Posts from July 2017

18
Jul 17

HOLLY VALANCE – “Kiss Kiss”

Popular7 comments • 461 views

#925, 11th May 2002

valance “Freak Like Me” is a rare case where hit covers and mutations keep building on the foundations of a song, finding new things in it. At this point in pop, the opposite was more often true. “Kiss Kiss” is a good single – in the context of the charts, its dipping and rolling Turkish rhythms are delightfully fresh, a showy flourish across a grey backdrop. But hearing the singles it was based on – Tarkan’s “Simarik” and Stella Soleil’s remake of it as “Kiss Kiss” – lets you hear possibilities this version closes down.

12
Jul 17

2017 Albums I Like Part 2

FT7 comments • 339 views

horseface I am still listening to a new-to-me LP every day! A lot – in fact, most – of those LPs come from this year. So here are 30 MORE albums I’ve enjoyed a lot, in some kind of ranking. Confusingly perhaps, these are not all records released in April-June, but records I heard for the first time in April-June. That pedantic point is of interest only to me: what YOU want to know (maybe) is what these good records are.

1. HORSEFACE – Jaakausi (Charming Swedish post-rock, like a lost Too Pure signing)
2. POLO & PAN – Caravelle (Summertime bubblegum house-pop from France)
3. HAUSCHKA – What If? (Bustling future visions, like Olaf Stapledon with player-pianos)
4. JLIN – Black Origami (Intense, brain-twisting footwork epic)
5. ANGALEENA PRESLEY – Wrangled (Smart, tuneful, country; part wistful, part kick-ass)
6. SZA – Control (R&B act achieves the near-impossible by making 20something relationship angst compelling)
7. OMAR SOULEYMAN – From Syria, With Love (Does what the title says, and you could dance to it)
8. PARAMORE – After Laughter (Big, bright pop move from perennial emo kid faves)
9. OCTO OCTA – Where Are We Going? (Sparkly, expansive house music)
10. KENDRICK LAMAR – DAMN. (Hip-hop monarch embraces the banger)

10
Jul 17

SUGABABES – “Freak Like Me”

Popular28 comments • 2,321 views

#924, 4th May 2002

sugafreak At The Disco

A scene from Phonogram III: The Immaterial Girl, by Gillen, McKelvie and Wilson, published in 2015. It’s the early 00s, at a disco somewhere in the south of England. A group of people who love music so much it’s become their life and the tools of their craft – magic in the comic’s world; writing, DJing and blogging in ours – have been brought together to scheme and to dance. One of them is Seth Bingo, a skinny guy in a T-Shirt saying “Mutya Keisha Siobhan”. The final name is crossed out, with “Heidi” scrawled underneath. Bingo, affected but handsome in a gaunt sort of way, is talking to another thin white man, a morose husk of a creature called Indie Dave. “What is your take – “ Bingo asks – “on the Babes Of Suga?”.

“My real take?” asks Dave, “Or my ironic one?”. And so Seth Bingo lays him out with an uppercut, the art exploding in colour around the punch.