The Brazilian artist was sorely under-known in the U.S. while he was alive. A posthumous retrospective reveals the immersive pleasures of his work.
Colm Tóibín’s “House of Names” tries to out-Euripides Euripides.
Why we are so defensive about the art form’s value.
“The Unwomanly Face of War,” “Hunger,” “Flesh and Bone and Water,” and “Little Sister.”
Sally Rooney’s début, “Conversations with Friends,” is a bracing study of ideas. But it’s even smarter about people.
“Dunkirk” is a harrowing look at a barely averted British catastrophe.
In Colorado, a uniquely resonant performance space.
Matt Reeves’s extension of the primate franchise, starring Andy Serkis and Woody Harrelson, and William Oldroyd’s ice-cold début about a Victorian murderess.
Her staging of “Pipeline” brings subtle shifts of perception to Dominique Morisseau’s play.
Joshua Cohen’s stylistic gifts are prodigious, but does “Moving Kings” live up to its ambitions?