Sacred grove

A sacred grove or sacred woods are any grove of trees of special religious importance to a particular culture. Sacred groves feature in various cultures throughout the world.

They were important features of the mythological landscape and cult practice of Celtic, Baltic, Germanic, ancient Greek, Near Eastern, Roman, and Slavic polytheism, and were also used in India, Japan, and West Africa. Examples of sacred groves include the Greco-Roman temenos, the Norse hörgr, and the Celtic nemeton, which was largely but not exclusively associated with Druidic practice. During the Northern Crusades, there was a common practice of building churches on the sites of sacred groves. The Lakota and various other North American tribes consider particular forests or other natural landmarks to be sacred.

Ancient holy trees still exist in the English countryside and are mentioned often in folklore and fairytales.

In history

Ancient Near East

There are two mentions on this tradition in the Bible:

and

Excavations at Labraunda have revealed a large shrine assumed to be that of Zeus Stratios mentioned by Herodotus as a large sacred grove of plane trees sacred to Carians. In Syria, there was a grove sacred to Adonis at Afqa.

Pop'n Music

Pop'n Music (ポップンミュージック Poppun Myūjikku), commonly abbreviated as Pop'n, PM or PNM and stylized as pop'n music, is a music video game series in the Bemani series made by the Konami Corporation. The games are known for their bright colors, upbeat songs, and cartoon character graphics. Originally released in 1998, the series has had over fifteen home releases in Japan as well as many arcade versions.

Arcade versions

MUSIC-N

MUSIC-N refers to a family of computer music programs and programming languages descended from or influenced by MUSIC, a program written by Max Mathews in 1957 at Bell Labs. MUSIC was the first computer program for generating digital audio waveforms through direct synthesis. It was one of the first programs for making music (in actuality, sound) on a digital computer, and was certainly the first program to gain wide acceptance in the music research community as viable for that task. The world's first computer-controlled music was generated in Australia by programmer Geoff Hill on the CSIRAC computer which was designed and built by Trevor Pearcey and Maston Beard. However, CSIRAC produced sound by sending raw pulses to the speaker, it did not produce standard digital audio with PCM samples, like the MUSIC-series of programs.

Design

All MUSIC-N derivative programs have a (more-or-less) common design, made up of a library of functions built around simple signal-processing and synthesis routines (written as opcodes or unit generators). These simple opcodes are then constructed by the user into an instrument (usually through a text-based instruction file, but increasingly through a graphical interface) that defines a sound which is then "played" by a second file (called the score) which specifies notes, durations, pitches, amplitudes, and other parameters relevant to the musical informatics of the piece. Some variants of the language merge the instrument and score, though most still distinguish between control-level functions (which operate on the music) and functions that run at the sampling rate of the audio being generated (which operate on the sound). A notable exception is ChucK, which unifies audio-rate and control-rate timing into a single framework, allowing arbitrarily fine time granularity and also one mechanism to manage both. This has the advantage of more flexible and readable code as well as drawbacks of reduced system performance.