Alex North

Alex North (December 4, 1910 – September 8, 1991) was an American composer best known for his many film scores, including A Streetcar Named Desire (one of the first jazz-based film scores), Viva Zapata!, Spartacus, Cleopatra, and Who's Afraid of Virginia Woolf?. He was the first composer to receive an Honorary Academy Award.

Early life

North was born Isadore Soifer in Chester, Pennsylvania to Russian Jewish parents.

Career

North managed to integrate his modernism into typical film music leitmotif structure, rich with themes. One of these became the famous song, "Unchained Melody". Nominated for fifteen Oscars but unsuccessful each time, North is one of only two film composers to receive the Lifetime Achievement Academy Award, the other being Ennio Morricone. North's frequent collaborator as orchestrator was the avant-garde composer Henry Brant. He won the 1968 Golden Globe award for his music to The Shoes of the Fisherman (1968).

His best-known film scores include A Streetcar Named Desire, Death of a Salesman, Viva Zapata!, The Rainmaker, Spartacus, The Misfits, Cleopatra, Who's Afraid of Virginia Woolf?, Dragonslayer and Under the Volcano. His music for The Wonderful Country makes use of Mexican and American motifs.

Subject (music)

In music, a theme is the material, usually a recognizable melody, upon which part or all of a composition is based. In forms such as the fugue this may be known as the subject.

Characteristics

A theme may be perceivable as a complete musical expression in itself, separate from the work in which it is found (Drabkin 2001). In contrast to an idea or motif, a theme is usually a complete phrase or period (Dunsby 2002). The Encyclopédie Fasquelle defines a theme as "Any element, motif, or small musical piece that has given rise to some variation becomes thereby a theme" (Michel 1958–61).

Thematic changes and processes are often structurally important, and theorists such as Rudolph Reti have created analysis from a purely thematic perspective (Reti 1951; Reti 1967). Fred Lerdahl describes thematic relations as "associational" and thus outside his cognitive-based generative theory's scope of analysis (Lerdahl 2001, 5).

In different types of music

Music based on one theme is called monothematic, while music based on several themes is called polythematic. Most fugues are monothematic and most pieces in sonata form are polythematic (Randel 2002, 429). In the exposition of a fugue, the principal theme (usually called the subject) is announced successively in each voice – sometimes in a transposed form.

Misfits

Misfits, or The Misfits, may refer to:

In film, television and theater

In literature

In music

Albums

Other

See also

Main Theme

"Main Theme" is an instrumental track by English progressive rock band Pink Floyd on their third album, More. The track is played at the beginning of the film, when Stefan is waiting for someone to pick him up along a road to Paris.

Structure

The track begins with a panning gong that lasts as a drone sound for the whole piece; at 0:30 the Farfisa organ starts a progression of modal chords, that fades at 1:12 into a drum-bass iterative sequence, similar to, but slower than, the one featured at the opening of "Let There Be More Light". The organ played through a wah-wah pedal (1:20) plays a progression of background notes over the drum-bass line, while the untreated organ plays the main melodic notes (2:10). The slide guitar plays from the middle of the piece onward. The CD writing credit omits Mason.

Cover

The song has been covered in 1977 by French group Rosebud with an electro-funky style. It is available on their Discoballs album among other Pink Floyd covers.

Personnel

Main title

The main title is the music, often later recorded on soundtrack albums, that is heard in a film while the opening credits are rolling. It does not refer to music playing from on-screen sources such as radios, as in the original opening credits sequence in Touch of Evil.

A main title can consist of a tune sung by the leading character over the credits, such as Moon River, sung by Audrey Hepburn in Breakfast at Tiffany's, or the main orchestral theme as written by the composer, such as the famous The Pink Panther Theme. It can also be a medley of themes from the film, as in the 1959 Ben-Hur. In the film A Hard Day's Night, the title tune was heard over the opening credits showing the Beatles running from their fans. An overture may serve as a main title, as in The Sound of Music. However, there is a very strong difference in a roadshow theatrical release between an overture and a main title. The overture in such films is heard on pre-recorded tape or film, before the film even begins, while the house lights are still up and there is yet no picture on the screen. The main title begins when the film actually starts. In the case of The Sound of Music though (and also Fiddler on the Roof), no overture was heard before the lights in the theatre went down; therefore, in these cases, the main title did serve as an overture. Both films had pre-credits opening sequences; during these, the first song from the film was sung, and immediately afterwards, the main title music followed.