Nine Inch Nails’ second EP in a year is as perplexing and immediate as their first. Trent Reznor has lost none of his power to discomfit and intimidate.
With 1973’s Índia, the samba singer Gal Costa cemented her status as one of Brazil’s biggest and most defiant stars, collaborating with Caetano Veloso and Gilberto Gil in the process.
With her new record as This Is the Kit, singer-songwriter Kate Stables offers a collection of sparse folk that takes on the mysteries of mortality with a wizened sigh.
Constructed around archival NASA recordings, the latest from Wilco’s Mikael Jorgensen’s features meticulous, pop-molded instrumentals that feel just a little incomplete without a vocal narrative.
On the eve of her fourth album, the pagan pop star sounds more content than ever. How did she get there?
Inspired by MF DOOM and mentored by Earl Sweatshirt, this teenage MC offers emotional directness and a keen eye for quotidian detail over gloriously scuzzy, soul-laced beats.
Frankie Cosmos play “Fool” off of Next Thing in Chicago for Pitchfork Music Festival 2017
The fourth full-length from Lana Del Rey is sincere and sublime, pushing her fascination with pop culture iconography even further while adding a newly personal touch.
Dave Portner’s latest album as Avey Tare is ambitious and inspiring. His painful, deeply personal, and intimate songs are in constant search for new sounds and emotions.
The soulful debut from Syrian-born Azniv Korkejian showcases the depth of her songwriting and uses Spacebomb’s retro sound to create an exquisite, subtle, and wide-eyed collection of songs.
Twenty years into her career, after a hiatus of more than a decade, the Chicago footwork producer finally releases her debut album, taking apart her hometown’s club genres and recombining them in captivatingly original ways.