Showing posts with label 'If I was in London . . .'. Show all posts
Showing posts with label 'If I was in London . . .'. Show all posts

Wednesday, May 09, 2012

If I was in London right now . . .

. . . I'd be thinking of popping along to this meeting:
‘What makes good radical writing?’
A panel discussion with Anne Beech, Ian Bone, and Suzanne Moore
Wednesday 9th May, 7pm
Entry £3, redeemable against any purchase

On Tuesday 1st May the first recipient of the Bread and Roses Award for Radical Publishing shall be announced. The process of creating a radical book prize has brought up interesting questions as to how to evaluate radical writing. Is the primary goal to effectively communicate ideas? And if so, how do we measure its effectiveness? How do we measure it’s radicalism? Must it be accessible to all readers, or is there a place for pedantic or even obscure writing?

On his influential blog, ‘Anarchist in the UK’, Ian Bone posed a fundamental, and as-yet-unresolved, question about radical writing: is it a matter of “writing about what you want people to know, or what they want to know?”

Based on their experiences within the radical wing of contemporary journalism and book publishing, our speakers will navigate the tensions between vanguardism and populism that have guided radical writing and actions for the last century, and reflect on how these tensions are manifested today.
Please join us as we tackle these questions in what will be an illuminating discussion on the forms and contents of radical communication.

About the participants
Anne Beech is the Commissioning Editor and Managing Director of Pluto Press.

Ian Bone is founder of the anarchist paper Class War, author of the books ‘Decade of Disorder’, ‘Anarchist’, and ‘Bash the Rich,’ and a long-time political agitator. He blogs at http://ianbone.wordpress.com/

Suzanne Moore is an award-winning columnist for the Guardian. She also writes for the Mail on Sunday.

The session will be chaired by Tess Carota.
Ian Bone's an entertaining public speaker, and it's a topic close to my heart.

Thursday, January 06, 2011

'If I was in London right now . . .'

. . . I think I'd have to hot foot it over to the Tricycle Theatre to check out Traverse Theatre Company's musical comedy play, 'Midsummer'

You'll want the blurb:

"It's Midsummer's weekend in Edinburgh. It's raining. Two thirty-somethings are sitting in a New Town bar waiting for something to turn up. He's a failing car salesman on the fringes of the city's underworld and she's a high powered divorce lawyer with a taste for other people's husbands. She's out of his league and he's not her type at all. They absolutely should not sleep together. Ever Ever.

Which is why they do.

Midsummer (a play with songs) is the story of Bob and Helena and a great lost weekend of bridge burning, car chases, wedding bust-ups, bondage miscalculations, midnight trysts and horrible hungover self-loathing misery.

Featuring Cora Bissett and Matthew Pidgeon as the ill-advised love match, Midsummer is a quirky, charming love story by one of Scotland's leading playwrights, David Greig and top Edinburgh singer/songwriter, Gordon McIntyre."

Cora Bissett from High Times and songs from ballboy's Gordon McIntyre? What's not to like?

ADDENDUM

The Guardian's Michael Billington gave it a glowing review last year.

Wednesday, November 10, 2010

If I was in London right now . . .

. . . I'd be attending this meeting:

Talk on Politics & Song

Wednesday, November 10

Time: 7:00pm - 9:30pm

Location: Housmans Bookshop

5 Caledonian Road - Kings Cross

"Starting out writing satirical comedy songs for BBC’s ‘That Was the Week That Was’, Leon Rosselson has branched into different music genres and experimented with multiple influences.

His songs are loved by many, his innumerable fans include Billy Bragg and Dick Gaughan, who have both recorded his most famous song, ‘The World Turned Upside Down’. Described by Record Collector magazine as defining the ‘power, musical eloquence and history of politicised song’, his songs seek to challenge received opinion.

Both as a singer and demonstrator, Leon Rosselson has inspired many to the political cause. An internationalist, he believes in the fight for justice, equality, and civil liberties, seen in his biting ‘Ballad of a Spycatcher’, ridiculing the Thatcher government’s censorship of the book. One of his most recent albums, ‘The Last Chance’ donates all proceeds to Medical Aid for Palestinians.

Leon Rosselson discusses his politics and music at Housmans, and will make a brief performance of some of his songs."

Rosselson's voice is an acquired taste but he's got to be one of the political songwriters of the past forty years. If you've not heard his material, YouTube Dick Gaughan singing Rosselson's songs for a real treat.

Here's one to be going on with:

Saturday, July 18, 2009

If I was in London right now . . .

. . . I'd be attending this meeting:


Dockers and Detectives’ with Ken Worpole

Saturday, July 18, 2009

Time: 5:00pm - 6:30pm

Location: Housmans Bookshop

5 Caledonian Road - Kings Cross


In the 1980s writer Ken Worpole interviewed a number of well known novelists and political activists in London's East End, such as Simon Blumenfeld, Alexander Baron, Jack Dash, on how they had mythologised the area in their books and political writings. Here he talks about that making of East End mythology and plays extracts from those recordings.

I read Dockers and Detectives about fifteen years ago. A wonderful book and a gateway to discovering such forgotten writers as Alexander Baron, James Hanley and Dan Billany (Billany was a member of the Hull Branch of the SPGB for the leftist trainspotters out there).