Stalin Ate My Homework by Alexei Sayle (Sceptre 2010)

It was only slowly that I became aware of the power of swear words. It was a gradual thing, a creeping realisation that blossomed into full comprehension round about my second or third year at grammar school. I heard bigger boys or ones from rough homes using these special, explosive, forbidden expressions, and once the realisation of their power dawned I knew that swearing was a thing I wanted to be intimately involved in.

Once I had got the most powerful obscenities straight in my head I came home from school determined to try out their effect on my mother. Full of excitement, I sat at the dining table in the living room. Molly put my evening meal in front of me, but instead of eating it I said, ‘I … I … I don’t want that. It’s … it’s … it’s fucking shit!’ Then I sat back, waiting to hear what kind of explosion it would prompt. After all, I conjectured, if the bathroom sponge going missing for a few seconds could prompt a screaming fit from my mother, a paroxysm of grief that might involve weeping and howling and crying out to the gods of justice, then me saying ‘fuck’ and ‘shit’ was bound to provoke a tremendous reaction that would be heard at the back of the Spion Kop.

For a short while nothing happened as Molly considered what I had said in a calm and reflective manner. Then finally she said, ‘I don’t care if you eat it or not … but it’s not fucking shit and if you don’t fucking eat it I’m not going to fucking make you anything fucking else so you can fucking go and get your own fucking food in some other shit-fucking place you fucking little bastard shit fuck.’

After that day Molly rarely spoke a sentence without an obscenity in it, and I was often too embarrassed to bring school friends home because I was worried about them being offended by my mother’s foul language. 

(page 110)

And once they had finished buying old overcoats and worn out socks the Lascars could come to our stall and purchase copies of Lenin’s What Is to Be Done?, Karl Marx’s Grundrisse: Foundations of the Critique of Political Economy or Stalin’s History of the CPSU.

The stall itself had been made from an oak door that somebody had salvaged from a building site and was incredibly heavy — it took four of us to carry it the half-mile from the Simon Community hostel where it was stored. We didn’t know anybody who had a car. However, once we had put it up, Liverpool being the sort of place it was the stall did a reasonable amount of trade — better than some of the others that only seemed to sell twisted wire, broken fish tanks and rusted-up fuel pumps. There would always be some little old bloke in a flat cap coming up to us and saying, ‘Ere, son, do you have Friedrich Engels’ The Holy Family, the critique of the Young Hegelians he wrote with Marx in Paris in November 1844?’

‘No, but we do have Engels’ The Condition of the Working Class in England in 1844.’

‘Naww, I’ve already got that.’

‘Make a lovely Christmas present for a family member.’

‘Eh, I suppose you’re right there. Give us two copies then, son.’ 

(page 156)

This Artistic Life by Barry Hines (Pomona Books 2009)

One day, when we were playing in the sand outside the prefabs, we became aware of the large numbers of miners walking up Tinker Lane from the pit. Usually, there was a lot of laughter and banter when they were coming home from work, but this time they were unusually quiet and serious, and the only sound was the clatter of their clogs on the roadway. Instinctively, we knew something was wrong.

"What's happened?" I shouted.

"Doug Westerman's been killed!" one of the miners replied.

The name meant nothing to me or to any of my pals, so after watching the silent procession for a minute or two, we resumed messing about in the sand.

Later, when I went home for tea, my mother was sitting in the armchair by the fire, sobbing into her hands. My dad, still wearing his pit clothes and unwashed, had his arm round her shoulders, trying to comfort her.

"What's the matter?" I asked.

"Your grandad's been killed," she sobbed.

I stared at her. Then the penny dropped and I realised that Doug Westerman, the dead miner, was my grandfather. I hadn't made the connection because I didn't know his name. I only knew him as grandad.

After the death of her father, I was always aware of my mother's uneasy glances at the clock when my dad was late home from work.

"Go and see if your dad's coming," she would say, and I would go outside and look down the lane towards the pit, praying that he was, so that I didn't have to go back inside and disappoint her.

(from 'Tinker Lane')