- published: 18 Mar 2014
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The six Cello Suites, BWV 1007 to 1012, are suites for unaccompanied cello by Johann Sebastian Bach. They are some of the most frequently performed and recognizable solo compositions ever written for cello. Bach most likely composed them during the period 1717–23, when he served as a Kapellmeister in Köthen. The title of the Anna Magdalena Bach manuscript was Suites á Violoncello Solo senza Basso (Suites for cello solo without bass).
These suites for unaccompanied cello are remarkable in that they achieve the effect of implied three- to four-voice contrapuntal and polyphonic music in a single musical line. As usual in a Baroque musical suite, each movement is based around a baroque dance type; the cello suites are structured in six movements each: prelude, allemande, courante, sarabande, two minuets or two bourrées or two gavottes, and a final gigue. The Bach cello suites are considered to be among the most profound of all classical music works.Wilfrid Mellers described them in 1980 as "Monophonic music wherein a man has created a dance of God."
Number Two, No. 2, or similar may refer to:
The Suite No. 2 for piano, Op. 10, is the second composed by George Enescu between 1901 and 1903, being written in 1903 in Paris. It was published in 1904, and is dedicated to Louis Diémer.
The Toccata was written starting in 1901 and completed by three other movements for presentation at a competition in 1903, in which it won first prize. The judges included, notably, Claude Debussy and Vincent d'Indy. It is a composition that shows a French-style neoclassicism, the musician himself recognizing the influence of Debussy, but Enescu's Romanian folklore is not absent, rather, unobtrusive.
Divided into four parts, a performance requires about twenty minutes.
There are over 1000 known compositions by Johann Sebastian Bach. Nearly all of them are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.
The earliest lists of Bach's compositions are given by his biographers, starting from his obituary which gives a list of instrumental works printed during the composer's lifetime (from Clavier-Übung I to The Art of Fugue), followed by a list which groups other types of compositions he wrote. The first separately published biography of the composer, by Johann Nikolaus Forkel, follows the same setup: its ninth chapter first lists printed works (adding four-part chorales that were published in the second half of the 18th century), followed by a rough overview of the unpublished ones. In the first half of the 19th century more works were published, so the next biographies (Schauer and Hilgenfeldt in 1850) had more elaborate appendices listing printed works, referring to these works by publisher, and the number or page number given to the works in these publications. So, for example, the Prelude and Fugue in E-flat major can be indicated as "C. F. Peters Vol. III No. 1", or any of the variants ("Griepenkerl and Roitzsch Vol. 3 p. 2", "Peters Book 242 p. 2", "P. S. V., Cah. 3 (242), No. 1", etc.)
Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and over three hundred cantatas of which around two hundred survive. His music is revered for its technical command, artistic beauty, and intellectual depth.
Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.
Bach was born in Eisenach, in the duchy of Saxe-Eisenach, into a great musical family. His father, Johann Ambrosius Bach, was the director of the town musicians, and all of his uncles were professional musicians. His father probably taught him to play the violin and harpsichord, and his brother, Johann Christoph Bach, taught him the clavichord and exposed him to much contemporary music. Apparently at his own initiative, Bach attended St. Michael's School in Lüneburg for two years. After graduating, he held several musical posts across Germany: he served as Kapellmeister (director of music) to Leopold, Prince of Anhalt-Köthen, and as Thomaskantor in Leipzig, a position of music director at the main Lutheran churches and educator at the Thomasschule. He received the title of "Royal Court Composer" from Augustus III in 1736. Bach's health and vision declined in 1749, and he died on 28 July 1750.
Live recording, May 14, 2014 in Granera (Barcelona) 0:05 Prelude 3:24 Allemande 6:46 Courante 8:48 Sarabande 13:40 Minuet I + II 16:27 Gigue Peter Schmidt, cello Video: Igor Cortadellas, igor.cat Sound: Lluís Soler, Solfa recordings German-American cellist Peter Schmidt is invited to play as soloist and chamber musician throughout Europe, in Algeria, the United States, Colombia and Mexico. He is a regular guest at international festivals such as Podium Festival Esslingen, Mas y Mas in Barcelona, the International Music Festival of Matadepera, Músics en Residència Alella, Encuentro de Musica de Camara UNICACH and Paaxfest in Mexico. In 2013 he recorded a CD with the works for cello and piano by Pablo Casals with pianist Katia Michel for the label Klassic Cat. http://peterschmidtcello.d...
Isabella Selder plays Cello Suite No. 2 BWV 1008 I Prelude by J. S. Bach on a 1960 Hermann Hauser II. Visit us: http://www.siccasguitars.com
Recorded live for Movimento Violão at SESC Vila Mariana on 10/27/2010, São Paulo - Brazil. BWV1008 arranged for 11 string guitar by Paulo Martelli. Gravado ao vivo no SESC Vila Mariana - SP - no dia 27/10/2010 para o programa Movimento Violão do SESCTV. Arranjo para violão de 11 cordas: Paulo Martelli Guitar made by Samuel Carvalho Strings: Augustine.
Maurice Gendron plays J.S Bach's Cello Suite No.2 in D Minor, BWV 1008 I. Prelude 00:05 II. Allemande 03:37 III. Courante 07:15 IV. Sarabande 09:15 V. Menuet I-II 13:51 VI. Gigue 16:51
Please consider a donation, http://www.voicesofmusic.org/donate.html and we will make more videos like this one Bach Prelude for Lute, from the Suite in D Minor for Cello, BWV 1008. Performed on the Archlute by David Tayler. Archlute made by Andreas von Holst, http://lautenvonholst.de Live Video from the San Francisco Early Music Ensemble Voices of Music Concert, 2007. CD at http://magnatune.com/artists/albums/voicesofmusic-bachtelemann/ Visit us on the web at www.voicesofmusic.org
The Allemande from the Suite for Baroque Cello in D Minor, performed by Shirley Hunt. Live video from the San Francisco Early Music Ensemble Voices of Music Evening with the Stars Concert 2010. Ms. Hunt was one of the three Young Artists Competition winners for 2010. J.S. Bach's suites for baroque cello are among the most difficult and admired pieces in the baroque repertory; each suite presents a set of unique technical and interpretive challenges for the performer.
© Bach Suite in d-minor for cello no. 2 - Mischa Maisky BWV 1008 1. Prelude 0:31 * 2. Allemande 4:28 * 3. Courante 8:38 4. Sarabande 11:03 * 5. Menuet I 16:07 * 5a Menuet II 17:19 6. Gigue 19:11 This is a slightly improved and FULL reupload of the previous splitted upload from April 6. 2011. Enjoy this wonderful suite in HD (1280x720p) without playlist and INTERRUPTIONS by shift to next video.