViena,en esta maravillosa ocasiòn les presentarè una obra bellisima denominada Opening Dance .
- published: 06 Jun 2016
- views: 352
Edison phonograph cylinder (1888): Sir Arthur Sullivan (1842-1900) - The Lost Chord & Speech
- Order: Reorder
- Duration: 3:42
- Updated: 11 Apr 2008
- views: 57364
On 5th October 1888 (yes, you read that year right), Sir Arthur Sullivan was present at a "phonograph party". At this event, he made a recording of his own voic...
On 5th October 1888 (yes, you read that year right), Sir Arthur Sullivan was present at a "phonograph party". At this event, he made a recording of his own voice to send to Thomas Edison (who had the idea that the phonograph may be used in a way similar to the letter). His comments are made having heard various recordings played to him at the event.
Also, earlier in 1888, a press conference was played a recording of Sullivan's "The Lost Chord" (amongst others). This recording is thought to be the same recording, made in 1888, and is performed by anonymous artists on cornet and piano. While not all that interesting musically, the recording is of supreme historical interst as being the first properly listenable recording of music ever made. One musical observation I have is to note the restrained attitude towards rubato - the presumably British players don't seem to be indulging in the sometimes wayward rhythmic tos and fros of the Austro-German piano school in this recording. There is still a degree of non-sychronisation between cornet melody and piano accomaniment though, typical of the treatment of melody and accompaniment in piano solo recordings from a few years later.
Anyway, afterwards (the cylinder runs out before the work has been completed, and irritatingly just as it starts to rise to its climax) you hear Sullivan's voice from the other event. He is first introduced, and then makes the following speech - rather perspicacious all things considered!:
Dear Mr. Edison, if my friend Edmund Yates has been a little incoherent it is in consequence of the excellent dinner and good wines that he has drunk. Therefore I think you will excuse him. He has his lucid intervals. For myself, I can only say that I am astonished and somewhat terrified at the result of this evening's experiments: astonished at the wonderful power you have developed, and terrified at the thought that so much hideous and bad music may be put on record for ever. But all the same I think it is the most wonderful thing that I have ever experienced, and I congratulate you with all my heart on this wonderful discovery. Arthur Sullivan.
https://wn.com/Edison_Phonograph_Cylinder_(1888)_Sir_Arthur_Sullivan_(1842_1900)_The_Lost_Chord_Speech
On 5th October 1888 (yes, you read that year right), Sir Arthur Sullivan was present at a "phonograph party". At this event, he made a recording of his own voice to send to Thomas Edison (who had the idea that the phonograph may be used in a way similar to the letter). His comments are made having heard various recordings played to him at the event.
Also, earlier in 1888, a press conference was played a recording of Sullivan's "The Lost Chord" (amongst others). This recording is thought to be the same recording, made in 1888, and is performed by anonymous artists on cornet and piano. While not all that interesting musically, the recording is of supreme historical interst as being the first properly listenable recording of music ever made. One musical observation I have is to note the restrained attitude towards rubato - the presumably British players don't seem to be indulging in the sometimes wayward rhythmic tos and fros of the Austro-German piano school in this recording. There is still a degree of non-sychronisation between cornet melody and piano accomaniment though, typical of the treatment of melody and accompaniment in piano solo recordings from a few years later.
Anyway, afterwards (the cylinder runs out before the work has been completed, and irritatingly just as it starts to rise to its climax) you hear Sullivan's voice from the other event. He is first introduced, and then makes the following speech - rather perspicacious all things considered!:
Dear Mr. Edison, if my friend Edmund Yates has been a little incoherent it is in consequence of the excellent dinner and good wines that he has drunk. Therefore I think you will excuse him. He has his lucid intervals. For myself, I can only say that I am astonished and somewhat terrified at the result of this evening's experiments: astonished at the wonderful power you have developed, and terrified at the thought that so much hideous and bad music may be put on record for ever. But all the same I think it is the most wonderful thing that I have ever experienced, and I congratulate you with all my heart on this wonderful discovery. Arthur Sullivan.
- published: 11 Apr 2008
- views: 57364
Arthur Sullivan : Victoria and Merrie England, Scenes VI & VIII from the ballet (1897)
- Order: Reorder
- Duration: 24:51
- Updated: 10 Apr 2017
- views: 217
Orchestrated by Roderick Spencer.
Scene VI : Christmas Revels.
Castle Hall. Servants, Players And Guests - Procession of The Boar's Head and Roast Beef - Comi...
Orchestrated by Roderick Spencer.
Scene VI : Christmas Revels.
Castle Hall. Servants, Players And Guests - Procession of The Boar's Head and Roast Beef - Comic Pas de Quatre (Fugue) - Drunken Jester's Dance - Blind Man's Buff - Entrance and Procession of Father Christmas - Mistletoe Dance. 00:00-13:35
Final Scene : 1897
Britain's Glory: English, Irish, Scottish And Colonial Troops. Military Manoeuvres - Sailors' Hornpipe - Pas Redouble - Finale: Britannia. The Albert Memorial. God Save The Queen. 13:35-24:45
Performed by the RTE Sinfonietta conducted by Andrew Penny.
Uploading from Marco Polo is problematic to say the least as random tracks (or complete CD's) are blocked. Anyway, here are a couple of scenes.
https://wn.com/Arthur_Sullivan_Victoria_And_Merrie_England,_Scenes_Vi_Viii_From_The_Ballet_(1897)
Orchestrated by Roderick Spencer.
Scene VI : Christmas Revels.
Castle Hall. Servants, Players And Guests - Procession of The Boar's Head and Roast Beef - Comic Pas de Quatre (Fugue) - Drunken Jester's Dance - Blind Man's Buff - Entrance and Procession of Father Christmas - Mistletoe Dance. 00:00-13:35
Final Scene : 1897
Britain's Glory: English, Irish, Scottish And Colonial Troops. Military Manoeuvres - Sailors' Hornpipe - Pas Redouble - Finale: Britannia. The Albert Memorial. God Save The Queen. 13:35-24:45
Performed by the RTE Sinfonietta conducted by Andrew Penny.
Uploading from Marco Polo is problematic to say the least as random tracks (or complete CD's) are blocked. Anyway, here are a couple of scenes.
- published: 10 Apr 2017
- views: 217
The Long Day Closes by Arthur Sullivan 2008 Prom
- Order: Reorder
- Duration: 4:21
- Updated: 24 Feb 2009
- views: 92725
Taken from the 2008 BBC Proms concert in the Royal Albert Hall London
- published: 24 Feb 2009
- views: 92725
Arthur Sullivan : The Merchant of Venice, Extended Suite from the incidental music (1871)
- Order: Reorder
- Duration: 23:36
- Updated: 10 Apr 2017
- views: 211
Introduction - Barcarole (Serenade) - Introduction and Bourree - Danse Grotesque - A la Valse - Melodrama - Finale.
Performed by Emmanuel Lawler (tenor) with ...
Introduction - Barcarole (Serenade) - Introduction and Bourree - Danse Grotesque - A la Valse - Melodrama - Finale.
Performed by Emmanuel Lawler (tenor) with the RTE Concert Orchestra conducted by Andrew Penny.
https://wn.com/Arthur_Sullivan_The_Merchant_Of_Venice,_Extended_Suite_From_The_Incidental_Music_(1871)
Introduction - Barcarole (Serenade) - Introduction and Bourree - Danse Grotesque - A la Valse - Melodrama - Finale.
Performed by Emmanuel Lawler (tenor) with the RTE Concert Orchestra conducted by Andrew Penny.
- published: 10 Apr 2017
- views: 211
Arthur Sullivan - Henry VIII Suite March
- Order: Reorder
- Duration: 4:41
- Updated: 08 Aug 2014
- views: 2132
Ilustres miembros del Imperio MrJohannStraussViena,sean bienvenidos a una nueva emisión de este su canal,me complace presentarles:
Obra.- Henry VIII Suite Ma...
Ilustres miembros del Imperio MrJohannStraussViena,sean bienvenidos a una nueva emisión de este su canal,me complace presentarles:
Obra.- Henry VIII Suite March
Compositor.- Sir Arthur Sullivan
Interpretación a cargo de.- The Royal Philharmonic Orchestra
Conductor .- Royston Nash.
Pintura.- Balaclava (1876)
[A major Battle in the Crimean War]
Pintora.- Elizabeth Thompson
Disfruten de esta marcha tan patriotica,dejen un comentario si vosotros desean y denle like.
¡Suscríbanse! (es gratis)
Gracias
https://wn.com/Arthur_Sullivan_Henry_Viii_Suite_March
Ilustres miembros del Imperio MrJohannStraussViena,sean bienvenidos a una nueva emisión de este su canal,me complace presentarles:
Obra.- Henry VIII Suite March
Compositor.- Sir Arthur Sullivan
Interpretación a cargo de.- The Royal Philharmonic Orchestra
Conductor .- Royston Nash.
Pintura.- Balaclava (1876)
[A major Battle in the Crimean War]
Pintora.- Elizabeth Thompson
Disfruten de esta marcha tan patriotica,dejen un comentario si vosotros desean y denle like.
¡Suscríbanse! (es gratis)
Gracias
- published: 08 Aug 2014
- views: 2132
Arthur Sullivan's Songwriting Technique - David Owen Norris
- Order: Reorder
- Duration: 1:17:16
- Updated: 20 Oct 2011
- views: 14776
As the musical half of the great Gilbert and Sullivan operetta-writing partnership, Sir Arthur Sullivan was behind some of the most memorable songs in English, ...
As the musical half of the great Gilbert and Sullivan operetta-writing partnership, Sir Arthur Sullivan was behind some of the most memorable songs in English, but what were his secrets?
Professor David Owen Norris outlines Sullivan's approach to writing his songs.
The transcript and downloadable versions of this part of the 'Sullivan Song Day' conference are available from the on the Gresham College website:
http://www.gresham.ac.uk/lectures-and-events/sullivan-song-day-1
Gresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website.
http://www.gresham.ac.uk
https://wn.com/Arthur_Sullivan's_Songwriting_Technique_David_Owen_Norris
As the musical half of the great Gilbert and Sullivan operetta-writing partnership, Sir Arthur Sullivan was behind some of the most memorable songs in English, but what were his secrets?
Professor David Owen Norris outlines Sullivan's approach to writing his songs.
The transcript and downloadable versions of this part of the 'Sullivan Song Day' conference are available from the on the Gresham College website:
http://www.gresham.ac.uk/lectures-and-events/sullivan-song-day-1
Gresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website.
http://www.gresham.ac.uk
- published: 20 Oct 2011
- views: 14776
Sullivan - Imperial March - Royal Philharmonic Orchestra
- Order: Reorder
- Duration: 6:27
- Updated: 26 Oct 2012
- views: 2352
Sir Arthur Sullivan's 'Imperial March' was written for the opening of the Imperial Institute by Queen Victoria. It was first performed in 1893, five months befo...
Sir Arthur Sullivan's 'Imperial March' was written for the opening of the Imperial Institute by Queen Victoria. It was first performed in 1893, five months before the opening of Gilbert & Sullivan's 'Utopia Limited'. It is scored for full orchestra, with harp and percussion. One can sense the influence of Verdi on Sullivan. (Album notes).
('Imperial March' was included on this album to supplement the very short musical introduction to Act 1 of 'Utopia Limited').
Royal Philharmonic Orchestra
Conductor: Royston Nash
Recorded in 1975
https://wn.com/Sullivan_Imperial_March_Royal_Philharmonic_Orchestra
Sir Arthur Sullivan's 'Imperial March' was written for the opening of the Imperial Institute by Queen Victoria. It was first performed in 1893, five months before the opening of Gilbert & Sullivan's 'Utopia Limited'. It is scored for full orchestra, with harp and percussion. One can sense the influence of Verdi on Sullivan. (Album notes).
('Imperial March' was included on this album to supplement the very short musical introduction to Act 1 of 'Utopia Limited').
Royal Philharmonic Orchestra
Conductor: Royston Nash
Recorded in 1975
- published: 26 Oct 2012
- views: 2352
Sir Arthur Sullivan - The Golden Legend : Part One
- Order: Reorder
- Duration: 1:03:57
- Updated: 20 Jul 2017
- views: 136
Leeds Centenary performance, 15 March 1986, in Leeds Town Hall
Part Two is here - https://www.youtube.com/watch?v=8HscFJ7SZJo
Elsie - Sheila Armstrong, sopran...
Leeds Centenary performance, 15 March 1986, in Leeds Town Hall
Part Two is here - https://www.youtube.com/watch?v=8HscFJ7SZJo
Elsie - Sheila Armstrong, soprano
Ursula - Sarah Walker, contralto
Prince Henry of Hoheneck - Robert Tear, tenor
Lucifer - Brian Rayner-Cook,bass-baritone
Leeds Philharmonic Choir, chorusmaster Graham Barber
BBC Philharmonic Orchestra, leader Andrew Orton
Sir Charles Mackerras, conductor
Brian Rayner-Cook took over from Richard Van Allan at very late notice and learned the role on the train to Leeds.
My own transfer from my off-air recording on cassette. The side-change comes towards the end of Sarah Walker's "Slowly, slowly up the wall" aria but is fairly brief.
https://wn.com/Sir_Arthur_Sullivan_The_Golden_Legend_Part_One
Leeds Centenary performance, 15 March 1986, in Leeds Town Hall
Part Two is here - https://www.youtube.com/watch?v=8HscFJ7SZJo
Elsie - Sheila Armstrong, soprano
Ursula - Sarah Walker, contralto
Prince Henry of Hoheneck - Robert Tear, tenor
Lucifer - Brian Rayner-Cook,bass-baritone
Leeds Philharmonic Choir, chorusmaster Graham Barber
BBC Philharmonic Orchestra, leader Andrew Orton
Sir Charles Mackerras, conductor
Brian Rayner-Cook took over from Richard Van Allan at very late notice and learned the role on the train to Leeds.
My own transfer from my off-air recording on cassette. The side-change comes towards the end of Sarah Walker's "Slowly, slowly up the wall" aria but is fairly brief.
- published: 20 Jul 2017
- views: 136
Arthur Sullivan: The Golden Legend (Longfellow Chorus Radio Broadcast)
- Order: Reorder
- Duration: 1:58:22
- Updated: 24 Feb 2017
- views: 204
As heard on Maine Public Classical, Maine Public Broadcasting Network, 8PM, February 22, 2017.
00:00:00 Announcer
00:00:53 Evangeline March, Edward Rice, orch...
As heard on Maine Public Classical, Maine Public Broadcasting Network, 8PM, February 22, 2017.
00:00:00 Announcer
00:00:53 Evangeline March, Edward Rice, orchestrated Charles Kaufmann
00:04:33 Announcer
00:07:26 The Golden Legend, Scenes One and Two
00:51:43 Announcer
00:53:57 Last Farewell Waltz, Edward Rice, orchestrated Charles Kaufmann
01:00:26 Announcer
01:02:11 The Golden Legend, Scenes Three, Four and Five; Epilogue
01:49:14 Announcer
01:50:10 The Musical Sufferings of John Kreisler, Christopher Kies
https://wn.com/Arthur_Sullivan_The_Golden_Legend_(Longfellow_Chorus_Radio_Broadcast)
As heard on Maine Public Classical, Maine Public Broadcasting Network, 8PM, February 22, 2017.
00:00:00 Announcer
00:00:53 Evangeline March, Edward Rice, orchestrated Charles Kaufmann
00:04:33 Announcer
00:07:26 The Golden Legend, Scenes One and Two
00:51:43 Announcer
00:53:57 Last Farewell Waltz, Edward Rice, orchestrated Charles Kaufmann
01:00:26 Announcer
01:02:11 The Golden Legend, Scenes Three, Four and Five; Epilogue
01:49:14 Announcer
01:50:10 The Musical Sufferings of John Kreisler, Christopher Kies
- published: 24 Feb 2017
- views: 204
Arthur Sullivan, Funeral March & Final Chorus (from 'King Arthur')
- Order: Reorder
- Duration: 3:44
- Updated: 30 Jun 2014
- views: 1133
-
Sir Arthur Sullivan - Symphony in E Major "Irish" (1866)
I. Andante - Allegro Ma Non Troppo Vivace - 00:00 II. Andante Espressivo - 13:24 III. Allegretto - Moderato - Tempo Primo - 20:42 IV. Allegro Vivace e con brio - 26:59 Sullivan began work on his symphony in 1863, very early in his career. From holiday in Ireland, he wrote that "as I was jolting home through wind and rain... in an open jaunting-car, the whole first movement of a symphony came into my head with a real Irish flavour about it -- besides scraps of the other movements." The composer later wrote, "I always meant to call it the 'Irish Symphony', but I modestly refrained, as it was courting comparison with the 'Scotch Symphony'." The title did not appear on the published score until after Sullivan's death, in the Novello edition of 1915. The first performance of the symphony was ...
published: 23 Mar 2014 -
The Zoo - Arthur Sullivan
Live captation of the Volksopera production of Sullivan's The Zoo, on the OdeGand festival, Ghent, NTGent, 17th of October 2016
published: 01 Dec 2016 -
Sir Arthur Sullivan - Festival Te Deum
London Choral Society BBC Concert Orchestra Teresa Cahill, soprano Margaret Phillips, organ Ronald Corp, conductor (Broadcast in 1988; CD released in 2001 by BBC Music Magazine.) The Festival Te Deum is the popular name for an 1872 composition by Arthur Sullivan, written to celebrate the recovery of Albert Edward, Prince of Wales (later King Edward VII of the United Kingdom) from typhoid fever. The prince's father, Prince Albert, had died of typhoid fever in 1861, and so the prince's recovery was especial cause for celebration. The Festival Te Deum was first performed on 1 May 1872 at The Crystal Palace in a special "Thanksgiving Day" concert organised by the Prince's brother, Alfred, Duke of Edinburgh, who was a friend of Sullivan's and commissioned the piece. Sullivan was allowed to de...
published: 02 Jun 2014 -
Arthur Sullivan : The Merchant of Venice, Extended Suite from the incidental music (1871)
Introduction - Barcarole (Serenade) - Introduction and Bourree - Danse Grotesque - A la Valse - Melodrama - Finale. Performed by Emmanuel Lawler (tenor) with the RTE Concert Orchestra conducted by Andrew Penny.
published: 10 Apr 2017 -
Arthur Sullivan's Songwriting Technique - David Owen Norris
As the musical half of the great Gilbert and Sullivan operetta-writing partnership, Sir Arthur Sullivan was behind some of the most memorable songs in English, but what were his secrets? Professor David Owen Norris outlines Sullivan's approach to writing his songs. The transcript and downloadable versions of this part of the 'Sullivan Song Day' conference are available from the on the Gresham College website: http://www.gresham.ac.uk/lectures-and-events/sullivan-song-day-1 Gresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website. http://www.gresham.ac.uk
published: 20 Oct 2011 -
Sir Arthur Sullivan Cello Concerto
Sir Arthur Sullivan Cello Concerto reconstructed by Charles Mackerras and David Mackie 1. Allegro moderato 2. Andante espressivo 3. Molto vivace Paul . Julian Lloyd Webber plays Sullivan's Cello concerto conducted by Sir Charles Mackerras . YouTube's largest collection of Sir Arthur Sullivan's solo works. Honorables Miembros del Imperio MrJohannStraussViena,en esta maravillosa ocasiòn les presentarè una obra bellisima denominada Opening Dance .
published: 06 Jun 2016 -
Sir Arthur Sullivan - The Golden Legend : Part One
Leeds Centenary performance, 15 March 1986, in Leeds Town Hall Part Two is here - https://www.youtube.com/watch?v=8HscFJ7SZJo Elsie - Sheila Armstrong, soprano Ursula - Sarah Walker, contralto Prince Henry of Hoheneck - Robert Tear, tenor Lucifer - Brian Rayner-Cook,bass-baritone Leeds Philharmonic Choir, chorusmaster Graham Barber BBC Philharmonic Orchestra, leader Andrew Orton Sir Charles Mackerras, conductor Brian Rayner-Cook took over from Richard Van Allan at very late notice and learned the role on the train to Leeds. My own transfer from my off-air recording on cassette. The side-change comes towards the end of Sarah Walker's "Slowly, slowly up the wall" aria but is fairly brief.
published: 20 Jul 2017 -
Arthur Sullivan: The Golden Legend (Longfellow Chorus Radio Broadcast)
As heard on Maine Public Classical, Maine Public Broadcasting Network, 8PM, February 22, 2017. 00:00:00 Announcer 00:00:53 Evangeline March, Edward Rice, orchestrated Charles Kaufmann 00:04:33 Announcer 00:07:26 The Golden Legend, Scenes One and Two 00:51:43 Announcer 00:53:57 Last Farewell Waltz, Edward Rice, orchestrated Charles Kaufmann 01:00:26 Announcer 01:02:11 The Golden Legend, Scenes Three, Four and Five; Epilogue 01:49:14 Announcer 01:50:10 The Musical Sufferings of John Kreisler, Christopher Kies
published: 24 Feb 2017 -
Charles Mackerras/Arthur Sullivan: Pineapple Poll (1951) [Complete, DDD]
Royal Liverpool Philharmonic Orchestra conducted by / Real Orquesta Filarmónica de Liverpool dirigida por David Lloyd-Jones Scene 1 (0:00) Scene 2 (16:58) Scene 3 (23:20) Sir Charles Mackerras (1925-2010) was one of the most important conductors of last century, especially concerning opera. His musical-academic activities concerned establishing Leos Janacek’s operas in the repertoire, the study of Mozart’s own and the diffusion of Gilbert and Sullivan’s comic operas as part of the English musical canon. It is on this spirit that Mackerras arranged some Sullivan’s music into a ballet entitled Pineapple Poll. The plot is quite simple and it is based upon one of Gilbert’s Bab Ballads: a boy at a Portsmouth inn named Jasper is in love with Pineapple Poll, who in time is in love with the capt...
published: 22 Jan 2016 -
The Zoo
Performed by Tynemouth Gilbert and Sullivan as part of their Triple Bill 2004
published: 22 Mar 2013 -
The Mikado Act I
published: 02 Oct 2014 -
H.M.S. PINAFORE
A concert performance of Gilbert and Sullivan's timeless classic from the BBC Proms 2005. Introduced by Allan Titchmarsh.
published: 07 Apr 2012 -
Arthur Sullivan : Victoria and Merrie England, Scenes VI & VIII from the ballet (1897)
Orchestrated by Roderick Spencer. Scene VI : Christmas Revels. Castle Hall. Servants, Players And Guests - Procession of The Boar's Head and Roast Beef - Comic Pas de Quatre (Fugue) - Drunken Jester's Dance - Blind Man's Buff - Entrance and Procession of Father Christmas - Mistletoe Dance. 00:00-13:35 Final Scene : 1897 Britain's Glory: English, Irish, Scottish And Colonial Troops. Military Manoeuvres - Sailors' Hornpipe - Pas Redouble - Finale: Britannia. The Albert Memorial. God Save The Queen. 13:35-24:45 Performed by the RTE Sinfonietta conducted by Andrew Penny. Uploading from Marco Polo is problematic to say the least as random tracks (or complete CD's) are blocked. Anyway, here are a couple of scenes.
published: 10 Apr 2017 -
A. Sullivan: Victoria and Merrie England (1897)
RTÉ Sinfonietta conducted by/dirigida por Andrew Penny Scene I: Ancient Britain / La antigua gran Bretaña: (0:00) Scenes II & İ: May Day in Queen Elízabeth's . Here is Sir Arthur Sullivan's (1842 -- 1900) Imperial March. Originally composed in 1893 for the opening of the Imperial Institute by Queen Victoria. It was first . This ballet was part of the Queen Victoria's Diamond Jubilee celebrations and was premiered on the 25th May, 1897 at the Alhambra Theatre in Leicester .
published: 29 Jan 2016 -
-
Gilbert & Sullivan's "Patience (or, Bunthorne's Bride)"
I created this video with the YouTube Video Editor (http://www.youtube.com/editor)
published: 07 Aug 2016 -
Sanford Sylvan sings Sir Arthur Sullivan!
Eight songs by Sir Arthur Sullivan (1842-1900) with baritone Sanford Sylvan and pianist Gary Wedow. I. Mary Morison II. The Marquis de Mincepie (with Jeanne Ommerlé) 2:39 III. O Mistress Mine 3:42 IV. The Lost Chord 5:16 V. Sweethearts (with Jeanne Ommerlé) 9:14 VI. Gone 13:47 VII. Winter 15:48 VIII. The Absent-Minded Beggar 17:26 Here is a link to Sylvan performing Ravel's Greek songs with harp: https://www.youtube.com/watch?v=GasywcuYrkA
published: 19 May 2016 -
Arthur Sullivan - Kenilworth Masque [H.F.Chorley] (1864)
01 - A Summer Night 02 - Hark The Sound That Hails A King 03 - The Lady Of The Lake 04 - Let Fauns The Cymbal Ring 05 - Slow Dance, With A Burthen 06 - I Am A Ruler On The Sea 07 - Place For The Queen 08 - How Sweet The Moonlight Sleeps Upon This Bank 09 - A Brisk Dance 10 - After Banquet, Play And Riot
published: 02 Nov 2015 -
Arthur Sullivan : The Tempest, Suite from the incidental music (1861)
Introduction - Prelude to Act III - Banquet Dance - Overture to Act IV - Dance Of Nymphs And Reapers - Prelude to Act V - Epilogue. Performed by the City of Birmingham Symphony Orchestra conducted by Sir Vivian Dunn.
published: 24 Mar 2017 -
Arthur Sullivan : Symphony in E minor ('The Irish') (1866)
Andante. Allegro, ma non troppo vivace - Andante espressivo - Allegretto - Allegro vivace e con brio. Performed by the Royal Liverpool Philharmonic Orchestra conducted by Sir Charles Groves.
published: 25 Mar 2017
Sir Arthur Sullivan - Symphony in E Major "Irish" (1866)
- Order: Reorder
- Duration: 36:20
- Updated: 23 Mar 2014
- views: 60278
I. Andante - Allegro Ma Non Troppo Vivace - 00:00
II. Andante Espressivo - 13:24
III. Allegretto - Moderato - Tempo Primo - 20:42
IV. Allegro Vivace e con brio ...
I. Andante - Allegro Ma Non Troppo Vivace - 00:00
II. Andante Espressivo - 13:24
III. Allegretto - Moderato - Tempo Primo - 20:42
IV. Allegro Vivace e con brio - 26:59
Sullivan began work on his symphony in 1863, very early in his career. From holiday in Ireland, he wrote that "as I was jolting home through wind and rain... in an open jaunting-car, the whole first movement of a symphony came into my head with a real Irish flavour about it -- besides scraps of the other movements." The composer later wrote, "I always meant to call it the 'Irish Symphony', but I modestly refrained, as it was courting comparison with the 'Scotch Symphony'." The title did not appear on the published score until after Sullivan's death, in the Novello edition of 1915.
The first performance of the symphony was at The Crystal Palace in March 1866, thanks to the popular singer, Jenny Lind, who sponsored the concert and attracted an audience of 3,000 for her singing in the first half of the programme. The conductor was August Manns, who had previously conducted the London première of Sullivan's incidental music to The Tempest.
The symphony was well received, though the music critics, both then and later, observed the influence of other composers. The Times wrote, "Mr Sullivan should abjure Mendelssohn, even Beethoven and above all Schumann, for a year and a day."In his 1960 study of Sullivan's music Gervase Hughes also detects echoes of Schumann, and of Schubert as well.
https://wn.com/Sir_Arthur_Sullivan_Symphony_In_E_Major_Irish_(1866)
I. Andante - Allegro Ma Non Troppo Vivace - 00:00
II. Andante Espressivo - 13:24
III. Allegretto - Moderato - Tempo Primo - 20:42
IV. Allegro Vivace e con brio - 26:59
Sullivan began work on his symphony in 1863, very early in his career. From holiday in Ireland, he wrote that "as I was jolting home through wind and rain... in an open jaunting-car, the whole first movement of a symphony came into my head with a real Irish flavour about it -- besides scraps of the other movements." The composer later wrote, "I always meant to call it the 'Irish Symphony', but I modestly refrained, as it was courting comparison with the 'Scotch Symphony'." The title did not appear on the published score until after Sullivan's death, in the Novello edition of 1915.
The first performance of the symphony was at The Crystal Palace in March 1866, thanks to the popular singer, Jenny Lind, who sponsored the concert and attracted an audience of 3,000 for her singing in the first half of the programme. The conductor was August Manns, who had previously conducted the London première of Sullivan's incidental music to The Tempest.
The symphony was well received, though the music critics, both then and later, observed the influence of other composers. The Times wrote, "Mr Sullivan should abjure Mendelssohn, even Beethoven and above all Schumann, for a year and a day."In his 1960 study of Sullivan's music Gervase Hughes also detects echoes of Schumann, and of Schubert as well.
- published: 23 Mar 2014
- views: 60278
The Zoo - Arthur Sullivan
- Order: Reorder
- Duration: 40:50
- Updated: 01 Dec 2016
- views: 692
Live captation of the Volksopera production of Sullivan's The Zoo, on the OdeGand festival, Ghent, NTGent, 17th of October 2016
Live captation of the Volksopera production of Sullivan's The Zoo, on the OdeGand festival, Ghent, NTGent, 17th of October 2016
https://wn.com/The_Zoo_Arthur_Sullivan
Live captation of the Volksopera production of Sullivan's The Zoo, on the OdeGand festival, Ghent, NTGent, 17th of October 2016
- published: 01 Dec 2016
- views: 692
Sir Arthur Sullivan - Festival Te Deum
- Order: Reorder
- Duration: 32:51
- Updated: 02 Jun 2014
- views: 10271
London Choral Society
BBC Concert Orchestra
Teresa Cahill, soprano
Margaret Phillips, organ
Ronald Corp, conductor
(Broadcast in 1988; CD released in 2001 by BB...
London Choral Society
BBC Concert Orchestra
Teresa Cahill, soprano
Margaret Phillips, organ
Ronald Corp, conductor
(Broadcast in 1988; CD released in 2001 by BBC Music Magazine.)
The Festival Te Deum is the popular name for an 1872 composition by Arthur Sullivan, written to celebrate the recovery of Albert Edward, Prince of Wales (later King Edward VII of the United Kingdom) from typhoid fever. The prince's father, Prince Albert, had died of typhoid fever in 1861, and so the prince's recovery was especial cause for celebration.
The Festival Te Deum was first performed on 1 May 1872 at The Crystal Palace in a special "Thanksgiving Day" concert organised by the Prince's brother, Alfred, Duke of Edinburgh, who was a friend of Sullivan's and commissioned the piece. Sullivan was allowed to dedicate the work to the prince's mother, Queen Victoria: an unusual honour.
At the original performance, the London contingent of the Handel Festival Choir of 2,000 performers constituted the chorus, and the audience numbered 26,000. The Times wrote, "we are glad to be able to speak in terms of unqualified praise. It is not only, in our opinion, the most finished composition for which we are indebted to [Sullivan's] pen but an honour to English art." Sullivan was "uproariously cheered" at the premiere. (Wikipedia)
http://en.wikipedia.org/wiki/Festival_Te_Deum
1. Chorus
We praise thee, O God: we acknowledge thee to be the Lord.
All the earth doth worship thee: the Father everlasting.
To thee all Angels cry aloud: the Heavens and all the powers therein.
2. Solo (soprano) and Chorus
To thee Cherubim and Seraphim: continually do cry,
Holy, Holy, Holy: Lord God of Sabaoth;
Heaven and earth are full of the Majesty: of thy Glory.
3. Chorus
The glorious company of the Apostles: praise thee.
The goodly fellowship of the Prophets: praise thee.
The noble army of Martyrs: praise thee.
The holy Church throughout all the world: doth acknowledge thee;
The Father: of an infinite Majesty;
Thine honourable, true: and only Son;
Also the Holy Ghost: the Comforter.
Thou art the King of Glory: O Christ.
Thou art the everlasting Son: of the Father.
4. Solo (soprano)
When Thou tookest upon Thee to deliver man: thou didst not abhor the Virgin's womb.
When thou hadst overcome the sharpness of death: thou didst open the Kingdom of Heaven to all believers.
Thou sittest at the right hand of God: in the Glory of the Father.
5. Chorus
We believe that Thou shalt come: to be our Judge.
We therefore pray Thee, help Thy servants: whom Thou hast redeemed with Thy precious blood.
Make them to be numbered with Thy Saints: in glory everlasting.
6. Solo (soprano) and Chorus
O Lord, save Thy people: and bless Thine heritage.
Govern them: and lift them up for ever.
Day by day: we magnify thee;
And we worship thy Name: ever world without end.
7. Chorus
Vouchsafe, O Lord: to keep us this day without sin.
O Lord, have mercy upon us: have mercy upon us.
O Lord, let Thy mercy lighten upon us: as our trust is in thee.
O Lord, in thee have I trusted: let me never be confounded.
O Lord, save the Queen: and mercifully hear us when we call upon thee. Amen.
https://wn.com/Sir_Arthur_Sullivan_Festival_Te_Deum
London Choral Society
BBC Concert Orchestra
Teresa Cahill, soprano
Margaret Phillips, organ
Ronald Corp, conductor
(Broadcast in 1988; CD released in 2001 by BBC Music Magazine.)
The Festival Te Deum is the popular name for an 1872 composition by Arthur Sullivan, written to celebrate the recovery of Albert Edward, Prince of Wales (later King Edward VII of the United Kingdom) from typhoid fever. The prince's father, Prince Albert, had died of typhoid fever in 1861, and so the prince's recovery was especial cause for celebration.
The Festival Te Deum was first performed on 1 May 1872 at The Crystal Palace in a special "Thanksgiving Day" concert organised by the Prince's brother, Alfred, Duke of Edinburgh, who was a friend of Sullivan's and commissioned the piece. Sullivan was allowed to dedicate the work to the prince's mother, Queen Victoria: an unusual honour.
At the original performance, the London contingent of the Handel Festival Choir of 2,000 performers constituted the chorus, and the audience numbered 26,000. The Times wrote, "we are glad to be able to speak in terms of unqualified praise. It is not only, in our opinion, the most finished composition for which we are indebted to [Sullivan's] pen but an honour to English art." Sullivan was "uproariously cheered" at the premiere. (Wikipedia)
http://en.wikipedia.org/wiki/Festival_Te_Deum
1. Chorus
We praise thee, O God: we acknowledge thee to be the Lord.
All the earth doth worship thee: the Father everlasting.
To thee all Angels cry aloud: the Heavens and all the powers therein.
2. Solo (soprano) and Chorus
To thee Cherubim and Seraphim: continually do cry,
Holy, Holy, Holy: Lord God of Sabaoth;
Heaven and earth are full of the Majesty: of thy Glory.
3. Chorus
The glorious company of the Apostles: praise thee.
The goodly fellowship of the Prophets: praise thee.
The noble army of Martyrs: praise thee.
The holy Church throughout all the world: doth acknowledge thee;
The Father: of an infinite Majesty;
Thine honourable, true: and only Son;
Also the Holy Ghost: the Comforter.
Thou art the King of Glory: O Christ.
Thou art the everlasting Son: of the Father.
4. Solo (soprano)
When Thou tookest upon Thee to deliver man: thou didst not abhor the Virgin's womb.
When thou hadst overcome the sharpness of death: thou didst open the Kingdom of Heaven to all believers.
Thou sittest at the right hand of God: in the Glory of the Father.
5. Chorus
We believe that Thou shalt come: to be our Judge.
We therefore pray Thee, help Thy servants: whom Thou hast redeemed with Thy precious blood.
Make them to be numbered with Thy Saints: in glory everlasting.
6. Solo (soprano) and Chorus
O Lord, save Thy people: and bless Thine heritage.
Govern them: and lift them up for ever.
Day by day: we magnify thee;
And we worship thy Name: ever world without end.
7. Chorus
Vouchsafe, O Lord: to keep us this day without sin.
O Lord, have mercy upon us: have mercy upon us.
O Lord, let Thy mercy lighten upon us: as our trust is in thee.
O Lord, in thee have I trusted: let me never be confounded.
O Lord, save the Queen: and mercifully hear us when we call upon thee. Amen.
- published: 02 Jun 2014
- views: 10271
Arthur Sullivan : The Merchant of Venice, Extended Suite from the incidental music (1871)
- Order: Reorder
- Duration: 23:36
- Updated: 10 Apr 2017
- views: 211
Introduction - Barcarole (Serenade) - Introduction and Bourree - Danse Grotesque - A la Valse - Melodrama - Finale.
Performed by Emmanuel Lawler (tenor) with ...
Introduction - Barcarole (Serenade) - Introduction and Bourree - Danse Grotesque - A la Valse - Melodrama - Finale.
Performed by Emmanuel Lawler (tenor) with the RTE Concert Orchestra conducted by Andrew Penny.
https://wn.com/Arthur_Sullivan_The_Merchant_Of_Venice,_Extended_Suite_From_The_Incidental_Music_(1871)
Introduction - Barcarole (Serenade) - Introduction and Bourree - Danse Grotesque - A la Valse - Melodrama - Finale.
Performed by Emmanuel Lawler (tenor) with the RTE Concert Orchestra conducted by Andrew Penny.
- published: 10 Apr 2017
- views: 211
Arthur Sullivan's Songwriting Technique - David Owen Norris
- Order: Reorder
- Duration: 1:17:16
- Updated: 20 Oct 2011
- views: 14776
As the musical half of the great Gilbert and Sullivan operetta-writing partnership, Sir Arthur Sullivan was behind some of the most memorable songs in English, ...
As the musical half of the great Gilbert and Sullivan operetta-writing partnership, Sir Arthur Sullivan was behind some of the most memorable songs in English, but what were his secrets?
Professor David Owen Norris outlines Sullivan's approach to writing his songs.
The transcript and downloadable versions of this part of the 'Sullivan Song Day' conference are available from the on the Gresham College website:
http://www.gresham.ac.uk/lectures-and-events/sullivan-song-day-1
Gresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website.
http://www.gresham.ac.uk
https://wn.com/Arthur_Sullivan's_Songwriting_Technique_David_Owen_Norris
As the musical half of the great Gilbert and Sullivan operetta-writing partnership, Sir Arthur Sullivan was behind some of the most memorable songs in English, but what were his secrets?
Professor David Owen Norris outlines Sullivan's approach to writing his songs.
The transcript and downloadable versions of this part of the 'Sullivan Song Day' conference are available from the on the Gresham College website:
http://www.gresham.ac.uk/lectures-and-events/sullivan-song-day-1
Gresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website.
http://www.gresham.ac.uk
- published: 20 Oct 2011
- views: 14776
Sir Arthur Sullivan Cello Concerto
- Order: Reorder
- Duration: 31:52
- Updated: 06 Jun 2016
- views: 352
Sir Arthur Sullivan Cello Concerto reconstructed by Charles Mackerras and David Mackie 1. Allegro moderato 2. Andante espressivo 3. Molto vivace Paul .
Julia...
Sir Arthur Sullivan Cello Concerto reconstructed by Charles Mackerras and David Mackie 1. Allegro moderato 2. Andante espressivo 3. Molto vivace Paul .
Julian Lloyd Webber plays Sullivan's Cello concerto conducted by Sir Charles Mackerras .
YouTube's largest collection of Sir Arthur Sullivan's solo works.
Honorables Miembros del Imperio MrJohannStraussViena,en esta maravillosa ocasiòn les presentarè una obra bellisima denominada Opening Dance .
https://wn.com/Sir_Arthur_Sullivan_Cello_Concerto
Sir Arthur Sullivan Cello Concerto reconstructed by Charles Mackerras and David Mackie 1. Allegro moderato 2. Andante espressivo 3. Molto vivace Paul .
Julian Lloyd Webber plays Sullivan's Cello concerto conducted by Sir Charles Mackerras .
YouTube's largest collection of Sir Arthur Sullivan's solo works.
Honorables Miembros del Imperio MrJohannStraussViena,en esta maravillosa ocasiòn les presentarè una obra bellisima denominada Opening Dance .
- published: 06 Jun 2016
- views: 352
Sir Arthur Sullivan - The Golden Legend : Part One
- Order: Reorder
- Duration: 1:03:57
- Updated: 20 Jul 2017
- views: 136
Leeds Centenary performance, 15 March 1986, in Leeds Town Hall
Part Two is here - https://www.youtube.com/watch?v=8HscFJ7SZJo
Elsie - Sheila Armstrong, sopran...
Leeds Centenary performance, 15 March 1986, in Leeds Town Hall
Part Two is here - https://www.youtube.com/watch?v=8HscFJ7SZJo
Elsie - Sheila Armstrong, soprano
Ursula - Sarah Walker, contralto
Prince Henry of Hoheneck - Robert Tear, tenor
Lucifer - Brian Rayner-Cook,bass-baritone
Leeds Philharmonic Choir, chorusmaster Graham Barber
BBC Philharmonic Orchestra, leader Andrew Orton
Sir Charles Mackerras, conductor
Brian Rayner-Cook took over from Richard Van Allan at very late notice and learned the role on the train to Leeds.
My own transfer from my off-air recording on cassette. The side-change comes towards the end of Sarah Walker's "Slowly, slowly up the wall" aria but is fairly brief.
https://wn.com/Sir_Arthur_Sullivan_The_Golden_Legend_Part_One
Leeds Centenary performance, 15 March 1986, in Leeds Town Hall
Part Two is here - https://www.youtube.com/watch?v=8HscFJ7SZJo
Elsie - Sheila Armstrong, soprano
Ursula - Sarah Walker, contralto
Prince Henry of Hoheneck - Robert Tear, tenor
Lucifer - Brian Rayner-Cook,bass-baritone
Leeds Philharmonic Choir, chorusmaster Graham Barber
BBC Philharmonic Orchestra, leader Andrew Orton
Sir Charles Mackerras, conductor
Brian Rayner-Cook took over from Richard Van Allan at very late notice and learned the role on the train to Leeds.
My own transfer from my off-air recording on cassette. The side-change comes towards the end of Sarah Walker's "Slowly, slowly up the wall" aria but is fairly brief.
- published: 20 Jul 2017
- views: 136
Arthur Sullivan: The Golden Legend (Longfellow Chorus Radio Broadcast)
- Order: Reorder
- Duration: 1:58:22
- Updated: 24 Feb 2017
- views: 204
As heard on Maine Public Classical, Maine Public Broadcasting Network, 8PM, February 22, 2017.
00:00:00 Announcer
00:00:53 Evangeline March, Edward Rice, orch...
As heard on Maine Public Classical, Maine Public Broadcasting Network, 8PM, February 22, 2017.
00:00:00 Announcer
00:00:53 Evangeline March, Edward Rice, orchestrated Charles Kaufmann
00:04:33 Announcer
00:07:26 The Golden Legend, Scenes One and Two
00:51:43 Announcer
00:53:57 Last Farewell Waltz, Edward Rice, orchestrated Charles Kaufmann
01:00:26 Announcer
01:02:11 The Golden Legend, Scenes Three, Four and Five; Epilogue
01:49:14 Announcer
01:50:10 The Musical Sufferings of John Kreisler, Christopher Kies
https://wn.com/Arthur_Sullivan_The_Golden_Legend_(Longfellow_Chorus_Radio_Broadcast)
As heard on Maine Public Classical, Maine Public Broadcasting Network, 8PM, February 22, 2017.
00:00:00 Announcer
00:00:53 Evangeline March, Edward Rice, orchestrated Charles Kaufmann
00:04:33 Announcer
00:07:26 The Golden Legend, Scenes One and Two
00:51:43 Announcer
00:53:57 Last Farewell Waltz, Edward Rice, orchestrated Charles Kaufmann
01:00:26 Announcer
01:02:11 The Golden Legend, Scenes Three, Four and Five; Epilogue
01:49:14 Announcer
01:50:10 The Musical Sufferings of John Kreisler, Christopher Kies
- published: 24 Feb 2017
- views: 204
Charles Mackerras/Arthur Sullivan: Pineapple Poll (1951) [Complete, DDD]
- Order: Reorder
- Duration: 43:15
- Updated: 22 Jan 2016
- views: 1650
Royal Liverpool Philharmonic Orchestra conducted by / Real Orquesta Filarmónica de Liverpool dirigida por David Lloyd-Jones
Scene 1 (0:00)
Scene 2 (16:58)
Scen...
Royal Liverpool Philharmonic Orchestra conducted by / Real Orquesta Filarmónica de Liverpool dirigida por David Lloyd-Jones
Scene 1 (0:00)
Scene 2 (16:58)
Scene 3 (23:20)
Sir Charles Mackerras (1925-2010) was one of the most important conductors of last century, especially concerning opera. His musical-academic activities concerned establishing Leos Janacek’s operas in the repertoire, the study of Mozart’s own and the diffusion of Gilbert and Sullivan’s comic operas as part of the English musical canon. It is on this spirit that Mackerras arranged some Sullivan’s music into a ballet entitled Pineapple Poll. The plot is quite simple and it is based upon one of Gilbert’s Bab Ballads: a boy at a Portsmouth inn named Jasper is in love with Pineapple Poll, who in time is in love with the captain Belaye of HMS Cross-Bun (as many of Portsmouth’s girls), himself being in love with Blanche Dimple. Poll and the girls supplant Belaye’s crew to abduct him, but are promptly discovered by Blanche, Jasper and the sailors. The captain is promoted to Admiral and Jasper is named Captain much in spite he has never sailed, winning Poll’s affection, and proving her love was more due to the uniform than the man.
Sir Charles Mackerras (1925-2010) fue uno de los directores más importantes del último siglo, especialmente en la ópera. Sus actividades músico-académicas se centraron en el establecimiento de las óperas de Leos Janacek en el repertorio, el estudio de aquellas de Mozart y la difusión de las operetas de Gilbert y Sullivan como parte del canon musical inglés. Fue en este espíritu que Mackerras arregló mucha de aquella música en un ballet titulado Pineapple Poll. La trama es bastante simple y está basada sobre una de las satíricas Bab Ballads de Gilbert: un chico de una posada Portsmouth se enamora de Pineapple Poll quien, al igual que muchas chicas de la ciudad, a su vez está enamorada de Belaye, capitán del HMS Cross-Bun; Belaye a su vez está enamorado de Blanche Dimple. Poll y las otras chicas suplantan a la tripulación de Belaye con el fin de abducirlo, pero son descubiertas por Blanche, Jasper y los marineros. Belaye es promovido a almirante y nombra a Jasper capitán muy a pesar de jamás haber sido marino, ganándose así el afecto de Poll y probando que ella estaba más interesada en amar al uniforme que a su portador.
Image/imagen: HMS Britannia entering Portsmouth / HMS Britannia entrando a Portsmouth. George Chambers I. 1835.
https://wn.com/Charles_Mackerras_Arthur_Sullivan_Pineapple_Poll_(1951)_Complete,_Ddd
Royal Liverpool Philharmonic Orchestra conducted by / Real Orquesta Filarmónica de Liverpool dirigida por David Lloyd-Jones
Scene 1 (0:00)
Scene 2 (16:58)
Scene 3 (23:20)
Sir Charles Mackerras (1925-2010) was one of the most important conductors of last century, especially concerning opera. His musical-academic activities concerned establishing Leos Janacek’s operas in the repertoire, the study of Mozart’s own and the diffusion of Gilbert and Sullivan’s comic operas as part of the English musical canon. It is on this spirit that Mackerras arranged some Sullivan’s music into a ballet entitled Pineapple Poll. The plot is quite simple and it is based upon one of Gilbert’s Bab Ballads: a boy at a Portsmouth inn named Jasper is in love with Pineapple Poll, who in time is in love with the captain Belaye of HMS Cross-Bun (as many of Portsmouth’s girls), himself being in love with Blanche Dimple. Poll and the girls supplant Belaye’s crew to abduct him, but are promptly discovered by Blanche, Jasper and the sailors. The captain is promoted to Admiral and Jasper is named Captain much in spite he has never sailed, winning Poll’s affection, and proving her love was more due to the uniform than the man.
Sir Charles Mackerras (1925-2010) fue uno de los directores más importantes del último siglo, especialmente en la ópera. Sus actividades músico-académicas se centraron en el establecimiento de las óperas de Leos Janacek en el repertorio, el estudio de aquellas de Mozart y la difusión de las operetas de Gilbert y Sullivan como parte del canon musical inglés. Fue en este espíritu que Mackerras arregló mucha de aquella música en un ballet titulado Pineapple Poll. La trama es bastante simple y está basada sobre una de las satíricas Bab Ballads de Gilbert: un chico de una posada Portsmouth se enamora de Pineapple Poll quien, al igual que muchas chicas de la ciudad, a su vez está enamorada de Belaye, capitán del HMS Cross-Bun; Belaye a su vez está enamorado de Blanche Dimple. Poll y las otras chicas suplantan a la tripulación de Belaye con el fin de abducirlo, pero son descubiertas por Blanche, Jasper y los marineros. Belaye es promovido a almirante y nombra a Jasper capitán muy a pesar de jamás haber sido marino, ganándose así el afecto de Poll y probando que ella estaba más interesada en amar al uniforme que a su portador.
Image/imagen: HMS Britannia entering Portsmouth / HMS Britannia entrando a Portsmouth. George Chambers I. 1835.
- published: 22 Jan 2016
- views: 1650
The Zoo
- Order: Reorder
- Duration: 40:11
- Updated: 22 Mar 2013
- views: 3686
Performed by Tynemouth Gilbert and Sullivan as part of their Triple Bill 2004
- published: 22 Mar 2013
- views: 3686
The Mikado Act I
- Order: Reorder
- Duration: 1:14:00
- Updated: 02 Oct 2014
- views: 130848
- published: 02 Oct 2014
- views: 130848
H.M.S. PINAFORE
- Order: Reorder
- Duration: 1:29:12
- Updated: 07 Apr 2012
- views: 317421
A concert performance of Gilbert and Sullivan's timeless classic from the BBC Proms 2005. Introduced by Allan Titchmarsh.
A concert performance of Gilbert and Sullivan's timeless classic from the BBC Proms 2005. Introduced by Allan Titchmarsh.
https://wn.com/H.M.S._Pinafore
A concert performance of Gilbert and Sullivan's timeless classic from the BBC Proms 2005. Introduced by Allan Titchmarsh.
- published: 07 Apr 2012
- views: 317421
Arthur Sullivan : Victoria and Merrie England, Scenes VI & VIII from the ballet (1897)
- Order: Reorder
- Duration: 24:51
- Updated: 10 Apr 2017
- views: 217
Orchestrated by Roderick Spencer.
Scene VI : Christmas Revels.
Castle Hall. Servants, Players And Guests - Procession of The Boar's Head and Roast Beef - Comi...
Orchestrated by Roderick Spencer.
Scene VI : Christmas Revels.
Castle Hall. Servants, Players And Guests - Procession of The Boar's Head and Roast Beef - Comic Pas de Quatre (Fugue) - Drunken Jester's Dance - Blind Man's Buff - Entrance and Procession of Father Christmas - Mistletoe Dance. 00:00-13:35
Final Scene : 1897
Britain's Glory: English, Irish, Scottish And Colonial Troops. Military Manoeuvres - Sailors' Hornpipe - Pas Redouble - Finale: Britannia. The Albert Memorial. God Save The Queen. 13:35-24:45
Performed by the RTE Sinfonietta conducted by Andrew Penny.
Uploading from Marco Polo is problematic to say the least as random tracks (or complete CD's) are blocked. Anyway, here are a couple of scenes.
https://wn.com/Arthur_Sullivan_Victoria_And_Merrie_England,_Scenes_Vi_Viii_From_The_Ballet_(1897)
Orchestrated by Roderick Spencer.
Scene VI : Christmas Revels.
Castle Hall. Servants, Players And Guests - Procession of The Boar's Head and Roast Beef - Comic Pas de Quatre (Fugue) - Drunken Jester's Dance - Blind Man's Buff - Entrance and Procession of Father Christmas - Mistletoe Dance. 00:00-13:35
Final Scene : 1897
Britain's Glory: English, Irish, Scottish And Colonial Troops. Military Manoeuvres - Sailors' Hornpipe - Pas Redouble - Finale: Britannia. The Albert Memorial. God Save The Queen. 13:35-24:45
Performed by the RTE Sinfonietta conducted by Andrew Penny.
Uploading from Marco Polo is problematic to say the least as random tracks (or complete CD's) are blocked. Anyway, here are a couple of scenes.
- published: 10 Apr 2017
- views: 217
A. Sullivan: Victoria and Merrie England (1897)
- Order: Reorder
- Duration: 2:20:17
- Updated: 29 Jan 2016
- views: 695
RTÉ Sinfonietta conducted by/dirigida por Andrew Penny Scene I: Ancient Britain / La antigua gran Bretaña: (0:00) Scenes II & İ: May Day in Queen Elízabeth's .
...
RTÉ Sinfonietta conducted by/dirigida por Andrew Penny Scene I: Ancient Britain / La antigua gran Bretaña: (0:00) Scenes II & İ: May Day in Queen Elízabeth's .
Here is Sir Arthur Sullivan's (1842 -- 1900) Imperial March. Originally composed in 1893 for the opening of the Imperial Institute by Queen Victoria. It was first .
This ballet was part of the Queen Victoria's Diamond Jubilee celebrations and was premiered on the 25th May, 1897 at the Alhambra Theatre in Leicester .
https://wn.com/A._Sullivan_Victoria_And_Merrie_England_(1897)
RTÉ Sinfonietta conducted by/dirigida por Andrew Penny Scene I: Ancient Britain / La antigua gran Bretaña: (0:00) Scenes II & İ: May Day in Queen Elízabeth's .
Here is Sir Arthur Sullivan's (1842 -- 1900) Imperial March. Originally composed in 1893 for the opening of the Imperial Institute by Queen Victoria. It was first .
This ballet was part of the Queen Victoria's Diamond Jubilee celebrations and was premiered on the 25th May, 1897 at the Alhambra Theatre in Leicester .
- published: 29 Jan 2016
- views: 695
The Mikado
- Order: Reorder
- Duration: 2:17:28
- Updated: 24 Mar 2017
- views: 11523
ENO production of the Gilbert and Sullivan opera
ENO production of the Gilbert and Sullivan opera
https://wn.com/The_Mikado
Gilbert & Sullivan's "Patience (or, Bunthorne's Bride)"
- Order: Reorder
- Duration: 2:03:58
- Updated: 07 Aug 2016
- views: 3987
I created this video with the YouTube Video Editor (http://www.youtube.com/editor)
I created this video with the YouTube Video Editor (http://www.youtube.com/editor)
https://wn.com/Gilbert_Sullivan's_Patience_(Or,_Bunthorne's_Bride)
I created this video with the YouTube Video Editor (http://www.youtube.com/editor)
- published: 07 Aug 2016
- views: 3987
Sanford Sylvan sings Sir Arthur Sullivan!
- Order: Reorder
- Duration: 22:31
- Updated: 19 May 2016
- views: 932
Eight songs by Sir Arthur Sullivan (1842-1900) with baritone Sanford Sylvan and pianist Gary Wedow.
I. Mary Morison
II. The Marquis de Mincepie (with Jeanne O...
Eight songs by Sir Arthur Sullivan (1842-1900) with baritone Sanford Sylvan and pianist Gary Wedow.
I. Mary Morison
II. The Marquis de Mincepie (with Jeanne Ommerlé) 2:39
III. O Mistress Mine 3:42
IV. The Lost Chord 5:16
V. Sweethearts (with Jeanne Ommerlé) 9:14
VI. Gone 13:47
VII. Winter 15:48
VIII. The Absent-Minded Beggar 17:26
Here is a link to Sylvan performing Ravel's Greek songs with harp: https://www.youtube.com/watch?v=GasywcuYrkA
https://wn.com/Sanford_Sylvan_Sings_Sir_Arthur_Sullivan
Eight songs by Sir Arthur Sullivan (1842-1900) with baritone Sanford Sylvan and pianist Gary Wedow.
I. Mary Morison
II. The Marquis de Mincepie (with Jeanne Ommerlé) 2:39
III. O Mistress Mine 3:42
IV. The Lost Chord 5:16
V. Sweethearts (with Jeanne Ommerlé) 9:14
VI. Gone 13:47
VII. Winter 15:48
VIII. The Absent-Minded Beggar 17:26
Here is a link to Sylvan performing Ravel's Greek songs with harp: https://www.youtube.com/watch?v=GasywcuYrkA
- published: 19 May 2016
- views: 932
Arthur Sullivan - Kenilworth Masque [H.F.Chorley] (1864)
- Order: Reorder
- Duration: 41:34
- Updated: 02 Nov 2015
- views: 596
01 - A Summer Night
02 - Hark The Sound That Hails A King
03 - The Lady Of The Lake
04 - Let Fauns The Cymbal Ring
05 - Slow Dance, With A Burthen
06 - I Am A R...
01 - A Summer Night
02 - Hark The Sound That Hails A King
03 - The Lady Of The Lake
04 - Let Fauns The Cymbal Ring
05 - Slow Dance, With A Burthen
06 - I Am A Ruler On The Sea
07 - Place For The Queen
08 - How Sweet The Moonlight Sleeps Upon This Bank
09 - A Brisk Dance
10 - After Banquet, Play And Riot
https://wn.com/Arthur_Sullivan_Kenilworth_Masque_H.F.Chorley_(1864)
01 - A Summer Night
02 - Hark The Sound That Hails A King
03 - The Lady Of The Lake
04 - Let Fauns The Cymbal Ring
05 - Slow Dance, With A Burthen
06 - I Am A Ruler On The Sea
07 - Place For The Queen
08 - How Sweet The Moonlight Sleeps Upon This Bank
09 - A Brisk Dance
10 - After Banquet, Play And Riot
- published: 02 Nov 2015
- views: 596
Arthur Sullivan : The Tempest, Suite from the incidental music (1861)
- Order: Reorder
- Duration: 26:36
- Updated: 24 Mar 2017
- views: 302
Introduction - Prelude to Act III - Banquet Dance - Overture to Act IV - Dance Of Nymphs And Reapers - Prelude to Act V - Epilogue.
Performed by the City of Bi...
Introduction - Prelude to Act III - Banquet Dance - Overture to Act IV - Dance Of Nymphs And Reapers - Prelude to Act V - Epilogue.
Performed by the City of Birmingham Symphony Orchestra conducted by Sir Vivian Dunn.
https://wn.com/Arthur_Sullivan_The_Tempest,_Suite_From_The_Incidental_Music_(1861)
Introduction - Prelude to Act III - Banquet Dance - Overture to Act IV - Dance Of Nymphs And Reapers - Prelude to Act V - Epilogue.
Performed by the City of Birmingham Symphony Orchestra conducted by Sir Vivian Dunn.
- published: 24 Mar 2017
- views: 302
Arthur Sullivan : Symphony in E minor ('The Irish') (1866)
- Order: Reorder
- Duration: 35:51
- Updated: 25 Mar 2017
- views: 348
Andante. Allegro, ma non troppo vivace - Andante espressivo - Allegretto - Allegro vivace e con brio.
Performed by the Royal Liverpool Philharmonic Orchestra co...
Andante. Allegro, ma non troppo vivace - Andante espressivo - Allegretto - Allegro vivace e con brio.
Performed by the Royal Liverpool Philharmonic Orchestra conducted by Sir Charles Groves.
https://wn.com/Arthur_Sullivan_Symphony_In_E_Minor_('The_Irish')_(1866)
Andante. Allegro, ma non troppo vivace - Andante espressivo - Allegretto - Allegro vivace e con brio.
Performed by the Royal Liverpool Philharmonic Orchestra conducted by Sir Charles Groves.
- published: 25 Mar 2017
- views: 348
fullscreen slideshow
- Playlist
- Chat
fullscreen slideshow
- Playlist
- Chat
36:20
Sir Arthur Sullivan - Symphony in E Major "Irish" (1866)
I. Andante - Allegro Ma Non Troppo Vivace - 00:00
II. Andante Espressivo - 13:24
III. Alle...
published: 23 Mar 2014
Sir Arthur Sullivan - Symphony in E Major "Irish" (1866)
Sir Arthur Sullivan - Symphony in E Major "Irish" (1866)
- Report rights infringement
- published: 23 Mar 2014
- views: 60278
16:57
A dinner with Sir Arthur Sullivan (rare 1888 recordings)
Recordings made at the very birth of recorded sound, by George Gouraud, Edison's represent...
published: 15 Jan 2013
A dinner with Sir Arthur Sullivan (rare 1888 recordings)
A dinner with Sir Arthur Sullivan (rare 1888 recordings)
- Report rights infringement
- published: 15 Jan 2013
- views: 49495
17:08
Sir Arthur Sullivan - Cello Concerto
Sir Arthur Sullivan
Cello Concerto
reconstructed by Charles Mackerras and David Mackie
1...
published: 09 Jul 2015
Sir Arthur Sullivan - Cello Concerto
Sir Arthur Sullivan - Cello Concerto
- Report rights infringement
- published: 09 Jul 2015
- views: 4368
40:50
The Zoo - Arthur Sullivan
Live captation of the Volksopera production of Sullivan's The Zoo, on the OdeGand festival...
published: 01 Dec 2016
The Zoo - Arthur Sullivan
The Zoo - Arthur Sullivan
- Report rights infringement
- published: 01 Dec 2016
- views: 692
7:57
Arthur Sullivan - The Pirates of Penzance Overture
Honorables miembros y visitantes del Imperio MrJohannStraussViena,me complace presentarles...
published: 18 Jun 2014
Arthur Sullivan - The Pirates of Penzance Overture
Arthur Sullivan - The Pirates of Penzance Overture
- Report rights infringement
- published: 18 Jun 2014
- views: 2301
7:25
Arthur Sullivan - The Mikado - Overture
Conductor: John Carewe
Orchestra: Nürnberger Symphoniker
published: 20 Jan 2013
Arthur Sullivan - The Mikado - Overture
Arthur Sullivan - The Mikado - Overture
- Report rights infringement
- published: 20 Jan 2013
- views: 22356
32:51
Sir Arthur Sullivan - Festival Te Deum
London Choral Society
BBC Concert Orchestra
Teresa Cahill, soprano
Margaret Phillips, orga...
published: 02 Jun 2014
Sir Arthur Sullivan - Festival Te Deum
Sir Arthur Sullivan - Festival Te Deum
- Report rights infringement
- published: 02 Jun 2014
- views: 10271
18:56
Arthur Sullivan : Henry VIII, Suite from the incidental music (1877)
March - King Henry's Song - Graceful Dance - Water Music.
Performed by Emmanuel Lawler (...
published: 10 Apr 2017
Arthur Sullivan : Henry VIII, Suite from the incidental music (1877)
Arthur Sullivan : Henry VIII, Suite from the incidental music (1877)
- Report rights infringement
- published: 10 Apr 2017
- views: 185
4:07
Arthur Sullivan - The Lost Chord
- Composer: Sir Arthur Seymour Sullivan MVO (13 May 1842 -- 22 November 1900)
- Performers...
published: 31 Dec 2015
Arthur Sullivan - The Lost Chord
Arthur Sullivan - The Lost Chord
- Report rights infringement
- published: 31 Dec 2015
- views: 5014
31:52
Sir Arthur Sullivan Cello Concerto
Sir Arthur Sullivan Cello Concerto reconstructed by Charles Mackerras and David Mackie 1. ...
published: 06 Jun 2016
Sir Arthur Sullivan Cello Concerto
Sir Arthur Sullivan Cello Concerto
- Report rights infringement
- published: 06 Jun 2016
- views: 352
3:42
Edison phonograph cylinder (1888): Sir Arthur Sullivan (1842-1900) - The Lost Chord & Speech
On 5th October 1888 (yes, you read that year right), Sir Arthur Sullivan was present at a ...
published: 11 Apr 2008
Edison phonograph cylinder (1888): Sir Arthur Sullivan (1842-1900) - The Lost Chord & Speech
Edison phonograph cylinder (1888): Sir Arthur Sullivan (1842-1900) - The Lost Chord & Speech
- Report rights infringement
- published: 11 Apr 2008
- views: 57364
24:51
Arthur Sullivan : Victoria and Merrie England, Scenes VI & VIII from the ballet (1897)
Orchestrated by Roderick Spencer.
Scene VI : Christmas Revels.
Castle Hall. Servants, Pl...
published: 10 Apr 2017
Arthur Sullivan : Victoria and Merrie England, Scenes VI & VIII from the ballet (1897)
Arthur Sullivan : Victoria and Merrie England, Scenes VI & VIII from the ballet (1897)
- Report rights infringement
- published: 10 Apr 2017
- views: 217
4:21
The Long Day Closes by Arthur Sullivan 2008 Prom
Taken from the 2008 BBC Proms concert in the Royal Albert Hall London
published: 24 Feb 2009
The Long Day Closes by Arthur Sullivan 2008 Prom
The Long Day Closes by Arthur Sullivan 2008 Prom
- Report rights infringement
- published: 24 Feb 2009
- views: 92725
23:36
Arthur Sullivan : The Merchant of Venice, Extended Suite from the incidental music (1871)
Introduction - Barcarole (Serenade) - Introduction and Bourree - Danse Grotesque - A la V...
published: 10 Apr 2017
Arthur Sullivan : The Merchant of Venice, Extended Suite from the incidental music (1871)
Arthur Sullivan : The Merchant of Venice, Extended Suite from the incidental music (1871)
- Report rights infringement
- published: 10 Apr 2017
- views: 211
fullscreen slideshow
- Playlist
- Chat
36:20
Sir Arthur Sullivan - Symphony in E Major "Irish" (1866)
I. Andante - Allegro Ma Non Troppo Vivace - 00:00
II. Andante Espressivo - 13:24
III. Alle...
published: 23 Mar 2014
Sir Arthur Sullivan - Symphony in E Major "Irish" (1866)
Sir Arthur Sullivan - Symphony in E Major "Irish" (1866)
- Report rights infringement
- published: 23 Mar 2014
- views: 60278
16:57
A dinner with Sir Arthur Sullivan (rare 1888 recordings)
Recordings made at the very birth of recorded sound, by George Gouraud, Edison's represent...
published: 15 Jan 2013
A dinner with Sir Arthur Sullivan (rare 1888 recordings)
A dinner with Sir Arthur Sullivan (rare 1888 recordings)
- Report rights infringement
- published: 15 Jan 2013
- views: 49495
17:08
Sir Arthur Sullivan - Cello Concerto
Sir Arthur Sullivan
Cello Concerto
reconstructed by Charles Mackerras and David Mackie
1...
published: 09 Jul 2015
Sir Arthur Sullivan - Cello Concerto
Sir Arthur Sullivan - Cello Concerto
- Report rights infringement
- published: 09 Jul 2015
- views: 4368
40:50
The Zoo - Arthur Sullivan
Live captation of the Volksopera production of Sullivan's The Zoo, on the OdeGand festival...
published: 01 Dec 2016
The Zoo - Arthur Sullivan
The Zoo - Arthur Sullivan
- Report rights infringement
- published: 01 Dec 2016
- views: 692
7:57
Arthur Sullivan - The Pirates of Penzance Overture
Honorables miembros y visitantes del Imperio MrJohannStraussViena,me complace presentarles...
published: 18 Jun 2014
Arthur Sullivan - The Pirates of Penzance Overture
Arthur Sullivan - The Pirates of Penzance Overture
- Report rights infringement
- published: 18 Jun 2014
- views: 2301
7:25
Arthur Sullivan - The Mikado - Overture
Conductor: John Carewe
Orchestra: Nürnberger Symphoniker
published: 20 Jan 2013
Arthur Sullivan - The Mikado - Overture
Arthur Sullivan - The Mikado - Overture
- Report rights infringement
- published: 20 Jan 2013
- views: 22356
32:51
Sir Arthur Sullivan - Festival Te Deum
London Choral Society
BBC Concert Orchestra
Teresa Cahill, soprano
Margaret Phillips, orga...
published: 02 Jun 2014
Sir Arthur Sullivan - Festival Te Deum
Sir Arthur Sullivan - Festival Te Deum
- Report rights infringement
- published: 02 Jun 2014
- views: 10271
18:56
Arthur Sullivan : Henry VIII, Suite from the incidental music (1877)
March - King Henry's Song - Graceful Dance - Water Music.
Performed by Emmanuel Lawler (...
published: 10 Apr 2017
Arthur Sullivan : Henry VIII, Suite from the incidental music (1877)
Arthur Sullivan : Henry VIII, Suite from the incidental music (1877)
- Report rights infringement
- published: 10 Apr 2017
- views: 185
4:07
Arthur Sullivan - The Lost Chord
- Composer: Sir Arthur Seymour Sullivan MVO (13 May 1842 -- 22 November 1900)
- Performers...
published: 31 Dec 2015
Arthur Sullivan - The Lost Chord
Arthur Sullivan - The Lost Chord
- Report rights infringement
- published: 31 Dec 2015
- views: 5014
31:52
Sir Arthur Sullivan Cello Concerto
Sir Arthur Sullivan Cello Concerto reconstructed by Charles Mackerras and David Mackie 1. ...
published: 06 Jun 2016
Sir Arthur Sullivan Cello Concerto
Sir Arthur Sullivan Cello Concerto
- Report rights infringement
- published: 06 Jun 2016
- views: 352
3:42
Edison phonograph cylinder (1888): Sir Arthur Sullivan (1842-1900) - The Lost Chord & Speech
On 5th October 1888 (yes, you read that year right), Sir Arthur Sullivan was present at a ...
published: 11 Apr 2008
Edison phonograph cylinder (1888): Sir Arthur Sullivan (1842-1900) - The Lost Chord & Speech
Edison phonograph cylinder (1888): Sir Arthur Sullivan (1842-1900) - The Lost Chord & Speech
- Report rights infringement
- published: 11 Apr 2008
- views: 57364
24:51
Arthur Sullivan : Victoria and Merrie England, Scenes VI & VIII from the ballet (1897)
Orchestrated by Roderick Spencer.
Scene VI : Christmas Revels.
Castle Hall. Servants, Pl...
published: 10 Apr 2017
Arthur Sullivan : Victoria and Merrie England, Scenes VI & VIII from the ballet (1897)
Arthur Sullivan : Victoria and Merrie England, Scenes VI & VIII from the ballet (1897)
- Report rights infringement
- published: 10 Apr 2017
- views: 217
4:21
The Long Day Closes by Arthur Sullivan 2008 Prom
Taken from the 2008 BBC Proms concert in the Royal Albert Hall London
published: 24 Feb 2009
The Long Day Closes by Arthur Sullivan 2008 Prom
The Long Day Closes by Arthur Sullivan 2008 Prom
- Report rights infringement
- published: 24 Feb 2009
- views: 92725
23:36
Arthur Sullivan : The Merchant of Venice, Extended Suite from the incidental music (1871)
Introduction - Barcarole (Serenade) - Introduction and Bourree - Danse Grotesque - A la V...
published: 10 Apr 2017
Arthur Sullivan : The Merchant of Venice, Extended Suite from the incidental music (1871)
Arthur Sullivan : The Merchant of Venice, Extended Suite from the incidental music (1871)
- Report rights infringement
- published: 10 Apr 2017
- views: 211
fullscreen slideshow
- Playlist
- Chat
36:20
Sir Arthur Sullivan - Symphony in E Major "Irish" (1866)
I. Andante - Allegro Ma Non Troppo Vivace - 00:00
II. Andante Espressivo - 13:24
III. Alle...
published: 23 Mar 2014
Sir Arthur Sullivan - Symphony in E Major "Irish" (1866)
Sir Arthur Sullivan - Symphony in E Major "Irish" (1866)
- Report rights infringement
- published: 23 Mar 2014
- views: 60278
40:50
The Zoo - Arthur Sullivan
Live captation of the Volksopera production of Sullivan's The Zoo, on the OdeGand festival...
published: 01 Dec 2016
The Zoo - Arthur Sullivan
The Zoo - Arthur Sullivan
- Report rights infringement
- published: 01 Dec 2016
- views: 692
32:51
Sir Arthur Sullivan - Festival Te Deum
London Choral Society
BBC Concert Orchestra
Teresa Cahill, soprano
Margaret Phillips, orga...
published: 02 Jun 2014
Sir Arthur Sullivan - Festival Te Deum
Sir Arthur Sullivan - Festival Te Deum
- Report rights infringement
- published: 02 Jun 2014
- views: 10271
23:36
Arthur Sullivan : The Merchant of Venice, Extended Suite from the incidental music (1871)
Introduction - Barcarole (Serenade) - Introduction and Bourree - Danse Grotesque - A la V...
published: 10 Apr 2017
Arthur Sullivan : The Merchant of Venice, Extended Suite from the incidental music (1871)
Arthur Sullivan : The Merchant of Venice, Extended Suite from the incidental music (1871)
- Report rights infringement
- published: 10 Apr 2017
- views: 211
1:17:16
Arthur Sullivan's Songwriting Technique - David Owen Norris
As the musical half of the great Gilbert and Sullivan operetta-writing partnership, Sir Ar...
published: 20 Oct 2011
Arthur Sullivan's Songwriting Technique - David Owen Norris
Arthur Sullivan's Songwriting Technique - David Owen Norris
- Report rights infringement
- published: 20 Oct 2011
- views: 14776
31:52
Sir Arthur Sullivan Cello Concerto
Sir Arthur Sullivan Cello Concerto reconstructed by Charles Mackerras and David Mackie 1. ...
published: 06 Jun 2016
Sir Arthur Sullivan Cello Concerto
Sir Arthur Sullivan Cello Concerto
- Report rights infringement
- published: 06 Jun 2016
- views: 352
1:03:57
Sir Arthur Sullivan - The Golden Legend : Part One
Leeds Centenary performance, 15 March 1986, in Leeds Town Hall
Part Two is here - https:/...
published: 20 Jul 2017
Sir Arthur Sullivan - The Golden Legend : Part One
Sir Arthur Sullivan - The Golden Legend : Part One
- Report rights infringement
- published: 20 Jul 2017
- views: 136
1:58:22
Arthur Sullivan: The Golden Legend (Longfellow Chorus Radio Broadcast)
As heard on Maine Public Classical, Maine Public Broadcasting Network, 8PM, February 22, 2...
published: 24 Feb 2017
Arthur Sullivan: The Golden Legend (Longfellow Chorus Radio Broadcast)
Arthur Sullivan: The Golden Legend (Longfellow Chorus Radio Broadcast)
- Report rights infringement
- published: 24 Feb 2017
- views: 204
43:15
Charles Mackerras/Arthur Sullivan: Pineapple Poll (1951) [Complete, DDD]
Royal Liverpool Philharmonic Orchestra conducted by / Real Orquesta Filarmónica de Liverpo...
published: 22 Jan 2016
Charles Mackerras/Arthur Sullivan: Pineapple Poll (1951) [Complete, DDD]
Charles Mackerras/Arthur Sullivan: Pineapple Poll (1951) [Complete, DDD]
- Report rights infringement
- published: 22 Jan 2016
- views: 1650
40:11
The Zoo
Performed by Tynemouth Gilbert and Sullivan as part of their Triple Bill 2004
published: 22 Mar 2013
The Zoo
The Zoo
- Report rights infringement
- published: 22 Mar 2013
- views: 3686
1:14:00
The Mikado Act I
published: 02 Oct 2014
The Mikado Act I
The Mikado Act I
- Report rights infringement
- published: 02 Oct 2014
- views: 130848
1:29:12
H.M.S. PINAFORE
A concert performance of Gilbert and Sullivan's timeless classic from the BBC Proms 2005. ...
published: 07 Apr 2012
H.M.S. PINAFORE
H.M.S. PINAFORE
- Report rights infringement
- published: 07 Apr 2012
- views: 317421
24:51
Arthur Sullivan : Victoria and Merrie England, Scenes VI & VIII from the ballet (1897)
Orchestrated by Roderick Spencer.
Scene VI : Christmas Revels.
Castle Hall. Servants, Pl...
published: 10 Apr 2017
Arthur Sullivan : Victoria and Merrie England, Scenes VI & VIII from the ballet (1897)
Arthur Sullivan : Victoria and Merrie England, Scenes VI & VIII from the ballet (1897)
- Report rights infringement
- published: 10 Apr 2017
- views: 217
2:20:17
A. Sullivan: Victoria and Merrie England (1897)
RTÉ Sinfonietta conducted by/dirigida por Andrew Penny Scene I: Ancient Britain / La antig...
published: 29 Jan 2016
A. Sullivan: Victoria and Merrie England (1897)
A. Sullivan: Victoria and Merrie England (1897)
- Report rights infringement
- published: 29 Jan 2016
- views: 695
Sir Arthur Sullivan - Symphony in E Major "Irish" ...
The Zoo - Arthur Sullivan...
Sir Arthur Sullivan - Festival Te Deum...
Arthur Sullivan : The Merchant of Venice, Extended...
Arthur Sullivan's Songwriting Technique - David Ow...
Sir Arthur Sullivan Cello Concerto...
Sir Arthur Sullivan - The Golden Legend : Part One...
Arthur Sullivan: The Golden Legend (Longfellow Cho...
Charles Mackerras/Arthur Sullivan: Pineapple Poll ...
The Zoo...
The Mikado Act I...
H.M.S. PINAFORE...
Arthur Sullivan : Victoria and Merrie England, Sce...
A. Sullivan: Victoria and Merrie England (1897)...
The Mikado...
Gilbert & Sullivan's "Patience (or, Bunthorne's Br...
Sanford Sylvan sings Sir Arthur Sullivan!...
![Arthur Sullivan - Kenilworth Masque [H.F.Chorley] (1864)](http://web.archive.org./web/20170924204606/https://i.ytimg.com/vi/yAWkvZMv_NQ/0.jpg)
Arthur Sullivan - Kenilworth Masque [H.F.Chorley] ...
Arthur Sullivan : The Tempest, Suite from the inci...
Arthur Sullivan : Symphony in E minor ('The Irish'...
back
US Bombers Fly Close to North Korea's Coast
Edit Yahoo Daily News 24 Sep 2017
Washington, Sep 24 (IANS) The US flew bombers near North Korea's coast on Saturday, an action the Defense Department said was meant to send a clear message to Pyongyang about the country's military options. "This mission is a demonstration of US resolve and a clear message that (President Donald Trump) has many military options to defeat any threat," Pentagon spokeswoman Dana White said in a statement, Efe news reported ... --IANS. pgh/. ....
back
Trump NFL row: What have sports stars said?
Edit BBC News 24 Sep 2017
Former San Francisco 49ers quarterback Colin Kaepernick became a lightning rod for criticism when he did just that last year, with several players since following suit ... US anthem and flag. Etiquette and law ... Atlanta Falcons owner Arthur Blank called for "constructive dialogue", while Miami Dolphins owner Stephen Ross said his players who kneeled for the anthem were "smart young men of character" who "wanted to start a conversation" ... ....
back
Angela Merkel Wins Fourth Term as German Chancellor
Edit Time Magazine 24 Sep 2017
(BERLIN) – Chancellor Angela Merkel’s conservatives beat their rivals on Sunday to win her a fourth term in an election that will also bring a far-right party into Germany’s parliament for the first time in more than half a century, exit polls showed. After shock election results last year, from Britain’s vote to leave the European Union to the election of U.S ... The SPD ruled out a re-run of that tie-up ... NEW ERA ... ....
back
As a Kurd, I know tomorrow’s independence referendum is crucial after the oppression we’ve suffered
Edit The Independent 24 Sep 2017
Often enough have we blamed colonisation and Western influences for the devastation and suffering seen in the Middle East. And rightly so. But we should similarly not shy away from criticising those in the Middle East when their democratic integrity is compromised ... This is a core tenet of democracy ... ....
Arthur Pears
Edit Dispatch Argus 24 Sep 2017
Arthur Frederick Pears, 92, of Boulder, Colo., formerly of Moline, passed away on Wednesday, Sept ... After growing up as a longtime resident of Crystal Lake, Ill., Arthur graduated ... Arthur was preceded in death by his parents, Frederick and Isabelle E....
Keller @ Large: Catching Up With Boston Globe’s Jim O’Sullivan
Edit CBS Sports 24 Sep 2017
BOSTON (CBS) — With a mayoral race coming up and the preliminary election being held on Tuesday, WBZ political analyst Jon Keller sat down with ace Boston Globe political reporter Jim O’Sullivan to set the scene. Keller asked O’Sullivan how City Councilor Tito Jackson could hope to beat incumbent Mayor Marty Walsh ... Boston Globe reporter Jim O’Sullivan....
LSU receivers Stephen Sullivan, Drake Davis averaging more than 44 yards a catch
Edit Journal Review 24 Sep 2017
The pass Stephen Sullivan dropped a few weeks ago would have scored a touchdown ... LSU wide receiver Stephen Sullivan (10) runs for the end zone to score on the pass play as Syracuse defensive back Jordan Martin (2) gives chase ... that Sullivan touchdown; another 43-yard completion, this one from freshman QB Myles Brennan to running back Darrel Williams; and Etling’s 87-yard touchdown strike to Drake Davis to open the second half....
Q&A; with biographer of Chester Arthur
Edit Omaha World-Herald 24 Sep 2017
Scott Greenberger, 48, is a journalist and the author of "The Unexpected President. The Life and Times of Chester A. Arthur." ... ....
KARNOFSKY, Arthur
Edit The Buffalo News 24 Sep 2017
KARNOFSKY - Arthur September 19, 2017. Beloved husband of the late Eileen (Berkun) Karnofsky; loving father of Dr ... Amherst 14051....
Falcons owner Arthur Blank checks Trump’s divisive comments
Edit Atlanta Journal 24 Sep 2017
DETROIT. Falcons owner Arthur Blank condemned the tweets by President Donald Trump about NFL players who do not stand for the National Anthem ... ....
GILL, Arthur J.
Edit The Buffalo News 24 Sep 2017
GILL - Arthur J. Of Lackawanna, entered into rest September 21, 2017; beloved husband of Dorothy M ... where a funeral service will immediately follow. Mr....
Falcons' owner Arthur Blank Tells Potard in Chief NFL has been a strong catalyst for change
Edit Democratic Underground 24 Sep 2017
FLOWERY BRANCH, GA. - Atlanta Falcons owner and chairman Arthur Blank issued a statement late Saturday afternoon in regard to the national controversy that has resulted over President Donald Trump's statement that NFL players who don't stand for the national anthem should be fired ... ... ....
This Is Us: Chrissy Metz & Chris Sullivan talk Kate & Toby's next steps, hint ...
Edit Entertainment Weekly 24 Sep 2017
When we last saw the pair in the season 1 finale of the NBC family drama, Kate (Chrissy Metz) and Toby (Chris Sullivan) were unpacking literally and figuratively as they moved in together ... “Do you think anybody on This Is Us is going to have an easy ride?” says Sullivan with a laugh, adding ... “There are often two strong reactions to adversity or to extreme pain in people’s life,” says Sullivan....
Falcons-Lions: Arthur Blank to join team on sideline for national anthem
Edit Atlanta Journal 24 Sep 2017
DETROIT. Here are five things to know before today’s Falcons at Lions kickoff at 1 p.m. in Ford Field.. Falcons owner Arthur Blank to join his team on the sideline for the National Anthem pic.twitter.com/tSvyZbdViy— Steve Wyche (@wyche89) September 24, 2017. 1 ... The Lions lead the series 24-12 ... 2 ... ....
King Arthur; Baywatch; The Red Turtle; 3 Hearts and more – review
Edit The Observer 24 Sep 2017
As fingers of blame are pointed in any number of directions, from Netflix to the political administration, the slump is more easily explained in a few individual cases; even the least discerning viewers couldn’t find much to love in films as obnoxiously misconceived as King Arthur. Legend of the Sword (Warner, 15) and Baywatch (Paramount, 15) ... ....
EastEnders star Paul Nicholas wants evil Gavin Sullivan to return
Edit Digital Spy 24 Sep 2017
Former EastEnders actor Paul Nicholas, who played Gavin Sullivan from 2015 to 2016, has revealed that he'd be keen on reprising his role as the evil ex-husband of Kathy Beale and biological father of Sharon Mitchell. "Oh yeah, I'd go back," confirmed Paul, when asked by The Mirror about a potential return ... And Paul confesses that he looks back on playing the villain with nothing but joy ... Horrid ... ....
- 1
- 2
- 3
- 4
- 5
- Next page »
