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“RIP the people's Photoshop”: memories of Microsoft Paint

Rumour has it the 32-year-old app will soon disappear from Windows' computers.

Aged 32, a beloved international treasure has been brutally murdered in its slumber. Microsoft Paint - an application that has graced Windows computers since 1985 - is rumoured to be absent from Windows' next update due in the autumn. The feature will be removed from Windows computers and lose its iconic status as a household staple. 

To mourn this tragic loss, we asked New Statesman readers to share their favourite memories of the application.

"I used it when working in a shitty marketing job" - Amy, 27, Yorkshire

As a child Amy enjoyed scribbling on MS Paint and printing out the results for her mum to "pretend to like" and put on the fridge. As an adult, the app was a life saver during a boring job. "My best memory is a painting of Arnold and Helga [from the children's television show Hey Arnold]. I did it when I was working in a shitty marketing job - I was always left alone in the office on Sundays and did absolutely nothing all day except stream TV shows (on incognito mode, this is not my first rodeo) and play on paint," Amy says. 

Amy's painting of Arnold (left) and Helga

"I love the sheer charm and simplicity" - Lewis Baston, 46, London

Baston - a political analyst - uses Paint to colour in maps after general and local government elections, using a Pointilliste style. "I know Python can do it more efficiently, but I love the sheer charm and simplicity of starting with an image of blank constituency and ward maps and gradually filling it in using Paint's colour-dropper feature," he says. "Geek heaven." Asked his thoughts on Paint's untimely death he said: "PAINT MUST SURVIVE!" 

One of Baston's maps

"The only thing I could do without having to be social" - Randi, 23, Norway 

"No person should have to live to see the death of their childhood digital drawing program," says Randi, of MS Paint's end. As a child, Randi did what most Paint users of the Nineties did best - drew a large scribble and filled in all the gaps with the Paint Bucket tool. "I had an old Windows 98 in my room with no internet connection, so playing Red Alert and messing with Paint was the only thing I could do without having to be social." When she became "more advanced in the Paint art" Randi also drew a portrait of a friend, below. 

Randi's friend, Painted by Randi

"Small Me was very impressed" - Anon, 27, Southampton 

An anoymous PhD student explains that Paint is the only graphics editor they can use, making it invaluable in creating diagrams for their PhD thesis. They also have fond memories of Paint from childhood. "We got a second-hand computer from someone when I was about 7 (1997-ish), and when I opened Paint I discovered that the previous owner had created several incredibly detailed fanarts of Darth Vader. Small Me was very impressed."

"I worked pixel-by-pixel" - Dan, 31, London

Dan enjoyed using Paint as a teenager, and because of its "speedy" load times he still uses the app to this day. "When I was round 16, one of my favourite pastimes was drawing fantasy city skylines in Paint. I'd zoom in as far as it went (using the secret extra zoom level you got by clicking just below the apparent maximum) and work pixel-by-pixel to produce a very detailed picture," he says. 

"I would then use the simple colour-replace tool (the eraser could be told just to erase one colour and replace it with another) to colour it in. Sometimes I would overlay the image with an off-set colour-inverted copy, which could look quite psychedelic."

 Dan's city skyline

"I use it several times a day" - Moira, 60+, Winchester 

Moira, who describes herself as a "serious blogger" still uses Microsoft Paint every day. "I use it for quick and dirty editing of pictures for my blog, perfect simple tool, I use it several times a day, every day, on autopilot virtually," she says. "[I am] shocked by the idea I will have to find a new way to do this!"

"We gathered round one of the school computers..." - Anoosh, 27, London

"My earliest, best and favourite memory of Paint is when we had to do a school project I think during a Geography lesson in Year 9," says Anoosh. "We were working on a certain country or part of the world (I can't remember which place exactly), and my friends and I did some research and found out that the spoonbill bird was native to this place. So we gathered round one of the school computers and made the front cover of our project "Spillbill" with a picture of a spoonbill bird copied and pasted (using Paint, of course!) onto the iconic yellow Kill Bill poster, replacing Uma Thurman.

"It was a masterpiece. It had some blood drawn on with the paintbrush tool coming out of it, for some reason. Our Geography teacher was really confused."

An artist's reconstruction of the Spillbill poster 

"RIP the people's Photoshop" - Alex, 22, Birmingham 

Alex's favourite memory of Paint is using it to paint nativity scenes at school during the Christmas period. "Yellow spray can was the way to go for a convincing star of Bethlehem." To commemorate paint, they have drawn the below illustration, with strong use of the Spray Can tool.

'RIP', a painting by Alex

"It spurred an obsession" - Nicole, 25, London 

"One of my earliest memories of Paint must have been from around 1997 or 98 when at school I was taught IT in Year 1," says Nicole. "We used the Spray Can tool to recreate Monet's Bridge over a Pond of Water Lilies, teaching us both about the history of art and also basic IT skills. This spurred an obsession, where subsequently I spent many an hour obsessively recreating different versions of the famous artwork on my father's computer."

"The Paint Panic" - Sophie, 32, London

Sophie used Paint to make birthday cards for friends as a child, and also loved the graffiti can tool as well as the colour match icon. One of her more painful memories of is an accident that plagued many Paint uses. "The Paint Panic," she says, "When the colour fill function would spill out and you'd have to quickly identify the leak by zooming into the pixelated black lines. Oh, bloody hell, I'll miss those spills if it goes."

"It was essentially bullying" - Stephen, 27, London

"As a teenager, I wrote and drew a comic with it. It was great fun - quick and easy, the art limitations were an endless source of gags. It was notionally satire but looking back it was essentially bullying. One plot revolved around a planet that turned out to be sentient, ruled over by a character named after a friend of ours. The planet was called after her particularly downtrodden boyfriend."

Stephen's recreation of his old comic

"Don't do this Microsoft" - Will, 51, Lincolnshire 

Will believes Microsoft should do what they can to keep Paint, which his children loved using when little.

"Drawing a moustache on Kylie Minogue was my first experience of a computer and I was hooked for life," he says. 

Amelia Tait is a technology and digital culture writer at the New Statesman.

Photo: Getty
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How Labour activists are already building a digital strategy to win the next election

Momentum volunteers are developing, coding and designing online tools to get Jeremy Corbyn elected.

Part way through Momentum’s launch of its digital hub, participants join in with a “Clivestream” – a Google Hangout with the Labour MP Clive Lewis – projected on to a wall, calling in from a field at Tolpuddle Festival.

The stunt is intended to fuse the future of socialism with its deep historical roots. The festival is held annually to remember the 19th century Tolpuddle Martyrs, early trade union activists whose harsh treatment sparked massive protests. “[Tolpuddle] is often seen as a turning-point in the rights of working people,” says Lewis, before the call is briefly gate-crashed by an animal rights campaigner approaching from behind in a “Spanish Civil War Ale” T-shirt.

“In terms of what you guys are doing, you’re basically on the cutting-edge of 21st century socialism,” Lewis continues. “And its ability to be able to connect through to hundreds and thousands and millions of people. You’ve seen in the last election, how powerful the technology [is] and the growing impact it’s having on our democracy.”

The symbolism of the video link is not lost on those present.

“I think it’s really significant to have an MP livestream in from Tolpuddle, which is obviously a traditional left-wing event to commemorate the Tolpuddle Martyrs, livestreaming into an East London hackathon done by Momentum,” says Joe Todd, Momentum’s press and communications officer.

At the launch, a young and diverse group of around 60 volunteer coders, developers, and designers, meet at Newspeak House in Shoreditch – a “community space for political technologists”. Most are Londoners, but some have come from as far afield as Yorkshire, and even Paris. Momentum hopes to replicate this at regular events in different cities across the UK, as it aims to develop the technological tools to help Labour win the next election.

Although this officially isn’t until 2022, Momentum doesn’t want to be taken by surprise again if a general election is called early. The group built its carpool site to help activists know where to canvass, called My Nearest Marginal, in about a week when the last election was called. “No one slept, basically, for the whole of the campaign,” recalls Todd. "We went on an absolute bare-bones budget.”

***

By planning a long-term digital strategy, Momentum hopes to improve on Labour’s 2017 election performance. Its social media team is developing tools to analyse the success of videos and posts among each demographic (one in three people on Facebook viewed its videos during the campaign), in order to expand its reach further.

The team is also building its own online payments system – it had been using PayPal, which charges a fixed fee, meaning “losing about a quarter of our donations to the one per cent”, according to digital officer and former Bernie Sanders staff member Erika Uyterhoeven. 

She is not the only former Sanders campaign worker interested in Corbynism. Supporters of the two left-wing politicians built a fruitful relationship during the election campaign, with activists coming over from the US to help train canvassers. Ben Packer, who helped code during the campaign, says: “I’m just trying to help people steal our stuff… Even though the issues are somewhat country specific, they’re analogous – you want a better National Health Service, we want some national health service; the tech is the same.”

He’s currently trying to build an app for Momentum that allows anyone to create an event, which will then appear to other members in the area.

Much of the technology being developed is used for internal Labour Party votes as well as external election campaigning – the phone bank app, for example.

Momentum members are currently being canvassed to vote in potentially crucial conference committee elections. Yet activists at the digital hub launch said such internal party organising won’t lead to deselection attempts.

Todd dismissed recent stories about a “deselection list” of MPs floated on a local Momentum branch’s Facebook group, saying it was “patently not a deselection plot”, and the story “really lowers journalistic standards”.

***

Momentum’s membership is up to 27,500, from 5,000 before the leadership challenge to Corbyn last year. Add in Labour’s polling lead – the most recent YouGov survey put it eight points ahead of the Tories – and “momentum” is a feeling as well as a name.

The group thinks it has the Tories on the run, and finds the idea of the Conservatives copying its strategy laughable. “If you don’t have the political programme or the vision that mobilises people and makes them enthusiastic and passionate, the technology’s useless. So the Tories can steal it all they want,” says Todd.

However, he sees no prospect of this happening any time soon. Looking at Theresa May’s potential successors, he says: “Their most inspired choice seems to be David Davis, which is a real indictment of the party” (perhaps Davis could make “Momentum’s most inspired choice” his leadership election slogan).

The activists recognise criticisms as well. While the enthusiasm and expertise represented by the digital hub may well attract more young people, it seems less apparent that it would win over older working-class voters in the Midlands and North.

“There was a swing against Labour in some places, and I don’t think the strategy should be to replace those seats with seats in the South, it needs to be a coalition,” Todd acknowledges. Yet he argues that “Momentum’s a lot more than what you see today”, referring to members across the country who are “embedded in all sorts of communities”.

How closely this central structure of Momentum is linked with its members across the country is up for debate, especially after controversial constitutional changes earlier this year. Rida Vaquas – who wasn’t at the event but is a member of Momentum’s governing National Coordinating Group – argues: “There is very little way, if any, that local branches can co-ordinate Momentum’s national activity in line with their own work, as local branches are no longer represented in Momentum’s democratic structures.”

When asked whether they do a good job co-ordinating national social media activity with local branches, Harry from the social media team admits: “Not really, that’s something we need to work on”. Ruth Berry, digital officer, sees the Hub as a promising way for “communicating with our membership across the country”, as “local groups can now use this digital hub to feed into us what their problems are, and how they can be best fixed”.

In a recent article, Tony Blair panned the electoral offerings put forward by both sides in June – particularly as far as Brexit strategies were concerned – calling them “two competing visions of the 1960s”.

Still, the campaign being built at Momentum’s digital hub appears as innovative as it was electorally useful at the election. However, Berry is adamant that Momentum has no cause to be complacent now: “We haven’t won a general election yet, so our work isn’t done.”

Thomas Zagoria is a Danson Scholar studying History and Politics at St Anne's College Oxford. 

Rudy Schulkind is a Danson scholar who recently graduated in philosophy and politics from St Anne's College Oxford.