Started Early, Took My Dog by Kate Atkinson (Little Brown and Company 2010)

Cruel and unusual punishment, he thought. He had been around violence in one form or another all his life, not always on the receiving end of it, but you had to draw the line somewhere. A small, helpless dog seemed like a good place to draw that line.

He followed the man out of the park. The man's car was parked nearby and he opened the boot and plucked up the dog and flung it inside where it cowered, shivering and whimpering.

"You just wait, you little bastard," the man said. He already had his mobile phone open, holding it to one ear as he raised a warning finger to the dog in case it made a move to escape. "Hey, babe, it's Colin," he said, his voice turning oily, a cage-fighting Romeo.

He frowned, imagining what would happen to the dog when the man got it home. Colin. It seemed unlikely it would be good. He stepped forward, tapped "Colin" on the shoulder, said, "Excuse me?" When Testosterone Man turned round, he said, "on guard."

"What the fuck are you talking about?" Colin said and he said, "I'm being ironic," and he delivered a vicious and satisfying uppercut to Colin's diaphragm. Now that he was no longer subject to institutional rules governing brutality he felt free to hit people at will. He might have been around violence all his life but it was only recently that he was beginning to see the point of it. It used to be that his bark was worse than his bite, now it was the other way round.

His philosophy where fighting was concerned was to keep clear of anything fancy. One good, well-placed blow was usually enough to lay a man down. The punch was driven by a flash of anger. There were days when he knew who he was. He was his father's son.

Right enough, Colin's legs went from beneath him and he dropped to the ground, making a face like a suffocating fish. Strange squeaking and squealing noises came from his lungs as he fought for breath.

He squatted down next to Colin and said, "Do that to anyone or anything again - man, woman, child, dog, even a fucking tree - and you're dead. And you'll never know whether or not I'm watching you. Understand?" The man nodded in acknowledgment even though he still hadn't managed to take a breath, looked in fact like he might never take another one. Bullies were always cowards at heart. His phone had clattered to the pavement and he could hear a woman's voice saying, "Colin? Col - are you still there?"

He stood up and stepped on the phone and ground it into the pavement. Unnecessary and ridiculous but somehow satisfying.

When Will There Be Good News? by Kate Atkinson (Anchor Canada 2008)

Was there a kind of lottery (Reggie imagined a tombola) where God picked out your chosen method of going - 'Heart attack for him, cancer for her, let's see, have we had a terrible car crash yet this month?' Not that Reggie believed in God, but it was interesting sometimes to imagine. Did God get out of bed one morning and draw back the curtains (Reggie's imaginary God led a very domesticated life) and think, 'A drowning in a hotel swimming pool today, I fancy. We haven't had that one in a while.'

One Good Turn by Kate Atkinson (Anchor Canada 2006)

He was lost. He wasn't used to being lost. He was the kind of man who drew up plans and then executed them efficiently, but now everything was conspiring against him in ways he decided he couldn't have foreseen. He had been stuck in a jam on the A1 for two mind-numbing hours so that it was already past the middle of the morning when he arrived in Edinburgh. Then he'd gone adrift on a one-way system and been thwarted by a road closed because of a burst water main. It had been raining, steadily and unforgivingly, on the drive north and had only begun to ease off as he hit the outskirts of town. The rain had in no way deterred the crowds - it had never occurred to him that Edinburgh was in the middle of 'the Festival' and that there would be carnival hordes of people milling around as the end of war had just been declared. The closest he had previously got to the Edinburgh Festival was accidentally turning on Late Night Review and seeing a bunch of middle-class wankers discussing some pretentious piece of fringe theatre.

Case Histories by Kate Atkinson (Black Swan 2004)

His father always told both his sons not to follow him down the pit but it was hard to get away from mining when it was the only industry in town. Jackson never considered the future but he thought being a miner looked OK, the comradeship, the drinking - like being in a grown-up gang really - but his father said it was a job that you wouldn’t make a dog do, and this was a man who hated dogs. Everyone voted Labour, men and women, but they weren’t socialists, they ‘craved the fruits of capitalism' more than anyone, that’s what his father said. His father was a socialist, the bitter, chip-on-the-shoulder Scottish kind that attributed everything that had gone wrong with his life to someone else but particularly ‘capitalist bosses’.

Jackson had no idea what capitalism was and no desire to know. Francis said it was driving a Ford Consul and buying a Servis twin-tub for his mother and Jackson was the only person who knew that when Francis had become part of the first generation of eighteen-year-olds to vote last year he had put his cross next to the name of the Tory candidate, even though ‘he hadn’t a fart in hell’s chance’ of winning. Their father would have disowned Francis (possibly killed him) because the Tories wanted to wipe the miners off the face of the earth and Francis said who gives a fuck because he planned to save enough money to drive a Cadillac across the States, pausing only to salute the King at the gates of Graceland and otherwise not stopping until he hit the Pacific Highway. Their mother died the week after the election so politics weren't on anyone's mind for a while, although their father tried hard to find a way of blaming the government for the cancer that ate Fidelma up and then spat her out as a shrivelled, yellowed husk to die on a morphine drip in a side ward of the Wakefield General.