September 15

September 15 is the 258th day of the year (259th in leap years) in the Gregorian calendar. There are 107 days remaining until the end of the year.

Events

Lyle Mays

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Lyle Mays (born November 27, 1953) is an American jazz pianist and composer from Wausaukee, Wisconsin. He is best known for his work with guitarist Pat Metheny as a member of the Pat Metheny Group. Along with Metheny, Mays has been a co-composer and arranger of almost all of the group's music and has won eleven Grammy Awards.

Biography

While growing up, Mays had four main interests: chess, mathematics, architecture and music. His parents were musically inclined – his mother was a pianist, his father was a guitarist – and he was able to study the piano with the help of instructor Rose Barron. She allowed Mays the opportunity to practice improvisation after the structured elements of the lesson were completed. At age 9 he played organ at a family member's wedding, and at age 14 he began to play organ in church. In summer camp he was introduced to important jazz artists.

Bill Evans' album Live in Montreux and Miles Davis' album Filles de Kilimanjaro were important influences on his formation as a jazz musician. He graduated from the University of North Texas after attending the University of Wisconsin-Eau Claire. He composed and arranged for the world-renowned One O'Clock Lab Band and was the composer and arranger of their highly regarded and Grammy nominated Lab 75 album.

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Pat Metheny

Patrick Bruce "Pat" Metheny (/məˈθiːni/ mə-THEE-nee; born August 12, 1954) is an American jazz guitarist and composer.

He is the leader of the Pat Metheny Group and is also involved in duets, solo works and other side projects. His style incorporates elements of progressive and contemporary jazz, post-bop, Latin jazz and jazz fusion. Metheny has three gold albums and 20 Grammy Awards. He is the brother of jazz flugelhornist and journalist Mike Metheny.

Biography

Metheny was born and raised in Lee's Summit, Missouri, a suburb southeast of Kansas City. At age 15, he won a Down Beat scholarship to a one-week jazz camp and was taken under the wing of guitarist Attila Zoller. Zoller also invited the young Metheny to New York City to see the likes of Jim Hall and Ron Carter. Following his graduation from Lee's Summit High School, Metheny briefly attended the University of Miami in Coral Gables, Florida in 1972, where he was quickly offered a teaching position. He then moved to Boston to take a teaching assistantship at the Berklee College of Music with jazz vibraphonist Gary Burton. He first made his name as a teenage prodigy under the wing of Burton. In 1974 he made his recording debut on two sessions for pianist Paul Bley and Carol Goss' Improvising Artists label, along with fretless electric bassist Jaco Pastorius.

September Song

"September Song" is an American pop standard composed by Kurt Weill, with lyric by Maxwell Anderson, introduced by Walter Huston in the 1938 Broadway musical Knickerbocker Holiday. It has since been recorded by numerous singers and instrumentalists. It was also used in the 1950 film September Affair, and for the credits in the television series May to December (a quote from the opening line of the song).

Origins

The song originated from Walter Huston's request that he should have one solo song in Knickerbocker Holiday, if he was going to play the role of the aged dictator Peter Stuyvesant. Anderson and Weill wrote the song specifically for Huston's gruff voice and limited vocal range, in a couple of hours.

Knickerbocker Holiday was roughly based on Washington Irving's "Father Knickerbocker's History of New York," set in New Amsterdam in 1647. It is a political allegory attacking the New Deal through the semi–fascist government of New Amsterdam with a corrupt governor, Peter Stuyvesant, and corrupt councilmen. It also involves a minor love triangle with a young woman forced to marry Stuyvesant while loving another. The musical enjoyed only moderate success and closed in April 1939 after six months. "September Song" was seldom recorded in the 1940s, with recordings by Bing Crosby (1943) and Frank Sinatra (1946) being the most notable. But after Huston's version was used in the 1950 film September Affair, and reached number one on the pop music chart (see below), the song quickly became established as a modern standard, with many subsequent recordings.