Craig Mathieson

@CMscreens

Film and television critic with Fairfax Media, writer of music profiles, contributor to The Monthly, creator of BINGE-R.

Melbourne, Victoria
binger.com.au
Joined July 2016
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  1. Pinned Tweet
    Jun 20

    Chin up, film freelancers, we're doing (marginally) better than the 1966 Hong Kong rate in Wong Kar-wai's 2046.

    1 reply 13 retweets 35 likes
  2. Oct 28

    BRIGSBY BEAR is where the monomaniacal man-child is sweetly redeemed as an innocent dreamer - my review

    1 retweet
  3. Oct 28

    THOR: RAGNAROK is the most fun I've had at a Marvel comic book movie - my review 🚀📽️

    1 retweet 3 likes
  4. Oct 24

    Check the wild Warhol v Godard filmmaking that drives FUNERAL PARADE OF ROSES, a landmark 1969 gay Tokyo mash-up that opens 29/10

    2 retweets 2 likes
  5. Oct 24

    Talked the vast IBIZA CLASSICS tour w/, the true passion of 90s clubbers, and electronic music's heritage

    1 retweet 2 likes
  6. Oct 23

    THOR is good fun with historic undercurrent for Blanchett's wrathful villain: powerful women who cross lines are written out of history

    2 retweets 9 likes
  7. Oct 22

    THE UNTAMED is a must-see: unnervingly calm Mexican horror with sexual liberation from male control via alien tentacles. Opens 27/10

    2 replies 2 retweets 13 likes
  8. Oct 21

    Good memes can't make up for a bad movie: my review of Nordic chiller THE SNOWMAN from today's

    2 replies 1 retweet 3 likes
  9. Oct 19

    📣There's a subversive treasure trove of genre-bending Seijun Suzuki 60s movies on now: TOKYO DRIFTER, BRANDED TO KILL + more

    2 retweets 3 likes
  10. Oct 19

    Rebecca Ferguson's rise: I spoke to the star of MISSION IMPOSSIBLE, GIRL ON THE TRAIN, and SNOWMAN for

    2 retweets 1 like
  11. Oct 17

    📽️THE SNOWMAN is a complete mess. Disjointed, baffling, and shorn of texture. I'm mystified by how how badly Tomas Alfredson got this wrong.

    2 replies 4 likes
  12. Oct 17

    Doco BOMBSHELL: THE HEDY LAMARR STORY screening reveals a life too big for 1 narrative: she was a screen siren + genius inventor

    1 reply 2 retweets 12 likes
  13. Oct 16

    Adding to the importance of these well defined failings, the Classification Board is currently taking applications for a new Director.

    The Australian classification board's response to a new film reminds us that it is howlingly homophobic. My thoughts
    4 likes
  14. Oct 16
    Replying to

    Also, anyone who watched true crime series THE JINX, will be fascinated that this guy is one of the NYC developers employing Ingels...😔

    1 like
  15. Oct 16

    Doco BIG TIME is a subtle, fulfilling critique of starchitect Bjarke Ingels that observes ambition, legacy + compromise. Opens 21/10

    1 reply 1 retweet 3 likes
  16. Oct 15

    Just your annual reminder that Linda Fiorentino is a femme fatale for the ages in THE LAST SEDUCTION - essential neo-noir viewing.

    2 replies 5 retweets 14 likes
  17. Oct 14

    📽️A hint of the radical and a great deal of fantasy satisfaction: Reese Witherspoon is on autopilot in HOME AGAIN

  18. Oct 14
    Replying to

    Schiff's conclusion suggests he was wise to Stone - but he still ended up co-writing WALL STREET: MONEY NEVER SLEEPS in 2010

  19. Oct 14
    Replying to

    Stone interacts with a staff member at his production company:

    1 reply
  20. Oct 14

    The 1994 New Yorker profile of Oliver Stone by Stephen Schiff has some creepy moments: John Milius recalls Stone trying to drug a woman

    1 reply 1 like
  21. Oct 11
    Replying to and

    8/ If younger critics/writers have genuine Qs about how this all operates or evolves, please ask. I’d rather be informative than irritated.

    6 replies 20 likes

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