Volume 4

Volume Four, Volume 4, or Volume IV may refer to:

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Liquid Soul

Liquid Soul is a jazz, hip-hop, funk, freestyle fusion ensemble formed in 1993 from Chicago, Illinois which helped pioneer the acid jazz movement in the United States in the 90s. Coined "Beyond Acid Jazz" by founder Mars Williams who plays with The Psychedelic Furs and previously with The Waitresses and Billy Idol, and co-founded by guitarist Tommy Klein, from the Spies Who Surf, the band's 2000 album Here's the Deal was nominated for a Grammy in the Best Contemporary Jazz Album category.

History

Their first regular venue was at Chicago's Elbo Room, where their quickly-growing popularity led to the release of their self-titled, debut album Liquid Soul by Ark 21 Records. A well-popularized appearance at Dennis Rodman's birthday party added to their notoriety. They were the main feature at Double Door in Wicker Park for almost four years (Feb. 1996 to Dec. 1999). Subsequent tours took them across the United States and Canada, plus performances in Germany, Turkey and Japan. They have opened for Sting and Isaac Hayes, played at Bill Clinton's second Inaugural Parade and 21st Century Ball, and were the first acid jazz band to play at the Newport Jazz Festival. They also appeared twice at the South By Southwest Music Festival where the Austin American-Statesman referred to them as "the single hottest showcase of the festival." They have recorded four more CDs: Make Some Noise (produced by Ark 21 Records in 1998), Grammy-nominated Here's the Deal (produced by Shanachie Records in 2000), Evolution (produced by Shanachie in 2002) and most recently One-Two Punch (produced by major label Telarc in 2006).

Follow

Follow is the third album by Pakho Chau, comprising four new tracks and nine previously released tracks. It was released in Hong Kong on July 10, 2009.

Track listing

DVD listing

Originality

Originality is the aspect of created or invented works by as being new or novel, and thus can be distinguished from reproductions, clones, forgeries, or derivative works. An original work is one not received from others nor one copied from or based upon the work of others.. It is a work created with a unique style and substance. The term "originality" is often applied as a compliment to the creativity of artists, writers, and thinkers. The idea of originality as we know it was invented by Romanticism, with a notion that is often called romantic originality.

The concept of originality is culturally contingent. It became an ideal in Western culture starting from the 18th century. In contrast, at the time of Shakespeare it was common to appreciate more the similarity with an admired classical work, and Shakespeare himself avoided "unnecessary invention".

Originality in law

In law, originality has become an important legal concept with respect to intellectual property, where creativity and invention have manifest as copyrightable works. In the patent law of the United States and most other countries, only original inventions are subject to protection. In addition to being original, inventions submitted for a patent must also be useful and nonobvious.

Psychedelic trance

Psychedelic trance, psytrance or just psy (derived from the Ancient Greek word ψυχή "psyche", mind; soul; breath; spirit) is a genre of electronic dance music characterized by arrangements of synthetic rhythms and layered melodies created by high tempo riffs. By 1998 psytrance had become a mainstream form of music.

Psytrance lies at the hardcore, underground end of the diverse trance spectrum. The genre offers variety in terms of mood, tempo, and style. Some examples include full on, darkpsy, Hi-Tech, progressive, suomi, psy-chill, psycore, psybient, psybreaks, or "adapted" tracks from other music genres. Goatrance preceded psytrance, when digital media became more commonly used psytrance evolved. Goa continues to develop alongside the other genres.

History

Origins

The first hippies who arrived in Goa, India in the mid-1960s were drawn there for many reasons, including the beaches, the low cost of living, the friendly locals, the Indian religious and spiritual practices and the readily available Indian cannabis, which until the mid-1970s was legal. During the 1970s the first Goa DJs were generally playing psychedelic rock bands such as the Grateful Dead, Pink Floyd and The Doors. In 1979 the beginnings of electronic dance music could occasionally be heard in Goa in the form of tracks by artists such as Kraftwerk but it was not until 1983 that DJs Laurent and Fred Disko, closely followed by Goa Gil, began switching the Goa style over to electro-industrial/EBM which was now flooding out of Europe from Frontline Assembly, Front 242, Nitzer Ebb as well as Eurobeat.