Showing posts with label Margaret Thatcher. Show all posts
Showing posts with label Margaret Thatcher. Show all posts

Thursday, May 29, 2014

True Confessions . . . by Sue Townsend (Penguin Books 1989)



We retreated back to Moscow. We arrived at 6.30 in the morning. Even at this early hour Russia was on the move; the station was jam-packed full. We passed through a massive waiting room where every plastic chair was occupied, yet nobody spoke. Christopher Hope was much affected by this. It was in complete contrast to the milling, shouting crowds outside with their ungainly luggage and wool-wrapped children in tow. There was one policeman at the door – could he alone have cowed hundreds of people into complete silence?

We went to the Bolshoi and saw the most exquisite dying swan, performed by Ms Larissa, the toast of Moscow, who was reputed to be rushing towards sixty years of age. Her arms vibrated like piano wires, they shimmered, then as the violins soared and swooned she sank to the floor in the final gesture – it was perfect and lovely and I shall always remember it.

I arranged to meet my translator, but he mixed up Tuesday with Thursday so it was not possible. He is translating a diary. As Mr Bennett said, ‘Friday: Got up, went to Sunday school.’

We were invited to Kim Philby’s funeral and said we’d go, but the day was changed and we’d flown to Lvov in the Ukraine. We met more writers and admired the beautiful town and visited the cathedral which was crowded with old women, many on their knees. The sadness was tangible. It was Ascension Day and a kindly old woman began to explain the story of the Ascension to Alan Bennett.

Alan listened as though the story were completely new to him. Then an unkind old woman intervened and ordered him to uncross his legs. She then turned on the kind old woman and berated her for talking to us. Later, strolling round the town, we saw the unkind woman praying at the locked gates of a church. She looked very unhappy. We met the mayor of Lvov, a big, handsome man, very conscious of his duty to preserve and renovate the many lovely buildings with which the town is blessed. Alan Bennett is thinking of retiring to Lvov. We met a dirty, ragged man who told us about the concentration camp which used to be situated to the west of the town. Hundreds of thousands of people died there. I asked our official guide about the old man. ‘He is a fanatic,’ she said. ‘He has spent his life since the war studying the fate of the Jews. He is a Jew himself,’ she added, ‘a professor of history.’ She disapproved of the ragged old man.

The writers of Lvov were particularly kind and hospitable, and we lunched in some style to the sounds of a string quartet – all girls who blushed when we applauded. The conversation at Messrs Raine, Bennett and Bailey’s end of the table had turned to sex. Their laughter attracted the attention of the wife of the chairman of the Lvov Writers’ Union. I said, ‘They are talking about sex.’

‘Oh,’ she said. ‘All say’s, little do’s.’

Quite a devastating remark from such a mild-looking woman.

Monday, April 08, 2013

She's Gone



I'm afraid I wont be gloating over the death of someone in their eighties. Hated her government and all that she stood for . . . and she certainly doesn't merit a state funeral . . . but the bastards are still in charge.

Monday, November 14, 2011

Lovely Thatch

If Meryl Streep's hair doesn't win the Best Special Effect Oscar at next year's Oscars I'll eat my bunnet. I wonder who they got to play Diana Gould in the film? A toss up between Judi Dench or Helen Mirren, I guess.

Giles from Buffy the Vampire Slayer is playing who? Geoffrey Howe just sent Denis Healey a stick of Blackpool Rock with the words 'Fuck You' written through it.

Maybe it's just me, but if that trailer is anything to go by then Jim Broadbent and his prosthetic nose were seriously miscast as Denis. He really would have made an excellent Michael Foot.

Thursday, April 28, 2011

30 Day Song Challenge - day 28

day 28 - a song that makes you feel guilty

I'm confused. Isn't this just a retread of the question for day 13?

Why would you feel guilty about a song? Maybe Mark Chapman has a pang of conscience listening to Double Fantasy but the rest of us? It is self-evident that whoever compiled these questions just ran out of steam towards the end. It's the Sparkle In The Rain of pop music memes.

A google search of "day 28 - a song that makes you feel guilty" doesn't really help. Clicking on a few links at random indicates that most people are just as bewildered as me by the question.

OK, I've already done the guilty pleasure pick so Hefner's 'The Day That Thatcher Dies' is just pure guilt on my part. Of course I'll play it at high volume come that particular day but as Hefner's Darren Hayman sings:


'We will laugh the day that Thatcher dies,

Even though we know it's not right,'

Speed the day and the guilt.

Saturday, July 31, 2010

Smoking In Bed: Conversations With Bruce Robinson edited by Alistair Owen (Bloomsbury 2000)

How to Get Ahead in Advertising might almost be the modern equivalent of a satirical pamphlet by Swift.

I think there are elements of that, because being a pamphleteer was the most immediate and accesible way of communicating one's outrage and a lot of people did it. Every day you pick up your Guardian and there's a Steve Bell cartoon about a serious subject that can make you laugh out loud. Comedy is the greatest weapon there's ever been for dealing with politicians. I'd be sitting there with a boiled egg, saying, 'How can people not see what's going on?' I thought I was looking at reality, and I suppose I wondered why no one else was. If you rant and rave like I used to and you haven't got an outlet for it, people think you're a nut. That's when they say, 'Just lie down. A little bit of the old liquid cosh and you're going to feel much better.' I don't do that any more. Sophie says the first time I took her out to dinner I made an hour and a half speech about Margaret Thatcher. That was our first date. She told me that after twenty minutes she just cut off and nodded. And that's what became of the film: most of the audience cut off and nodded.