Tattoo by Manuel Vázquez Montalbán (Serpent's Tail 1976)

'It's a metaphor. And a very appropriate one. What is a policeman if not a sociologist?'

Inspector Israel agreed. He stepped into the footlights for his moment of fame.

'That's true. A sociologist and a psychologist.'

'You see? Well, a permissive society like ours is bound to cause some mental confusion in your compatriots. They suddenly find they have sex and politics within easy reach.'

'But sex is expensive for all immigrants.'

'Exactly right. It's within reach, but they can't always get their hands on it. That creates a great sense of frustration, which unfortunately it is not our job to resolve. And then there's the political question. You know that here in Holland we are extremely tolerant towards any attitude that does not directly go against our constitution. We even have Trotskyists here, Mr Carvalho. But a Dutch Trotskyist has the immense advantage of being born in Holland. So first and foremost he is a Dutchman, and his Trotskyist behaviour will not go beyond acceptable limits. But can you imagine a Spanish Trotskyist, anarchist or even a communist in Holland? Can you imagine him trying to convert his politically starved comrades? We have to keep a much closer eye on every Spanish, Greek or Turkish activist than we do on a hundred Dutchmen. It would make a fascinating job for you. Above all, classifying the different ideologies and tendencies. Assessing how important they are: that way we would know exactly how your compatriots are evolving politically. Once we knew that, we could make sure they were pointed in the right direction, and that they came to no harm by doing things that were against the grain.'

Murder in the Central Committee by Manuel Vázquez Montalbán (Melville International Crime 1981)

'Put them with today's.'

The girl did as Santos said, and Julian Mir returned to his duties as chief steward, casting eyes over the movements of his red-armbanded subordinates.

'We'll have an unpleasant surprise one of these days. I don't like this place.'

Santos met Mir's critical ill-humour with a nod that could have indicated either agreement or disapproval. He had been using the same gesture with Mir ever since the days of the Fifth Regiment. Then, Julian had never liked the evening shadows, which had seemed pregnant with Franco's soldiers, nor the morning light that opened the way to advance parties of Regulares. Later, he had not been fond of the Tarn fruit groves, which seemed to have borne the shape of German patrols ever since the Pleistocene. Later still, he had not liked his missions inside the country, although he carried them out with the haughty assurance of a Western film hero.

'Many problems?'

'Four fascists died of fear,' Mir had invariably replied on his return from a trip to Franco's Spain.

He had always been like that. Probably born that way, thought Santos, and he was suddenly surprised that Julian Mir had once been born: so long ago; too long. The time was now stored in his stiff white hair and his old athlete's musculature that made him look like a chicken spoiling for a fight.

'I don't like this place.'

'Here we go again. Where would you like to hold the central committee?' asked Santos.

'There are too many little offices dotted everywhere. That's what I am complaining about. There should be a fine central headquarters like every proper Communist Party has got. Does it seem right to you? Just yesterday, the Anabaptists from Torrejón de Ardoz held a convention here. Look at what's written on that poster.

'I'd have to put my glasses on.'

'Oh yes! You've been losing your faculties ever since you became a pen-pusher,' Mir said. 'I can read it all right: "The way of the spirit in the path of the body", by Yogi Sundra Bashuarti. That was here yesterday. I can't tell anymore whether this is a central committee meeting or a gathering of fakirs. Communists in a hotel—as if we were tourists or underwear salesmen.'

'You're in a right old mood.'

'And one day they'll sneak in a commando disguised as a tropical orchestra. Sometimes you can even hear the music from the dance-hall.'

'It's quite atmospheric.'

Off Side by Manuel Vázquez Montalbán (Melville International Crime 1989)

'Are you suggesting that we're going to start seeing irrational motiveless killings, like in the United States?'

'Why not? We already have psychiatrists and private detectives, so I don't see why we can't have mad murderers too. And here it could be even worse, because at least in the USA they still put up an appearance of believing in God. They go to church on Sundays, and feel themselves part of a chosen people. But you don't have that in Spain. Religion of any kind, whether political or otherwise, has disappeared. The only thing that we have left, by way of communion of the saints, is nationalism.'

'Is that what makes you a nationalist?'

'It's the most gratifying thing that a person can be, and the least concrete, particularly if you are, as I am, a non-independentist nationalist. Politics is a curious thing in Catalonia. We have a situation where power is shared between socialists who don't believe in socialism, and nationalists who don't believe in national independence. The whole thing's ripe for lone operators to take over, and when you look at the likes of young Camps O'Shea, the prospect becomes even more alarming. That man has no conscience, no epic memory, no life-project other than going out and winning, without even knowing what he wants to win at, or whom he wants to beat.'

'And how are we supposed to deal with these lone killers?'

'Arrest them while they've still got their guns in their holsters, or if they've got them out, shoot them before they get the chance to shoot first.'

'And what if they manage to do their killing?'

'Turn up for the funeral.'

'You're a big man in this city. Big men in big cities get there because they have more information at their fingertips than the rest of the population.'

'I gather you're implying that I haven't told you everything I know. Don't be naive. I know that you have to buy people and I know whom to buy. And that's the extent of it.'

The Greek Labyrinth (1993)