SL

SL may refer to:

Geography

Computing

Mathematics

S.L. Benfica

Sport Lisboa e Benfica (Portuguese pronunciation: [spɔɾ liʒˈboɐ i bɐ̃ȷ̃ˈfikɐ]), commonly known as Benfica, is a sports club based in Lisbon, Portugal. It is best known for its professional football team, who play in the Primeira Liga, the top flight of Portuguese football. Currently, Benfica are back-to-back Portuguese champions.

Founded in 1904 by a group of people led by Cosme Damião, Benfica is one of the "Big Three" clubs in Portugal that have never been relegated from the Primeira Liga – the other two are rivals FC Porto and Sporting CP. The team is nicknamed Águias (Eagles) for the symbol atop the club's crest, and Encarnados (Reds) for the shirt colour. Since 2003, their home ground has been the Estádio da Luz, which replaced the original one. Benfica is the most supported Portuguese club and the European club with the biggest percentage of supporters in its own country, having more than 156,000 paying members. The club's official anthem, "Ser Benfiquista", refers to its supporters who are called Benfiquistas. Benfica is honoured in three Portuguese Orders: those of Christ, of Merit and of Prince Henry.

The Party (film)

The Party is a 1968 comedy film directed by Blake Edwards, starring Peter Sellers and Claudine Longet. The film has a very loose structure, and essentially serves as a series of set pieces for Sellers's improvisational comedy talents. The comedy is based on a fish-out-of-water premise, in which a bungling Indian actor accidentally gets invited to a lavish Hollywood dinner party and "makes terrible mistakes based upon ignorance of Western ways."

The Party is considered a classic comedic cult film. Edwards biographers Peter Lehman and William Luhr said, "The Party may very well be one of the most radically experimental films in Hollywood history; in fact it may be the single most radical film since D.W. Griffith's style came to dominate the American cinema." Film historian Saul Austerlitz wrote, "Despite the offensiveness of Sellers's brownface routine, The Party is one of his very best films... Taking a page from Tati, this is neorealist comedy, purposefully lacking a director's guiding eye: look here, look there. The screen is crammed full of activity, and the audience's eyes are left to wander where they may."