Dog Eats Dog by Iain Levison (Bitter Lemon Press 2008)

Elias was so relieved to see a smile that he felt compelled to offer more information as fast as he could make it up, as if to cement a friendship that was forming between them. Between the guy who said bizarre untrue things about his pistol, and this intractable old bastard of a gun-shop owner.

“It was my father’s gun,” he said. “He just passed away. I just found it in the house. My father was a soldier in World War Two.”

“This gun isn’t military issue,” said the shopkeeper, shaking his head, as if bored with Elias’s lies. “This is chrome-plated. And it was manufactured well after that. If the serial number hadn’t been filed off, I could tell you exactly when, but I figure, oh, about 1950s.” He was looking at Elias now, as if he expected either honesty or silence. He slid a piece of black metal across the counter, then opened the box of bullets. “The war was over by then. You should learn about history,” he said.

Elias was so taken aback by this country bumpkin telling him to learn about history that he almost blurted out that he was a history professor who was about to get tenure and was going to be published in the National Historical Review. Then he remembered, from deceiving Denise, the joy and energy that came from playing dumb. “My dad must have bought it recently, I guess,” he said humbly.

The shopkeeper loaded bullets into the magazine. “This is how you load it,” he said, pressing each bullet down into the clip with a slow, deliberate gesture, looking up at Elias to make sure he was being heeded. “It takes seven slugs.” He slid the magazine into the grip. “This lever here drops the magazine back out of the grip when it’s empty.”

Elias nodded.

“Can you shoot, or do you need lessons?”

How To Rob An Armored Car by Iain Levison (Soho Press 2009)

“I can’t believe it was that easy. Dude, we ought to do this full time.”

Doug shrugged. “Do you want to? I mean, do this instead of robbing the armored car?”

Mitch started his car, mulling the idea over. Today had certainly been easy money but he knew that every day wouldn’t be that easy. They had just gotten lucky. And besides, Doug had all the skill, knowledge, and bargaining ability. Mitch really didn’t bring much to the table.

“Nah,” he said. “I mean, it was impressive and all, but you did everything. All I really did was give you a ride.”

“I could do this full time,” Doug said. “Maybe we should do this instead of robbing the armored car.”

“Are you having doubts?”

“I don’t know. I’m getting kind of scared about the whole thing,” Doug said. “I mean, I just need a little bit to live off. I don’t need to be rich and shit. I don’t need millions of dollars. Money doesn’t buy happiness.”

“Sure it does,” said Mitch cheerfully.

“Look at Kurt Cobain.”

Despite the giddiness of the moment, Mitch felt anger welling up. He hated this logic on which so many people operated, the quaint, pat little platitudes they used to comfort themselves, the bumper stickers and refrigerator magnets that supposedly summed up all their struggles. Money doesn’t buy happiness. God has a plan. It will all work out in the end. It was brainwashing, calculated and perfect, the final bitch-slapping to top off a lifetime of stocking shelves or filing papers or answering phones. If he was going to spend his life making money for someone else, Mitch thought, that was fine. It was inevitable. But don’t insult my intelligence by trying to convince me money is worthless, just so you can keep the whole fucking pile to yourself.

He knew that Doug was a man of simple needs and that he really would be happy with very little. So, for that matter, would Mitch. But it wasn’t all about the money. It was about Accu-mart, about the army, about Doug’s car getting impounded. It was about everything that had ever made him feel small, that had given him the message that he owed someone something, that he had to do more, that his behavior wasn’t good enough.

“Kurt Cobain was a drug addict,” Mitch snapped. “All the people who killed themselves when they got rich were drug addicts. Janis Joplin, Hendrix, Jim Morrison. Money doesn’t buy happiness for drug addicts because they can buy so many drugs all of a sudden that they just freak out.

Then rich people look at that and they say, ‘Money doesn’t buy happiness, fuckers. See what happened to Kurt Cobain? So stop asking for more money, ’cause it ain’t gonna help.’ They just use that bullshit as an excuse to not give us raises. Then they take the money and laugh on the beach in Bermuda. Dude, fuck that. If money doesn’t buy happiness, why do guys guard it with guns?”

He drew a deep breath, then continued his rant while Doug sat in the passenger seat staring at him. “They expect us to eat that shit up. They expect us to say, ‘Wow, money doesn’t buy happiness. Boy, I’m sure glad I don’t have any money. Otherwise, I’d just overdose on all the drugs I could buy. Yessiree, it’s much better if the rich people keep all the money, ’cause if I had any of it I’d just spend all day jamming heroin into my arm.’”

“Wow, dude,” Doug said, taken aback by Mitch’s sudden ferocity.

“Money buys happiness for everyone else. You fucking bet it does. It gives you mental peace, man. You know why? Because if you got money, you stop worrying. And not worrying all the time is happy enough for me.”

“You worry?” Doug asked. He sounded innocent, like a little boy, and Mitch felt a twinge of regret that he had cut short their celebration of the successful drug deal with an outburst of bitterness. But he hated seeing his friend act . . . brainwashed.

“Of course,” Mitch said. “Don’t you?”

“No,” Doug said softly. “I just figure everything will work out in the end.”

Mitch gritted his teeth. “I worry all the fucking time,” he said. “I worry about bills, about the rent, about not being able to ever afford anything. I can’t go anywhere or do anything. Shit, even any of that stuff you see people doing during the commercials in football games: mountain-biking, traveling, going to the beach, concerts, vacations. It’s like there’s this great big fucking world out there full of all this great shit, and man, we’re never gonna be a part of it. We can’t even have a little taste, you know? So, yes, I worry.”

Nazis in the Metro by Didier Daeninckx (Melville International Crime 1997)

Alaric unzipped the front pocket of his overalls and dug out a Gauloise Light from a dented packet.

—Isn’t it obvious? I’m out of here.

He offered Gabriel a cigarette.

—Thanks, but I haven’t quit quitting ... You’re really leaving? Closing up shop? Is business that bad?

Smoke streamed from his nostrils in two jets that merged into one.

—You kidding? I’ve got a list of orders as long as a day without bread ... No, the new owner’s kicking me out. There’s no romance in table legs anymore. He wants to gut the place and turn it into a gallery-cafe ...

—Another cafe! Well, we don’t have to worry about dying of hunger in this neighborhood anymore ... And where will you go? Back to Brittany?

Alaric nearly choked.

—Brittany, me? Never! I don’t even go there for vacation! I need streets, bars, cars, subways! The older generations might’ve had a hard time adapting, but I’m completely at home ...

Gabriel leaned his long frame against the wall.

—Of course, it’s been a long time ... The Alaric name has been on this shack forever ...

—You can say that again! Now we’re out on the street... It was my great-grandfather who came here first, from Finistere-Nord, at the end of the last century ... The recruiters arrived and sent whole villages into exile, giving advances to parents and wives ... Reimbursable from the first year’s pay. It was a little like Citroen and Bouygues with the Moroccans and the Turks ... But with us it was for the first Delaunay-Belleville cars. The plant was in Saint-Denis, not far from Briche. Steel frames, spoked wheels, wood interiors, all-leather upholstery ... They needed the best craftsmen in the country, and they went looking for them in Brittany and Auvergne ... I never had the chance to know my great-grandfather, but my grandfather lived basically the same shitty life as he did ... At first he didn’t speak a word of French, and on Saturday nights, after their shifts, Parisian workers would unwind by chasing down “foreigners” ... Because they spoke Meteque, because they were unmarried, because they didn’t eat the food everyone else ate. He was systematically beat up ... And you know what the bastards called those raids?

-No.

With an expert flick, Alaric propelled his cigarette butt into the clear waters of the gutter.

—Bretonnades! Can you imagine? Forty years before the ratonnades* against the Arabs ... It’s only proof that nothing ever changes: we just get used to it...

—And where will you go?

—When they ruin the provinces for you and then kick you out of the city, what’s left?

Gabriel Lecouvreur’s eyebrows rearranged themselves into a circumflex.

—I don’t know ...

—It’s obvious: the outskirts ... They’re sticking me with three thousand square meters in Montreuil, along the highway. It’s called Mosinor ... Twelve stories surrounded by a truck route. Three-quarters of the building is occupied by sweatshops, and the courtyard is used as a parking lot for those green dumpsters from the Department of Household Waste! It’s a dream come true!

—You do make it sound appealing ... You should reinvent yourself as a real-estate agent. Is there anywhere to get a drink, at least?

—Oh sure, these are civilized people, after all: they just opened a Burger King on the ground floor ... I’m going to have to get used to soft drinks ...

Footnote:

* The term ratonnade, deriving from “raton” (rat), a racial slur, referred originally to acts of violence in France against people of North African descent during the years of the French-Algerian war (1954-1962). By extension, the term has been used since then to refer to other racially motivated acts of violence.

Ruthless by Cath Staincliffe (Corgi 2014)

Closer to the blaze, the stench of the fire filled the air and she could see fire tenders at the scene, three of them, as she walked up the road. Uniformed officers were keeping the crowd away from the site. The Old Chapel, she realized, now belching clouds of acrid smoke into the air, the inferno roaring. Hoses were spraying water but bright flames were still visible through the holes in the roof and the windows where the shutters had burned away.

Fire always drew a crowd, a spectacle and free at that. It hadn’t been a chapel for ages. Probably closed back in the seventies and she remembered it was a carpet place for a while then that went bust. Rachel had no idea what it was  used for now, if anything. The state of the grounds, neglected and overgrown behind the wire fencing, and the holes in the roof suggested it was derelict. Just begging for some fire-starter to come along and set light to it.

She looked at the crowd. Whole families, mum with a pram and a bunch of kids around. Teenagers, some of them filming with their phones. A few older people too; one man had made it with his Zimmer, determined to be at the party. A lad on a BMX bike, stunt pegs on the rear wheel. Dom had wanted one of them, their dad had played along but they all knew the only way it would happen was if it was robbed. So it never happened. Rachel had found an old racing bike at the tip and dragged it home and Sean had begged new tyres off a cousin and they’d done it up for Dominic. Never had working brakes but Dom was made up.

All we need is an ice cream van, she thought, or toffee apples. A loud cracking sound and the crowd responded, oohing and aahing, as part of the roof collapsed and fell inside the building sending fresh flames and sparks heavenwards. Rachel shivered, damp from her run and not near enough to the heat from the fire.

Bleed Like Me by Cath Staincliffe (Bantam Press 2013)

Rachel was running. Running for her life. Air burning like acid in her chest, feet pounding the tarmac. Everything around her, the shops and passers-by, lampposts and railings, smudged, a blur of shape and colour.

She risked a glance behind, hair whipping in her eyes, almost losing her balance as one ankle buckled, and she saw the car was gaining. He was at the wheel, his face set with intent, eyes gleaming, mouth curved in a half-smile.

Running her down, running her to ground. For a moment, her legs stalled, numb, weak as string, before she took flight again. Arms slicing the air, throat parched, sweat cold across her skin and the thud of her heart ever louder in her ears. Then the roar as he gunned the engine, the screech as the car leapt towards her, close enough for her to smell burning oil and petrol fumes high in her throat. Dizzying.

The thump of impact. Hurling her forward, a bone-cracking crunch and Rachel fell, sprawling along the gutter and into the pavement’s edge, legs twisting the wrong way beneath her, skinning her chin and shoulder and the length of her forearms. Smacking her head against the kerbstone. A jolt that turned the world black and brought vomit scalding her gullet.

The engine cut out and then she heard his footsteps, the smack-smack of best Italian leather on the gritty stone.

She tried to draw away but was pinned, paralysed, and her attempt to shuffle brought scarlet pain licking through her hip. She tried to cry for help but her voice was frozen too and all the people had gone. She was alone with him.

‘Rachel,’ he said sadly, ‘Rachel, Rachel, what will I do with you?’

Dead To Me by Cath Staincliffe (Corgi 2012)

Rachel Bailey stood, freezing her tits off, on a crime-scene cordon in north Manchester. From her vantage point, at the edge of the recreation ground, she had a view across the rows of rooftops that rippled down the hillside, punctuated here and there by the bulk of a mill rising from the streets built in the same red brick as everything else. One she could see had its name picked out in white brick on the square mill tower: Heron. Rachel had been brought up in streets like this; well, dragged herself up, more like. A couple of miles to the west. Sunny Langley. Manchester didn’t really stop, Rachel thought; there were boundaries of course, but you couldn’t see the join. The city bled into the satellite towns that ringed the plain: Oldham, Rochdale, Ashton and on to even higher ground. The houses gradually changing from these brick mill terraces to stone-built weaver’s cottages, getting smaller and sparser as the developments petered out on the foothills of the Pennines. The place looked tired and mucky this time of year, the brick dull, trees bare, the grass on the field yellow and scrubby.

Dangerous in Love by Leslie Thomas (Penguin Books 1987)

There were moments when it seemed to Detective Constable Dangerous Davies that mayhem moved into his path, marking him purposefully out, isolating him, and then engulfing him, like those small individual whirlwinds that travelled around in parts of America and which he had seen on television. It was so on this ordinary damp night in early October as he and Mod Lewis, the unemployed Welsh philosopher, were walking to their lodgings at 'Bali Hi', Furtman Gardens, London NW, from an evening at The Babe In Arms public house. They were humming as they walked.

At the Neasden end of Power Station Lane, under the drizzle of the cooling towers, they heard the distant but unmistakable sounds of a fracas. Davies halted like a troubled dog. 'A punch-up,' he said. Mod stood, his face damp and moon-pale in the drizzle. His heavy head rolled to one side as he listened.

'Singing,' he ventured. 'They're only singing. Tuesday's not a fighting night.'

A crash like cannon fire came from the far end of the street. 'Somebody going through a door,' said Davies.

At once, the singing became louder, less enclosed. 'Irish,' he added. 'I suppose we'd better have a look.'

'You're the policeman,' said Mod, standing still.

Davies sighed: 'All right. I'll go. You ring the law. It sounds like a three-dog job to me.'

'Do you happen to have ten pence?' asked Mod.

'You have to ring 999,' Davies said. 'It's free.' Mod went off into the windy drizzle. Tentatively, Davies went along Power Station Lane to where he could see the riot . . .

The Chinese Detective by Michael Hardwick (BBC Books 1981)

It was the main hall of one of the East End of London's Victorian-built breweries. The big ones - Charrington's, Watney's, Truman's - still prospered, almost the only remaining relics left of East End industry. This smaller one, on the corner of Milsom Street and Warner Street, would produce no more sustenance for the workers and solace for the unemployed. It was as deserted as the docks nearby, the brewing towers already partly dismantled, the rest of the building to go soon.

The young man's body was slight, but when he moved again there was a hint of great energy and purpose about him. His short hair was dark and his features boyish. An onlooker from down the length of the hall would have thought he was a local kid, looking for something to nick or smash.

They would have been only partly right. He was local. At twenty-two he was little more than a youth. A closer inspection of his good-looking features would have revealed them to be of Chinese cast. But a look at the identification card he carried would have revealed him to be Detective Sergeant John Ho, Metropolitan Police.

How To Rob An Armored Car by Iain Levison (Soho Press 2009)

Mitch was staring at a case of auto air fresheners.

Really staring at them. He was having some deep thoughts, wondering who came up with the idea of freshening the interior of a car. Mitch’s own car smelled like gas and pot smoke and mold, which was fair enough, because the roof leaked and the carpet was always damp, and he hotboxed a joint out there every day during his lunch break, and the car ran on gas. That was what an old car should smell like. He knew if he put an air freshener in it, it would smell like gas and pot smoke and mold and a chemical approximation of a pine tree, which wouldn’t really be better, just different.

He and Charles had gone out at lunch and fired up a joint and Charles had told him that he had nine brothers and sisters back in Lagos, Nigeria, and two of them had been killed by the secret police. Mitch hadn’t known what to say. In a way he envied Charles for having had a life so shitty that working at Accu-mart was a slice of heaven. He wished he had stories about having come from somewhere merciless and tragic. Instead, he had stories about living with a distant father while attending public school in Queens, and by comparison those stories shrieked of insignificance. Even he found them dull, and because of this, working at Accu-mart was even duller, a mind-numbing slow torture that was turning his brain into lifeless putty. Work, cable TV, smoke a bowl, sleep. Try to hide from suffering in all its many forms and wind up envying people whose families were getting killed by the secret police.

Maigret and the Loner by Georges Simenon (A Harvest/HBJ Book 1971)

The door was so rotten that it would no longer serve even as firewood. It was Maigret who pushed it open. Standing on the threshold, he could see what the Police Superintendent had meant when he had promised him a surprise.

It was a fair-sized room, and the panes of both windows had been replaced with cardboard or stiff paper. The uneven floor, with gaps of more than an inch between the boards, was covered with an incredible litter of bric-a-brac, most of it broken, all of it useless.

Dominating the room was an iron bedstead on which lay, fully dressed, on an old straw mattress, a man who was unmistakably dead. His chest was covered with clotted blood, but his face was serene.

His clothes were those of a tramp, but the face and hands suggested something very different. He was elderly, with long silvery hair shot through with bluish highlights. His eyes, too, were blue. Maigret was beginning to feel uneasy under their fixed gaze, when the Superintendent closed them.

The man had a white moustache, slightly turned up at the ends, and a short Vandyke beard, also white.

Apart from this, he was close-shaven, and Maigret saw, with renewed surprise, that his hands were carefully manicured.

“He looks like an elderly actor got up as a tramp,” he murmured. “Did he have any papers on him?”

“None. No identity card, no old letters, nothing. Several of my inspectors, all assigned to this district at one time or another, came and had a look at him, but none of them recognized him, though one thought he might have seen him once or twice rummaging in trash cans.”

The man was very tall and exceptionally broad-shouldered. His trousers, which had a tear over the left knee, were too short for him. His tattered jacket, fit only for the rag bag, was lying crumpled on the filthy floor.

“Has the police doctor seen him?”

“Not yet. I’m expecting him any minute. I was hoping you’d get here before anything had been touched.”

Maigret's Boyhood Friend by Georges Simenon (Harcourt Books 1968)

The fly circled three times around his head before alighting on the top left-hand corner of the report on which he was making notes.

With pencil poised, Maigret eyed it with amused curiosity. The fly had repeated this maneuver over and over again in the past half-hour. At any rate, Maigret presumed that it was the same fly. It seemed to be the only one in the office.

Each time, it circled once or twice in a patch of sunlight, then buzzed around the Chief Superintendent’s head, and finally came to rest on the papers on his desk. And there it stayed for a while, lazily rubbing its legs together and looking at him with an air of defiance.

Was it really looking at him? And if so, what did it take this huge mound of flesh to be—for that was how he must appear to it.

He was at pains not to frighten it away. He sat motionless, with pencil still poised above his papers, until, quite suddenly, the fly took off and vanished through the open window.

It was the middle of June. From time to time a gentle breeze stirred the air in the office, where Maigret, in shirt sleeves, sat contentedly smoking his pipe. He had set aside this afternoon to read through his inspectors’ reports, and was doing so with exemplary patience.

Nine or ten times, the fly had returned to alight on his papers, always on the same spot. It was almost as though it had established a kind of relationship with him.

It was an odd coincidence. The sunshine, the little gusts of cooler air blowing through the window, the intriguing antics of the fly, all served to remind him of his schooldays, when a fly on his desk had often engaged a larger share of his interest than the teacher who had the class.

There was a discreet knock at the door. It was old Joseph, the messenger, bearing an engraved visiting card, which read: Léon Florentin, Antique Dealer.

“How old would you say he was?”

“About your age.”

“Tall and thin?”

“That’s right. Very tall and thin, with a real mop of gray hair.”

Yes, that was the man, all right. Florentin, who had been at school with him, at the Lycée Banville in Moulins, the clown of the class.

“Send him in.”

He had forgotten the fly, which, feeling slighted perhaps, seemed to have gone for good. There was a brief, embarrassed silence as the two men looked at one another. This was only their second meeting since their school days in Moulins. The first had been a chance encounter in the street about twenty years ago. Florentin, very well groomed, had been accompanied by an attractive and elegant woman.

“This is my old school friend, Maigret. He’s a police officer.”

Then, to Maigret:

“Allow me to introduce my wife, Monique.”

Then, as now, the sun was shining. They had really had nothing to say to one another.

“How are things? Still happy in your work?”

“Yes. And you?”

“Can’t complain.”

“Are you living in Paris?”

“Yes. Sixty-two Boulevard Haussmann. But I travel a good deal on business. I’ve just come back from Istanbul. We must get together some time, the two of us, and you and Madame Maigret… I suppose you’re married?”

The encounter had been something of an embarrassment to both of them. The couple’s pale green, open sports car had been parked nearby, and they had got into it and driven off, leaving Maigret to continue on his way.

The Florentin now facing Maigret across his desk was more seedy than the dashing figure he had seemed to be on the Place de la Madeleine. He was wearing a rather shabby gray suit, and his manner was a good deal less self-assured.

The Kindest Thing by Cath Staincliffe (2010)

It’s my birthday tomorrow. Fifty. The big five-oh. I’m not having a party – I’ll be in court. The charge is murder. More than one way to make the occasion memorable. Sorry. I’m being flippant. Fear does that to me. While it squeezes my insides and tightens my spine, my brain seizes on irreverent wisecracks and sarky comments. A defence mechanism, I guess. To hide how close I am to dissolving in terror at my situation.

The authorities find this verbal bravado very difficult to deal with. My lawyer soon cottoned on and told me to button it. Menopausal women with dead husbands are not meant to offer up smart remarks. Too bold. Too hard. It makes people uncomfortable – not least because for a nanosecond they share the humour. An expression of delight and hilarity flashes across their faces, chased away by frowns and winces. They wriggle in their seats, swallow and ease their stiff shirt collars with the hook of a finger. They expect a victim, all soft sighs and shame, begging for mercy. Not a backchatting bitch having a laugh. Different century and I’d have been fitted with a scold’s bridle or floated on the village pond. Instead it’s the Crown Court and the front pages of the nationals.

When the fear gets too large, when it threatens to devour me, like now, I drag my thoughts back to Neil, to what we had, what we shared before it was all narrowed down to one infamous act. The good old bad old days.

I wish he were here with me. He could still me with a look. In his gaze I would find strength and love and an edge of amusement. No matter how dark things got, he always had that sardonic half-smile in him. And things got dark; they are dark. It’s an illogical wish – if Neil were here, I wouldn’t be. He’s the reason I’m here.

Blood, Salt, Water by Denise Mina (Orion Books 2015)

She’d been as biddable as a heifer for the two days they had her. She came willingly when they picked her up in the van. She asked no favours, made no appeals for mercy while they waited for Wee Paul to give the final word: kill her or let her go.

Rejoice, Rejoice!: Britain in the 1980s by Alwyn Turner (Aurum Press 2008)

With a few exceptions – the anonymous narrator of Raymond’s Factory novels, Rankin’s John Rebus exploring the seedier side of Edinburgh with ‘its crooks and bandits, its whore and gamblers, its perpetual losers and winners’ – these characters primarily inhabited the small towns and middle-class world that had characterized the golden age. Even in Taggart, firmly located in Glasgow, the murderers whose stories were told in the first three series included a couple of small businessmen, a guest-house owner, a doctor, a philosophy student, a dentist and an ex-probation worker, as well as a group of bereaved parents meting out justice to the drug dealer responsible for their children’s deaths. Despite the urban setting, this is a world away from The Sweeney; there are no car chases, just Sgt Livingston running after teenagers and getting bitten by the occasional dog, and there is little suggestion of a criminal class separate from society: these are just ordinary, respectable people caught up in their own lives. And, at the other extreme of television detection, there was Jim Bergerac, investigating much smaller problems on Jersey and learning ‘to take the smooth with the smooth’.

Though the backdrop might have suggested a retreat from the city to the closed communities of Agatha Christie (encapsulated by Colin Watson as Mayhem Parva), there was an edge, to the literature at least, that was far removed from the cosiness of Miss Marple, an engagement with society, a desire to comment on contemporary mores. And although the likes of Morse and Dalgliesh spent much of their time behaving as though they were still autonomous detectives in the tradition of Holmes and Poirot, capable of solving any case through the exercise of their intellect, the central characters were still police officers, and couldn’t fail to notice the changing role of the force in the modern world. In one of Rendell’s novels, Inspector Burden initiates the putting of coloured lights in the tree outside the police station ‘in the interest of promoting jollier relations with the public’. His boss, Wexford, disapproves of the gesture, but it’s revealing that there was a perceived need for such a move: ‘surely you couldn’t go on feeling antagonistic towards or afraid of or suspicious about a friendly body that hung fairy-lights in a tree in its front garden?’ Elsewhere Peter Robinson’s character Inspector Banks was becoming increasingly disillusioned with the new role of the force: ‘he had many objections to the way the government seemed to look upon the police as a private army of paid bully boys to pit against people with genuine grievances and a constitutional right to air them.’ He consoles himself with the thought that he’s a detective ‘and he didn’t have to go on crowd control, bashing the bonces of the proletariat.’ But even detectives are affected by the rise of what Reginald Hill’s Andy Dalziel refers to as ‘porkism’, as his own sergeant concludes: ‘A man’s got to be mad to stay in a job where the public hates you and Maggie Thatcher loves you.’

Most political of all was Derek Raymond’s detective sergeant, who reflects on the police powers promised in a new piece of legislation (presumably inspired by the controversial Police and Criminal Evidence Act of 1984): ‘It was what I thought of as banana laws – the law of a society in the process of breaking down. Once properly tightened up, it would have meant that I could stop and arrest a man in the street simply because I didn’t like the look on his face, or the way his pockets bulged. It would have synchronized nicely with the plastic ID cards that every citizen would be required to carry by then, and before long we would have turned the country into a birdcage.’

The Way We Die Now by Charles Willeford (No Exit Press 1988)

Commander Bill Henderson, Homicide Division executive officer, Miami Police Department, entered Sergeant Hoke Moseley's cubicle, removed the -Miami Herald- from the chair beside the desk, tossed it toward the overflowing wastepaper basket, and sat down heavily. He looked at the sheet of paper on his clipboard and sighed.

"I'm running a little informal survey, Hoke."

"I'm busy right now, Bill. I think I've finally got a worthwhile lead on the Dr. Paul Russell killing."

Hoke's messy desk was littered with a half dozen sheets of bond typewriter paper, supplementary reports, and a red accordion file. He had been drawing diagrams on the bond

paper with a ruler and a ballpoint.

"This is an important survey."

"More important than solving a cold case homicide?"

Bill pulled his lips back, exposing large gold-capped teeth that were entwined with silver wire. "Depends on whether you smoke or not. Have you quit yet?"

"Not exactly, but I'm down to about ten a day. I've tried to quit cold turkey, but the longest I've managed to go was about six hours. Now I time it and smoke a Kool every four hours, with maybe a few extra at night when I watch the tube. If I can hold it down to only ten a day, it's almost like not smoking at all."

Bill shook his head. "I switched over to cigars, but I still inhale, so I'll probably have to go back to cigarettes. After five cigars my throat's raw as a bastard, and I've been coughing up all kinds of shit in the morning."

"Is that the end of the survey?" Hoke picked up a Telectron garage opener device, the size of a king-size pack of cigarettes, and showed it to Bill Henderson. "Know what this is?"

"No, I don't, and no, I'm not finished. This really is important. I attended the new chief's weekly briefing this morning, and he's come up with a terrible plan. He wants to stop all smoking inside the police station. His idea's to set up a smoking area in the parking lot, and anytime you want to smoke you have to sign out for personal time and go out to the lot. Then, when you finish your smoke, you sign back in again and return to your desk or whatever. A lot of guys have already quit smoking, you see, and they've complained to the new chief that smoke from heavy smokers is invading their space."

"What about the men's room?"

"No smoking inside the building, period. That includes interrogation rooms, suspect lockup, everywhere except the outside parking lot."

"It won't work, Bill. Lieutenant Ramirez, in Robbery, smokes at least three packs a day. He might as well move his fucking desk out to the parking lot."

"That's what we tried to tell the new chief. But he figures if he makes it hard on smokers, they'll either cut down radically or quit."

"Does the new chief smoke? I never noticed."

"Snoose. He dips Copenhagen. He usually has a lipful of snuff, but he doesn't spit. He swallows the spit instead."

"That figures. The rule won't bother him any, so the bastard doesn't give a shit about the rest of us. But I don't think a rule that dumb can be enforced. Guys'll sneak 'em in the john or even at their desks."

"Not if they get an automatic twenty-five-dollar fine they won't."

Jesus." Hoke took a Kool out of his pack and lighted it with his throwaway lighter. He took one drag and then butted it in his ashtray. "I lit that without thinking, and I've still got an hour to go." He returned the butt to his pack.

"That's why I'm running this survey, Hoke. If a big majority complains, he probably won't put in the rule. So I'll put you down as opposing the new rule, right?"

"Right. Now let me tell you about this little gadget--"

Since the Layoffs by Iain Levison (Soho Press 2003)

“How much more time have you got left on benefits? Before the government cuts you off?”

I figure now that we’re going somewhere with this. He’s leading up to something, maybe he’s going to ask me to be one of his henchmen. Hell, I could do that. Drop coke and weed off at people’s doors. Maybe he’ll let me drive one of his SUVs. I could cruise around town and listen to CDs and bring people their daily drug shipments, for which they would exchange their unemployment checks. I don’t have a problem with that. Somebody will be doing it whether I say yes or no. My moral refusal won’t suddenly put a halt to this shattered town’s substance abuse problem. Something like that would tide me over, until the new factory opened. They were already talking about a new factory.

“One year and three months.”

“Then what? You going to starve to death in your apartment?”

“The new factory’ll have opened by then.”
Gardocki shakes his head. “There’s not going to be any new factory. Who the hell would want to open a factory here?”

“I heard Scott Paper was looking at the location.” Tommy had called me up and told me he’d read that in the paper. Big businesses were interested, I knew that. There was a pool of skilled workers, a building already set up to produce machine-tooled parts for tractors. Just a few changes, and it would be up and running, producing something else. We all knew that.

Gardocki laughs again. “Scott Paper.” He shakes his head. “That was a heavy metal factory. You think they’re going to turn it into a paper mill? And go through all that union bullshit again? Nobody wants to deal with unions anymore. They want Mexicans. They want people who’ll appreciate seven dollars an hour, not gripe about seventeen. The factory days here are over, Jake.” He leans back in his chair and lights a cigarette. “What happened to that pretty little girl you were going around with?”

“Fuck you.”

Gardocki adopts an expression of surprise. “Is that off limits?”

“You know my cable’s cut off, but you don’t know my girlfriend moved out?”

“She went off with some used car dealer, huh?” Gardocki is looking sympathetic, so as not to rile me more.

“He was a new car dealer.”

After the factory closed, the car dealerships had left town, too. Jobless people don’t buy a lot of new cars. Kelly had gone with him, to Ypsilanti. Before she left there had been a lot of agonizing, when she went through her touching “What should I do?” phase. Kelly never asked herself what she should do when I was making seventeen dollars an hour. After her seven-dollar-an-hour salary as a receptionist at a car dealership made her the top grosser of the household, I noticed she began asking herself these deep philosophical questions. She told me some salesman was asking her to go to Ypsilanti with him, and whatever should she do? I told her to fuck off, and went and placed a bet on Canadian Football. After she moved out, I never picked up the phone, didn’t return the one letter I got from her and didn’t say goodbye. Someone new would come along, once the new factory opened.

“Jake, I want you to kill my wife.”

I laugh. Then I search Gardocki’s face for signs of humor. But I don’t see any. Gardocki isn’t even looking at me. He is looking at a spot on the wall above my head, expressionless. He smokes his cigarette and stares, waiting for it to sink in.

“I’m not going to kill your wife, Ken.”

Jack Carter and the Law by Ted Lewis (Alfred A. Knopf 1974)

Jimmy is wearing a neat red satin dressing gown but there's nothing neat about his face, foreshortened and distorted in my sights; he looks like an astronaut experiencing twenty Gs. The filth who's shepherding him out is superfluous. Jimmy really doesn't need any guidance, and as he hurries down the garden path away from the flames, to safety, I steady the rifle so that the cross is resting perfectly on the middle of Jimmy's furrowed forehead, and then I pull the trigger three times, and immediately the last bullet leaves the barrel I turn away and run back down the side of the house, and as I pass the open door I glance into the house but there is no sign of the man who'd been putting out the milk bottles. That's the trouble with the world today, I reflect. A lack of public spirit. Nobody seems to be prepared to have a go these days.

A Masculine Ending by Joan Smith (Fawcett Crest Mystery 1987)

Loretta had decided to forgo a starter to give herself plenty of time to recount what had happened in Paris, as Tracey tucked into broad beans and artichoke hearts she gave him a bald account of everything she remembered about the weekend. Apart from a rather feeble joke about the Fem Sap conference—Tracey found any manifestation of organized feminism positively terrifying—he heard her out in silence. When she finished, he pushed away his empty plate and thought for a moment. Above their heads, the rain still drummed on the canvas of the canopy and splashed off on to the pavement.

"There really was a lot of blood?" he enquired at last. "Too much for the sheets to have been used to clean up after an accident? More than if someone had been having, er, a period?" He shifted uncomfortably in his seat.

Loretta suppressed an urge to smile. "Much more," she said.

The Drop by Dennis Lehane (William Morrow 2014)

Bob found the dog two days after Christmas, the neighbourhood gone quiet in the cold, hungover and gas-bloated. He was coming off his regular four-to-two shift at Cousin Marv's in the Flats, Bob having worked behind the bar for the better part of two decades now. That night, the bar had been quiet. Millie took up her usual corner stool, nursing a Tom Collins and occasionally whispering to herself or pretending to watch the TV, anything to keep from going back to the seniors home on Edison Green. Cousin Marv, himself, made an appearance and hung around. He claimed to be reconciling the receipts, but mostly he sat in a corner booth in the rear, reading his racing form and texting his sister, Dottie.

My Friend Maigret by Georges Simenon (Penguin Classics 1949)

When the detectives had passed the yacht, Mr Pyke spoke again, slowly, with his habitual precision.

'He's the sort of son good families hate to have. Actually you can't have many specimens in France.'

Maigret was quite taken aback, for it was the first time, since he had known him, that his colleague had expressed general ideas. Mr Pyke seemed a little embarrassed himself, as though overcome with shame.

'What makes you think we have hardly any in France?'

'I mean not of that type, exactly.'

He picked his words with great care, standing still at the end of the jetty, facing the mountains which could be seen on the mainland.

'I rather think that in your country, a boy from a good family can commit some bêtises, as you say, so as to have a good time, to enjoy himself with women or cars, or to gamble in the casino. Do your bad boys play chess? I doubt it. Do they read Kant, Schopenhauer, Nietzsche, and Kierkegaard? It's unlikely, isn't it? They only want to live their life without waiting for their inheritance.'

They leant against the wall which ran along one side of the jetty, and the calm surface of the water was occasionally troubled by a fish jumping.

'De Greef does not belong to that category of bad characters, I don't think he even wants to have money. He's almost a pure anarchist. He has revolted against everything he has known, against everything he's been taught, against his magistrate of a father and his bourgeois mother, against his home town, against the customs of his own country.'

He broke off, half-blushing.

'I beg your pardon . . . '

'Go on, please.'

'We only exchanged a few words, the two of us, but I think I have understood him, because there are a lot of young people like that in my country, in all countries, probably, where morals are very strict. That's why I said just now that one probably doesn't come across a vast number of that type in France. Here there isn't any hypocrisy. Perhaps there isn't enough.'

Was he alluding to the surroundings, the world the two of them had been plunged in since their arrival, to the Monsieur Émiles, the Charlots, the Ginettes, who lived among the others without being singled out for opprobrium?

Maigret felt a little anxious, a little piqued. Without being attacked, he was sung by an urge to defend himself.