- published: 02 Oct 2015
- views: 1169758
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Descargar audio MP3: https://drive.google.com/file/d/0BwLmcZnUUOzEVVhRUGxfd1lDd2M
Descargar partitura PDF: https://drive.google.com/file/d/0BwLmcZnUUOzEZ0NrSmg4enVQams
Descargar audio MIDI: https://drive.google.com/file/d/0BwLmcZnUUOzENkpWXzJxQy1Kb0k/view
Del autor sé que es de Wuhan (China) y nombró el tema como "g minor de Bach". Actualmente debería tener 25 años. Estudió en un conservatorio de música. En el 2010 compartió esta canción en un foro musical utilizando un nickname y escribió al pie de la publicación lo siguiente: "Dedicado al gran Bach, aunque no sé si hubiese sido de su agrado".
Minuet
Malcolm Kogut This video was taken at last years recital series when
I was still using my state of the art 1980's video camera. Hence, the
quality. I wrote this piece as an exercise in a college composition
class. I forgot what the charge was but my teacher, Dr. Shep.,
accused me of stealing my bass line from Bach. I found out later that
Bach stole it from Albinoni. My friend Jerry later stole it from me. Malcolm Kogut: http://malcolmpk88.wixsite.com/malcolmkogut
- published: 03 Sep 2009
- views: 145
Guitarist Tariq Harb plays the famous "Adagio in G minor" originally for violin, strings, and organ continuo, arranged by Harb in E minor for solo guitar.
This is a neo-Baroque composition popularly attributed to the 18th-century Venetian composer Tomaso Albinoni, but actually composed by 20th-century musicologist and Albinoni biographer Remo Giazotto, purportedly based on the discovery of a manuscript fragment by Albinoni. There is a continuing scholarly debate about whether the alleged fragment was real, or a musical hoax perpetrated by Giazotto, but there is no doubt about Giazotto's authorship of the remainder of the work.
The composition is often referred to as "Albinoni's Adagio" or "Adagio in G minor by Albinoni, arranged by Giazotto", but the attribution is incorrect. The ascription to Albinoni rests upon Giazotto's purported discovery of a tiny manuscript fragment (consisting of a few opening measures of the melody line and basso continuo portion) from a slow second movement of an otherwise unknown Albinoni trio sonata.
According to Giazotto, he obtained the document shortly after the end of World War II from the Saxon State Library in Dresden which had preserved most of its collection. Giazotto concluded that the manuscript fragment was a portion of a church sonata (sonata da chiesa, one of two standard forms of the trio sonata) in G minor composed by Albinoni, possibly as part of his Op. 4 set, around 1708.
Musicologist Muska Mangano, Giazotto's last assistant, claimed to have discovered a modern but independent manuscript transcription of the figured bass portion and six fragmentary bars of the first violin, "bearing in the top right-hand corner a stamp stating unequivocally the Dresden provenance of the original from which it was taken". The scholarly consensus is that the Adagio in G minor is Giazotto's composition, whatever source may have inspired him.
Regardless of who composed the theme, I would like to dedicated it to Liona Boyd, the first lady of the guitar, because it was due to her performance of this piece with orchestra that I got introduced to this timeless work of fine art. Thank you, Liona, for the inspiration!
I hope you enjoy this video! :)
http://www.tariqharb.com
http://www.facebook.com/tariqharb
- published: 03 May 2017
- views: 1034
"Козачок" - із Симфонії невідомого автора XIX століття. Виконує дует акордеоністів "Концертіно" (Україна) та оркестр акордеоністів "Consona" (Литва). Запис концерту - 2012 рік. Do you want to download sheet music? Click SHOW MORE!
Download notes for orchestra of Folk Instruments:
https://drive.google.com/open?id=0B5QN5Xl5DFziaHlTVFNSVEZWbkE&authuser;=0
Download and listen to the original version (Symphony Orchestra):
https://sites.google.com/site/muzliteratura/iii-ukraienska-muzika/instrumentalna-muzika-kinca-18-pocatku-19-stolitta
Some information about the musical composition (in Ukrainian):
http://www.akolada.org.ua/index.php?dep=&page;=bibl/statti/symfoniya
- published: 30 Mar 2015
- views: 675
WHAT IS: UNEPIC STONED HIGH SID LIST
Check all the different playlists to shuffle through tens of thousands SID tunes!
Subscribe here, and like our Facebook page: https://www.facebook.com/ushsc1
Aiming to be the most complete channel of tunes by *all* the musicians in the High Voltage Sid Collection that you never hear about.
Links:
http://www.xentax.com
http://www.hvsc.c64.org/
http://www.6581-8580.com/index.php
For love of the SID chip and her composers, for love of the C64 and all her sceners.
- published: 01 Jul 2016
- views: 108
A fugue in G major (original key unknown) by Johann Pachelbel, arranged for guitar by Stephen C. Siktberg. A bit sloppy, and I need to change my treble strings badly, but it's my first "performance" of the piece.
- published: 01 Jan 2013
- views: 467
This fugue was discovered along with five others in Portugal. The composer is unknown.
It is believed to have been written during the 18th century and is in the style of the Italo-
Iberian fugue. It is being played by David Christensen on the M. P. Moller (1966) organ at Eden Lutheran Church in Riverside, CA.
- published: 03 Sep 2009
- views: 307
G minor
G minor is a minor scale based on G, consisting of the pitches G, A, B♭, C, D, E♭, and F. For the harmonic minor scale, the F is raised to F♯. Its relative major is B-flat major, and its parallel major is G major.
Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. G minor is one of two flat key signatures that require a sharp for the leading-tone (the other is D minor).
Mozart's use of G minor
G minor has been considered the key through which Wolfgang Amadeus Mozart best expressed sadness and tragedy, and many of his minor key works are in G minor, such as the Piano Quartet No. 1 and the String Quintet in G minor. Though Mozart touched on various minor keys in his symphonies, G minor is the only minor key he used as a main key for his numbered symphonies (No. 25, and the famous No. 40). In the Classical period, symphonies in G minor almost always used four horns, two in G and two in B-flat alto. Another convention of G minor symphonies observed in Mozart's No. 25 was the choice of E-flat major for the slow movement, with other examples including Haydn's No. 39 and Johann Baptist Wanhal's G minor symphony from before 1771 (Bryan Gm1).
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/G_minor
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Organ
Organ may refer to the following:
Biology and medicine
Music
- Electronic organ, an electronic keyboard instrument
- Hammond organ, an electro-mechanical keyboard instrument
- Pipe organ, a musical instrument that produces sound when pressurized air is driven through a series of pipes
- Theatre organ, a pipe organ originally designed specifically for imitation of an orchestra
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Organ
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Fugue
In music, a fugue (/fjuːɡ/ FEWG) is a contrapuntal compositional technique in two or more voices, built on a subject (theme) that is introduced at the beginning in imitation (repetition at different pitches) and recurs frequently in the course of the composition.
The English term fugue originated in the 16th century and is derived from the French word fugue or the Italian fuga. This in turn comes from Latin, also fuga, which is itself related to both fugere ("to flee") and fugare ("to chase"). The adjectival form is fugal. Variants include fughetta (literally, "a small fugue") and fugato (a passage in fugal style within another work that is not a fugue).
A fugue usually has three sections: an exposition, a development, and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term fugue has described what is commonly regarded as the most fully developed procedure of imitative counterpoint.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Fugue
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Unknown
Unknown or The Unknown may refer to:
Mathematics
Film
Music
Other uses
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Unknown
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Minor
Minor may refer to:
Music theory
- Barbershop seventh chord or minor seventh chord
Mathematics
People
Places
Sports
- Minor League Baseball or "the minors", the North American professional baseball leagues affiliated to but below Major League Baseball
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Minor
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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2:50G MINOR BACH - Piano Tiles 2
G MINOR BACH - Piano Tiles 2G MINOR BACH - Piano Tiles 2
Descargar audio MP3: https://drive.google.com/file/d/0BwLmcZnUUOzEVVhRUGxfd1lDd2M Descargar partitura PDF: https://drive.google.com/file/d/0BwLmcZnUUOzEZ0NrSmg4enVQams Descargar audio MIDI: https://drive.google.com/file/d/0BwLmcZnUUOzENkpWXzJxQy1Kb0k/view Del autor sé que es de Wuhan (China) y nombró el tema como "g minor de Bach". Actualmente debería tener 25 años. Estudió en un conservatorio de música. En el 2010 compartió esta canción en un foro musical utilizando un nickname y escribió al pie de la publicación lo siguiente: "Dedicado al gran Bach, aunque no sé si hubiese sido de su agrado". -
3:41Bach "Little" Fugue in G minor BWV 578 in Synthesia with Simple Analysis
Bach "Little" Fugue in G minor BWV 578 in Synthesia with Simple Analysis -
2:56"G minor Bach - Piano Tiles 2" SYNTHESIA
"G minor Bach - Piano Tiles 2" SYNTHESIA -
2:24Minuet
MinuetMinuet
Minuet Malcolm Kogut This video was taken at last years recital series when I was still using my state of the art 1980's video camera. Hence, the quality. I wrote this piece as an exercise in a college composition class. I forgot what the charge was but my teacher, Dr. Shep., accused me of stealing my bass line from Bach. I found out later that Bach stole it from Albinoni. My friend Jerry later stole it from me. Malcolm Kogut: http://malcolmpk88.wixsite.com/malcolmkogut -
1:08Bach - Minuet in D minor BWV Anh. 132 (organ)
Bach - Minuet in D minor BWV Anh. 132 (organ)Bach - Minuet in D minor BWV Anh. 132 (organ)
-
7:50Albinoni/Giazotto: Adagio in G Minor - Tariq Harb, Guitar
Albinoni/Giazotto: Adagio in G Minor - Tariq Harb, GuitarAlbinoni/Giazotto: Adagio in G Minor - Tariq Harb, Guitar
Guitarist Tariq Harb plays the famous "Adagio in G minor" originally for violin, strings, and organ continuo, arranged by Harb in E minor for solo guitar. This is a neo-Baroque composition popularly attributed to the 18th-century Venetian composer Tomaso Albinoni, but actually composed by 20th-century musicologist and Albinoni biographer Remo Giazotto, purportedly based on the discovery of a manuscript fragment by Albinoni. There is a continuing scholarly debate about whether the alleged fragment was real, or a musical hoax perpetrated by Giazotto, but there is no doubt about Giazotto's authorship of the remainder of the work. The composition is often referred to as "Albinoni's Adagio" or "Adagio in G minor by Albinoni, arranged by Giazotto", but the attribution is incorrect. The ascription to Albinoni rests upon Giazotto's purported discovery of a tiny manuscript fragment (consisting of a few opening measures of the melody line and basso continuo portion) from a slow second movement of an otherwise unknown Albinoni trio sonata. According to Giazotto, he obtained the document shortly after the end of World War II from the Saxon State Library in Dresden which had preserved most of its collection. Giazotto concluded that the manuscript fragment was a portion of a church sonata (sonata da chiesa, one of two standard forms of the trio sonata) in G minor composed by Albinoni, possibly as part of his Op. 4 set, around 1708. Musicologist Muska Mangano, Giazotto's last assistant, claimed to have discovered a modern but independent manuscript transcription of the figured bass portion and six fragmentary bars of the first violin, "bearing in the top right-hand corner a stamp stating unequivocally the Dresden provenance of the original from which it was taken". The scholarly consensus is that the Adagio in G minor is Giazotto's composition, whatever source may have inspired him. Regardless of who composed the theme, I would like to dedicated it to Liona Boyd, the first lady of the guitar, because it was due to her performance of this piece with orchestra that I got introduced to this timeless work of fine art. Thank you, Liona, for the inspiration! I hope you enjoy this video! :) http://www.tariqharb.com http://www.facebook.com/tariqharb -
5:50Kozachok - from Symphony in G minor of unknown Ukrainian author (Finale)
Kozachok - from Symphony in G minor of unknown Ukrainian author (Finale)Kozachok - from Symphony in G minor of unknown Ukrainian author (Finale)
"Козачок" - із Симфонії невідомого автора XIX століття. Виконує дует акордеоністів "Концертіно" (Україна) та оркестр акордеоністів "Consona" (Литва). Запис концерту - 2012 рік. Do you want to download sheet music? Click SHOW MORE! Download notes for orchestra of Folk Instruments: https://drive.google.com/open?id=0B5QN5Xl5DFziaHlTVFNSVEZWbkE&authuser;=0 Download and listen to the original version (Symphony Orchestra): https://sites.google.com/site/muzliteratura/iii-ukraienska-muzika/instrumentalna-muzika-kinca-18-pocatku-19-stolitta Some information about the musical composition (in Ukrainian): http://www.akolada.org.ua/index.php?dep=&page;=bibl/statti/symfoniya -
3:38Fugue in G Minor (J.S. Bach) - Unknown Composer - (Unknown) - C64 chiptune
Fugue in G Minor (J.S. Bach) - Unknown Composer - (Unknown) - C64 chiptuneFugue in G Minor (J.S. Bach) - Unknown Composer - (Unknown) - C64 chiptune
WHAT IS: UNEPIC STONED HIGH SID LIST Check all the different playlists to shuffle through tens of thousands SID tunes! Subscribe here, and like our Facebook page: https://www.facebook.com/ushsc1 Aiming to be the most complete channel of tunes by *all* the musicians in the High Voltage Sid Collection that you never hear about. Links: http://www.xentax.com http://www.hvsc.c64.org/ http://www.6581-8580.com/index.php For love of the SID chip and her composers, for love of the C64 and all her sceners. -
1:12Fugue in G by Johann Pachelbel
Fugue in G by Johann PachelbelFugue in G by Johann Pachelbel
A fugue in G major (original key unknown) by Johann Pachelbel, arranged for guitar by Stephen C. Siktberg. A bit sloppy, and I need to change my treble strings badly, but it's my first "performance" of the piece. -
2:48Fugue in C Major from Portugal
Fugue in C Major from PortugalFugue in C Major from Portugal
This fugue was discovered along with five others in Portugal. The composer is unknown. It is believed to have been written during the 18th century and is in the style of the Italo- Iberian fugue. It is being played by David Christensen on the M. P. Moller (1966) organ at Eden Lutheran Church in Riverside, CA.
-
G MINOR BACH - Piano Tiles 2
Descargar audio MP3: https://drive.google.com/file/d/0BwLmcZnUUOzEVVhRUGxfd1lDd2M Descargar partitura PDF: https://drive.google.com/file/d/0BwLmcZnUUOzEZ0NrSmg4enVQams Descargar audio MIDI: https://drive.google.com/file/d/0BwLmcZnUUOzENkpWXzJxQy1Kb0k/view Del autor sé que es de Wuhan (China) y nombró el tema como "g minor de Bach". Actualmente debería tener 25 años. Estudió en un conservatorio de música. En el 2010 compartió esta canción en un foro musical utilizando un nickname y escribió al pie de la publicación lo siguiente: "Dedicado al gran Bach, aunque no sé si hubiese sido de su agrado".
published: 02 Oct 2015 -
-
-
Minuet
Minuet Malcolm Kogut This video was taken at last years recital series when I was still using my state of the art 1980's video camera. Hence, the quality. I wrote this piece as an exercise in a college composition class. I forgot what the charge was but my teacher, Dr. Shep., accused me of stealing my bass line from Bach. I found out later that Bach stole it from Albinoni. My friend Jerry later stole it from me. Malcolm Kogut: http://malcolmpk88.wixsite.com/malcolmkogut
published: 03 Sep 2009 -
Bach - Minuet in D minor BWV Anh. 132 (organ)
published: 14 Aug 2013 -
Albinoni/Giazotto: Adagio in G Minor - Tariq Harb, Guitar
Guitarist Tariq Harb plays the famous "Adagio in G minor" originally for violin, strings, and organ continuo, arranged by Harb in E minor for solo guitar. This is a neo-Baroque composition popularly attributed to the 18th-century Venetian composer Tomaso Albinoni, but actually composed by 20th-century musicologist and Albinoni biographer Remo Giazotto, purportedly based on the discovery of a manuscript fragment by Albinoni. There is a continuing scholarly debate about whether the alleged fragment was real, or a musical hoax perpetrated by Giazotto, but there is no doubt about Giazotto's authorship of the remainder of the work. The composition is often referred to as "Albinoni's Adagio" or "Adagio in G minor by Albinoni, arranged by Giazotto", but the attribution is incorrect. The ascrip...
published: 03 May 2017 -
Kozachok - from Symphony in G minor of unknown Ukrainian author (Finale)
"Козачок" - із Симфонії невідомого автора XIX століття. Виконує дует акордеоністів "Концертіно" (Україна) та оркестр акордеоністів "Consona" (Литва). Запис концерту - 2012 рік. Do you want to download sheet music? Click SHOW MORE! Download notes for orchestra of Folk Instruments: https://drive.google.com/open?id=0B5QN5Xl5DFziaHlTVFNSVEZWbkE&authuser;=0 Download and listen to the original version (Symphony Orchestra): https://sites.google.com/site/muzliteratura/iii-ukraienska-muzika/instrumentalna-muzika-kinca-18-pocatku-19-stolitta Some information about the musical composition (in Ukrainian): http://www.akolada.org.ua/index.php?dep=&page;=bibl/statti/symfoniya
published: 30 Mar 2015 -
Fugue in G Minor (J.S. Bach) - Unknown Composer - (Unknown) - C64 chiptune
WHAT IS: UNEPIC STONED HIGH SID LIST Check all the different playlists to shuffle through tens of thousands SID tunes! Subscribe here, and like our Facebook page: https://www.facebook.com/ushsc1 Aiming to be the most complete channel of tunes by *all* the musicians in the High Voltage Sid Collection that you never hear about. Links: http://www.xentax.com http://www.hvsc.c64.org/ http://www.6581-8580.com/index.php For love of the SID chip and her composers, for love of the C64 and all her sceners.
published: 01 Jul 2016 -
Fugue in G by Johann Pachelbel
A fugue in G major (original key unknown) by Johann Pachelbel, arranged for guitar by Stephen C. Siktberg. A bit sloppy, and I need to change my treble strings badly, but it's my first "performance" of the piece.
published: 01 Jan 2013 -
Fugue in C Major from Portugal
This fugue was discovered along with five others in Portugal. The composer is unknown. It is believed to have been written during the 18th century and is in the style of the Italo- Iberian fugue. It is being played by David Christensen on the M. P. Moller (1966) organ at Eden Lutheran Church in Riverside, CA.
published: 03 Sep 2009
G MINOR BACH - Piano Tiles 2
- Order: Reorder
- Duration: 2:50
- Updated: 02 Oct 2015
- views: 1169758
Descargar audio MP3: https://drive.google.com/file/d/0BwLmcZnUUOzEVVhRUGxfd1lDd2M
Descargar partitura PDF: https://drive.google.com/file/d/0BwLmcZnUUOzEZ0NrSmg4...
Descargar audio MP3: https://drive.google.com/file/d/0BwLmcZnUUOzEVVhRUGxfd1lDd2M
Descargar partitura PDF: https://drive.google.com/file/d/0BwLmcZnUUOzEZ0NrSmg4enVQams
Descargar audio MIDI: https://drive.google.com/file/d/0BwLmcZnUUOzENkpWXzJxQy1Kb0k/view
Del autor sé que es de Wuhan (China) y nombró el tema como "g minor de Bach". Actualmente debería tener 25 años. Estudió en un conservatorio de música. En el 2010 compartió esta canción en un foro musical utilizando un nickname y escribió al pie de la publicación lo siguiente: "Dedicado al gran Bach, aunque no sé si hubiese sido de su agrado".
https://wn.com/G_Minor_Bach_Piano_Tiles_2
Descargar audio MP3: https://drive.google.com/file/d/0BwLmcZnUUOzEVVhRUGxfd1lDd2M
Descargar partitura PDF: https://drive.google.com/file/d/0BwLmcZnUUOzEZ0NrSmg4enVQams
Descargar audio MIDI: https://drive.google.com/file/d/0BwLmcZnUUOzENkpWXzJxQy1Kb0k/view
Del autor sé que es de Wuhan (China) y nombró el tema como "g minor de Bach". Actualmente debería tener 25 años. Estudió en un conservatorio de música. En el 2010 compartió esta canción en un foro musical utilizando un nickname y escribió al pie de la publicación lo siguiente: "Dedicado al gran Bach, aunque no sé si hubiese sido de su agrado".
- published: 02 Oct 2015
- views: 1169758
Bach "Little" Fugue in G minor BWV 578 in Synthesia with Simple Analysis
- Order: Reorder
- Duration: 3:41
- Updated: 09 Nov 2012
- views: 110551
Played by The Synthesia.
Midi: http://www.mediafire.com/?244962ufyfi4meh
Converting my piece of music homework to a video :)
Played by The Synthesia.
Midi: http://www.mediafire.com/?244962ufyfi4meh
Converting my piece of music homework to a video :)
https://wn.com/Bach_Little_Fugue_In_G_Minor_Bwv_578_In_Synthesia_With_Simple_Analysis
"G minor Bach - Piano Tiles 2" SYNTHESIA
- Order: Reorder
- Duration: 2:56
- Updated: 21 Dec 2015
- views: 272018
Descargar MIDI: https://drive.google.com/file/d/0BwLmcZnUUOzENkpWXzJxQy1Kb0k
Descargar partitura PDF: https://drive.google.com/file/d/0BwLmcZnUUOzEZ0NrSmg4enVQa...
Descargar MIDI: https://drive.google.com/file/d/0BwLmcZnUUOzENkpWXzJxQy1Kb0k
Descargar partitura PDF: https://drive.google.com/file/d/0BwLmcZnUUOzEZ0NrSmg4enVQams
https://wn.com/G_Minor_Bach_Piano_Tiles_2_Synthesia
Minuet
- Order: Reorder
- Duration: 2:24
- Updated: 03 Sep 2009
- views: 145
Minuet
Malcolm Kogut This video was taken at last years recital series when
I was still using my state of the art 1980's video camera. Hence, the
quality. I ...
Minuet
Malcolm Kogut This video was taken at last years recital series when
I was still using my state of the art 1980's video camera. Hence, the
quality. I wrote this piece as an exercise in a college composition
class. I forgot what the charge was but my teacher, Dr. Shep.,
accused me of stealing my bass line from Bach. I found out later that
Bach stole it from Albinoni. My friend Jerry later stole it from me. Malcolm Kogut: http://malcolmpk88.wixsite.com/malcolmkogut
https://wn.com/Minuet
Minuet
Malcolm Kogut This video was taken at last years recital series when
I was still using my state of the art 1980's video camera. Hence, the
quality. I wrote this piece as an exercise in a college composition
class. I forgot what the charge was but my teacher, Dr. Shep.,
accused me of stealing my bass line from Bach. I found out later that
Bach stole it from Albinoni. My friend Jerry later stole it from me. Malcolm Kogut: http://malcolmpk88.wixsite.com/malcolmkogut
- published: 03 Sep 2009
- views: 145
Bach - Minuet in D minor BWV Anh. 132 (organ)
- Order: Reorder
- Duration: 1:08
- Updated: 14 Aug 2013
- views: 566
- published: 14 Aug 2013
- views: 566
Albinoni/Giazotto: Adagio in G Minor - Tariq Harb, Guitar
- Order: Reorder
- Duration: 7:50
- Updated: 03 May 2017
- views: 1034
Guitarist Tariq Harb plays the famous "Adagio in G minor" originally for violin, strings, and organ continuo, arranged by Harb in E minor for solo guitar.
Thi...
Guitarist Tariq Harb plays the famous "Adagio in G minor" originally for violin, strings, and organ continuo, arranged by Harb in E minor for solo guitar.
This is a neo-Baroque composition popularly attributed to the 18th-century Venetian composer Tomaso Albinoni, but actually composed by 20th-century musicologist and Albinoni biographer Remo Giazotto, purportedly based on the discovery of a manuscript fragment by Albinoni. There is a continuing scholarly debate about whether the alleged fragment was real, or a musical hoax perpetrated by Giazotto, but there is no doubt about Giazotto's authorship of the remainder of the work.
The composition is often referred to as "Albinoni's Adagio" or "Adagio in G minor by Albinoni, arranged by Giazotto", but the attribution is incorrect. The ascription to Albinoni rests upon Giazotto's purported discovery of a tiny manuscript fragment (consisting of a few opening measures of the melody line and basso continuo portion) from a slow second movement of an otherwise unknown Albinoni trio sonata.
According to Giazotto, he obtained the document shortly after the end of World War II from the Saxon State Library in Dresden which had preserved most of its collection. Giazotto concluded that the manuscript fragment was a portion of a church sonata (sonata da chiesa, one of two standard forms of the trio sonata) in G minor composed by Albinoni, possibly as part of his Op. 4 set, around 1708.
Musicologist Muska Mangano, Giazotto's last assistant, claimed to have discovered a modern but independent manuscript transcription of the figured bass portion and six fragmentary bars of the first violin, "bearing in the top right-hand corner a stamp stating unequivocally the Dresden provenance of the original from which it was taken". The scholarly consensus is that the Adagio in G minor is Giazotto's composition, whatever source may have inspired him.
Regardless of who composed the theme, I would like to dedicated it to Liona Boyd, the first lady of the guitar, because it was due to her performance of this piece with orchestra that I got introduced to this timeless work of fine art. Thank you, Liona, for the inspiration!
I hope you enjoy this video! :)
http://www.tariqharb.com
http://www.facebook.com/tariqharb
https://wn.com/Albinoni_Giazotto_Adagio_In_G_Minor_Tariq_Harb,_Guitar
Guitarist Tariq Harb plays the famous "Adagio in G minor" originally for violin, strings, and organ continuo, arranged by Harb in E minor for solo guitar.
This is a neo-Baroque composition popularly attributed to the 18th-century Venetian composer Tomaso Albinoni, but actually composed by 20th-century musicologist and Albinoni biographer Remo Giazotto, purportedly based on the discovery of a manuscript fragment by Albinoni. There is a continuing scholarly debate about whether the alleged fragment was real, or a musical hoax perpetrated by Giazotto, but there is no doubt about Giazotto's authorship of the remainder of the work.
The composition is often referred to as "Albinoni's Adagio" or "Adagio in G minor by Albinoni, arranged by Giazotto", but the attribution is incorrect. The ascription to Albinoni rests upon Giazotto's purported discovery of a tiny manuscript fragment (consisting of a few opening measures of the melody line and basso continuo portion) from a slow second movement of an otherwise unknown Albinoni trio sonata.
According to Giazotto, he obtained the document shortly after the end of World War II from the Saxon State Library in Dresden which had preserved most of its collection. Giazotto concluded that the manuscript fragment was a portion of a church sonata (sonata da chiesa, one of two standard forms of the trio sonata) in G minor composed by Albinoni, possibly as part of his Op. 4 set, around 1708.
Musicologist Muska Mangano, Giazotto's last assistant, claimed to have discovered a modern but independent manuscript transcription of the figured bass portion and six fragmentary bars of the first violin, "bearing in the top right-hand corner a stamp stating unequivocally the Dresden provenance of the original from which it was taken". The scholarly consensus is that the Adagio in G minor is Giazotto's composition, whatever source may have inspired him.
Regardless of who composed the theme, I would like to dedicated it to Liona Boyd, the first lady of the guitar, because it was due to her performance of this piece with orchestra that I got introduced to this timeless work of fine art. Thank you, Liona, for the inspiration!
I hope you enjoy this video! :)
http://www.tariqharb.com
http://www.facebook.com/tariqharb
- published: 03 May 2017
- views: 1034
Kozachok - from Symphony in G minor of unknown Ukrainian author (Finale)
- Order: Reorder
- Duration: 5:50
- Updated: 30 Mar 2015
- views: 675
"Козачок" - із Симфонії невідомого автора XIX століття. Виконує дует акордеоністів "Концертіно" (Україна) та оркестр акордеоністів "Consona" (Литва). Запис конц...
"Козачок" - із Симфонії невідомого автора XIX століття. Виконує дует акордеоністів "Концертіно" (Україна) та оркестр акордеоністів "Consona" (Литва). Запис концерту - 2012 рік. Do you want to download sheet music? Click SHOW MORE!
Download notes for orchestra of Folk Instruments:
https://drive.google.com/open?id=0B5QN5Xl5DFziaHlTVFNSVEZWbkE&authuser;=0
Download and listen to the original version (Symphony Orchestra):
https://sites.google.com/site/muzliteratura/iii-ukraienska-muzika/instrumentalna-muzika-kinca-18-pocatku-19-stolitta
Some information about the musical composition (in Ukrainian):
http://www.akolada.org.ua/index.php?dep=&page;=bibl/statti/symfoniya
https://wn.com/Kozachok_From_Symphony_In_G_Minor_Of_Unknown_Ukrainian_Author_(Finale)
"Козачок" - із Симфонії невідомого автора XIX століття. Виконує дует акордеоністів "Концертіно" (Україна) та оркестр акордеоністів "Consona" (Литва). Запис концерту - 2012 рік. Do you want to download sheet music? Click SHOW MORE!
Download notes for orchestra of Folk Instruments:
https://drive.google.com/open?id=0B5QN5Xl5DFziaHlTVFNSVEZWbkE&authuser;=0
Download and listen to the original version (Symphony Orchestra):
https://sites.google.com/site/muzliteratura/iii-ukraienska-muzika/instrumentalna-muzika-kinca-18-pocatku-19-stolitta
Some information about the musical composition (in Ukrainian):
http://www.akolada.org.ua/index.php?dep=&page;=bibl/statti/symfoniya
- published: 30 Mar 2015
- views: 675
Fugue in G Minor (J.S. Bach) - Unknown Composer - (Unknown) - C64 chiptune
- Order: Reorder
- Duration: 3:38
- Updated: 01 Jul 2016
- views: 108
WHAT IS: UNEPIC STONED HIGH SID LIST
Check all the different playlists to shuffle through tens of thousands SID tunes!
Subscribe here, and like our Facebo...
WHAT IS: UNEPIC STONED HIGH SID LIST
Check all the different playlists to shuffle through tens of thousands SID tunes!
Subscribe here, and like our Facebook page: https://www.facebook.com/ushsc1
Aiming to be the most complete channel of tunes by *all* the musicians in the High Voltage Sid Collection that you never hear about.
Links:
http://www.xentax.com
http://www.hvsc.c64.org/
http://www.6581-8580.com/index.php
For love of the SID chip and her composers, for love of the C64 and all her sceners.
https://wn.com/Fugue_In_G_Minor_(J.S._Bach)_Unknown_Composer_(Unknown)_C64_Chiptune
WHAT IS: UNEPIC STONED HIGH SID LIST
Check all the different playlists to shuffle through tens of thousands SID tunes!
Subscribe here, and like our Facebook page: https://www.facebook.com/ushsc1
Aiming to be the most complete channel of tunes by *all* the musicians in the High Voltage Sid Collection that you never hear about.
Links:
http://www.xentax.com
http://www.hvsc.c64.org/
http://www.6581-8580.com/index.php
For love of the SID chip and her composers, for love of the C64 and all her sceners.
- published: 01 Jul 2016
- views: 108
Fugue in G by Johann Pachelbel
- Order: Reorder
- Duration: 1:12
- Updated: 01 Jan 2013
- views: 467
A fugue in G major (original key unknown) by Johann Pachelbel, arranged for guitar by Stephen C. Siktberg. A bit sloppy, and I need to change my treble strings ...
A fugue in G major (original key unknown) by Johann Pachelbel, arranged for guitar by Stephen C. Siktberg. A bit sloppy, and I need to change my treble strings badly, but it's my first "performance" of the piece.
https://wn.com/Fugue_In_G_By_Johann_Pachelbel
A fugue in G major (original key unknown) by Johann Pachelbel, arranged for guitar by Stephen C. Siktberg. A bit sloppy, and I need to change my treble strings badly, but it's my first "performance" of the piece.
- published: 01 Jan 2013
- views: 467
Fugue in C Major from Portugal
- Order: Reorder
- Duration: 2:48
- Updated: 03 Sep 2009
- views: 307
This fugue was discovered along with five others in Portugal. The composer is unknown.
It is believed to have been written during the 18th century and is in th...
This fugue was discovered along with five others in Portugal. The composer is unknown.
It is believed to have been written during the 18th century and is in the style of the Italo-
Iberian fugue. It is being played by David Christensen on the M. P. Moller (1966) organ at Eden Lutheran Church in Riverside, CA.
https://wn.com/Fugue_In_C_Major_From_Portugal
This fugue was discovered along with five others in Portugal. The composer is unknown.
It is believed to have been written during the 18th century and is in the style of the Italo-
Iberian fugue. It is being played by David Christensen on the M. P. Moller (1966) organ at Eden Lutheran Church in Riverside, CA.
- published: 03 Sep 2009
- views: 307
-
G MINOR BACH - Piano Tiles 2
Descargar audio MP3: https://drive.google.com/file/d/0BwLmcZnUUOzEVVhRUGxfd1lDd2M Descargar partitura PDF: https://drive.google.com/file/d/0BwLmcZnUUOzEZ0NrSmg4enVQams Descargar audio MIDI: https://drive.google.com/file/d/0BwLmcZnUUOzENkpWXzJxQy1Kb0k/view Del autor sé que es de Wuhan (China) y nombró el tema como "g minor de Bach". Actualmente debería tener 25 años. Estudió en un conservatorio de música. En el 2010 compartió esta canción en un foro musical utilizando un nickname y escribió al pie de la publicación lo siguiente: "Dedicado al gran Bach, aunque no sé si hubiese sido de su agrado".
published: 02 Oct 2015 -
-
-
Minuet
Minuet Malcolm Kogut This video was taken at last years recital series when I was still using my state of the art 1980's video camera. Hence, the quality. I wrote this piece as an exercise in a college composition class. I forgot what the charge was but my teacher, Dr. Shep., accused me of stealing my bass line from Bach. I found out later that Bach stole it from Albinoni. My friend Jerry later stole it from me. Malcolm Kogut: http://malcolmpk88.wixsite.com/malcolmkogut
published: 03 Sep 2009 -
Bach - Minuet in D minor BWV Anh. 132 (organ)
published: 14 Aug 2013 -
Albinoni/Giazotto: Adagio in G Minor - Tariq Harb, Guitar
Guitarist Tariq Harb plays the famous "Adagio in G minor" originally for violin, strings, and organ continuo, arranged by Harb in E minor for solo guitar. This is a neo-Baroque composition popularly attributed to the 18th-century Venetian composer Tomaso Albinoni, but actually composed by 20th-century musicologist and Albinoni biographer Remo Giazotto, purportedly based on the discovery of a manuscript fragment by Albinoni. There is a continuing scholarly debate about whether the alleged fragment was real, or a musical hoax perpetrated by Giazotto, but there is no doubt about Giazotto's authorship of the remainder of the work. The composition is often referred to as "Albinoni's Adagio" or "Adagio in G minor by Albinoni, arranged by Giazotto", but the attribution is incorrect. The ascrip...
published: 03 May 2017 -
Kozachok - from Symphony in G minor of unknown Ukrainian author (Finale)
"Козачок" - із Симфонії невідомого автора XIX століття. Виконує дует акордеоністів "Концертіно" (Україна) та оркестр акордеоністів "Consona" (Литва). Запис концерту - 2012 рік. Do you want to download sheet music? Click SHOW MORE! Download notes for orchestra of Folk Instruments: https://drive.google.com/open?id=0B5QN5Xl5DFziaHlTVFNSVEZWbkE&authuser;=0 Download and listen to the original version (Symphony Orchestra): https://sites.google.com/site/muzliteratura/iii-ukraienska-muzika/instrumentalna-muzika-kinca-18-pocatku-19-stolitta Some information about the musical composition (in Ukrainian): http://www.akolada.org.ua/index.php?dep=&page;=bibl/statti/symfoniya
published: 30 Mar 2015 -
Fugue in G Minor (J.S. Bach) - Unknown Composer - (Unknown) - C64 chiptune
WHAT IS: UNEPIC STONED HIGH SID LIST Check all the different playlists to shuffle through tens of thousands SID tunes! Subscribe here, and like our Facebook page: https://www.facebook.com/ushsc1 Aiming to be the most complete channel of tunes by *all* the musicians in the High Voltage Sid Collection that you never hear about. Links: http://www.xentax.com http://www.hvsc.c64.org/ http://www.6581-8580.com/index.php For love of the SID chip and her composers, for love of the C64 and all her sceners.
published: 01 Jul 2016 -
Fugue in G by Johann Pachelbel
A fugue in G major (original key unknown) by Johann Pachelbel, arranged for guitar by Stephen C. Siktberg. A bit sloppy, and I need to change my treble strings badly, but it's my first "performance" of the piece.
published: 01 Jan 2013 -
Fugue in C Major from Portugal
This fugue was discovered along with five others in Portugal. The composer is unknown. It is believed to have been written during the 18th century and is in the style of the Italo- Iberian fugue. It is being played by David Christensen on the M. P. Moller (1966) organ at Eden Lutheran Church in Riverside, CA.
published: 03 Sep 2009
G MINOR BACH - Piano Tiles 2
- Order: Reorder
- Duration: 2:50
- Updated: 02 Oct 2015
- views: 1169758
Descargar audio MP3: https://drive.google.com/file/d/0BwLmcZnUUOzEVVhRUGxfd1lDd2M
Descargar partitura PDF: https://drive.google.com/file/d/0BwLmcZnUUOzEZ0NrSmg4...
Descargar audio MP3: https://drive.google.com/file/d/0BwLmcZnUUOzEVVhRUGxfd1lDd2M
Descargar partitura PDF: https://drive.google.com/file/d/0BwLmcZnUUOzEZ0NrSmg4enVQams
Descargar audio MIDI: https://drive.google.com/file/d/0BwLmcZnUUOzENkpWXzJxQy1Kb0k/view
Del autor sé que es de Wuhan (China) y nombró el tema como "g minor de Bach". Actualmente debería tener 25 años. Estudió en un conservatorio de música. En el 2010 compartió esta canción en un foro musical utilizando un nickname y escribió al pie de la publicación lo siguiente: "Dedicado al gran Bach, aunque no sé si hubiese sido de su agrado".
https://wn.com/G_Minor_Bach_Piano_Tiles_2
Descargar audio MP3: https://drive.google.com/file/d/0BwLmcZnUUOzEVVhRUGxfd1lDd2M
Descargar partitura PDF: https://drive.google.com/file/d/0BwLmcZnUUOzEZ0NrSmg4enVQams
Descargar audio MIDI: https://drive.google.com/file/d/0BwLmcZnUUOzENkpWXzJxQy1Kb0k/view
Del autor sé que es de Wuhan (China) y nombró el tema como "g minor de Bach". Actualmente debería tener 25 años. Estudió en un conservatorio de música. En el 2010 compartió esta canción en un foro musical utilizando un nickname y escribió al pie de la publicación lo siguiente: "Dedicado al gran Bach, aunque no sé si hubiese sido de su agrado".
- published: 02 Oct 2015
- views: 1169758
Bach "Little" Fugue in G minor BWV 578 in Synthesia with Simple Analysis
- Order: Reorder
- Duration: 3:41
- Updated: 09 Nov 2012
- views: 110551
Played by The Synthesia.
Midi: http://www.mediafire.com/?244962ufyfi4meh
Converting my piece of music homework to a video :)
Played by The Synthesia.
Midi: http://www.mediafire.com/?244962ufyfi4meh
Converting my piece of music homework to a video :)
https://wn.com/Bach_Little_Fugue_In_G_Minor_Bwv_578_In_Synthesia_With_Simple_Analysis
"G minor Bach - Piano Tiles 2" SYNTHESIA
- Order: Reorder
- Duration: 2:56
- Updated: 21 Dec 2015
- views: 272018
Descargar MIDI: https://drive.google.com/file/d/0BwLmcZnUUOzENkpWXzJxQy1Kb0k
Descargar partitura PDF: https://drive.google.com/file/d/0BwLmcZnUUOzEZ0NrSmg4enVQa...
Descargar MIDI: https://drive.google.com/file/d/0BwLmcZnUUOzENkpWXzJxQy1Kb0k
Descargar partitura PDF: https://drive.google.com/file/d/0BwLmcZnUUOzEZ0NrSmg4enVQams
https://wn.com/G_Minor_Bach_Piano_Tiles_2_Synthesia
Minuet
- Order: Reorder
- Duration: 2:24
- Updated: 03 Sep 2009
- views: 145
Minuet
Malcolm Kogut This video was taken at last years recital series when
I was still using my state of the art 1980's video camera. Hence, the
quality. I ...
Minuet
Malcolm Kogut This video was taken at last years recital series when
I was still using my state of the art 1980's video camera. Hence, the
quality. I wrote this piece as an exercise in a college composition
class. I forgot what the charge was but my teacher, Dr. Shep.,
accused me of stealing my bass line from Bach. I found out later that
Bach stole it from Albinoni. My friend Jerry later stole it from me. Malcolm Kogut: http://malcolmpk88.wixsite.com/malcolmkogut
https://wn.com/Minuet
Minuet
Malcolm Kogut This video was taken at last years recital series when
I was still using my state of the art 1980's video camera. Hence, the
quality. I wrote this piece as an exercise in a college composition
class. I forgot what the charge was but my teacher, Dr. Shep.,
accused me of stealing my bass line from Bach. I found out later that
Bach stole it from Albinoni. My friend Jerry later stole it from me. Malcolm Kogut: http://malcolmpk88.wixsite.com/malcolmkogut
- published: 03 Sep 2009
- views: 145
Bach - Minuet in D minor BWV Anh. 132 (organ)
- Order: Reorder
- Duration: 1:08
- Updated: 14 Aug 2013
- views: 566
- published: 14 Aug 2013
- views: 566
Albinoni/Giazotto: Adagio in G Minor - Tariq Harb, Guitar
- Order: Reorder
- Duration: 7:50
- Updated: 03 May 2017
- views: 1034
Guitarist Tariq Harb plays the famous "Adagio in G minor" originally for violin, strings, and organ continuo, arranged by Harb in E minor for solo guitar.
Thi...
Guitarist Tariq Harb plays the famous "Adagio in G minor" originally for violin, strings, and organ continuo, arranged by Harb in E minor for solo guitar.
This is a neo-Baroque composition popularly attributed to the 18th-century Venetian composer Tomaso Albinoni, but actually composed by 20th-century musicologist and Albinoni biographer Remo Giazotto, purportedly based on the discovery of a manuscript fragment by Albinoni. There is a continuing scholarly debate about whether the alleged fragment was real, or a musical hoax perpetrated by Giazotto, but there is no doubt about Giazotto's authorship of the remainder of the work.
The composition is often referred to as "Albinoni's Adagio" or "Adagio in G minor by Albinoni, arranged by Giazotto", but the attribution is incorrect. The ascription to Albinoni rests upon Giazotto's purported discovery of a tiny manuscript fragment (consisting of a few opening measures of the melody line and basso continuo portion) from a slow second movement of an otherwise unknown Albinoni trio sonata.
According to Giazotto, he obtained the document shortly after the end of World War II from the Saxon State Library in Dresden which had preserved most of its collection. Giazotto concluded that the manuscript fragment was a portion of a church sonata (sonata da chiesa, one of two standard forms of the trio sonata) in G minor composed by Albinoni, possibly as part of his Op. 4 set, around 1708.
Musicologist Muska Mangano, Giazotto's last assistant, claimed to have discovered a modern but independent manuscript transcription of the figured bass portion and six fragmentary bars of the first violin, "bearing in the top right-hand corner a stamp stating unequivocally the Dresden provenance of the original from which it was taken". The scholarly consensus is that the Adagio in G minor is Giazotto's composition, whatever source may have inspired him.
Regardless of who composed the theme, I would like to dedicated it to Liona Boyd, the first lady of the guitar, because it was due to her performance of this piece with orchestra that I got introduced to this timeless work of fine art. Thank you, Liona, for the inspiration!
I hope you enjoy this video! :)
http://www.tariqharb.com
http://www.facebook.com/tariqharb
https://wn.com/Albinoni_Giazotto_Adagio_In_G_Minor_Tariq_Harb,_Guitar
Guitarist Tariq Harb plays the famous "Adagio in G minor" originally for violin, strings, and organ continuo, arranged by Harb in E minor for solo guitar.
This is a neo-Baroque composition popularly attributed to the 18th-century Venetian composer Tomaso Albinoni, but actually composed by 20th-century musicologist and Albinoni biographer Remo Giazotto, purportedly based on the discovery of a manuscript fragment by Albinoni. There is a continuing scholarly debate about whether the alleged fragment was real, or a musical hoax perpetrated by Giazotto, but there is no doubt about Giazotto's authorship of the remainder of the work.
The composition is often referred to as "Albinoni's Adagio" or "Adagio in G minor by Albinoni, arranged by Giazotto", but the attribution is incorrect. The ascription to Albinoni rests upon Giazotto's purported discovery of a tiny manuscript fragment (consisting of a few opening measures of the melody line and basso continuo portion) from a slow second movement of an otherwise unknown Albinoni trio sonata.
According to Giazotto, he obtained the document shortly after the end of World War II from the Saxon State Library in Dresden which had preserved most of its collection. Giazotto concluded that the manuscript fragment was a portion of a church sonata (sonata da chiesa, one of two standard forms of the trio sonata) in G minor composed by Albinoni, possibly as part of his Op. 4 set, around 1708.
Musicologist Muska Mangano, Giazotto's last assistant, claimed to have discovered a modern but independent manuscript transcription of the figured bass portion and six fragmentary bars of the first violin, "bearing in the top right-hand corner a stamp stating unequivocally the Dresden provenance of the original from which it was taken". The scholarly consensus is that the Adagio in G minor is Giazotto's composition, whatever source may have inspired him.
Regardless of who composed the theme, I would like to dedicated it to Liona Boyd, the first lady of the guitar, because it was due to her performance of this piece with orchestra that I got introduced to this timeless work of fine art. Thank you, Liona, for the inspiration!
I hope you enjoy this video! :)
http://www.tariqharb.com
http://www.facebook.com/tariqharb
- published: 03 May 2017
- views: 1034
Kozachok - from Symphony in G minor of unknown Ukrainian author (Finale)
- Order: Reorder
- Duration: 5:50
- Updated: 30 Mar 2015
- views: 675
"Козачок" - із Симфонії невідомого автора XIX століття. Виконує дует акордеоністів "Концертіно" (Україна) та оркестр акордеоністів "Consona" (Литва). Запис конц...
"Козачок" - із Симфонії невідомого автора XIX століття. Виконує дует акордеоністів "Концертіно" (Україна) та оркестр акордеоністів "Consona" (Литва). Запис концерту - 2012 рік. Do you want to download sheet music? Click SHOW MORE!
Download notes for orchestra of Folk Instruments:
https://drive.google.com/open?id=0B5QN5Xl5DFziaHlTVFNSVEZWbkE&authuser;=0
Download and listen to the original version (Symphony Orchestra):
https://sites.google.com/site/muzliteratura/iii-ukraienska-muzika/instrumentalna-muzika-kinca-18-pocatku-19-stolitta
Some information about the musical composition (in Ukrainian):
http://www.akolada.org.ua/index.php?dep=&page;=bibl/statti/symfoniya
https://wn.com/Kozachok_From_Symphony_In_G_Minor_Of_Unknown_Ukrainian_Author_(Finale)
"Козачок" - із Симфонії невідомого автора XIX століття. Виконує дует акордеоністів "Концертіно" (Україна) та оркестр акордеоністів "Consona" (Литва). Запис концерту - 2012 рік. Do you want to download sheet music? Click SHOW MORE!
Download notes for orchestra of Folk Instruments:
https://drive.google.com/open?id=0B5QN5Xl5DFziaHlTVFNSVEZWbkE&authuser;=0
Download and listen to the original version (Symphony Orchestra):
https://sites.google.com/site/muzliteratura/iii-ukraienska-muzika/instrumentalna-muzika-kinca-18-pocatku-19-stolitta
Some information about the musical composition (in Ukrainian):
http://www.akolada.org.ua/index.php?dep=&page;=bibl/statti/symfoniya
- published: 30 Mar 2015
- views: 675
Fugue in G Minor (J.S. Bach) - Unknown Composer - (Unknown) - C64 chiptune
- Order: Reorder
- Duration: 3:38
- Updated: 01 Jul 2016
- views: 108
WHAT IS: UNEPIC STONED HIGH SID LIST
Check all the different playlists to shuffle through tens of thousands SID tunes!
Subscribe here, and like our Facebo...
WHAT IS: UNEPIC STONED HIGH SID LIST
Check all the different playlists to shuffle through tens of thousands SID tunes!
Subscribe here, and like our Facebook page: https://www.facebook.com/ushsc1
Aiming to be the most complete channel of tunes by *all* the musicians in the High Voltage Sid Collection that you never hear about.
Links:
http://www.xentax.com
http://www.hvsc.c64.org/
http://www.6581-8580.com/index.php
For love of the SID chip and her composers, for love of the C64 and all her sceners.
https://wn.com/Fugue_In_G_Minor_(J.S._Bach)_Unknown_Composer_(Unknown)_C64_Chiptune
WHAT IS: UNEPIC STONED HIGH SID LIST
Check all the different playlists to shuffle through tens of thousands SID tunes!
Subscribe here, and like our Facebook page: https://www.facebook.com/ushsc1
Aiming to be the most complete channel of tunes by *all* the musicians in the High Voltage Sid Collection that you never hear about.
Links:
http://www.xentax.com
http://www.hvsc.c64.org/
http://www.6581-8580.com/index.php
For love of the SID chip and her composers, for love of the C64 and all her sceners.
- published: 01 Jul 2016
- views: 108
Fugue in G by Johann Pachelbel
- Order: Reorder
- Duration: 1:12
- Updated: 01 Jan 2013
- views: 467
A fugue in G major (original key unknown) by Johann Pachelbel, arranged for guitar by Stephen C. Siktberg. A bit sloppy, and I need to change my treble strings ...
A fugue in G major (original key unknown) by Johann Pachelbel, arranged for guitar by Stephen C. Siktberg. A bit sloppy, and I need to change my treble strings badly, but it's my first "performance" of the piece.
https://wn.com/Fugue_In_G_By_Johann_Pachelbel
A fugue in G major (original key unknown) by Johann Pachelbel, arranged for guitar by Stephen C. Siktberg. A bit sloppy, and I need to change my treble strings badly, but it's my first "performance" of the piece.
- published: 01 Jan 2013
- views: 467
Fugue in C Major from Portugal
- Order: Reorder
- Duration: 2:48
- Updated: 03 Sep 2009
- views: 307
This fugue was discovered along with five others in Portugal. The composer is unknown.
It is believed to have been written during the 18th century and is in th...
This fugue was discovered along with five others in Portugal. The composer is unknown.
It is believed to have been written during the 18th century and is in the style of the Italo-
Iberian fugue. It is being played by David Christensen on the M. P. Moller (1966) organ at Eden Lutheran Church in Riverside, CA.
https://wn.com/Fugue_In_C_Major_From_Portugal
This fugue was discovered along with five others in Portugal. The composer is unknown.
It is believed to have been written during the 18th century and is in the style of the Italo-
Iberian fugue. It is being played by David Christensen on the M. P. Moller (1966) organ at Eden Lutheran Church in Riverside, CA.
- published: 03 Sep 2009
- views: 307
-
Anna Magdalena Bach Notebook (complete) P. Barton, FEURICH harmonic pedal piano
Anna Magdalena was Bach's second wife. Around 1725 Bach assembled a third copybook of pieces for her which included works by other composers she liked. Bach wrote her name in Indian ink and gold lettering on the green binding. *I am using the Harmonic Piano Pedal only in these recordings. The Harmonic Piano Pedal was invented by Denis de La Rochefordière. Harmonic Pedal Pianos available at: http://www.feurich.com/en/pedale_harmonique Related video 'Recording Piano with the Harmonic Pedal: http://youtu.be/i-f209tPXV4 Introduction to the Harmonic Piano Pedal in Historical Context (Duration 17 mins) http://www.youtube.com/watch?v=nAOvGraQv28&feature;=share&list;=PLO753ToaDZAlLDqqJ6YXWrmJN68IEivh8
published: 27 Mar 2013 -
Bach / Robert Veyron-Lacroix, 1961: Little Clavier Notebook of Anna Magdalena Bach (Complete)
From the LP that is shown above, issued on the MHS label, catalogue number MHS 569, issued in 1963. 0:00 Menuet BWV Anh. 113 (unknown) 1:39 Menuet BWV Anh. 114 (C. Petzold) 3:12 Menuet BWV Anh. 115 (C. Petzold) 4:40 Menuet BWV Anh. 116 (unknown) 6:16 Polonaise BWV Anh. 117 a/b (unknown) 8:28 Menuet BWV Anh. 118 (unknown) 9:44 Polonaise BWV Anh. 119 (unknown) 10:37 Menuet BWV Anh. 120 (unknown) 12:12 Menuet BWV Anh. 121 (unknown) 13:38 Marche BWV Anh. 122 (C.Ph.E. Bach) 14:38 Polonaise BWV Anh. 123 (C.Ph.E. Bach) 15:45 Marche BWV Anh. 124 (C.Ph.E. Bach) 16:54 Polonaise BWV Anh. 125 (C.Ph.E. Bach) 18:19 Musette BWV Anh. 126 (unknown) 19:24 Marche BWV Anh. 127 (unknown) 20:45 Polonaise BWV Anh. 128 (unknown) 22:15 Aria BWV 988 (J.S. Bach) 25:58 Solo per il cembalo BWV Anh. 129 (C.Ph.E. Bach)...
published: 07 Nov 2012 -
-
Alfred Schnitke - Minuet, from Suite in the Old Style (Extended)
1934 - 1998.
published: 06 Jan 2015 -
Igor Kipnis (harpsichord) 'Music for the Kings of France' Couperin and Marchand
Igor Kipnis (harpsichord) 'Music for the Kings of France' Recorded on original instruments in September 1982 at the Museum of Fine Arts, Boston. Released 1984 by Elektra/Asylum/Nonesuch Records The harpichord played by Mr.Kípnis ín the Coupein Suites is a Couchet1680 enlarged by Blanchet. 1758, rebuilt by aTaskin, 1781 (liner photo). ln the Marchand Suítes, Mr. Kipnís plays a Henrí Hemsch, 1756 (cover photo). Performed on original instruments from the Boston Museum of Fine Arts. Side One. (28'' 00) Louis Couperin (1626-1661) Suite in G min (1658) (15'10) 00:00 Prelude 03:13 Allemande 05:20 Courante 07:04 Sarabande 08:52 Passacaille 13:12 Chaconne Louis Marchand (1669-1732) Suite No. 1 in D minor (12'53) 15:03 Prelude 17:24 Allemande 20:22 Courante I 22:02 Courante II 24:18 Saraba...
published: 28 Feb 2016 -
Point Culture : Introduction à la musique "classique"
Après avoir abandonné à trois reprises l'écriture d'un Point Culture complet sur la musique classique, la nouvelle formule me permet de vous offrir un très bref portrait de 20 compositeurs clés (de sol (c'est le lol)) de la musique savante, dite musique "classique" Si cette vidéo vous a plu et que vous souhaitez suivre mes créations ^^ : Facebook : http://www.facebook.com/pages/LinksTheSun Twitter : http://twitter.com/#!/LinksTheSun Site officiel ; http://www.lepointculture.fr
published: 26 Jun 2014 -
Kostas Papazafeiropoulos :: Sonata F Major (2016) :: Wim Winters, clavichord
Kostas Papazafeiropoulos :: Sonata F Major (2016) :: Wim Winters, clavichord ============================================== Stay updated (and get a free MP3 of Bach's Inventions ▶https://authenticsound.leadpages.co/join/ Subscribe ▶https://www.youtube.com/c/authenticsound?sub_confirmation=1 All recordings ▶http://authenticsound.be/youtube.html ============================================== Really excited to share this brand new sonata (2016) in F Major, opus 118, composed by the Greek composer Kostas Papazafeiropoulos (b.1983) Index of all recordings: http://authenticsound.be/youtube.html This sonata: 0:06 Allegro 7:18 Adagio 15:03 Menuet & trio 18:28 Allegretto (theme & variations) Note upfront... if you only have time for one part... and are a bit sceptical on new works in earlier s...
published: 10 Apr 2016 -
"Art of Violin": Fritz Kreisler, Part 7, in RUSSIAN.Created by Yuri Beliavsky, c.2006. wmv
Listening to this program is like traveling on a TIME MACHINE! AN HISTORICAL PERSPECTIVE ON THE ART OF VIOLIN PLAYING SINCE THE BEGINNING OF THE RECORDING ERA A unique and illustrative glimpse into the personalities who created music history as they brought the art of violin playing to its zenith. With some rare and even unknown recordings and fascinating narrative, the world of Jascha Heifetz, Fritz Kreisler, Yehudi Menuhin, Leopold Auer, and other giants of the field, comes alive and enchants the listeners with its beauty. The audience will travel through time to the days of Paganini via his closest musical heirs, those violinists whose lives touched Vieuxtemps, Wieniawski, Sarasate, and Joachim--the giants of the XIX Century. Rare examples from the beginning of the Recording Era f...
published: 06 Sep 2012 -
J.W. Hässler, 360 Preludes in All Keys, Op. 47 (1817) and Assorted Encores (Hässler and Prokofiev)
The third clip of Mad Rhino in Moscow! Apologies are in order: the quality of this clip is poor (a student practicing in a nearby room can easily be heard throughout, creating a near-Ives experience), but, on the other hand, there is perhaps a minimal value in this performance, and the pieces have never been played or heard before. The Mad Rhino gives the world premiere of J.W. Hässler's monumental cycle of 360 Preludes in All Keys in Moscow on Sept. 26, 2012. This bizarre cycle consists of fifteen little preludes (the shortest one clocked at 2.4 seconds) per each major and minor key. Astonishingly, Hässler treats the whole collection as a unified whole, as evidenced by a gradual increase in size of the preludes by the golden section, and a subsequent decrease to a ringtone size, ...
published: 12 Apr 2014
Anna Magdalena Bach Notebook (complete) P. Barton, FEURICH harmonic pedal piano
- Order: Reorder
- Duration: 48:11
- Updated: 27 Mar 2013
- views: 227739
Anna Magdalena was Bach's second wife. Around 1725 Bach assembled a third copybook of pieces for her which included works by other composers she liked. Bach wro...
Anna Magdalena was Bach's second wife. Around 1725 Bach assembled a third copybook of pieces for her which included works by other composers she liked. Bach wrote her name in Indian ink and gold lettering on the green binding.
*I am using the Harmonic Piano Pedal only in these recordings. The Harmonic Piano Pedal was invented by Denis de La Rochefordière.
Harmonic Pedal Pianos available at: http://www.feurich.com/en/pedale_harmonique
Related video 'Recording Piano with the Harmonic Pedal: http://youtu.be/i-f209tPXV4
Introduction to the Harmonic Piano Pedal in Historical Context (Duration 17 mins)
http://www.youtube.com/watch?v=nAOvGraQv28&feature;=share&list;=PLO753ToaDZAlLDqqJ6YXWrmJN68IEivh8
https://wn.com/Anna_Magdalena_Bach_Notebook_(Complete)_P._Barton,_Feurich_Harmonic_Pedal_Piano
Anna Magdalena was Bach's second wife. Around 1725 Bach assembled a third copybook of pieces for her which included works by other composers she liked. Bach wrote her name in Indian ink and gold lettering on the green binding.
*I am using the Harmonic Piano Pedal only in these recordings. The Harmonic Piano Pedal was invented by Denis de La Rochefordière.
Harmonic Pedal Pianos available at: http://www.feurich.com/en/pedale_harmonique
Related video 'Recording Piano with the Harmonic Pedal: http://youtu.be/i-f209tPXV4
Introduction to the Harmonic Piano Pedal in Historical Context (Duration 17 mins)
http://www.youtube.com/watch?v=nAOvGraQv28&feature;=share&list;=PLO753ToaDZAlLDqqJ6YXWrmJN68IEivh8
- published: 27 Mar 2013
- views: 227739
Bach / Robert Veyron-Lacroix, 1961: Little Clavier Notebook of Anna Magdalena Bach (Complete)
- Order: Reorder
- Duration: 31:24
- Updated: 07 Nov 2012
- views: 9142
From the LP that is shown above, issued on the MHS label, catalogue number MHS 569, issued in 1963.
0:00 Menuet BWV Anh. 113 (unknown)
1:39 Menuet BWV Anh. 114...
From the LP that is shown above, issued on the MHS label, catalogue number MHS 569, issued in 1963.
0:00 Menuet BWV Anh. 113 (unknown)
1:39 Menuet BWV Anh. 114 (C. Petzold)
3:12 Menuet BWV Anh. 115 (C. Petzold)
4:40 Menuet BWV Anh. 116 (unknown)
6:16 Polonaise BWV Anh. 117 a/b (unknown)
8:28 Menuet BWV Anh. 118 (unknown)
9:44 Polonaise BWV Anh. 119 (unknown)
10:37 Menuet BWV Anh. 120 (unknown)
12:12 Menuet BWV Anh. 121 (unknown)
13:38 Marche BWV Anh. 122 (C.Ph.E. Bach)
14:38 Polonaise BWV Anh. 123 (C.Ph.E. Bach)
15:45 Marche BWV Anh. 124 (C.Ph.E. Bach)
16:54 Polonaise BWV Anh. 125 (C.Ph.E. Bach)
18:19 Musette BWV Anh. 126 (unknown)
19:24 Marche BWV Anh. 127 (unknown)
20:45 Polonaise BWV Anh. 128 (unknown)
22:15 Aria BWV 988 (J.S. Bach)
25:58 Solo per il cembalo BWV Anh. 129 (C.Ph.E. Bach)
28:50 Polonaise BWV Anh. 130 (J.A. Hasse)
30:32 Menuet BWV Anh. 132 (unknown)
More selections from this LP:
Bach / Robert Veyron-Lacroix, 1961: Chromatic Fantasy and Fugue in D, BWV 903 - http://www.youtube.com/watch?v=ZWYXqFhlvG8
Bach / Robert Veyron-Lacroix, 1961: Italian Concerto in F major, BWV 971 - Complete - http://www.youtube.com/watch?v=Uskd7H46Yro
---------------------------------------
More from JS Bach:
Wanda Landowska, 1949: Prelude and Fugue No. 1 in C, BWV 846 - WTC, Book I - http://www.youtube.com/watch?v=j19W3wP-Tqs
Bach / Bronislav Gimpel, 1964: Sonata No. 3 in C major for Violin, BWV 1005 - Allegro assai - http://www.youtube.com/watch?v=khUaSK76uJE
JS Bach / Marie-Claire Alain, 1964: Wachet Auf, Ruft Uns Die Stimme, BWV 645: http://www.youtube.com/watch?v=X9c1C69lpuc
Paul Jacobs: Herr Gott, Nun Schleuss' Den Himmel Auf! (Bach / Busoni) - 1979: http://www.youtube.com/watch?v=YaEXWG7k2Z8
JS Bach / Albert Schweitzer, 1952: A Mighty Fortress Is Our God - Gunsbach, Alsace:http://www.youtube.com/watch?v=VRgDxjgwWLc
Bach / Karl Münchinger, 1951: Brandenburg Concerto No. 5 in D major, BWV 1050 (Allegro) - http://www.youtube.com/watch?v=-QL3f46vDvY
JS Bach / Jacqueline du Pré: Adagio, from the Toccata in C, BWV 564 - 1962 - http://www.youtube.com/watch?v=MQquknf_3ps
Paul Jacobs: Jesus Christus, unser Heiland, der von uns den Zorn, Gottes Wandt (Bach / Busoni): http://www.youtube.com/watch?v=wDHPThhCAF4
Bach / Villa-Lobos: Fugue No. 1 in C major, BWV 846 (transcribed for Cellos by Villa-Lobos) - 1958 - http://www.youtube.com/watch?v=TsoNdQuOSXo
JS Bach / Sylvia Marlowe: Concerto for Two Harpsichords in C major, BWV 1061 - Fuga - 1960 - http://www.youtube.com/watch?v=ZbWED7HWFQQ
Bach / Hans Kalafusz: Violin Concerto in E major, BWV 1042 - Movement 3 - 1974 - http://www.youtube.com/watch?v=vBcw9K0fy7E
Die Notenbüchlein für Anna Magdalena Bach sind zwei Notenhefte von 1722 und 1725, die Johann Sebastian Bach und seine Frau Anna Magdalena zusammengestellt haben. Die Notenbücher werden in der Staatsbibliothek zu Berlin aufbewahrt. Auch für seinen Sohn Wilhelm Friedemann hat J. S. Bach ein Klavierbüchlein verfasst. Das Format des in Köthen entstandenen Buchs ist Klein-Querquart; die Deckel sind mit grünem Papier, Rücken und Ecken mit braunem Leder überzogen. Das Buch enthält 25 Blätter mit 48 beschriebenen Notenseiten, zwei Seiten sind liniert, aber unbeschrieben. Sämtliche Blätter haben sich aus dem Einband gelöst, einzelne Lagen sind verloren gegangen. Die Innenseite des Deckels trägt den von fremder Hand geschriebenen Titel: Clavier-Büchlein vor Anna Magdalena Bachin ANNO 1722 B. (Darunter notierte sich Johann Sebastian Bach die Titel dreier Bücher von August Pfeiffer, die sich auch alle drei in seinem Nachlass befanden: „Ante Calvinismus / Christen Schule item / Anti Melancholicus" - vermutlich hatte Bach gerade kein geeigneteres Papier zur Hand. Mit dem Notenbuch selber hat die Aufzeichnung sicher nichts zu tun.) Die meisten Musikstücke des Buches sind Kompositionen Johann Sebastian Bachs. Auch sind die ersten sechs Seiten von ihm mit den Ziffern 4 bis 9 nummeriert. Es fehlt also eine den Anfang bildende Lage von vier Seiten, die vermutlich den Titel und drei Notenseiten enthalten hat. Die handschriftliche Nummerierung endet aber damit; später wurde ohne Rücksicht auf fehlende Blätter eine Durchnummerierung vorgenommen.
"David Hertzberg"
https://wn.com/Bach_Robert_Veyron_Lacroix,_1961_Little_Clavier_Notebook_Of_Anna_Magdalena_Bach_(Complete)
From the LP that is shown above, issued on the MHS label, catalogue number MHS 569, issued in 1963.
0:00 Menuet BWV Anh. 113 (unknown)
1:39 Menuet BWV Anh. 114 (C. Petzold)
3:12 Menuet BWV Anh. 115 (C. Petzold)
4:40 Menuet BWV Anh. 116 (unknown)
6:16 Polonaise BWV Anh. 117 a/b (unknown)
8:28 Menuet BWV Anh. 118 (unknown)
9:44 Polonaise BWV Anh. 119 (unknown)
10:37 Menuet BWV Anh. 120 (unknown)
12:12 Menuet BWV Anh. 121 (unknown)
13:38 Marche BWV Anh. 122 (C.Ph.E. Bach)
14:38 Polonaise BWV Anh. 123 (C.Ph.E. Bach)
15:45 Marche BWV Anh. 124 (C.Ph.E. Bach)
16:54 Polonaise BWV Anh. 125 (C.Ph.E. Bach)
18:19 Musette BWV Anh. 126 (unknown)
19:24 Marche BWV Anh. 127 (unknown)
20:45 Polonaise BWV Anh. 128 (unknown)
22:15 Aria BWV 988 (J.S. Bach)
25:58 Solo per il cembalo BWV Anh. 129 (C.Ph.E. Bach)
28:50 Polonaise BWV Anh. 130 (J.A. Hasse)
30:32 Menuet BWV Anh. 132 (unknown)
More selections from this LP:
Bach / Robert Veyron-Lacroix, 1961: Chromatic Fantasy and Fugue in D, BWV 903 - http://www.youtube.com/watch?v=ZWYXqFhlvG8
Bach / Robert Veyron-Lacroix, 1961: Italian Concerto in F major, BWV 971 - Complete - http://www.youtube.com/watch?v=Uskd7H46Yro
---------------------------------------
More from JS Bach:
Wanda Landowska, 1949: Prelude and Fugue No. 1 in C, BWV 846 - WTC, Book I - http://www.youtube.com/watch?v=j19W3wP-Tqs
Bach / Bronislav Gimpel, 1964: Sonata No. 3 in C major for Violin, BWV 1005 - Allegro assai - http://www.youtube.com/watch?v=khUaSK76uJE
JS Bach / Marie-Claire Alain, 1964: Wachet Auf, Ruft Uns Die Stimme, BWV 645: http://www.youtube.com/watch?v=X9c1C69lpuc
Paul Jacobs: Herr Gott, Nun Schleuss' Den Himmel Auf! (Bach / Busoni) - 1979: http://www.youtube.com/watch?v=YaEXWG7k2Z8
JS Bach / Albert Schweitzer, 1952: A Mighty Fortress Is Our God - Gunsbach, Alsace:http://www.youtube.com/watch?v=VRgDxjgwWLc
Bach / Karl Münchinger, 1951: Brandenburg Concerto No. 5 in D major, BWV 1050 (Allegro) - http://www.youtube.com/watch?v=-QL3f46vDvY
JS Bach / Jacqueline du Pré: Adagio, from the Toccata in C, BWV 564 - 1962 - http://www.youtube.com/watch?v=MQquknf_3ps
Paul Jacobs: Jesus Christus, unser Heiland, der von uns den Zorn, Gottes Wandt (Bach / Busoni): http://www.youtube.com/watch?v=wDHPThhCAF4
Bach / Villa-Lobos: Fugue No. 1 in C major, BWV 846 (transcribed for Cellos by Villa-Lobos) - 1958 - http://www.youtube.com/watch?v=TsoNdQuOSXo
JS Bach / Sylvia Marlowe: Concerto for Two Harpsichords in C major, BWV 1061 - Fuga - 1960 - http://www.youtube.com/watch?v=ZbWED7HWFQQ
Bach / Hans Kalafusz: Violin Concerto in E major, BWV 1042 - Movement 3 - 1974 - http://www.youtube.com/watch?v=vBcw9K0fy7E
Die Notenbüchlein für Anna Magdalena Bach sind zwei Notenhefte von 1722 und 1725, die Johann Sebastian Bach und seine Frau Anna Magdalena zusammengestellt haben. Die Notenbücher werden in der Staatsbibliothek zu Berlin aufbewahrt. Auch für seinen Sohn Wilhelm Friedemann hat J. S. Bach ein Klavierbüchlein verfasst. Das Format des in Köthen entstandenen Buchs ist Klein-Querquart; die Deckel sind mit grünem Papier, Rücken und Ecken mit braunem Leder überzogen. Das Buch enthält 25 Blätter mit 48 beschriebenen Notenseiten, zwei Seiten sind liniert, aber unbeschrieben. Sämtliche Blätter haben sich aus dem Einband gelöst, einzelne Lagen sind verloren gegangen. Die Innenseite des Deckels trägt den von fremder Hand geschriebenen Titel: Clavier-Büchlein vor Anna Magdalena Bachin ANNO 1722 B. (Darunter notierte sich Johann Sebastian Bach die Titel dreier Bücher von August Pfeiffer, die sich auch alle drei in seinem Nachlass befanden: „Ante Calvinismus / Christen Schule item / Anti Melancholicus" - vermutlich hatte Bach gerade kein geeigneteres Papier zur Hand. Mit dem Notenbuch selber hat die Aufzeichnung sicher nichts zu tun.) Die meisten Musikstücke des Buches sind Kompositionen Johann Sebastian Bachs. Auch sind die ersten sechs Seiten von ihm mit den Ziffern 4 bis 9 nummeriert. Es fehlt also eine den Anfang bildende Lage von vier Seiten, die vermutlich den Titel und drei Notenseiten enthalten hat. Die handschriftliche Nummerierung endet aber damit; später wurde ohne Rücksicht auf fehlende Blätter eine Durchnummerierung vorgenommen.
"David Hertzberg"
- published: 07 Nov 2012
- views: 9142
J.S. BACH: 21 Lenten & Passion Chorales (practice)
- Order: Reorder
- Duration: 45:29
- Updated: 11 Mar 2016
- views: 2447
DOWNLOAD PROGRAM & NOTES (FREE): http://www.bachscholar.com/bach-chorales/21-lenten-passion-chorales
READ ABOUT HALL'S NEW WORKS! http://www.bachscholar.com/bac...
DOWNLOAD PROGRAM & NOTES (FREE): http://www.bachscholar.com/bach-chorales/21-lenten-passion-chorales
READ ABOUT HALL'S NEW WORKS! http://www.bachscholar.com/bach-hall-chorale-preludes/
https://wn.com/J.S._Bach_21_Lenten_Passion_Chorales_(Practice)
Alfred Schnitke - Minuet, from Suite in the Old Style (Extended)
- Order: Reorder
- Duration: 28:17
- Updated: 06 Jan 2015
- views: 176
1934 - 1998.
1934 - 1998.
https://wn.com/Alfred_Schnitke_Minuet,_From_Suite_In_The_Old_Style_(Extended)
Igor Kipnis (harpsichord) 'Music for the Kings of France' Couperin and Marchand
- Order: Reorder
- Duration: 54:48
- Updated: 28 Feb 2016
- views: 1696
Igor Kipnis (harpsichord) 'Music for the Kings of France'
Recorded on original instruments in September 1982 at the Museum of Fine Arts, Boston.
Released 1984 ...
Igor Kipnis (harpsichord) 'Music for the Kings of France'
Recorded on original instruments in September 1982 at the Museum of Fine Arts, Boston.
Released 1984 by Elektra/Asylum/Nonesuch Records
The harpichord played by Mr.Kípnis ín the Coupein Suites is a Couchet1680 enlarged by Blanchet. 1758, rebuilt by aTaskin, 1781 (liner photo). ln the Marchand Suítes, Mr. Kipnís plays a Henrí Hemsch, 1756 (cover photo).
Performed on original instruments from the Boston Museum of Fine Arts.
Side One. (28'' 00)
Louis Couperin (1626-1661) Suite in G min (1658) (15'10)
00:00 Prelude
03:13 Allemande
05:20 Courante
07:04 Sarabande
08:52 Passacaille
13:12 Chaconne
Louis Marchand (1669-1732) Suite No. 1 in D minor (12'53)
15:03 Prelude
17:24 Allemande
20:22 Courante I
22:02 Courante II
24:18 Sarabande
Side Two (27'40)
Louis Marchand Suite No. 1 in D minor
27:50 Gavotte en Rondeau (sorry for the bad quality)
29:15 Menuet
30:20 Gigue
32:58 Chaconne
François Couperin (1668-1733) Ordre No.2ó in F-sharp minor Book IV (18'35)
36:22 La Convalescente
41:41 Gavotte
43:33 La Sophie
46:33 L'Epineuse
51:03 La Pantonime
The tunings used are unequal. in contrast to the comparatively modern equal temperament, in which all tonalities are equal in
quality. Meantone temperament, in which the Couchet harpsichord was tuned for the Louis Couperin, favors tonalities with at most
two sharps or flats in their signatures. Maior thirds are pure {to unfamiliar ears perhaps somewhat "flat" sounding) while diminished fourths, which in equal temperament would sound iust like major thirds, have an expressive harshness. For the Marchand and François Couperin, the harpsichord was tuned in so-called temperamenl ordlinaire.This is basically a meantone temperament with certain notes adjusted slightly so that remote tonalities are playable. Each tonality has its own character Thus, the D minor of the Marchand has a rather benign quality, while the F# minor (and F# maior) of the Couperin shows a poignancy well suited to the character of the pieces
Since his debut in 1959, harpsichordist IGOR KIPNIS has performed in recital and as soloist with orchestras throughout the world. He is a prolific recording artist with ó2 LPs to his credit (4O of f,them solo albums). Among the honors Mr. Kipnis has received are 6 'Grammy' nominations, 3 "Record of the Year" awards from Stereo Review, and the Deutscher Schallplattenpreis. Contemporary Keyboard named him 'Best harpsichordist' in 1978, 1979 and 1980 and 'Best Classical Keyboardist' in 1982.
TWO GREAT HARPSICHORDS FROM THE MUSICAL INSTRUMENTS COLLECTION, MUSEUM OF FINE ARTS, BOSTON
The two harpsichords used for this recording aÍe among the finest surviving of their types. Together they represent the two main sources of the harpsichords used in seventeenth and eighteenth century France: the French makers of that period and the Flemish makers of the late sixteenth and seventeenth centuries. especially membere of the Ruckers family and their successors the Couchets. The harpsichord used for the works of Louis Couperin and Frangois Couperin on this record was built in Antwerp in 1680 by a member of the Couchet family, probably Petrus Joannes Couchet ( 1ó55/6-1680) or Joseph Joannes Couchet (fl.1666-1681), both of whom were sons of Jan Ruckers's nephew, Jan Couchet, who died in 16655. This is the latest surviving instrument of the Ruckers dynasty. The harpsichord used for the Suite by Louis Marchand was made in Paris probably in 175ó {the third digit of the date is somewhat unclear) by Henri Hemsch (1ó70-17ó9), who emigrated from Germany to France in ca. 1720.
Eighteenth century French harpsichords by makers such as the Blanchets, Taskin, and Hemsch. are among the finest ever made.
Nevertheless, the Flemish instruments were so prized for their exceptional sound that, as French musicians came to demand more notes in the keyboard compass fuller and more varied registration. these instruments were rebuilt and enlarged by the eighteenth-century French makers. The rebuildings. called ravalements, were often radical. but the original soundboard and, if possible, the original bridges and internal bracings glued to it were always preserved and with them, presumably, the splendid sound.
The history oÍ the Couchet harpsichord is especially complicated. This instrument was built in ló60 as a single manual with one 8' and one 4 ' register The compass was probably one of 5ó notes with 34 natural keys, possibly AA. BB-f''' lt was most likely scaled to sound a whole step above the normal reference pitch. About 1700 another maker added a second 8' regíster. probably in Flanders. A third hand, probably French, worked on the instrument about 1775 and altered the compass to one ending on e ''' Possibly the instrurent was converted to a double manual at this time.
(excerpt from Barbara Lambert, keeper of Musical Instruments, Museum of Fine Arts, Boston)
https://wn.com/Igor_Kipnis_(Harpsichord)_'Music_For_The_Kings_Of_France'_Couperin_And_Marchand
Igor Kipnis (harpsichord) 'Music for the Kings of France'
Recorded on original instruments in September 1982 at the Museum of Fine Arts, Boston.
Released 1984 by Elektra/Asylum/Nonesuch Records
The harpichord played by Mr.Kípnis ín the Coupein Suites is a Couchet1680 enlarged by Blanchet. 1758, rebuilt by aTaskin, 1781 (liner photo). ln the Marchand Suítes, Mr. Kipnís plays a Henrí Hemsch, 1756 (cover photo).
Performed on original instruments from the Boston Museum of Fine Arts.
Side One. (28'' 00)
Louis Couperin (1626-1661) Suite in G min (1658) (15'10)
00:00 Prelude
03:13 Allemande
05:20 Courante
07:04 Sarabande
08:52 Passacaille
13:12 Chaconne
Louis Marchand (1669-1732) Suite No. 1 in D minor (12'53)
15:03 Prelude
17:24 Allemande
20:22 Courante I
22:02 Courante II
24:18 Sarabande
Side Two (27'40)
Louis Marchand Suite No. 1 in D minor
27:50 Gavotte en Rondeau (sorry for the bad quality)
29:15 Menuet
30:20 Gigue
32:58 Chaconne
François Couperin (1668-1733) Ordre No.2ó in F-sharp minor Book IV (18'35)
36:22 La Convalescente
41:41 Gavotte
43:33 La Sophie
46:33 L'Epineuse
51:03 La Pantonime
The tunings used are unequal. in contrast to the comparatively modern equal temperament, in which all tonalities are equal in
quality. Meantone temperament, in which the Couchet harpsichord was tuned for the Louis Couperin, favors tonalities with at most
two sharps or flats in their signatures. Maior thirds are pure {to unfamiliar ears perhaps somewhat "flat" sounding) while diminished fourths, which in equal temperament would sound iust like major thirds, have an expressive harshness. For the Marchand and François Couperin, the harpsichord was tuned in so-called temperamenl ordlinaire.This is basically a meantone temperament with certain notes adjusted slightly so that remote tonalities are playable. Each tonality has its own character Thus, the D minor of the Marchand has a rather benign quality, while the F# minor (and F# maior) of the Couperin shows a poignancy well suited to the character of the pieces
Since his debut in 1959, harpsichordist IGOR KIPNIS has performed in recital and as soloist with orchestras throughout the world. He is a prolific recording artist with ó2 LPs to his credit (4O of f,them solo albums). Among the honors Mr. Kipnis has received are 6 'Grammy' nominations, 3 "Record of the Year" awards from Stereo Review, and the Deutscher Schallplattenpreis. Contemporary Keyboard named him 'Best harpsichordist' in 1978, 1979 and 1980 and 'Best Classical Keyboardist' in 1982.
TWO GREAT HARPSICHORDS FROM THE MUSICAL INSTRUMENTS COLLECTION, MUSEUM OF FINE ARTS, BOSTON
The two harpsichords used for this recording aÍe among the finest surviving of their types. Together they represent the two main sources of the harpsichords used in seventeenth and eighteenth century France: the French makers of that period and the Flemish makers of the late sixteenth and seventeenth centuries. especially membere of the Ruckers family and their successors the Couchets. The harpsichord used for the works of Louis Couperin and Frangois Couperin on this record was built in Antwerp in 1680 by a member of the Couchet family, probably Petrus Joannes Couchet ( 1ó55/6-1680) or Joseph Joannes Couchet (fl.1666-1681), both of whom were sons of Jan Ruckers's nephew, Jan Couchet, who died in 16655. This is the latest surviving instrument of the Ruckers dynasty. The harpsichord used for the Suite by Louis Marchand was made in Paris probably in 175ó {the third digit of the date is somewhat unclear) by Henri Hemsch (1ó70-17ó9), who emigrated from Germany to France in ca. 1720.
Eighteenth century French harpsichords by makers such as the Blanchets, Taskin, and Hemsch. are among the finest ever made.
Nevertheless, the Flemish instruments were so prized for their exceptional sound that, as French musicians came to demand more notes in the keyboard compass fuller and more varied registration. these instruments were rebuilt and enlarged by the eighteenth-century French makers. The rebuildings. called ravalements, were often radical. but the original soundboard and, if possible, the original bridges and internal bracings glued to it were always preserved and with them, presumably, the splendid sound.
The history oÍ the Couchet harpsichord is especially complicated. This instrument was built in ló60 as a single manual with one 8' and one 4 ' register The compass was probably one of 5ó notes with 34 natural keys, possibly AA. BB-f''' lt was most likely scaled to sound a whole step above the normal reference pitch. About 1700 another maker added a second 8' regíster. probably in Flanders. A third hand, probably French, worked on the instrument about 1775 and altered the compass to one ending on e ''' Possibly the instrurent was converted to a double manual at this time.
(excerpt from Barbara Lambert, keeper of Musical Instruments, Museum of Fine Arts, Boston)
- published: 28 Feb 2016
- views: 1696
Point Culture : Introduction à la musique "classique"
- Order: Reorder
- Duration: 36:05
- Updated: 26 Jun 2014
- views: 2182631
Après avoir abandonné à trois reprises l'écriture d'un Point Culture complet sur la musique classique, la nouvelle formule me permet de vous offrir un très bref...
Après avoir abandonné à trois reprises l'écriture d'un Point Culture complet sur la musique classique, la nouvelle formule me permet de vous offrir un très bref portrait de 20 compositeurs clés (de sol (c'est le lol)) de la musique savante, dite musique "classique"
Si cette vidéo vous a plu et que vous souhaitez suivre mes créations ^^ :
Facebook : http://www.facebook.com/pages/LinksTheSun
Twitter : http://twitter.com/#!/LinksTheSun
Site officiel ; http://www.lepointculture.fr
https://wn.com/Point_Culture_Introduction_À_La_Musique_Classique
Après avoir abandonné à trois reprises l'écriture d'un Point Culture complet sur la musique classique, la nouvelle formule me permet de vous offrir un très bref portrait de 20 compositeurs clés (de sol (c'est le lol)) de la musique savante, dite musique "classique"
Si cette vidéo vous a plu et que vous souhaitez suivre mes créations ^^ :
Facebook : http://www.facebook.com/pages/LinksTheSun
Twitter : http://twitter.com/#!/LinksTheSun
Site officiel ; http://www.lepointculture.fr
- published: 26 Jun 2014
- views: 2182631
Kostas Papazafeiropoulos :: Sonata F Major (2016) :: Wim Winters, clavichord
- Order: Reorder
- Duration: 27:36
- Updated: 10 Apr 2016
- views: 1323
Kostas Papazafeiropoulos :: Sonata F Major (2016) :: Wim Winters, clavichord
==============================================
Stay updated (and get a free MP3 of ...
Kostas Papazafeiropoulos :: Sonata F Major (2016) :: Wim Winters, clavichord
==============================================
Stay updated (and get a free MP3 of Bach's Inventions ▶https://authenticsound.leadpages.co/join/
Subscribe ▶https://www.youtube.com/c/authenticsound?sub_confirmation=1
All recordings ▶http://authenticsound.be/youtube.html
==============================================
Really excited to share this brand new sonata (2016) in F Major, opus 118, composed by the Greek composer Kostas Papazafeiropoulos (b.1983)
Index of all recordings: http://authenticsound.be/youtube.html
This sonata:
0:06 Allegro
7:18 Adagio
15:03 Menuet & trio
18:28 Allegretto (theme & variations)
Note upfront... if you only have time for one part... and are a bit sceptical on new works in earlier styles... chose the adagio and stop thinking and comparing...!
A (maybe not so much) philosophical stand point:
I have stressed it before: we today, in general, are not used to new compositions in earlier styles, like the one you might be listening to at this moment. It appears to be a habit we lost in the last century or maybe even never had. I can tell, because I myself did not pay much attention, if any, to works like that. New 'classical' music is really not my cup of tea, since I tend to become an instant music-idiot from the moment where a strong tonica-dominant relationship is left behind. Or sound on itself is centralised. For whatever strange reason that might be.
Anyway, this is the fourth work of Kostas that I'm privileged to record over a period of one year now. So I had the time to ask opinions of friends of all kind of interest and profession. The best friends of course, had to guess what it was they were listening to. I take 3 examples: one is artistic and managing director of a cultural centre with a lot of classical music programmed. The other is a real classic music fan, and my third friend is a civil engineer logistics and computer science (and opera lover).
I took the Sonata in G Major (not this sonata since this obviously is very recent)
https://www.youtube.com/watch?v=96V10Haw3GY&src;_vid=z4AXTySqwmw&annotation;_id=db916e5d-98de-4321-9524-ee1fdba790c4&feature;=cards
Being unknown of the date and name of the composer,
-the first one thought it was music by Müthel.
-the second one hesitated, thought on influences from Haydn
-the engineer thought on a composer that was influenced by Beethoven, but slightly later.
The third one of course had nothing to 'loose'. The first two were very prudent. The music sounded so convincing and yet they were a bit confused not to know the piece, nor the composer.
But all three really applauded the composition.
Then I came up with the name of Kostas and date of composition.
Result:
-no real interest with my first friend any more (no more than 'interesting')
-A diminution of the composition by my second friend, saying that 'I really knew so well how to play that kind of music that made it sound so well'. So, it was all thanks to me.
-The engineer didn't care. He thought it was fantastic music.
This... is so strange.
I am curious what this sonata will accomplish. Again, if only you have time to listen to one part, choose the adagio. It is one of the most suggestive adagios I know. Yes, composers like Kostas have to compete against Beethoven, Mozart, Haydn, ... but don't compare everything to Mozart's highlights ! That kills all initiatives!
Even stop finding names to compare with. That at least is what I had to do when diving into the music of Kostas one year ago. It has its own spot, and it needs to have its own spot, within the framework of the aesthetics of that time. It is the combination of technical mastering, understanding the style AND personality that can make works like this survive. And Kostas has all three.
He deserves, in my mind, a place at the top of today's composers, and honestly, I really don't understand why talents like this is facing so much troubles in standing out.
I really hope you enjoy the recording and his music. And you'll do him a BIG favour by letting him know your reaction in the comment boxes below!
Take care,
Wim
=============================================
Connect with me on:
Facebook ▶https://www.facebook.com/Authentic-Sound-601076609974303/
Twitter ▶https://twitter.com/_WimWinters
Website: ▶http://www.authenticsound.be
https://wn.com/Kostas_Papazafeiropoulos_Sonata_F_Major_(2016)_Wim_Winters,_Clavichord
Kostas Papazafeiropoulos :: Sonata F Major (2016) :: Wim Winters, clavichord
==============================================
Stay updated (and get a free MP3 of Bach's Inventions ▶https://authenticsound.leadpages.co/join/
Subscribe ▶https://www.youtube.com/c/authenticsound?sub_confirmation=1
All recordings ▶http://authenticsound.be/youtube.html
==============================================
Really excited to share this brand new sonata (2016) in F Major, opus 118, composed by the Greek composer Kostas Papazafeiropoulos (b.1983)
Index of all recordings: http://authenticsound.be/youtube.html
This sonata:
0:06 Allegro
7:18 Adagio
15:03 Menuet & trio
18:28 Allegretto (theme & variations)
Note upfront... if you only have time for one part... and are a bit sceptical on new works in earlier styles... chose the adagio and stop thinking and comparing...!
A (maybe not so much) philosophical stand point:
I have stressed it before: we today, in general, are not used to new compositions in earlier styles, like the one you might be listening to at this moment. It appears to be a habit we lost in the last century or maybe even never had. I can tell, because I myself did not pay much attention, if any, to works like that. New 'classical' music is really not my cup of tea, since I tend to become an instant music-idiot from the moment where a strong tonica-dominant relationship is left behind. Or sound on itself is centralised. For whatever strange reason that might be.
Anyway, this is the fourth work of Kostas that I'm privileged to record over a period of one year now. So I had the time to ask opinions of friends of all kind of interest and profession. The best friends of course, had to guess what it was they were listening to. I take 3 examples: one is artistic and managing director of a cultural centre with a lot of classical music programmed. The other is a real classic music fan, and my third friend is a civil engineer logistics and computer science (and opera lover).
I took the Sonata in G Major (not this sonata since this obviously is very recent)
https://www.youtube.com/watch?v=96V10Haw3GY&src;_vid=z4AXTySqwmw&annotation;_id=db916e5d-98de-4321-9524-ee1fdba790c4&feature;=cards
Being unknown of the date and name of the composer,
-the first one thought it was music by Müthel.
-the second one hesitated, thought on influences from Haydn
-the engineer thought on a composer that was influenced by Beethoven, but slightly later.
The third one of course had nothing to 'loose'. The first two were very prudent. The music sounded so convincing and yet they were a bit confused not to know the piece, nor the composer.
But all three really applauded the composition.
Then I came up with the name of Kostas and date of composition.
Result:
-no real interest with my first friend any more (no more than 'interesting')
-A diminution of the composition by my second friend, saying that 'I really knew so well how to play that kind of music that made it sound so well'. So, it was all thanks to me.
-The engineer didn't care. He thought it was fantastic music.
This... is so strange.
I am curious what this sonata will accomplish. Again, if only you have time to listen to one part, choose the adagio. It is one of the most suggestive adagios I know. Yes, composers like Kostas have to compete against Beethoven, Mozart, Haydn, ... but don't compare everything to Mozart's highlights ! That kills all initiatives!
Even stop finding names to compare with. That at least is what I had to do when diving into the music of Kostas one year ago. It has its own spot, and it needs to have its own spot, within the framework of the aesthetics of that time. It is the combination of technical mastering, understanding the style AND personality that can make works like this survive. And Kostas has all three.
He deserves, in my mind, a place at the top of today's composers, and honestly, I really don't understand why talents like this is facing so much troubles in standing out.
I really hope you enjoy the recording and his music. And you'll do him a BIG favour by letting him know your reaction in the comment boxes below!
Take care,
Wim
=============================================
Connect with me on:
Facebook ▶https://www.facebook.com/Authentic-Sound-601076609974303/
Twitter ▶https://twitter.com/_WimWinters
Website: ▶http://www.authenticsound.be
- published: 10 Apr 2016
- views: 1323
"Art of Violin": Fritz Kreisler, Part 7, in RUSSIAN.Created by Yuri Beliavsky, c.2006. wmv
- Order: Reorder
- Duration: 44:44
- Updated: 06 Sep 2012
- views: 393
Listening to this program is like traveling on a TIME MACHINE!
AN HISTORICAL PERSPECTIVE ON THE ART OF VIOLIN PLAYING SINCE
THE BEGINNING OF THE RECORDING ER...
Listening to this program is like traveling on a TIME MACHINE!
AN HISTORICAL PERSPECTIVE ON THE ART OF VIOLIN PLAYING SINCE
THE BEGINNING OF THE RECORDING ERA
A unique and illustrative glimpse into the personalities who created music history as they brought the art of violin playing to its zenith. With some rare and even unknown recordings and fascinating narrative, the world of Jascha Heifetz, Fritz Kreisler, Yehudi Menuhin, Leopold Auer, and other giants of the field, comes alive and enchants the listeners with its beauty.
The audience will travel through time to the days of Paganini via his closest musical heirs, those violinists whose lives touched Vieuxtemps, Wieniawski, Sarasate, and Joachim--the giants of the XIX Century.
Rare examples from the beginning of the Recording Era feature Jascha Heifetz, Fritz Kreisler, Leopold Auer, Pablo Sarasate, Joseph Joachim, and others. These vividly illustrate the musical links to the past giants of the violin world, giving tantalizing hints of the techniques and sounds that now remain only legendary.
Author, host-narrator, producer, Yuri Beliavsky, with his authentic commentary, makes this enlightening series both entertaining and educational, as he describes the evolution of violin technique and style, compares recordings, and relates the colorful stories of the violinists' lives.
ART OF VIOLIN
Jascha HEIFETZ
Leopold AUER and his Violin School
Mischa ELMAN
Fritz KREISLER
Yehudi MENUHIN
Niccolo Paganini
Copyright © 2006 by Yuri Beliavsky, All Rights Reserved
www.artofviolin.net
www.opus1films.com
https://wn.com/Art_Of_Violin_Fritz_Kreisler,_Part_7,_In_Russian.Created_By_Yuri_Beliavsky,_C.2006._Wmv
Listening to this program is like traveling on a TIME MACHINE!
AN HISTORICAL PERSPECTIVE ON THE ART OF VIOLIN PLAYING SINCE
THE BEGINNING OF THE RECORDING ERA
A unique and illustrative glimpse into the personalities who created music history as they brought the art of violin playing to its zenith. With some rare and even unknown recordings and fascinating narrative, the world of Jascha Heifetz, Fritz Kreisler, Yehudi Menuhin, Leopold Auer, and other giants of the field, comes alive and enchants the listeners with its beauty.
The audience will travel through time to the days of Paganini via his closest musical heirs, those violinists whose lives touched Vieuxtemps, Wieniawski, Sarasate, and Joachim--the giants of the XIX Century.
Rare examples from the beginning of the Recording Era feature Jascha Heifetz, Fritz Kreisler, Leopold Auer, Pablo Sarasate, Joseph Joachim, and others. These vividly illustrate the musical links to the past giants of the violin world, giving tantalizing hints of the techniques and sounds that now remain only legendary.
Author, host-narrator, producer, Yuri Beliavsky, with his authentic commentary, makes this enlightening series both entertaining and educational, as he describes the evolution of violin technique and style, compares recordings, and relates the colorful stories of the violinists' lives.
ART OF VIOLIN
Jascha HEIFETZ
Leopold AUER and his Violin School
Mischa ELMAN
Fritz KREISLER
Yehudi MENUHIN
Niccolo Paganini
Copyright © 2006 by Yuri Beliavsky, All Rights Reserved
www.artofviolin.net
www.opus1films.com
- published: 06 Sep 2012
- views: 393
J.W. Hässler, 360 Preludes in All Keys, Op. 47 (1817) and Assorted Encores (Hässler and Prokofiev)
- Order: Reorder
- Duration: 20:09
- Updated: 12 Apr 2014
- views: 549
The third clip of Mad Rhino in Moscow!
Apologies are in order: the quality of this clip is poor (a student practicing in a nearby room can easily be heard t...
The third clip of Mad Rhino in Moscow!
Apologies are in order: the quality of this clip is poor (a student practicing in a nearby room can easily be heard throughout, creating a near-Ives experience), but, on the other hand, there is perhaps a minimal value in this performance, and the pieces have never been played or heard before.
The Mad Rhino gives the world premiere of J.W. Hässler's monumental cycle of 360 Preludes in All Keys in Moscow on Sept. 26, 2012. This bizarre cycle consists of fifteen little preludes (the shortest one clocked at 2.4 seconds) per each major and minor key. Astonishingly, Hässler treats the whole collection as a unified whole, as evidenced by a gradual increase in size of the preludes by the golden section, and a subsequent decrease to a ringtone size, as the cycle concludes. Despite the relative brevity of individual preludes, the whole work lasts nearly 100 minutes, and presents formidable challenges for both performance and comprehension.
J.W. Hässler is a virtually unknown (except for an occasional pedagogical piece) German/Russian composer whose career spanned the lifetimes of Mozart, Haydn, and Beethoven. He is chiefly remembered for an obnoxious dismissal of his abilities by Mozart, which did not prevent them from drinking together afterwards. If Hässler knew, he did not take offense, for he played one of Mozart's piano concerti in London, under the direction of Haydn. Yet, he appears to have been influenced not by his great contemporaries, but rather by the style of C.P.E. Bach, with occasional flashes of genius reminiscent of Schumann (!).
Another tidbit is located at http://youtu.be/DPL0svAZ4AY
Hässler's 360 Preludes will be recorded by Toccata Classics in 2015.
https://wn.com/J.W._Hässler,_360_Preludes_In_All_Keys,_Op._47_(1817)_And_Assorted_Encores_(Hässler_And_Prokofiev)
The third clip of Mad Rhino in Moscow!
Apologies are in order: the quality of this clip is poor (a student practicing in a nearby room can easily be heard throughout, creating a near-Ives experience), but, on the other hand, there is perhaps a minimal value in this performance, and the pieces have never been played or heard before.
The Mad Rhino gives the world premiere of J.W. Hässler's monumental cycle of 360 Preludes in All Keys in Moscow on Sept. 26, 2012. This bizarre cycle consists of fifteen little preludes (the shortest one clocked at 2.4 seconds) per each major and minor key. Astonishingly, Hässler treats the whole collection as a unified whole, as evidenced by a gradual increase in size of the preludes by the golden section, and a subsequent decrease to a ringtone size, as the cycle concludes. Despite the relative brevity of individual preludes, the whole work lasts nearly 100 minutes, and presents formidable challenges for both performance and comprehension.
J.W. Hässler is a virtually unknown (except for an occasional pedagogical piece) German/Russian composer whose career spanned the lifetimes of Mozart, Haydn, and Beethoven. He is chiefly remembered for an obnoxious dismissal of his abilities by Mozart, which did not prevent them from drinking together afterwards. If Hässler knew, he did not take offense, for he played one of Mozart's piano concerti in London, under the direction of Haydn. Yet, he appears to have been influenced not by his great contemporaries, but rather by the style of C.P.E. Bach, with occasional flashes of genius reminiscent of Schumann (!).
Another tidbit is located at http://youtu.be/DPL0svAZ4AY
Hässler's 360 Preludes will be recorded by Toccata Classics in 2015.
- published: 12 Apr 2014
- views: 549
- Playlist
- Chat
2:50
G MINOR BACH - Piano Tiles 2
Descargar audio MP3: https://drive.google.com/file/d/0BwLmcZnUUOzEVVhRUGxfd1lDd2M
Descarga...
published: 02 Oct 2015
G MINOR BACH - Piano Tiles 2
G MINOR BACH - Piano Tiles 2
- Report rights infringement
- published: 02 Oct 2015
- views: 1169758
3:41
Bach "Little" Fugue in G minor BWV 578 in Synthesia with Simple Analysis
Played by The Synthesia.
Midi: http://www.mediafire.com/?244962ufyfi4meh
Converting my pi...
published: 09 Nov 2012
Bach "Little" Fugue in G minor BWV 578 in Synthesia with Simple Analysis
Bach "Little" Fugue in G minor BWV 578 in Synthesia with Simple Analysis
- Report rights infringement
- published: 09 Nov 2012
- views: 110551
2:56
"G minor Bach - Piano Tiles 2" SYNTHESIA
Descargar MIDI: https://drive.google.com/file/d/0BwLmcZnUUOzENkpWXzJxQy1Kb0k
Descargar par...
published: 21 Dec 2015
"G minor Bach - Piano Tiles 2" SYNTHESIA
"G minor Bach - Piano Tiles 2" SYNTHESIA
- Report rights infringement
- published: 21 Dec 2015
- views: 272018
2:24
Minuet
Minuet
Malcolm Kogut This video was taken at last years recital series when
I was still u...
published: 03 Sep 2009
Minuet
Minuet
- Report rights infringement
- published: 03 Sep 2009
- views: 145
1:08
Bach - Minuet in D minor BWV Anh. 132 (organ)
published: 14 Aug 2013
Bach - Minuet in D minor BWV Anh. 132 (organ)
Bach - Minuet in D minor BWV Anh. 132 (organ)
- Report rights infringement
- published: 14 Aug 2013
- views: 566
7:50
Albinoni/Giazotto: Adagio in G Minor - Tariq Harb, Guitar
Guitarist Tariq Harb plays the famous "Adagio in G minor" originally for violin, strings, ...
published: 03 May 2017
Albinoni/Giazotto: Adagio in G Minor - Tariq Harb, Guitar
Albinoni/Giazotto: Adagio in G Minor - Tariq Harb, Guitar
- Report rights infringement
- published: 03 May 2017
- views: 1034
5:50
Kozachok - from Symphony in G minor of unknown Ukrainian author (Finale)
"Козачок" - із Симфонії невідомого автора XIX століття. Виконує дует акордеоністів "Концер...
published: 30 Mar 2015
Kozachok - from Symphony in G minor of unknown Ukrainian author (Finale)
Kozachok - from Symphony in G minor of unknown Ukrainian author (Finale)
- Report rights infringement
- published: 30 Mar 2015
- views: 675
3:38
Fugue in G Minor (J.S. Bach) - Unknown Composer - (Unknown) - C64 chiptune
WHAT IS: UNEPIC STONED HIGH SID LIST
Check all the different playlists to shuffle throu...
published: 01 Jul 2016
Fugue in G Minor (J.S. Bach) - Unknown Composer - (Unknown) - C64 chiptune
Fugue in G Minor (J.S. Bach) - Unknown Composer - (Unknown) - C64 chiptune
- Report rights infringement
- published: 01 Jul 2016
- views: 108
1:12
Fugue in G by Johann Pachelbel
A fugue in G major (original key unknown) by Johann Pachelbel, arranged for guitar by Step...
published: 01 Jan 2013
Fugue in G by Johann Pachelbel
Fugue in G by Johann Pachelbel
- Report rights infringement
- published: 01 Jan 2013
- views: 467
2:48
Fugue in C Major from Portugal
This fugue was discovered along with five others in Portugal. The composer is unknown.
It...
published: 03 Sep 2009
Fugue in C Major from Portugal
Fugue in C Major from Portugal
- Report rights infringement
- published: 03 Sep 2009
- views: 307
- Playlist
- Chat
2:50
G MINOR BACH - Piano Tiles 2
Descargar audio MP3: https://drive.google.com/file/d/0BwLmcZnUUOzEVVhRUGxfd1lDd2M
Descarga...
published: 02 Oct 2015
G MINOR BACH - Piano Tiles 2
G MINOR BACH - Piano Tiles 2
- Report rights infringement
- published: 02 Oct 2015
- views: 1169758
3:41
Bach "Little" Fugue in G minor BWV 578 in Synthesia with Simple Analysis
Played by The Synthesia.
Midi: http://www.mediafire.com/?244962ufyfi4meh
Converting my pi...
published: 09 Nov 2012
Bach "Little" Fugue in G minor BWV 578 in Synthesia with Simple Analysis
Bach "Little" Fugue in G minor BWV 578 in Synthesia with Simple Analysis
- Report rights infringement
- published: 09 Nov 2012
- views: 110551
2:56
"G minor Bach - Piano Tiles 2" SYNTHESIA
Descargar MIDI: https://drive.google.com/file/d/0BwLmcZnUUOzENkpWXzJxQy1Kb0k
Descargar par...
published: 21 Dec 2015
"G minor Bach - Piano Tiles 2" SYNTHESIA
"G minor Bach - Piano Tiles 2" SYNTHESIA
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- published: 21 Dec 2015
- views: 272018
2:24
Minuet
Minuet
Malcolm Kogut This video was taken at last years recital series when
I was still u...
published: 03 Sep 2009
Minuet
Minuet
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- published: 03 Sep 2009
- views: 145
1:08
Bach - Minuet in D minor BWV Anh. 132 (organ)
published: 14 Aug 2013
Bach - Minuet in D minor BWV Anh. 132 (organ)
Bach - Minuet in D minor BWV Anh. 132 (organ)
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- published: 14 Aug 2013
- views: 566
7:50
Albinoni/Giazotto: Adagio in G Minor - Tariq Harb, Guitar
Guitarist Tariq Harb plays the famous "Adagio in G minor" originally for violin, strings, ...
published: 03 May 2017
Albinoni/Giazotto: Adagio in G Minor - Tariq Harb, Guitar
Albinoni/Giazotto: Adagio in G Minor - Tariq Harb, Guitar
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- published: 03 May 2017
- views: 1034
5:50
Kozachok - from Symphony in G minor of unknown Ukrainian author (Finale)
"Козачок" - із Симфонії невідомого автора XIX століття. Виконує дует акордеоністів "Концер...
published: 30 Mar 2015
Kozachok - from Symphony in G minor of unknown Ukrainian author (Finale)
Kozachok - from Symphony in G minor of unknown Ukrainian author (Finale)
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- published: 30 Mar 2015
- views: 675
3:38
Fugue in G Minor (J.S. Bach) - Unknown Composer - (Unknown) - C64 chiptune
WHAT IS: UNEPIC STONED HIGH SID LIST
Check all the different playlists to shuffle throu...
published: 01 Jul 2016
Fugue in G Minor (J.S. Bach) - Unknown Composer - (Unknown) - C64 chiptune
Fugue in G Minor (J.S. Bach) - Unknown Composer - (Unknown) - C64 chiptune
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- published: 01 Jul 2016
- views: 108
1:12
Fugue in G by Johann Pachelbel
A fugue in G major (original key unknown) by Johann Pachelbel, arranged for guitar by Step...
published: 01 Jan 2013
Fugue in G by Johann Pachelbel
Fugue in G by Johann Pachelbel
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- published: 01 Jan 2013
- views: 467
2:48
Fugue in C Major from Portugal
This fugue was discovered along with five others in Portugal. The composer is unknown.
It...
published: 03 Sep 2009
Fugue in C Major from Portugal
Fugue in C Major from Portugal
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- published: 03 Sep 2009
- views: 307
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48:11
Anna Magdalena Bach Notebook (complete) P. Barton, FEURICH harmonic pedal piano
Anna Magdalena was Bach's second wife. Around 1725 Bach assembled a third copybook of piec...
published: 27 Mar 2013
Anna Magdalena Bach Notebook (complete) P. Barton, FEURICH harmonic pedal piano
Anna Magdalena Bach Notebook (complete) P. Barton, FEURICH harmonic pedal piano
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- published: 27 Mar 2013
- views: 227739
31:24
Bach / Robert Veyron-Lacroix, 1961: Little Clavier Notebook of Anna Magdalena Bach (Complete)
From the LP that is shown above, issued on the MHS label, catalogue number MHS 569, issued...
published: 07 Nov 2012
Bach / Robert Veyron-Lacroix, 1961: Little Clavier Notebook of Anna Magdalena Bach (Complete)
Bach / Robert Veyron-Lacroix, 1961: Little Clavier Notebook of Anna Magdalena Bach (Complete)
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- published: 07 Nov 2012
- views: 9142
45:29
J.S. BACH: 21 Lenten & Passion Chorales (practice)
DOWNLOAD PROGRAM & NOTES (FREE): http://www.bachscholar.com/bach-chorales/21-lenten-passio...
published: 11 Mar 2016
J.S. BACH: 21 Lenten & Passion Chorales (practice)
28:17
Alfred Schnitke - Minuet, from Suite in the Old Style (Extended)
1934 - 1998.
published: 06 Jan 2015
Alfred Schnitke - Minuet, from Suite in the Old Style (Extended)
Alfred Schnitke - Minuet, from Suite in the Old Style (Extended)
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- published: 06 Jan 2015
- views: 176
54:48
Igor Kipnis (harpsichord) 'Music for the Kings of France' Couperin and Marchand
Igor Kipnis (harpsichord) 'Music for the Kings of France'
Recorded on original instruments...
published: 28 Feb 2016
Igor Kipnis (harpsichord) 'Music for the Kings of France' Couperin and Marchand
Igor Kipnis (harpsichord) 'Music for the Kings of France' Couperin and Marchand
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- published: 28 Feb 2016
- views: 1696
36:05
Point Culture : Introduction à la musique "classique"
Après avoir abandonné à trois reprises l'écriture d'un Point Culture complet sur la musiqu...
published: 26 Jun 2014
Point Culture : Introduction à la musique "classique"
Point Culture : Introduction à la musique "classique"
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- published: 26 Jun 2014
- views: 2182631
27:36
Kostas Papazafeiropoulos :: Sonata F Major (2016) :: Wim Winters, clavichord
Kostas Papazafeiropoulos :: Sonata F Major (2016) :: Wim Winters, clavichord
=============...
published: 10 Apr 2016
Kostas Papazafeiropoulos :: Sonata F Major (2016) :: Wim Winters, clavichord
Kostas Papazafeiropoulos :: Sonata F Major (2016) :: Wim Winters, clavichord
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- published: 10 Apr 2016
- views: 1323
44:44
"Art of Violin": Fritz Kreisler, Part 7, in RUSSIAN.Created by Yuri Beliavsky, c.2006. wmv
Listening to this program is like traveling on a TIME MACHINE!
AN HISTORICAL PERSPECTIVE...
published: 06 Sep 2012
"Art of Violin": Fritz Kreisler, Part 7, in RUSSIAN.Created by Yuri Beliavsky, c.2006. wmv
"Art of Violin": Fritz Kreisler, Part 7, in RUSSIAN.Created by Yuri Beliavsky, c.2006. wmv
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- published: 06 Sep 2012
- views: 393
20:09
J.W. Hässler, 360 Preludes in All Keys, Op. 47 (1817) and Assorted Encores (Hässler and Prokofiev)
The third clip of Mad Rhino in Moscow!
Apologies are in order: the quality of this cli...
published: 12 Apr 2014
J.W. Hässler, 360 Preludes in All Keys, Op. 47 (1817) and Assorted Encores (Hässler and Prokofiev)
J.W. Hässler, 360 Preludes in All Keys, Op. 47 (1817) and Assorted Encores (Hässler and Prokofiev)
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- published: 12 Apr 2014
- views: 549
Anna Magdalena Bach Notebook (complete) P. Barton,...
Bach / Robert Veyron-Lacroix, 1961: Little Clavier...
J.S. BACH: 21 Lenten & Passion Chorales (practice)...
Alfred Schnitke - Minuet, from Suite in the Old St...
Igor Kipnis (harpsichord) 'Music for the Kings of ...
Point Culture : Introduction à la musique "classiq...
Kostas Papazafeiropoulos :: Sonata F Major (2016) ...
"Art of Violin": Fritz Kreisler, Part 7, in RUSSIA...
J.W. Hässler, 360 Preludes in All Keys, Op. 47 (18...
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Police disrupt plot in Australia to 'bring down an airplane'
Edit Independent Online 30 Jul 2017
Police disrupted the first alleged plot in Australia to bring down an airplane and arrested four men in raids on Sydney homes, officials said Sunday. Prime Minister Malcolm Turnbull said that security has been increased at Sydney Airport since Thursday because of the plot. The increased security measures also were extended to all major international and domestic terminals around Australia overnight ... "The operation is continuing." ... ....
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Even without Congress, Trump can still cut Medicaid enrollment
Edit Lexington Herald-Leader 30 Jul 2017
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North Korea can now fire missiles at targets across the United States, experts say
Edit The Independent 29 Jul 2017
North Korea has the capability to “hit everything from LA to DC,” a leading missile and non-proliferation expert has claimed, and the US now must now “accept its vulnerability”....
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US navy 'fired warning shots near Iran vessels' in Persian Gulf
Edit Irish Independent 29 Jul 2017
Iran's elite Revolutionary Guard said a US navy aircraft carrier fired a warning shot in an "unprofessional" confrontation with Iranian vessels, the official IRNA news agency has reported ... The report said the confrontation took place on Friday afternoon and the US navy ships left the area following the encounter ... ....
String quintet leads lineup for chamber music festival
Edit Arkansas Online 30 Jul 2017
Friday in the Stella Boyle Smith Concert Hall, pianist Andrius Zlabys joins Williamson, Matyakubova, Robson, Mooney and Sullivan for a program that includes the Violin Sonata in e minor, K.304, by Wolfgang Amadeus Mozart; Prelude, Chorale and Fugue in b minor by Cesar Franck; and the Piano Quintet in E-flat major, op.44, by Robert Schumann....
Mechanicsburg man arrested on charges of rape, unlawful contact with minor
Edit Penn Live 30 Jul 2017
A 21-year-old Mechanicsburg man was arrested Saturday and charged with rape, strangulation and unlawful contact with a minor, police said ... to minors....
Five minor girls drown in a village pond in Darbhanga
Edit DNA India 30 Jul 2017
Five minor girls drowned in a pond today while four other minors were rescued by local people at Korthu of Bihar's Darbhanga district ... The other four minors, who were rescued by local people, ......
Cause of house fire still unknown
Edit Stuff 30 Jul 2017
A house gutted by fire in Invercargill last week has been deemed too unsafe for a fire investigator to enter ... Fire investigator Mark Bredenbeck, speaking on Sunday, said the cause of the blaze was still unknown. He had investigated the outside of the house but the burnt structure was too unsafe to enter and investigate inside, he said ... Ad Feedback....
Three held in Kulgam for raping minor girls
Edit Zeenews 30 Jul 2017
The girl alleged that they were then taken to some unknown building by the men and raped there ... ....
Minor killed in Lalitpur house collapse
Edit The Himalayan 30 Jul 2017
LALITPUR. A four-year-old minor died when a house collapsed at Gimdi Hutitar in Mahankaal Rural Municipality-6 in Lalitpur district on Saturday night. The deceased has been identified as Sushmita Syangtan of the district. Syangtan was buried by the debris of the two-story mud house that collapsed last night ... The post Minor killed in Lalitpur house collapse appeared first on The Himalayan Times ... ....
Priest caught with minor in motel stripped of diocese positions
Edit Journal Online 30 Jul 2017
His superior, Antipolo Bishop Frncis de Leon, said Monsignor Arnel Lagarejos was relieved from his Taytay parish post after he was caught in a police entrapment operation with the minor who he allegedly met through a pimp on social media ... supposedly to apprehend minors involved in prostitution....
Uncovering Korea's unknown steel gallery
Edit Korea Times 30 Jul 2017
By Matt Jones ... It says "sewage" at its center. / Courtesy of Matt Jones ... I thought nothing of this until I returned to Seoul ... It was as though I was uncovering an otherwise unknown steel gallery decorating the network of roads which extends across Korea ... This infrastructure is unknown, much like the logistics and smelting of aesthetic designs by workmen whose toil was essential to the city, but rarely seen by those who live there ... ....
Dalit, minority education panels lie defunct
Edit The Telegraph India 30 Jul 2017
Two committees to monitor the education of socially deprived sections like the Dalits, tribals and the minorities have been defunct for more than two years ... ....
Supreme Court rules Casper illegally sentenced minors
Edit Atlantic City 30 Jul 2017
CASPER, Wyo. (AP) — The Wyoming Supreme Court has ruled that the Casper municipal court had been illegally imposing probation sentences on minors charged with possessing alcohol ... ....
Jeremy Hellickson reportedly in minor car accident after getting traded to Orioles
Edit Sporting News 30 Jul 2017
Jeremy Hellickson was involved in a minor car accident after getting traded to the Orioles by the Phillies, according to an abc6 report ... ....
Minor League Baseball Team Pays Homage to Bruce Springsteen
Edit US News 30 Jul 2017
A minor league baseball team in New Jersey is once again paying homage to one of the state's musical legends, Bruce Springsteen ... ....
Chinese province with Muslim minority asks citizens to install surveillance app
Edit Inquirer 30 Jul 2017
Xinjiang province is home to around 8 million Uighurs, a Turkish ethnic minority group that has a history of grievances about oppression from the Chinese government ... ....
NEET 2017: Minority Quota Self Financing Medical Colleges Process Starts
Edit NDTV 30 Jul 2017
These seats shall be filled up by the Commissioner for Entrance Examinations (CEE) from the students belonging to the respective minority communities ... ....
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