The Narrowing Circle by Julian Symons (Penguin Classic Crime 1954)

Gross Enterprises occupied a square, ugly office block near Holborn. On the ground floor was Reception, Dispatch and the Research Section. First floor was Crime, second Romance, third Western and fourth Science Fiction. Administration was on the fifth and top floor, and so was Sir Henry Gross's office and flat. I passed old Sir Henry as I went in, teetering uncertainly across the Reception hall to his private lift. Who's Who didn't give his age but he must have been in the seventies, although his lined face and generally papery appearance made him look older. Nobody I knew had much contact with him, not even the Section Editors. I hadn't spoken to him more than half a dozen times in the three years I'd been with the firm. I was never quite sure whether he knew who I was. He said good morning to me politely enough. At least he knew I worked there.

I watched the lift doors close behind him and thought how queer it was that Sir Henry, who was a teetotaller, vegetarian and non-smoker, should be at the top of something like Gross Enterprises. It was a fine example of circumstances taking charge of men, for he had started out with cheapSelf Help and How to Do It books. Probably the change to what you might call rational publishing had been imperceptible even to Gross himself. Now he might think that he ran the machine, but really the machine ran Sir Henry. No doubt he had paid for his knighthood like an honest man. It had been awarded for "services to publishing", which was one of the best jokes on publishing that I had ever heard.

The Thirtyfirst of February by Julian Symons (Pan Books 1950)

There is a part of London near the Buckingham Palace Road, behind Eccleston Bridge, where the large stucco seediness of once-fashionable squares, Eccleston and Warwick and St George's, fades into a smaller shabbiness. There are streets here of small-identical red-brick houses, fronted by ugly iron railings; these streets branch off the main stem of Warwick Way, that backbone of Pimlico where large houses converted into a dozen one-room flats offer typists and secretaries the chance of developing an individuality untrammelled by the presence of parents or the inhibiting eyes of childhood neighbours. Such self-contained lives typify the decay that is spreading slowly over the fabric of our great cities; to be part of this decay, to visit the ballet frequently and to fornicate freely, to attain a complete irresponsibility of action - that is, in a sense, the ideal life of our civilization. And if such a life can be lived comfortably enough in the four-storeyed houses of Warwick Way, it can be lived more easily still in the little red-brick houses of Joseph Street. You might find similar houses in any London suburb, where they would be the homes of clerks, schoolmasters and small businessmen; but the people who lived in Joseph Street were male and female prostitutes, unknown actors and film extras, artists and journalists who had given up worship of the bitch-goddess Success and were content to earn a few pounds here and there which they drank away at the Demon round the corner in Radigoyle Street while their teeth fell out and their tongues grew furry and their eyesight failed. Among these characteristic occupants of the small red-brick, however, were a few eccentrically successful figures, people whose presence in this raffish area could not have been easily explained, even by themselves. Joseph Street numbered among its inhabitants two company directors, a dress designer, an important gynaecologist and a retired trade union official. Anderson, who might also be regarded as eccentrically respectable, lived in Number 10 Joseph Street, in a house distinguished from its fellows only by the window boxes carefully  cultivated by the Fletchleys, who lived in a self-contained flat on the first floor. Anderson had bought a ninety-year lease of the house at the time of his marriage. 

The Man Who Lost His Wife by Julian Symons (Penguin Crime 1970)

'Think it's a bore,' Bunce repeated, and laughed in what might have been a meaningful manner. He turned to the sports page in the paper, as though reading an account of the previous day's play would provide some final answer to his questions. Gilbert closed his eyes and saw the cheek he had kissed at parting, wonderfully smooth. Why had she not kissed him on the mouth, did she now find him repulsive? Such ideas were alien to him. He was startled when Bunce said emphatically, 'Sex.'

One of the batsmen had been bowled, his middle stump knocked out of the ground. 'What?'

'That's why you get a kick from it.' He tapped the paper. 'You use the ball, see, and you try to get rid of the stump. See what it says here, Herman uprooted the middle stump and that's what just happened now, right?

'Yes, but -'

'Boy, that bowler's uprooted his middle stump all right, it's a castration symbol, see? And those pads the batter wears, he's protecting his stump with them. He wants to hit that ball, get the damn' thing away from him to the boundary, the limit. Get that ball away, he's saying, I don't want it near my stump. You read what Melanie Klein says about bat and ball games?'

'I can't say I have.'

'They symbolize a fear of sex, keep it hidden, that's the thing, destroy it if you can. And the white clothes, what do they mean but purity? It's a hell of a funny game.' The players went into the pavilion. 'That's it then, glad to have seen it.'

'They'' be coming out again. This is the tea interval.'

'I guess I've seen enough.' With cricket satisfactorily explained Bunce rose to his feet.

A Man Called Jones by Julian Symons (Pan Books 1947)

The tone was masterful, and one would hardly dare to say, Bland reflected, that it didn't suit. Was this perhaps still the captain of the cricket team regarding Bland as a boy trying, not very successfully, to bowl leg-breaks? Or was this the real and characteristic Sinclair? As these questions passed through Bland’s mind Sinclair smiled again, and said, ‘Think I've changed? Without waiting for a reply he went on, ‘I have, you know. In one way at least. I aspire to be an author. Detective stories. Tell me honestly, now, what do you think of them?'

Bland picked tentatively at half a lobster in its shell, and put a piece of firm white flesh into his mouth. ‘Delicious,’ he said, and then, ‘Not very much like life.’

Sinclair pointed with a fork. His face was bright and enthusiastic. ‘Exactly. The essential thing about the detective story is that it’s not very much like life. It doesn’t set out to be like life - that isn’t its function. The detective story is decidedly a romantic affair - something that brings a world they don‘t know, a world of romantic violence quite alien to their own lives to the sickly young men who spend their days in front of a ledger, the overworked and underpaid shop girls, the colonels in the clubs and the dowagers in their boudoirs. It isn’t reality that these people want from detective stories - it’s fantasy. The future of the detective story is in the field of fantasy!

A Three-Pipe Problem by Julian Symons (Penguin Crime 1975)

‘But how did you discover it? I mean, the docks?’

‘I read this Observer colour supp. piece, you see, and it said all the obvious piaces are finished, a house in Battersea even costs a fortune, but around the East India Dock area there were still some of these perfect little squares -’

‘Lived in by the peasants, no doubt, with a loo out at the back -’

‘Exactly, and there was this perfectly dreamy little house, just a cottage, and Fabrina said it’d got terrific possibilities -’

‘Possibilities, I should think so.”

He listened gloomily to the exchange taking place between a couple with long flowing hair, both wearing bell bottoms and bright pullovers. Did the absence of make-up indicate their masculinity or the opposite, were their voices male or female? He found it impossible to say. The pub depressed him. It had been done up by the brewers, and in honour of its name they had turned it into a kind of military encampment. Reproductions of battle scenes were around the walls, regimental flags and scrolls took up other bits of vacant space, what had once been public and private bars were now called Sergeants’ Mess and Officers’ Mess. It was certainly not what it had been in Holmes's time, and he would infinitely have preferred a few villainous Lascars to the trendy young creatures who mixed with the tough-looking dockers. Not that the dockers seemed to mind either the desecration of their pub, or its part-occupation by these aliens. From the large central bar which was actually called the Parade Ground, Sher pondered on the superiority of past to present. He was jerked out of this reverie by the words: ‘That’s Joey, just come in.’

Bogue's Fortune by Julian Symons (Perennial Library 1956)

Maureen got up off the floor and eyed him with undisguised interest. “l’m Maureen Gardner.I'm at the school, was rather, until it finished.”

“What are you going to do now?"

‘I'm leaving at the end of the week to join the Anarchist Country Community at Shovels End in Essex.”

“Are you now?" Bogue had a gaudy tie in his hand, and he talked to her while he knotted it. “I used to be very interested in Anarchism when I was a young man. In fact, l'll tell you a secret, I spoke on Anarchist platforms in Glasgow just after the war, that was the First War, you know. I was a red-hot revolutionary then, hot as you are now, I expect. Trouble with Anarchism, I found, was it’s against human nature. In a small group, yes, providing you’re all idealists, Anarchism's fine, answers all the problems. In a feudal society-well, yes, it’s still got some kind of answer. But once you get labor-saving machines, motor-cars, airplanes, not to mention all the bombs we’re inventing to save civilization, what can Anarchists do but settle down in country communities at Shovels End?" Bogue turned round and appealed to her, his arms spread wide, his face serious.

Maureen goggled at him. She had been won over, Applegate saw, won over as only a girl could be who had perhaps never been taken seriously before. “You think I shouldn’t go?”

“Not at all,” Bogue picked up a jacket that lay on the stairs behind him, thrust his arms into the sleeves. “We learn from our mistakes, if we ever learn. But the important thing is to have the capacity for making mistakes. To anyone of your age, faced with a choice, I’d say just this. Do the daring thing, the unusual thing, don’t do the commonplace thing.”

“Yes.” Maureen expelled what Applegate unhappily felt to be an almost reverent sigh.

The Man Who Killed Himself by Julian Symons (Penguin Crime 1967)

In the end Arthur Brownjohn killed himself, but in the beginning he made up his mind to murder his wife. He did so on the day that Major Easonby Mellon met Patricia Parker. Others might have come to such a decision earlier, but Arthur Brownjohn was a patient and, as all those who knew him agreed, a timid and long-suffering man. When people say that a man is long-suffering they mean that they see no reason why he should not suffer for ever.