Here’s a handy breakdown you can resell for a vastly inflated price (plus service fees).
Frank Ocean has canceled festival appearance after festival appearance with little explanation. At FYF, he showed up but stayed true to his mysterious ways.
Issa Rae’s semi-autobiographical comedy and Paolo Sorrentino’s religious drama use music to show not just who their protagonists are, but the shape they take over time.
“I needed to write these songs,” she tells us, “and I can’t say that about every song I’ve written.”
A visual orgy of pus and perversion that you probably couldn’t sit through even if you wanted to.
You can’t just dress Shakespeare up in black eyeliner and refashion him as the 16th century’s Malcolm McLaren.
It’s there in the melancholia, the vintage trappings, and the fervent cults of personality.
It’s still not a good song, but five years later, there’s no denying that PSY’s pony dance rewrote the rules of both viral success and K-pop around the world.
We talk to Washington Post political reporter turned author David Weigel about humanizing prog’s virtuosic excess in his new book.
The Menace II Society director’s newest project, the four-part HBO documentary about Dr. Dre and Jimmy Iovine’s partnership, finds him encountering ghosts of his rap past.
JAY-Z built an entire track around “Four Women” on 4:44, but he’s far from the first hip-hop iconoclast to borrow Nina’s political insight.
Kanye West’s dispute with JAY-Z’s streaming service may be less about money and more about the trend away from windowed album exclusives