Showing posts with label Alan Plater. Show all posts
Showing posts with label Alan Plater. Show all posts

Sunday, May 17, 2015

The Beiderbecke Connection by Alan Plater (Mandarin 1992)




Prams. Trevor Chaplin decided, were not what they used to be. When he was a lad in the North-East, prams were vehicles of substance, designed by the spiritual descendants of Brunel and Stephenson, and built by time-served craftsmen, wise old welders, blacksmiths and sheet-metal workers with grey-flecked hair. A pram was high, wide and handsome. It would scrape the paintwork on both sides of the hall simultaneously. On the road it would carry, with ease, the designated baby, plus a week's groceries, a couple of footballs, supplementary kids hitching a lift, fish and chips for the family and still have room left over for a bag of coal.



Tuesday, January 27, 2015

The Beiderbecke Tapes by Alan Plater (Mandarin 1986)




Whenever Jill felt the need to recharge her campaigning batteries, she sought out Sylvia. Like many such friendships, it had started on the Aldermaston road, a road that had doubled for Damascus in many people's lives.

They loved to talk about the great heroines, yes, and about the occasional hero too, of their own and earlier times: trading tales of Red Emma Goldman, Annie Besant, Sylvia Pankhurst, the one member of the family who never deviated and whose name Sylvia herself had inherited. On seeing any hostile element, Sylvia would cry out 'No Pasarán' - the famous Republican slogan from the Spanish Civil War, coined by a woman, and translated meaning: 'They shall not pass.' They very rarely did. Sylvia was no phoney. She had gone to Spain in the 1930s and had paid her dues.

Her view of the world was clear-cut: people were marvellous and politicians were shit. Asked for evidence she would say: read a history book. In her younger days, when her activities were more public and noisy, and she occasionally went to prison, the newspapers frequently claimed she was in the pay of Moscow.

'Alas,' she said, ' would that it were so.'

She had written to the Kremlin several times, suggesting that they might slip her the odd bar of gold, if only to add substance to the allegations, and ease her later years; nothing ever arrived - not even a nominal kopek. She suspected her mistake was to add a regular PS about sending dissidents to mental institutions. 

Wednesday, January 21, 2015

The Beiderbecke Affair by Alan Plater (Mandarin 1985)





The Adult Education Institute was built in the nineteenth century by a paternalistic mill-owner with the stated aim of bringing a spiritual uplift to the artisans of the area. A hundred years later, it still had not succeeded. The building, designed in the Gothic Inspirational manner, was now a hive of small rooms in which groups of predominately earnest people discussed D. H. Lawrence, watched The Battleship Potemkin or threw pots. It was not unusual for six people to be plotting revolution in Room 5, while across the corridor in Room 6, another six people were plotting counter-revolution. All twelve would meet in The Bells afterwards for a pint.



Thursday, July 21, 2011

Misterioso by Alan Plater (Methuen Paperback 1987)

Fantasy had always come easily to Rachel.

As a very little girl, she had wanted to be Her Majesty The Queen when she grew up. When she discovered the title was not vacant, other possibilities began to haunt her imagination: Judy Garland, Bambi, any one of The Beatles' girlfriends, Ann Jones, Miss Piggy, Lucinda Prior-Palmer and Mrs Hodges, the PE teacher. In her late teens, the onset of political fervour and a semblance of maturity produced a new set of role models: Sylvia Pankhurst, Emma Goldman, Pat Arrowsmith and Nina Simone.

Once upon a happy time in bed, Will had summarized her fantasy life with his customary gentle astringency: 'You really want to be a Greenham woman with an electric blanket and a voice like Ella Fitzgerald's'