- published: 30 Jun 2016
- views: 10229
Shock may refer to:
Time is the indefinite continued progress of existence and events that occur in apparently irreversible succession from the past through the present to the future. Time is a component quantity of many measurements used to sequence events, to compare the durations of events and the intervals between them, and to quantify rates of change of quantities in material reality or in the conscious experience. The temporal position of events with respect to the transitory present is continually changing; events happen, then are located further and further in the past. Time has been a major subject of religion, philosophy, and science, but defining it in a manner applicable to all fields of study without circularity has consistently eluded scholars. A simple definition states that "time is what clocks measure".
Time is one of the seven fundamental physical quantities in the International System of Units. Time is used to define other quantities — such as velocity — so defining time in terms of such quantities would result in circularity of definition. An operational definition of time, wherein one says that observing a certain number of repetitions of one or another standard cyclical event (such as the passage of a free-swinging pendulum) constitutes one standard unit such as the second, is highly useful in the conduct of both advanced experiments and everyday affairs of life. The operational definition leaves aside the question whether there is something called time, apart from the counting activity just mentioned, that flows and that can be measured. Investigations of a single continuum called spacetime bring questions about space into questions about time, questions that have their roots in the works of early students of natural philosophy.
Dialogue (sometimes spelled dialog in American English) is a literary and theatrical form consisting of a written or spoken conversational exchange between two or more ("dia" means through or across) people. Its chief historical origins as narrative, philosophical or didactic device are to be found in classical Greek and Indian literature, in particular in the ancient art of rhetoric.
While the dialogue was less important in the ninetenth cnetury than it had been in the eighteenth, it was not extinct. The British author W.H. Mallock employed it successfully in his work "The New Republic," which was explicitly based on Plato's "Republic" and on the writings of Thomas Love Peacock. But the notion of dialogue reemerged in the cultural mainstream in the work of cultural critics such as Mikhail Bakhtin and Paulo Freire, theologians such as Martin Buber, as an existential palliative to counter atomization and social alienation in mass industrial society.
Dialogue as a genre in the Middle East and Asia dates back to the year 1433 in Japan, Sumerian disputations preserved in copies from the late third millennium BC and to Rigvedic dialogue hymns and to the Mahabharata.