Review: In ‘Detroit,’ Black Lives Caught in a Prehistory of the Alt-Right
Kathryn Bigelow’s new movie, set amid the Detroit riots of 1967, grapples with the legacy of American racism.
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Kathryn Bigelow’s new movie, set amid the Detroit riots of 1967, grapples with the legacy of American racism.
By A. O. SCOTT
Jean-Christophe Maillot’s version of Shakespeare’s comedy is a postmodern mess that replaces the troupe’s reckless hugeness with slapstick cuteness.
By ALASTAIR MACAULAY
The first New York museum show devoted to the design maverick Ettore Sottsass lavishly contextualizes his work, from a red Olivetti typewriter to his role in the Memphis design group.
By ROBERTA SMITH
Cristóbal de Villalpando’s Baroque altarpiece hasn’t left Puebla, Mexico, since 1683. It’s now at the Met, and it’s overpowering.
By JASON FARAGO
An exhibition at the Smithsonian American Art Museum asks whose images have influenced our view of cities? Would someone who lived in these cities picture them differently than an outsider?
By VICKI GOLDBERG
Kirsten Childs’s 2000 musical about internalized racism gets a playful, poignant production at Encores! Off-Center.
By JESSE GREEN
Charlize Theron plays a spy in “Atomic Blonde,” which comes off like a highlight reel of car crashes and inventively choreographed fights.
By MANOHLA DARGIS
The Broad? Meet the Cheech: A champion of Latino art moves beyond his personal collection to found a new museum.
By MICHAEL WALKER