- published: 03 Mar 2013
- views: 82720
Create your page here
-
remove the playlistGranados
- remove the playlistGranados
back to playlist
STUDIO RECORDING 1954 MONO
AMERICAN DECCA GOLD LABEL SERIES DL-9762
00:00 - 1. Minueto
02:43 - 2. Oriental
07:13 - 3. Zarabanda
10:48 - 4. Villanesca
16:06 - 5. Andaluza
20:23 - 6. Rondalla aragonesa
24:03 - 7. Valenciana
28:45 - 8. Asturiana
32:18 - 9. Mazurca
37:13 - 10. Danza triste
41:33 - 11. Zambra
46:45 - 12. Arabesca
Enjoy 1 Hour with the biggest Composer of all time, Antonio Vivaldi - L'Estro Armonico - Concertos Op 3 No 1,2,3,4,5,6,7,8,9,10,11 and 12. The best Classical Music for Studying and Concentration. The most relaxing musicplayed by the biggest Symphony Orchestra of all time [Full Recording in High Quality Sound]
Facebook: https://www.facebook.com/Classical-Music-632527326820785/?ref=hl
Twitter: https://twitter.com/@tunesclassical
Google Play: https://play.google.com/store/music/album/album?id=Bsbwe27hiwldd4tupj47am3wpxa
Thank you so much for watching this video. I hope you enjoy it and don't forget to share it!
The twelve Spanish Dances, Op.37, were composed in 1890, and initially published in four sets of three dances each. These early works, inspired by the Spanish national school of Felipe Pedrell, were one of Granados' first successes as a composer, and have become one of his most popular piano works, second only to the masterly Goyescas.
The 12 Spanish Dances have been transcribed for guitar as well as for orchestra, and are more often heard on the guitar than on the piano, especially the famous 5th dance, Andaluza (sometimes named Playera), which is one of the most performed Spanish classical pieces.
- published: 08 Dec 2014
- views: 50458
Two lovely -- and very different -- performances of the Valses Poéticos. Grosvenor plays these as improvisatory waltzes with a poetic element; Pérez, as poetic pieces with some waltz-like elements. While apparently simple, the Valses Poéticos are gems of craftsmanship: in Valse No.1 the harmonies are nudged just ever-so-slightly ajar from what we’d expect, for instance, Valses Nos.4-5 really turn out to be a pair of mazurkas (or something very similar), and the coda which begins as a spryly chromatic 6/8 Presto winds down and resolves – suddenly and beautifully – into a complete literal reprise of Valse No.1, bringing the suite full circle.
In Grosvenor’s playing the rhythms are taut, the articulation razor-sharp, the faster passages sleek and sparkling [see the Vivo, for instance]. He’s got a pretty distinctive style: often shorter notes which lie just alongside longer ones are given a shorter value than they actually are worth, which gives the playing a characteristic snap and feeling of spontaneity.
Pérez’s recording has long been one of my very favourites: it’s basically a case study in perfect use of rubato. The sound is rich, the phrasing liquid and translucent (the idea of “phrasing” can often be a bit opaque because hard to explain in words, but you only need to compare both pianists’ playing of the Melodico to see what a huge difference it can make), and the voicing of even the thinnest intimations of counterpoint incredibly precise. The emotional heft generated from such an apparently lighthearted suite can be quite surprising: Perez’s return to the Melodico theme from Valse No.1 at 22:43, for instance, is intensely moving.
Grosvenor -
00:00 – 1. Vivace Molto – Melodico [1:03]
02:04 – 2. Tempo di Valse noble
03:30 – 3. Tempo di Valse lente
05:02 – 4. Allegro umoristico
05:40 – 5. Allegretto
06:49 – 6. Quasi ad libitum
07:52 – 7. Vivo
08:32 – 8. Presto
Fernando Pérez -
10:18 – 1. Vivace Molto – Melodico [11:36]
13:25 – 2. Tempo di Valse noble
14:51 – 3. Tempo di Valse lente
17:08 – 4. Allegro umoristico
17:57 – 5. Allegretto
19:26 – 6. Quasi ad libitum
21:07 – 7. Vivo
21:55 – 8. Presto
- published: 02 Sep 2016
- views: 14391
An enthralling performance of one of the most expressive masterpieces in the piano literature. Many people are familiar with de Larrocha’s rhythmic vigor, but her student here displays an utterly idiomatic and strangely bewitching approach to such music – rich with rhythmic suppleness and delicate voicing, where key changes are treated as moments of ecstasy rather than just elements of structure or colouration. There is something dark and glittering that runs like a vein through of Perez’s playing, and a sumptuous sense of freedom that’s probably warranted in this music – music that’s almost absurdly in love the sound of its expression, whose complications only become more improvisatory (in the best sense) as they knot and thicken, and whose rhythmic flights are buried under so much harmonic opulence they’re almost unnoticeable.
Goyescas, Los majos enamorados (The Gallants in Love):
00:00 – 1. Los requiebros (The Compliments)
09:36 – 2. Coloquio en la reja (Conversation at the Window)
20:50 – 3. El fandango de candil (Fandango by Candlelight)
27:03 – 4. Quejas, o La Maja y el ruiseñor (Complaint, or the Girl and the Nightingale)
34:23 – [Intermezzo]
39:03 – 5. El Amor y la muerte (Balada) (Ballad of Love and Death)
52:29 – 6. Epilogo: Serenata del espectro (Epilogue: Serenade to a Spectre)
- published: 18 Aug 2016
- views: 35695
GRANADOS (1867-1916)
The Maiden and the Nightingale ("Goyescas")
Alicia de Larrocha (piano)
Recorded: University of Lleida (UdL), 14-05-2001
*for pedagogical and research purposes only - no copyright infringement intended
_______________________________________________________
Source and information:
Honoris Causa UdL: Alícia de Larrocha de Lacalle
https://www.youtube.com/watch?v=zAqUqBIt9d8
***************************************************************************************************
ALICIA DE LARROCHA
Official website: http://www.aliciadelarrocha.com/international-pianist
Facebook official page: https://www.facebook.com/COOPERALIA?fref=ts
***************************************************************************************************
- published: 29 Nov 2012
- views: 73274
Enrique Granados' temperamental Goyesca No. 1 'Los Requiembros', played by the Cuban genius virtuoso pianist Jorge Luis Prats. Unfortunately, the piano he played in this performance was a bit harsh, but still these are some of the best performances of these works I've ever heard.
- published: 30 Jul 2011
- views: 156926
Enrique Joaquín Granados y Campiña (1867-1916): Valses poéticos (1899).
Alicia de Larrocha, piano.
Preludio (00:00)
1. Melodioso (01:07)
2. Tempo de Valse noble (02:41)
3. Tempo de Valse lente (03:58)
4. Allegro umoristico (05:54)
5. Allegretto (06:36)
6. Quasi ad libitum (07:47)
7. Vivo (09:11)
8. Presto (09:57)
Los Ocho valses poéticos de Enrique Granados, compuestos en Barcelona en 1899, componen una de las suites más conocidas y más románticas del autor. Granados, durante sus primeras (e incluso más tardías) composiciones, denotó un gran interés por el piano romántico del momento, y en algunas de sus obras se perciben características melódicas de Chopin o Schumann.
Catalogados como obra 10 entre las del compositor, se trata de frutos juveniles, puede ser que de 1887. En realidad formaban parte de un todo mucho más amplio —Cartas, Valses de amor— y son el resultado de una selección hecha por Granados para ofrecerlos en dedicatoria «A mi amigo Joaquín Malats». En la primera edición de 1887 constaba otro nombre. Lo borra el autor en el ejemplar que envía al famoso pianista y escribe: «Esta obra va dedicada a ti, Joaquín. El otro nombre no vale».
Músicas al ritmo del 3/4, muy chopinianas al decir de Henri Collet, sin que falten conexiones schubertianas pero tampoco el sello personal, aun tratándose de fruto muy tempranero. Lo que, en cambio, no parece razonable es que se consideren especialmente representativos. El conjunto de los Valses poéticos se integra por un Vivace molto introductor, los siete valses y un Presto final en el que se recuerda expresamente el tema del primero de los citados valses. Pentagramas de claridad y brevedad sumas.
-audio: https://www.youtube.com/watch?v=kxiJYu_Wfkk
-partitura: http://petrucci.mus.auth.gr/imglnks/usimg/e/e4/IMSLP08872-Granados_8_Valses_poeticos.pdf
- published: 21 Mar 2015
- views: 77733
Granados
Granados may refer to:
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Granados
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Enrique Granados
Enrique Granados Campiña (27 July 1867 – 24 March 1916) was a Spanish pianist and composer of classical music. His music is in a uniquely Spanish style and, as such, is representative of musical nationalism.
Life
Enrique Granados Campiña was born in Lleida, Spain, the son of Calixto Granados, a Spanish army captain, and Enriqueta Campiña. As a young man he studied piano in Barcelona, where his teachers included Francisco Jurnet and Joan Baptista Pujol. In 1887 he went to Paris to study. He was unable to become a student at the Paris Conservatoire, but he was able to take private lessons with a conservatoire professor, Charles-Wilfrid de Bériot, whose mother, the soprano Maria Malibran, was of Spanish ancestry. Bériot insisted on extreme refinement in tone production, which strongly influenced Granados’s own teaching of pedal technique. He also fostered Granados's abilities in improvisation. Just as important were his studies with Felip Pedrell. He returned to Barcelona in 1889. His first successes were at the end of the 1890s, with the opera Maria del Carmen, which attracted the attention of King Alfonso XIII.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Enrique_Granados
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Fernando Pérez
Fernando Pérez may refer to:
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Fernando_Pérez
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Alicia de Larrocha
Alicia de Larrocha i de la Calle (23 May 1923 – 25 September 2009) was a Spanish pianist from Catalonia. One of the great piano legends of the 20th century, Reuters called her "the greatest Spanish pianist in history",Time "one of the world's most outstanding pianists" and The Guardian "the leading Spanish pianist of her time".
She won multiple Grammy Awards and a Prince of Asturias Award for the Arts. She is credited with bringing greater popularity to the compositions of Isaac Albéniz and Enrique Granados. In 1995, she became the first Spanish artist to win the UNESCO Prize.
Life and career
Alicia de Larrocha was born in Barcelona. She began studying piano with Frank Marshall at the age of three. Both her parents were pianists and she was also the niece of pianists. Beginning her career at the age of three, she gave her first public performance at the age of five at the International Exposition in Barcelona. She performed her first concert at the age of six at the World's Fair in Seville in 1929, and had her orchestral debut at the age of 11. By 1943, her performances were selling out in Spain. She began touring internationally in 1947, and in 1954 toured North America with the Los Angeles Philharmonic. In 1969, de Larrocha performed in Boston for the Peabody Mason Concert series.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Alicia_de_Larrocha
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
- Loading...
-
52:10YOUNG LARROCHA plays GRANADOS 12 Danzas Espanolas (1954)
YOUNG LARROCHA plays GRANADOS 12 Danzas Espanolas (1954)YOUNG LARROCHA plays GRANADOS 12 Danzas Espanolas (1954)
STUDIO RECORDING 1954 MONO AMERICAN DECCA GOLD LABEL SERIES DL-9762 00:00 - 1. Minueto 02:43 - 2. Oriental 07:13 - 3. Zarabanda 10:48 - 4. Villanesca 16:06 - 5. Andaluza 20:23 - 6. Rondalla aragonesa 24:03 - 7. Valenciana 28:45 - 8. Asturiana 32:18 - 9. Mazurca 37:13 - 10. Danza triste 41:33 - 11. Zambra 46:45 - 12. Arabesca -
54:59Enrique Granados. The Best Spanish Dances for Piano. 1 Hour Classic Music. HQ
Enrique Granados. The Best Spanish Dances for Piano. 1 Hour Classic Music. HQEnrique Granados. The Best Spanish Dances for Piano. 1 Hour Classic Music. HQ
Enjoy 1 Hour with the biggest Composer of all time, Antonio Vivaldi - L'Estro Armonico - Concertos Op 3 No 1,2,3,4,5,6,7,8,9,10,11 and 12. The best Classical Music for Studying and Concentration. The most relaxing musicplayed by the biggest Symphony Orchestra of all time [Full Recording in High Quality Sound] Facebook: https://www.facebook.com/Classical-Music-632527326820785/?ref=hl Twitter: https://twitter.com/@tunesclassical Google Play: https://play.google.com/store/music/album/album?id=Bsbwe27hiwldd4tupj47am3wpxa Thank you so much for watching this video. I hope you enjoy it and don't forget to share it! The twelve Spanish Dances, Op.37, were composed in 1890, and initially published in four sets of three dances each. These early works, inspired by the Spanish national school of Felipe Pedrell, were one of Granados' first successes as a composer, and have become one of his most popular piano works, second only to the masterly Goyescas. The 12 Spanish Dances have been transcribed for guitar as well as for orchestra, and are more often heard on the guitar than on the piano, especially the famous 5th dance, Andaluza (sometimes named Playera), which is one of the most performed Spanish classical pieces. -
24:38Granados: 8 Valses Poéticos (Grosvenor, Fernando Pérez)
Granados: 8 Valses Poéticos (Grosvenor, Fernando Pérez)Granados: 8 Valses Poéticos (Grosvenor, Fernando Pérez)
Two lovely -- and very different -- performances of the Valses Poéticos. Grosvenor plays these as improvisatory waltzes with a poetic element; Pérez, as poetic pieces with some waltz-like elements. While apparently simple, the Valses Poéticos are gems of craftsmanship: in Valse No.1 the harmonies are nudged just ever-so-slightly ajar from what we’d expect, for instance, Valses Nos.4-5 really turn out to be a pair of mazurkas (or something very similar), and the coda which begins as a spryly chromatic 6/8 Presto winds down and resolves – suddenly and beautifully – into a complete literal reprise of Valse No.1, bringing the suite full circle. In Grosvenor’s playing the rhythms are taut, the articulation razor-sharp, the faster passages sleek and sparkling [see the Vivo, for instance]. He’s got a pretty distinctive style: often shorter notes which lie just alongside longer ones are given a shorter value than they actually are worth, which gives the playing a characteristic snap and feeling of spontaneity. Pérez’s recording has long been one of my very favourites: it’s basically a case study in perfect use of rubato. The sound is rich, the phrasing liquid and translucent (the idea of “phrasing” can often be a bit opaque because hard to explain in words, but you only need to compare both pianists’ playing of the Melodico to see what a huge difference it can make), and the voicing of even the thinnest intimations of counterpoint incredibly precise. The emotional heft generated from such an apparently lighthearted suite can be quite surprising: Perez’s return to the Melodico theme from Valse No.1 at 22:43, for instance, is intensely moving. Grosvenor - 00:00 – 1. Vivace Molto – Melodico [1:03] 02:04 – 2. Tempo di Valse noble 03:30 – 3. Tempo di Valse lente 05:02 – 4. Allegro umoristico 05:40 – 5. Allegretto 06:49 – 6. Quasi ad libitum 07:52 – 7. Vivo 08:32 – 8. Presto Fernando Pérez - 10:18 – 1. Vivace Molto – Melodico [11:36] 13:25 – 2. Tempo di Valse noble 14:51 – 3. Tempo di Valse lente 17:08 – 4. Allegro umoristico 17:57 – 5. Allegretto 19:26 – 6. Quasi ad libitum 21:07 – 7. Vivo 21:55 – 8. Presto -
57:00Goyescas (with El Pelele) - Enrique Granados - Alicia De Larrocha
Goyescas (with El Pelele) - Enrique Granados - Alicia De Larrocha -
4:27Granados plays Granados "Oriental" from Danzas españolas
Granados plays Granados "Oriental" from Danzas españolasGranados plays Granados "Oriental" from Danzas españolas
from Spanish Dances, No. 2 Welte Mignon piano roll -
1:01:19Granados: Goyescas (Fernando Pérez)
Granados: Goyescas (Fernando Pérez)Granados: Goyescas (Fernando Pérez)
An enthralling performance of one of the most expressive masterpieces in the piano literature. Many people are familiar with de Larrocha’s rhythmic vigor, but her student here displays an utterly idiomatic and strangely bewitching approach to such music – rich with rhythmic suppleness and delicate voicing, where key changes are treated as moments of ecstasy rather than just elements of structure or colouration. There is something dark and glittering that runs like a vein through of Perez’s playing, and a sumptuous sense of freedom that’s probably warranted in this music – music that’s almost absurdly in love the sound of its expression, whose complications only become more improvisatory (in the best sense) as they knot and thicken, and whose rhythmic flights are buried under so much harmonic opulence they’re almost unnoticeable. Goyescas, Los majos enamorados (The Gallants in Love): 00:00 – 1. Los requiebros (The Compliments) 09:36 – 2. Coloquio en la reja (Conversation at the Window) 20:50 – 3. El fandango de candil (Fandango by Candlelight) 27:03 – 4. Quejas, o La Maja y el ruiseñor (Complaint, or the Girl and the Nightingale) 34:23 – [Intermezzo] 39:03 – 5. El Amor y la muerte (Balada) (Ballad of Love and Death) 52:29 – 6. Epilogo: Serenata del espectro (Epilogue: Serenade to a Spectre) -
6:08Alicia de Larrocha plays Granados - The Maiden and the Nightingale ("Goyescas") [live,2001]
Alicia de Larrocha plays Granados - The Maiden and the Nightingale ("Goyescas") [live,2001]Alicia de Larrocha plays Granados - The Maiden and the Nightingale ("Goyescas") [live,2001]
GRANADOS (1867-1916) The Maiden and the Nightingale ("Goyescas") Alicia de Larrocha (piano) Recorded: University of Lleida (UdL), 14-05-2001 *for pedagogical and research purposes only - no copyright infringement intended _______________________________________________________ Source and information: Honoris Causa UdL: Alícia de Larrocha de Lacalle https://www.youtube.com/watch?v=zAqUqBIt9d8 *************************************************************************************************** ALICIA DE LARROCHA Official website: http://www.aliciadelarrocha.com/international-pianist Facebook official page: https://www.facebook.com/COOPERALIA?fref=ts *************************************************************************************************** -
7:37Granados - Goyesca No. 1 'Los Requiebros' (Prats) Audio + Sheet music
Granados - Goyesca No. 1 'Los Requiebros' (Prats) Audio + Sheet musicGranados - Goyesca No. 1 'Los Requiebros' (Prats) Audio + Sheet music
Enrique Granados' temperamental Goyesca No. 1 'Los Requiembros', played by the Cuban genius virtuoso pianist Jorge Luis Prats. Unfortunately, the piano he played in this performance was a bit harsh, but still these are some of the best performances of these works I've ever heard. -
8:51Granados Allegro de concierto, Op.46
Granados Allegro de concierto, Op.46Granados Allegro de concierto, Op.46
-
12:06Enrique Granados: Valses poéticos (1899)
Enrique Granados: Valses poéticos (1899)Enrique Granados: Valses poéticos (1899)
Enrique Joaquín Granados y Campiña (1867-1916): Valses poéticos (1899). Alicia de Larrocha, piano. Preludio (00:00) 1. Melodioso (01:07) 2. Tempo de Valse noble (02:41) 3. Tempo de Valse lente (03:58) 4. Allegro umoristico (05:54) 5. Allegretto (06:36) 6. Quasi ad libitum (07:47) 7. Vivo (09:11) 8. Presto (09:57) Los Ocho valses poéticos de Enrique Granados, compuestos en Barcelona en 1899, componen una de las suites más conocidas y más románticas del autor. Granados, durante sus primeras (e incluso más tardías) composiciones, denotó un gran interés por el piano romántico del momento, y en algunas de sus obras se perciben características melódicas de Chopin o Schumann. Catalogados como obra 10 entre las del compositor, se trata de frutos juveniles, puede ser que de 1887. En realidad formaban parte de un todo mucho más amplio —Cartas, Valses de amor— y son el resultado de una selección hecha por Granados para ofrecerlos en dedicatoria «A mi amigo Joaquín Malats». En la primera edición de 1887 constaba otro nombre. Lo borra el autor en el ejemplar que envía al famoso pianista y escribe: «Esta obra va dedicada a ti, Joaquín. El otro nombre no vale». Músicas al ritmo del 3/4, muy chopinianas al decir de Henri Collet, sin que falten conexiones schubertianas pero tampoco el sello personal, aun tratándose de fruto muy tempranero. Lo que, en cambio, no parece razonable es que se consideren especialmente representativos. El conjunto de los Valses poéticos se integra por un Vivace molto introductor, los siete valses y un Presto final en el que se recuerda expresamente el tema del primero de los citados valses. Pentagramas de claridad y brevedad sumas. -audio: https://www.youtube.com/watch?v=kxiJYu_Wfkk -partitura: http://petrucci.mus.auth.gr/imglnks/usimg/e/e4/IMSLP08872-Granados_8_Valses_poeticos.pdf
'Granados' is featured as a movie character in the following productions:
Dos billetes (2009)
Actors: José Manuel Cervino (actor), Fernando Guillén (actor), Manuel de Blas (actor), Xabier Elorriaga (actor), Pep Ferrer (actor), Toni Martínez (actor), Ariadna Cabrol (actress), Enric Arredondo (actor), Manuel Veiga (actor), Mónica Pont (actress), Manuel Mena (actor), José Comisario (actor), Javier Serrano (director), Josi García (producer), Javier Serrano (writer),
Genres: Thriller,-
YOUNG LARROCHA plays GRANADOS 12 Danzas Espanolas (1954)
STUDIO RECORDING 1954 MONO AMERICAN DECCA GOLD LABEL SERIES DL-9762 00:00 - 1. Minueto 02:43 - 2. Oriental 07:13 - 3. Zarabanda 10:48 - 4. Villanesca 16:06 - 5. Andaluza 20:23 - 6. Rondalla aragonesa 24:03 - 7. Valenciana 28:45 - 8. Asturiana 32:18 - 9. Mazurca 37:13 - 10. Danza triste 41:33 - 11. Zambra 46:45 - 12. Arabesca
published: 03 Mar 2013 -
Enrique Granados. The Best Spanish Dances for Piano. 1 Hour Classic Music. HQ
Enjoy 1 Hour with the biggest Composer of all time, Antonio Vivaldi - L'Estro Armonico - Concertos Op 3 No 1,2,3,4,5,6,7,8,9,10,11 and 12. The best Classical Music for Studying and Concentration. The most relaxing musicplayed by the biggest Symphony Orchestra of all time [Full Recording in High Quality Sound] Facebook: https://www.facebook.com/Classical-Music-632527326820785/?ref=hl Twitter: https://twitter.com/@tunesclassical Google Play: https://play.google.com/store/music/album/album?id=Bsbwe27hiwldd4tupj47am3wpxa Thank you so much for watching this video. I hope you enjoy it and don't forget to share it! The twelve Spanish Dances, Op.37, were composed in 1890, and initially published in four sets of three dances each. These early works, inspired by the Spanish national school of Fel...
published: 08 Dec 2014 -
Granados: 8 Valses Poéticos (Grosvenor, Fernando Pérez)
Two lovely -- and very different -- performances of the Valses Poéticos. Grosvenor plays these as improvisatory waltzes with a poetic element; Pérez, as poetic pieces with some waltz-like elements. While apparently simple, the Valses Poéticos are gems of craftsmanship: in Valse No.1 the harmonies are nudged just ever-so-slightly ajar from what we’d expect, for instance, Valses Nos.4-5 really turn out to be a pair of mazurkas (or something very similar), and the coda which begins as a spryly chromatic 6/8 Presto winds down and resolves – suddenly and beautifully – into a complete literal reprise of Valse No.1, bringing the suite full circle. In Grosvenor’s playing the rhythms are taut, the articulation razor-sharp, the faster passages sleek and sparkling [see the Vivo, for instance]. He’s ...
published: 02 Sep 2016 -
-
Granados plays Granados "Oriental" from Danzas españolas
from Spanish Dances, No. 2 Welte Mignon piano roll
published: 10 Nov 2010 -
Granados: Goyescas (Fernando Pérez)
An enthralling performance of one of the most expressive masterpieces in the piano literature. Many people are familiar with de Larrocha’s rhythmic vigor, but her student here displays an utterly idiomatic and strangely bewitching approach to such music – rich with rhythmic suppleness and delicate voicing, where key changes are treated as moments of ecstasy rather than just elements of structure or colouration. There is something dark and glittering that runs like a vein through of Perez’s playing, and a sumptuous sense of freedom that’s probably warranted in this music – music that’s almost absurdly in love the sound of its expression, whose complications only become more improvisatory (in the best sense) as they knot and thicken, and whose rhythmic flights are buried under so much harmo...
published: 18 Aug 2016 -
Alicia de Larrocha plays Granados - The Maiden and the Nightingale ("Goyescas") [live,2001]
GRANADOS (1867-1916) The Maiden and the Nightingale ("Goyescas") Alicia de Larrocha (piano) Recorded: University of Lleida (UdL), 14-05-2001 *for pedagogical and research purposes only - no copyright infringement intended _______________________________________________________ Source and information: Honoris Causa UdL: Alícia de Larrocha de Lacalle https://www.youtube.com/watch?v=zAqUqBIt9d8 *************************************************************************************************** ALICIA DE LARROCHA Official website: http://www.aliciadelarrocha.com/international-pianist Facebook official page: https://www.facebook.com/COOPERALIA?fref=ts ***************************************************************************************************
published: 29 Nov 2012 -
Granados - Goyesca No. 1 'Los Requiebros' (Prats) Audio + Sheet music
Enrique Granados' temperamental Goyesca No. 1 'Los Requiembros', played by the Cuban genius virtuoso pianist Jorge Luis Prats. Unfortunately, the piano he played in this performance was a bit harsh, but still these are some of the best performances of these works I've ever heard.
published: 30 Jul 2011 -
Granados Allegro de concierto, Op.46
published: 17 Aug 2011 -
Enrique Granados: Valses poéticos (1899)
Enrique Joaquín Granados y Campiña (1867-1916): Valses poéticos (1899). Alicia de Larrocha, piano. Preludio (00:00) 1. Melodioso (01:07) 2. Tempo de Valse noble (02:41) 3. Tempo de Valse lente (03:58) 4. Allegro umoristico (05:54) 5. Allegretto (06:36) 6. Quasi ad libitum (07:47) 7. Vivo (09:11) 8. Presto (09:57) Los Ocho valses poéticos de Enrique Granados, compuestos en Barcelona en 1899, componen una de las suites más conocidas y más románticas del autor. Granados, durante sus primeras (e incluso más tardías) composiciones, denotó un gran interés por el piano romántico del momento, y en algunas de sus obras se perciben características melódicas de Chopin o Schumann. Catalogados como obra 10 entre las del compositor, se trata de frutos juveniles, puede ser que de 1887. En realidad...
published: 21 Mar 2015
YOUNG LARROCHA plays GRANADOS 12 Danzas Espanolas (1954)
- Order: Reorder
- Duration: 52:10
- Updated: 03 Mar 2013
- views: 82720
STUDIO RECORDING 1954 MONO
AMERICAN DECCA GOLD LABEL SERIES DL-9762
00:00 - 1. Minueto
02:43 - 2. Oriental
07:13 - 3. Zarabanda
10:48 - 4. Villanesca
16:06 - 5....
STUDIO RECORDING 1954 MONO
AMERICAN DECCA GOLD LABEL SERIES DL-9762
00:00 - 1. Minueto
02:43 - 2. Oriental
07:13 - 3. Zarabanda
10:48 - 4. Villanesca
16:06 - 5. Andaluza
20:23 - 6. Rondalla aragonesa
24:03 - 7. Valenciana
28:45 - 8. Asturiana
32:18 - 9. Mazurca
37:13 - 10. Danza triste
41:33 - 11. Zambra
46:45 - 12. Arabesca
https://wn.com/Young_Larrocha_Plays_Granados_12_Danzas_Espanolas_(1954)
STUDIO RECORDING 1954 MONO
AMERICAN DECCA GOLD LABEL SERIES DL-9762
00:00 - 1. Minueto
02:43 - 2. Oriental
07:13 - 3. Zarabanda
10:48 - 4. Villanesca
16:06 - 5. Andaluza
20:23 - 6. Rondalla aragonesa
24:03 - 7. Valenciana
28:45 - 8. Asturiana
32:18 - 9. Mazurca
37:13 - 10. Danza triste
41:33 - 11. Zambra
46:45 - 12. Arabesca
- published: 03 Mar 2013
- views: 82720
Enrique Granados. The Best Spanish Dances for Piano. 1 Hour Classic Music. HQ
- Order: Reorder
- Duration: 54:59
- Updated: 08 Dec 2014
- views: 50458
Enjoy 1 Hour with the biggest Composer of all time, Antonio Vivaldi - L'Estro Armonico - Concertos Op 3 No 1,2,3,4,5,6,7,8,9,10,11 and 12. The best Classical Mu...
Enjoy 1 Hour with the biggest Composer of all time, Antonio Vivaldi - L'Estro Armonico - Concertos Op 3 No 1,2,3,4,5,6,7,8,9,10,11 and 12. The best Classical Music for Studying and Concentration. The most relaxing musicplayed by the biggest Symphony Orchestra of all time [Full Recording in High Quality Sound]
Facebook: https://www.facebook.com/Classical-Music-632527326820785/?ref=hl
Twitter: https://twitter.com/@tunesclassical
Google Play: https://play.google.com/store/music/album/album?id=Bsbwe27hiwldd4tupj47am3wpxa
Thank you so much for watching this video. I hope you enjoy it and don't forget to share it!
The twelve Spanish Dances, Op.37, were composed in 1890, and initially published in four sets of three dances each. These early works, inspired by the Spanish national school of Felipe Pedrell, were one of Granados' first successes as a composer, and have become one of his most popular piano works, second only to the masterly Goyescas.
The 12 Spanish Dances have been transcribed for guitar as well as for orchestra, and are more often heard on the guitar than on the piano, especially the famous 5th dance, Andaluza (sometimes named Playera), which is one of the most performed Spanish classical pieces.
https://wn.com/Enrique_Granados._The_Best_Spanish_Dances_For_Piano._1_Hour_Classic_Music._Hq
Enjoy 1 Hour with the biggest Composer of all time, Antonio Vivaldi - L'Estro Armonico - Concertos Op 3 No 1,2,3,4,5,6,7,8,9,10,11 and 12. The best Classical Music for Studying and Concentration. The most relaxing musicplayed by the biggest Symphony Orchestra of all time [Full Recording in High Quality Sound]
Facebook: https://www.facebook.com/Classical-Music-632527326820785/?ref=hl
Twitter: https://twitter.com/@tunesclassical
Google Play: https://play.google.com/store/music/album/album?id=Bsbwe27hiwldd4tupj47am3wpxa
Thank you so much for watching this video. I hope you enjoy it and don't forget to share it!
The twelve Spanish Dances, Op.37, were composed in 1890, and initially published in four sets of three dances each. These early works, inspired by the Spanish national school of Felipe Pedrell, were one of Granados' first successes as a composer, and have become one of his most popular piano works, second only to the masterly Goyescas.
The 12 Spanish Dances have been transcribed for guitar as well as for orchestra, and are more often heard on the guitar than on the piano, especially the famous 5th dance, Andaluza (sometimes named Playera), which is one of the most performed Spanish classical pieces.
- published: 08 Dec 2014
- views: 50458
Granados: 8 Valses Poéticos (Grosvenor, Fernando Pérez)
- Order: Reorder
- Duration: 24:38
- Updated: 02 Sep 2016
- views: 14391
Two lovely -- and very different -- performances of the Valses Poéticos. Grosvenor plays these as improvisatory waltzes with a poetic element; Pérez, as poetic ...
Two lovely -- and very different -- performances of the Valses Poéticos. Grosvenor plays these as improvisatory waltzes with a poetic element; Pérez, as poetic pieces with some waltz-like elements. While apparently simple, the Valses Poéticos are gems of craftsmanship: in Valse No.1 the harmonies are nudged just ever-so-slightly ajar from what we’d expect, for instance, Valses Nos.4-5 really turn out to be a pair of mazurkas (or something very similar), and the coda which begins as a spryly chromatic 6/8 Presto winds down and resolves – suddenly and beautifully – into a complete literal reprise of Valse No.1, bringing the suite full circle.
In Grosvenor’s playing the rhythms are taut, the articulation razor-sharp, the faster passages sleek and sparkling [see the Vivo, for instance]. He’s got a pretty distinctive style: often shorter notes which lie just alongside longer ones are given a shorter value than they actually are worth, which gives the playing a characteristic snap and feeling of spontaneity.
Pérez’s recording has long been one of my very favourites: it’s basically a case study in perfect use of rubato. The sound is rich, the phrasing liquid and translucent (the idea of “phrasing” can often be a bit opaque because hard to explain in words, but you only need to compare both pianists’ playing of the Melodico to see what a huge difference it can make), and the voicing of even the thinnest intimations of counterpoint incredibly precise. The emotional heft generated from such an apparently lighthearted suite can be quite surprising: Perez’s return to the Melodico theme from Valse No.1 at 22:43, for instance, is intensely moving.
Grosvenor -
00:00 – 1. Vivace Molto – Melodico [1:03]
02:04 – 2. Tempo di Valse noble
03:30 – 3. Tempo di Valse lente
05:02 – 4. Allegro umoristico
05:40 – 5. Allegretto
06:49 – 6. Quasi ad libitum
07:52 – 7. Vivo
08:32 – 8. Presto
Fernando Pérez -
10:18 – 1. Vivace Molto – Melodico [11:36]
13:25 – 2. Tempo di Valse noble
14:51 – 3. Tempo di Valse lente
17:08 – 4. Allegro umoristico
17:57 – 5. Allegretto
19:26 – 6. Quasi ad libitum
21:07 – 7. Vivo
21:55 – 8. Presto
https://wn.com/Granados_8_Valses_Poéticos_(Grosvenor,_Fernando_Pérez)
Two lovely -- and very different -- performances of the Valses Poéticos. Grosvenor plays these as improvisatory waltzes with a poetic element; Pérez, as poetic pieces with some waltz-like elements. While apparently simple, the Valses Poéticos are gems of craftsmanship: in Valse No.1 the harmonies are nudged just ever-so-slightly ajar from what we’d expect, for instance, Valses Nos.4-5 really turn out to be a pair of mazurkas (or something very similar), and the coda which begins as a spryly chromatic 6/8 Presto winds down and resolves – suddenly and beautifully – into a complete literal reprise of Valse No.1, bringing the suite full circle.
In Grosvenor’s playing the rhythms are taut, the articulation razor-sharp, the faster passages sleek and sparkling [see the Vivo, for instance]. He’s got a pretty distinctive style: often shorter notes which lie just alongside longer ones are given a shorter value than they actually are worth, which gives the playing a characteristic snap and feeling of spontaneity.
Pérez’s recording has long been one of my very favourites: it’s basically a case study in perfect use of rubato. The sound is rich, the phrasing liquid and translucent (the idea of “phrasing” can often be a bit opaque because hard to explain in words, but you only need to compare both pianists’ playing of the Melodico to see what a huge difference it can make), and the voicing of even the thinnest intimations of counterpoint incredibly precise. The emotional heft generated from such an apparently lighthearted suite can be quite surprising: Perez’s return to the Melodico theme from Valse No.1 at 22:43, for instance, is intensely moving.
Grosvenor -
00:00 – 1. Vivace Molto – Melodico [1:03]
02:04 – 2. Tempo di Valse noble
03:30 – 3. Tempo di Valse lente
05:02 – 4. Allegro umoristico
05:40 – 5. Allegretto
06:49 – 6. Quasi ad libitum
07:52 – 7. Vivo
08:32 – 8. Presto
Fernando Pérez -
10:18 – 1. Vivace Molto – Melodico [11:36]
13:25 – 2. Tempo di Valse noble
14:51 – 3. Tempo di Valse lente
17:08 – 4. Allegro umoristico
17:57 – 5. Allegretto
19:26 – 6. Quasi ad libitum
21:07 – 7. Vivo
21:55 – 8. Presto
- published: 02 Sep 2016
- views: 14391
Goyescas (with El Pelele) - Enrique Granados - Alicia De Larrocha
- Order: Reorder
- Duration: 57:00
- Updated: 19 May 2013
- views: 59826
Los requiebros 00:00
Coloquio en la reja 08:44
El fandango de candil 20:03
Quejas, o la maja y el ruisenor 25:37
El Amor Y La Muerte (Balada) 32:18
Epilogo: Ser...
Los requiebros 00:00
Coloquio en la reja 08:44
El fandango de candil 20:03
Quejas, o la maja y el ruisenor 25:37
El Amor Y La Muerte (Balada) 32:18
Epilogo: Serenata del espectro 44:39
El pelele 52:24
https://wn.com/Goyescas_(With_El_Pelele)_Enrique_Granados_Alicia_De_Larrocha
Granados plays Granados "Oriental" from Danzas españolas
- Order: Reorder
- Duration: 4:27
- Updated: 10 Nov 2010
- views: 142744
Granados: Goyescas (Fernando Pérez)
- Order: Reorder
- Duration: 1:01:19
- Updated: 18 Aug 2016
- views: 35695
An enthralling performance of one of the most expressive masterpieces in the piano literature. Many people are familiar with de Larrocha’s rhythmic vigor, but h...
An enthralling performance of one of the most expressive masterpieces in the piano literature. Many people are familiar with de Larrocha’s rhythmic vigor, but her student here displays an utterly idiomatic and strangely bewitching approach to such music – rich with rhythmic suppleness and delicate voicing, where key changes are treated as moments of ecstasy rather than just elements of structure or colouration. There is something dark and glittering that runs like a vein through of Perez’s playing, and a sumptuous sense of freedom that’s probably warranted in this music – music that’s almost absurdly in love the sound of its expression, whose complications only become more improvisatory (in the best sense) as they knot and thicken, and whose rhythmic flights are buried under so much harmonic opulence they’re almost unnoticeable.
Goyescas, Los majos enamorados (The Gallants in Love):
00:00 – 1. Los requiebros (The Compliments)
09:36 – 2. Coloquio en la reja (Conversation at the Window)
20:50 – 3. El fandango de candil (Fandango by Candlelight)
27:03 – 4. Quejas, o La Maja y el ruiseñor (Complaint, or the Girl and the Nightingale)
34:23 – [Intermezzo]
39:03 – 5. El Amor y la muerte (Balada) (Ballad of Love and Death)
52:29 – 6. Epilogo: Serenata del espectro (Epilogue: Serenade to a Spectre)
https://wn.com/Granados_Goyescas_(Fernando_Pérez)
An enthralling performance of one of the most expressive masterpieces in the piano literature. Many people are familiar with de Larrocha’s rhythmic vigor, but her student here displays an utterly idiomatic and strangely bewitching approach to such music – rich with rhythmic suppleness and delicate voicing, where key changes are treated as moments of ecstasy rather than just elements of structure or colouration. There is something dark and glittering that runs like a vein through of Perez’s playing, and a sumptuous sense of freedom that’s probably warranted in this music – music that’s almost absurdly in love the sound of its expression, whose complications only become more improvisatory (in the best sense) as they knot and thicken, and whose rhythmic flights are buried under so much harmonic opulence they’re almost unnoticeable.
Goyescas, Los majos enamorados (The Gallants in Love):
00:00 – 1. Los requiebros (The Compliments)
09:36 – 2. Coloquio en la reja (Conversation at the Window)
20:50 – 3. El fandango de candil (Fandango by Candlelight)
27:03 – 4. Quejas, o La Maja y el ruiseñor (Complaint, or the Girl and the Nightingale)
34:23 – [Intermezzo]
39:03 – 5. El Amor y la muerte (Balada) (Ballad of Love and Death)
52:29 – 6. Epilogo: Serenata del espectro (Epilogue: Serenade to a Spectre)
- published: 18 Aug 2016
- views: 35695
Alicia de Larrocha plays Granados - The Maiden and the Nightingale ("Goyescas") [live,2001]
- Order: Reorder
- Duration: 6:08
- Updated: 29 Nov 2012
- views: 73274
GRANADOS (1867-1916)
The Maiden and the Nightingale ("Goyescas")
Alicia de Larrocha (piano)
Recorded: University of Lleida (UdL), 14-05-2001
*for pedagogica...
GRANADOS (1867-1916)
The Maiden and the Nightingale ("Goyescas")
Alicia de Larrocha (piano)
Recorded: University of Lleida (UdL), 14-05-2001
*for pedagogical and research purposes only - no copyright infringement intended
_______________________________________________________
Source and information:
Honoris Causa UdL: Alícia de Larrocha de Lacalle
https://www.youtube.com/watch?v=zAqUqBIt9d8
***************************************************************************************************
ALICIA DE LARROCHA
Official website: http://www.aliciadelarrocha.com/international-pianist
Facebook official page: https://www.facebook.com/COOPERALIA?fref=ts
***************************************************************************************************
https://wn.com/Alicia_De_Larrocha_Plays_Granados_The_Maiden_And_The_Nightingale_(_Goyescas_)_Live,2001
GRANADOS (1867-1916)
The Maiden and the Nightingale ("Goyescas")
Alicia de Larrocha (piano)
Recorded: University of Lleida (UdL), 14-05-2001
*for pedagogical and research purposes only - no copyright infringement intended
_______________________________________________________
Source and information:
Honoris Causa UdL: Alícia de Larrocha de Lacalle
https://www.youtube.com/watch?v=zAqUqBIt9d8
***************************************************************************************************
ALICIA DE LARROCHA
Official website: http://www.aliciadelarrocha.com/international-pianist
Facebook official page: https://www.facebook.com/COOPERALIA?fref=ts
***************************************************************************************************
- published: 29 Nov 2012
- views: 73274
Granados - Goyesca No. 1 'Los Requiebros' (Prats) Audio + Sheet music
- Order: Reorder
- Duration: 7:37
- Updated: 30 Jul 2011
- views: 156926
Enrique Granados' temperamental Goyesca No. 1 'Los Requiembros', played by the Cuban genius virtuoso pianist Jorge Luis Prats. Unfortunately, the piano he playe...
Enrique Granados' temperamental Goyesca No. 1 'Los Requiembros', played by the Cuban genius virtuoso pianist Jorge Luis Prats. Unfortunately, the piano he played in this performance was a bit harsh, but still these are some of the best performances of these works I've ever heard.
https://wn.com/Granados_Goyesca_No._1_'Los_Requiebros'_(Prats)_Audio_Sheet_Music
Enrique Granados' temperamental Goyesca No. 1 'Los Requiembros', played by the Cuban genius virtuoso pianist Jorge Luis Prats. Unfortunately, the piano he played in this performance was a bit harsh, but still these are some of the best performances of these works I've ever heard.
- published: 30 Jul 2011
- views: 156926
Granados Allegro de concierto, Op.46
- Order: Reorder
- Duration: 8:51
- Updated: 17 Aug 2011
- views: 170016
- published: 17 Aug 2011
- views: 170016
Enrique Granados: Valses poéticos (1899)
- Order: Reorder
- Duration: 12:06
- Updated: 21 Mar 2015
- views: 77733
Enrique Joaquín Granados y Campiña (1867-1916): Valses poéticos (1899).
Alicia de Larrocha, piano.
Preludio (00:00)
1. Melodioso (01:07)
2. Tempo de Valse no...
Enrique Joaquín Granados y Campiña (1867-1916): Valses poéticos (1899).
Alicia de Larrocha, piano.
Preludio (00:00)
1. Melodioso (01:07)
2. Tempo de Valse noble (02:41)
3. Tempo de Valse lente (03:58)
4. Allegro umoristico (05:54)
5. Allegretto (06:36)
6. Quasi ad libitum (07:47)
7. Vivo (09:11)
8. Presto (09:57)
Los Ocho valses poéticos de Enrique Granados, compuestos en Barcelona en 1899, componen una de las suites más conocidas y más románticas del autor. Granados, durante sus primeras (e incluso más tardías) composiciones, denotó un gran interés por el piano romántico del momento, y en algunas de sus obras se perciben características melódicas de Chopin o Schumann.
Catalogados como obra 10 entre las del compositor, se trata de frutos juveniles, puede ser que de 1887. En realidad formaban parte de un todo mucho más amplio —Cartas, Valses de amor— y son el resultado de una selección hecha por Granados para ofrecerlos en dedicatoria «A mi amigo Joaquín Malats». En la primera edición de 1887 constaba otro nombre. Lo borra el autor en el ejemplar que envía al famoso pianista y escribe: «Esta obra va dedicada a ti, Joaquín. El otro nombre no vale».
Músicas al ritmo del 3/4, muy chopinianas al decir de Henri Collet, sin que falten conexiones schubertianas pero tampoco el sello personal, aun tratándose de fruto muy tempranero. Lo que, en cambio, no parece razonable es que se consideren especialmente representativos. El conjunto de los Valses poéticos se integra por un Vivace molto introductor, los siete valses y un Presto final en el que se recuerda expresamente el tema del primero de los citados valses. Pentagramas de claridad y brevedad sumas.
-audio: https://www.youtube.com/watch?v=kxiJYu_Wfkk
-partitura: http://petrucci.mus.auth.gr/imglnks/usimg/e/e4/IMSLP08872-Granados_8_Valses_poeticos.pdf
https://wn.com/Enrique_Granados_Valses_Poéticos_(1899)
Enrique Joaquín Granados y Campiña (1867-1916): Valses poéticos (1899).
Alicia de Larrocha, piano.
Preludio (00:00)
1. Melodioso (01:07)
2. Tempo de Valse noble (02:41)
3. Tempo de Valse lente (03:58)
4. Allegro umoristico (05:54)
5. Allegretto (06:36)
6. Quasi ad libitum (07:47)
7. Vivo (09:11)
8. Presto (09:57)
Los Ocho valses poéticos de Enrique Granados, compuestos en Barcelona en 1899, componen una de las suites más conocidas y más románticas del autor. Granados, durante sus primeras (e incluso más tardías) composiciones, denotó un gran interés por el piano romántico del momento, y en algunas de sus obras se perciben características melódicas de Chopin o Schumann.
Catalogados como obra 10 entre las del compositor, se trata de frutos juveniles, puede ser que de 1887. En realidad formaban parte de un todo mucho más amplio —Cartas, Valses de amor— y son el resultado de una selección hecha por Granados para ofrecerlos en dedicatoria «A mi amigo Joaquín Malats». En la primera edición de 1887 constaba otro nombre. Lo borra el autor en el ejemplar que envía al famoso pianista y escribe: «Esta obra va dedicada a ti, Joaquín. El otro nombre no vale».
Músicas al ritmo del 3/4, muy chopinianas al decir de Henri Collet, sin que falten conexiones schubertianas pero tampoco el sello personal, aun tratándose de fruto muy tempranero. Lo que, en cambio, no parece razonable es que se consideren especialmente representativos. El conjunto de los Valses poéticos se integra por un Vivace molto introductor, los siete valses y un Presto final en el que se recuerda expresamente el tema del primero de los citados valses. Pentagramas de claridad y brevedad sumas.
-audio: https://www.youtube.com/watch?v=kxiJYu_Wfkk
-partitura: http://petrucci.mus.auth.gr/imglnks/usimg/e/e4/IMSLP08872-Granados_8_Valses_poeticos.pdf
- published: 21 Mar 2015
- views: 77733
- Playlist
- Chat
- Playlist
- Chat
52:10
YOUNG LARROCHA plays GRANADOS 12 Danzas Espanolas (1954)
STUDIO RECORDING 1954 MONO
AMERICAN DECCA GOLD LABEL SERIES DL-9762
00:00 - 1. Minueto
02:...
published: 03 Mar 2013
YOUNG LARROCHA plays GRANADOS 12 Danzas Espanolas (1954)
YOUNG LARROCHA plays GRANADOS 12 Danzas Espanolas (1954)
- Report rights infringement
- published: 03 Mar 2013
- views: 82720
54:59
Enrique Granados. The Best Spanish Dances for Piano. 1 Hour Classic Music. HQ
Enjoy 1 Hour with the biggest Composer of all time, Antonio Vivaldi - L'Estro Armonico - C...
published: 08 Dec 2014
Enrique Granados. The Best Spanish Dances for Piano. 1 Hour Classic Music. HQ
Enrique Granados. The Best Spanish Dances for Piano. 1 Hour Classic Music. HQ
- Report rights infringement
- published: 08 Dec 2014
- views: 50458
24:38
Granados: 8 Valses Poéticos (Grosvenor, Fernando Pérez)
Two lovely -- and very different -- performances of the Valses Poéticos. Grosvenor plays t...
published: 02 Sep 2016
Granados: 8 Valses Poéticos (Grosvenor, Fernando Pérez)
Granados: 8 Valses Poéticos (Grosvenor, Fernando Pérez)
- Report rights infringement
- published: 02 Sep 2016
- views: 14391
57:00
Goyescas (with El Pelele) - Enrique Granados - Alicia De Larrocha
Los requiebros 00:00
Coloquio en la reja 08:44
El fandango de candil 20:03
Quejas, o la ma...
published: 19 May 2013
Goyescas (with El Pelele) - Enrique Granados - Alicia De Larrocha
Goyescas (with El Pelele) - Enrique Granados - Alicia De Larrocha
- Report rights infringement
- published: 19 May 2013
- views: 59826
4:27
Granados plays Granados "Oriental" from Danzas españolas
from Spanish Dances, No. 2
Welte Mignon piano roll
published: 10 Nov 2010
Granados plays Granados "Oriental" from Danzas españolas
Granados plays Granados "Oriental" from Danzas españolas
- Report rights infringement
- published: 10 Nov 2010
- views: 142744
1:01:19
Granados: Goyescas (Fernando Pérez)
An enthralling performance of one of the most expressive masterpieces in the piano literat...
published: 18 Aug 2016
Granados: Goyescas (Fernando Pérez)
Granados: Goyescas (Fernando Pérez)
- Report rights infringement
- published: 18 Aug 2016
- views: 35695
6:08
Alicia de Larrocha plays Granados - The Maiden and the Nightingale ("Goyescas") [live,2001]
GRANADOS (1867-1916)
The Maiden and the Nightingale ("Goyescas")
Alicia de Larrocha (pia...
published: 29 Nov 2012
Alicia de Larrocha plays Granados - The Maiden and the Nightingale ("Goyescas") [live,2001]
Alicia de Larrocha plays Granados - The Maiden and the Nightingale ("Goyescas") [live,2001]
- Report rights infringement
- published: 29 Nov 2012
- views: 73274
7:37
Granados - Goyesca No. 1 'Los Requiebros' (Prats) Audio + Sheet music
Enrique Granados' temperamental Goyesca No. 1 'Los Requiembros', played by the Cuban geniu...
published: 30 Jul 2011
Granados - Goyesca No. 1 'Los Requiebros' (Prats) Audio + Sheet music
Granados - Goyesca No. 1 'Los Requiebros' (Prats) Audio + Sheet music
- Report rights infringement
- published: 30 Jul 2011
- views: 156926
8:51
Granados Allegro de concierto, Op.46
published: 17 Aug 2011
Granados Allegro de concierto, Op.46
Granados Allegro de concierto, Op.46
- Report rights infringement
- published: 17 Aug 2011
- views: 170016
12:06
Enrique Granados: Valses poéticos (1899)
Enrique Joaquín Granados y Campiña (1867-1916): Valses poéticos (1899).
Alicia de Larroch...
published: 21 Mar 2015
Enrique Granados: Valses poéticos (1899)
Enrique Granados: Valses poéticos (1899)
- Report rights infringement
- published: 21 Mar 2015
- views: 77733
YOUNG LARROCHA plays GRANADOS 12 Danzas Espanolas ...
Enrique Granados. The Best Spanish Dances for Pian...
Granados: 8 Valses Poéticos (Grosvenor, Fernando P...
Goyescas (with El Pelele) - Enrique Granados - Ali...
Granados plays Granados "Oriental" from Danzas esp...
Granados: Goyescas (Fernando Pérez)...
Alicia de Larrocha plays Granados - The Maiden and...
Granados - Goyesca No. 1 'Los Requiebros' (Prats) ...
Granados Allegro de concierto, Op.46...
Enrique Granados: Valses poéticos (1899)...
-
Lyrics list:lyrics
-
Mein Herz, Coronatus
-
My Rose Desire, Coronatus
-
Requiem Tabernam, Coronatus
-
Volles Leben, Coronatus
-
Saint Slayer, Coronatus
-
The Scream Of The Butterfly, Coronatus
-
Terra Incognita, Coronatus
-
Silberlicht, Coronatus
-
Josy, Coronatus
-
In Your Hands, Coronatus
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
Mein Herz
Blasse Stirn im Nachtlicht
Gekrönt und ungehalten
Meiner Welt verschwig dich
Dafür sei dein was atmet
Aus deiner Schläfe
wird ein dunkler Geist zum Himmel fahren
So schön und unergründbar,
traurig wie das Leben, das dich treibt
Und dennoch bleibt mein Herz, mein Sehnen
lass die Engel untergehen
Mein Herz, mein Sehnen
werden mich zu Sternen heben
Mein Herz, mein Sehnen
dass die Himmel mir begegnen
Mein Herz, mein Sehnen
Atem stirbt und die Erinnerung - vergeht
Hohl erkling der Ort hier
Staub liegt in leeren Brunnen
Ein Geschick aus Ton nur
Ungeliebt zur Welt gekommen
Fall wie der Regen fällt
und tränke meine nackten Arme
So schön und unergründbar,
traurig wie das Leben, das dich treibt
Vom Rand der Welt
erklingt das Beben in der Zeit
So viele stürzten mich
back
India deploys more troops along China border, raises ‘caution level’
Edit The Siasat Daily 12 Aug 2017
New Delhi. In a strategically key move, India has poured in more troops along the entire stretch of its border with China in Sikkim and Arunachal Pradesh in the face of heightened rhetoric by Beijing over the Dokalam standoff, senior government officials said on Friday. The “caution level” among the troops has also been raised, the officials told PTI ... Bhutan and China have competing claims over Dokalam, and are negotiating a resolution....
back
Charlottesville clash between white nationalists and counter-protesters gets out of hand as vehicle hits crowd ...
Edit DNA India 12 Aug 2017
At least one vehicle hit a crowd of people gathered in a Charlottesville, Virginia, on Saturday, hours after police broke up a clash between white nationalists and counter-protesters, according to witnesses, but it was not clear whether the incident was connected to the earlier melee. The accident involved three vehicles, and there were multiple injuries, Charlottesville city spokeswoman Miriam Dickler said in a text message ... ....
back
Rescue ship suspends work after 'threats by Libyan coastguard'
Edit The Guardian 12 Aug 2017
Doctors Without Borders told by Italian authorities that increasing aggression by Libyan ships poses a security risk. Refugees. Rescue ship suspends work after 'threats by Libyan coastguard'. Doctors Without Borders told by Italian authorities that increasing aggression by Libyan ships poses a security risk ... The group added that Libyan authorities declared their own rescue area, extending into international waters, the same day ... ....
back
Babysitters In Massachusetts Put Infant Inside Refrigerator, Posts Video On Snapchat
Edit Yahoo Daily News 12 Aug 2017
In a horrifying incident of its kind, a baby was put inside a refrigerator by baby sitters and the video was posted on Snapchat. The incident happened in Danvers, Massachusetts in the United States. The two juvenile babysitters are now facing charges for allegedly committing the act and sharing the video on a social networking site ... After a few seconds, they open the door and take the baby out of it ... ....
back
Usain Bolt collapses in final race, Great Britain seal 4x100m relay gold
Edit Hindustan Times 13 Aug 2017
Usain Bolt’s unparalleled career ended in extraordinary drama as he pulled up with injury on the anchor leg of his very last race, the 4x100 metres relay final at the World Championships ... The British quartet of Chijindu Ujah, Adam Gemili, Daniel Talbot and Nethaneel Mitchell-Blake claimed gold in 37.47 seconds, with the Justin Gatlin-led US four taking silver at 0.05sec and Japan a surprise bronze (38.04). (Read ... (Read ... ....
Energy Transfer Equity Reports Second Quarter Results
Edit Market Watch 08 Aug 2017
DALLAS, Aug 08, 2017 (BUSINESS WIRE) -- Energy Transfer Equity, L.P. ETE, -3.47% (“ETE” or the “Partnership”) today reported financial results for the quarter ended June 30, 2017. ETE’s net income attributable to partners was $212 million for the three months ended June 30, 2017 compared to $241 million for the three months ended June 30, 2016 ... (“Sunoco Logistics”) merger in April 2017, as discussed below ... or ... Vicki Granado, 214-840-5820....
Energy Transfer Partners Reports Second Quarter Results
Edit Market Watch 08 Aug 2017
DALLAS, Aug 08, 2017 (BUSINESS WIRE) -- Energy Transfer Partners, L.P. ETP, -2.03% (“ETP” or the “Partnership”) today reported its financial results for the quarter ended June 30, 2017. For the three months ended June 30, 2017, net income was $292 million and Adjusted EBITDA was $1.60 billion ... and Sunoco Logistics Partners L.P. (the “Sunoco Logistics Merger”) ... In April 2017, Energy Transfer Partners, L.P ... 2017 ... Vicki Granado, 214-840-5820....
10 killed in Mexico road accident
Edit Yahoo Daily News 03 Aug 2017
The Tamaulipas Civil Protection coordinator, Pedro Granados, told Efe news that the accident took place at around 7 p.m....
High-schoolers at community colleges could have classmates with guns after change to law
Edit The Dallas Morning News 03 Aug 2017
Enrique Granados is thrilled that his son, 14-year-old Sebastian, was accepted into Dallas ISD’s Trini Garza Early College High School for the upcoming school year. Granados knows firsthand what an opportunity this will be ... “Now, I know a child has no business having a gun or being around a gun,” Granados said ... A sign along a wall of lockers at Wright L ... Wright L ... Granados said he has confidence in both DISD and DCCCD to “do a good job.”....
Technical tones
Edit Independent online (SA) 02 Aug 2017
■ The Endler Concert Series hosts celebrated pianist Gustavo Romero, above, on Sunday August 6, at 4.30pm, at the Endler Hall, Stellenbosch ... The programme includes Mussorgsky’s Pictures at an exhibition; Granados’ Goyescas ... ....
Tips for travelling with friends: Sleep, money and plenty of patience
Edit Stuff 02 Aug 2017
They're the best of travel companions, and the worst ... "We have moments where we agree about things and moments where we're a bit tetchy, so we just try to give it some colour with light and shade, and sometimes I make Rob laugh," he says ... READ MORE ... CHE GUEVARA AND HIS FRIEND ALBERTO GRANADO They journeyed across South America together in 1952, with the 2004 film, The Motorcycle Diaries, a memoir of that radicalising trip ... 1 ... 2 ... 3 ... 4 ... 5 ... 6 ... 7....
Four arrests made in Jurupa Valley suspected home invasion
Edit The Press Enterprise 01 Aug 2017
Mauricio Granado (Courtesy of Riverside County Sheriff’s Department) ... Show Caption. of. Expand ... About 2.10 p.m ... Officials publically identified the suspects on Saturday, July 29, as Sabas Barbosa, 47, and Robert Quijano, 49, both of Jurupa Valley; Mauricio Granado, 41, of Hesperia, and Andres Martinez, 48, of San Bernardino ... ....
Dallas firm behind Dakota Access pipeline sells ownership in new controversial project
Edit The Dallas Morning News 01 Aug 2017
Dallas-based Energy Transfer Partners announced today that it's selling nearly one-third of its troubled Rover Pipeline project for $1.57 billion ... and Canada. Initial plans were for the pipeline to be in service by November 2017 ... Vicki Granado, an ETP spokeswoman, said the sale was unrelated to the regulatory issues. Dallas-based Energy Transfer now facing big troubles with $4.2B Ohio pipeline ... In a letter to U.S ... ....
Veterinarians treat homeless pets at Santa Ana River Trail for free
Edit Orange County Register 31 Jul 2017
A volunteer at the pet clinic for homeless animals treats holds a dog waiting to be seen. Veterinarians treat homeless pets at a free clinic Sunday, July 30, in Anaheim. (Photo by Erika Ritchie, Orange County Register/SCNG). Dr. Mark Malo poses with four student volunteers during the free homeless pet clinic in Anaheim, Sunday, July 30 ... Mitzy Granados, 30, kisses her dog, Rukus, before he sees a veterinarian for shots ... Show Caption. of....
No belt needed for Mikey Garcia-Adrien Broner fight
Edit LA Daily News 29 Jul 2017
Championship belts are terrific. But the character of a fight is not dependent upon them, and a perfect example is Saturday’s junior welterweight bout between Mikey Garcia and Adrien Broner. Garcia has won world titles in three weight classes and is undefeated at 36-0 with 30 knockouts ... Broner had to really work to win a 10-round split-decision over Adrian Granados in his most recent start in February, and Granados is no Garcia....
Boxing: No belt needed for Mikey Garcia-Adrien Broner fight
Edit The Press Enterprise 29 Jul 2017
Championship belts are terrific. But the character of a fight is not dependent upon them, and a perfect example is Saturday’s junior welterweight bout between Mikey Garcia and Adrien Broner. Garcia has won world titles in three weight classes and is undefeated at 36-0 with 30 knockouts ... Broner had to really work to win a 10-round split-decision over Adrian Granados in his most recent start in February, and Granados is no Garcia ... ....
Oklahoma County public records, July 29
Edit The Oklahoman 29 Jul 2017
MARRIAGES. Lauren Amanda Huffaker and Kory Lee Allen. Cherish Dawn Armitage and Jermaine Steve Brown. Catherine Ann Simmons and Ryan Tyler Brownen. Aubrey Leann Casarez and Jose Luis Diaz Rodriguez. Desirae Nicole Jefferson and Scott Bryant Downing. Anastasiia Vadimovna Sysoeva and Daniel Paul Cleere. Itzel Solis Granados and Steven Mitchel Salvo. Marisela Silva and Jorge Luis Reyes Flores ... Deshana Renee Lackey and James Michael Butler ... Perez....
Around the Region: Chattanooga's Blakesly Warren tied for second in Women's State Open
Edit Times Free Press 28 Jul 2017
Warren had four birdies on the back nine but played holes 1-4 in 4 over par ... Two players tied for third at 208. Pendley had five birdies and no bogeys in his final round ... The five McCallie players also were TopDrawerSoccer all-state picks, and TopDrawer all-staters for Georgia included Dalton's Jose Boyzo, Domingo Granados and Omar Hernandez, Northwest Whitfield's Nicolas Infante and Enzo Lavecchia and Southeast Whitfield's Leonel Lugo....
Broner vs. Garcia: Fight card, start time, how to watch, streaming
Edit Sporting News 27 Jul 2017
Adrien Broner and Mikey Garcia are set to kick off four weeks of big fights which feature some of the biggest names in boxing ... 5 and 19 respectively ... 26 ... In his next bout, he had the weight moved from 142 pounds to 147 pounds for his bout against Adrian Granados, in which he won by a controversial split decision but many boxing pundits felt Granados received the short end of the stick ... In Jan ... It is one of the biggest bouts in 2017 ... ....
- 1
- 2
- 3
- 4
- 5
- Next page »
