Attack

Attack may refer to:

Films

Albums

Songs

Bands

Ships

Offense (sports)

In sports, offense (US) or offence (Can.) (see spelling differences; pronounced with first-syllable stress), also known as attack, is the action of attacking or engaging an opposing team with the objective of scoring points or goals. The term may refer to the tactics involved in offense, or a sub-team whose primary responsibility is offense.

Generally, goals are scored by teams' offenses, but in sports such as American football it is common to see defenses and special teams (which serve as a team's offensive unit on kicking plays and defensive on returning plays) score as well. The fielding side in cricket is also generally known as the bowling attack despite the batting side being the side that scores runs. In counties other than North America, the term offence is almost always taken to mean an infraction of the rules, a penalty or foul, and attack is more likely to be used where Americans would use 'offense'.

See also

Synthesizer

A sound synthesizer (usually abbreviated as "synthesizer" or "synth", also spelled "synthesiser") is an electronic musical instrument that generates electric signals that are converted to sound through instrument amplifiers and loudspeakers or headphones. Synthesizers may either imitate the still existing sounds (instruments, vocal, natural sound, etc.), or generate new electronic timbres not existing before. They are often played with a musical keyboard, but they can be controlled via a variety of other input devices, including music sequencers, instrument controllers, fingerboards, guitar synthesizers, wind controllers, and electronic drums. Synthesizers without built-in controllers are often called sound modules, and are controlled via MIDI or CV/Gate using a controller device.

Synthesizers use various methods to generate signal. Among the most popular waveform synthesis techniques are subtractive synthesis, additive synthesis, wavetable synthesis, frequency modulation synthesis, phase distortion synthesis, physical modeling synthesis and sample-based synthesis. Other less common synthesis types (see #Types of synthesis) include subharmonic synthesis, a form of additive synthesis via subharmonics (used by mixture trautonium), and granular synthesis, sample-based synthesis based on grains of sound, generally resulting in soundscapes or clouds.

Craic

"Craic" (/kræk/ KRAK), or "crack", is a term for news, gossip, fun, entertainment, and enjoyable conversation, particularly prominent in Ireland. It is often used with the definite article – the craic. The word has an unusual history; the English crack was borrowed into Irish as craic in the mid-20th century and the Irish spelling was then reborrowed into English. Under either spelling, the term has great cultural currency and significance in Ireland.

History

The term crack is ultimately derived from the Middle English crak, meaning "loud conversation, bragging talk". A sense of crack found in Northern England and Scotland meaning "conversation" or "news" produces expressions such as "What's the crack?", meaning "how are you?" or "have you any news?" The context involving "news" and "gossip" originated in Northern English and Scots. A book on the speech of Northern England published in 1825 equates crack with "chat, conversation, news". The Scottish song "The Wark o The Weavers" which dates back to the early part of the 19th century, published by David Shaw, who died in 1856, has the opening line "We're a' met thegither here tae sit and crack, Wi oor glasses in oor hands..." A collection of folk songs from Cumberland published in 1865 refers to villagers "enjoying their crack". A glossary of Lancashire terms and phrases published in 1869 lists crack as meaning "chat", as does a book on the local culture of Edinburgh published in the same year. Glossaries of the dialects of Yorkshire (1878), Cheshire (1886), and Northumberland (1892) equate crack variously with "conversation", "gossip", and "talk". These senses of the term entered Hiberno-English from Scots through Ulster at some point in the mid-20th century and were then borrowed into Irish.

Error message

An error message is information displayed when an unexpected condition occurs, usually on a computer or other device. On modern operating systems with graphical user interfaces, error messages are often displayed using dialog boxes. Error messages are used when user intervention is required, to indicate that a desired operation has failed, or to relay important warnings (such as warning a computer user that they are almost out of hard disk space). Error messages are seen widely throughout computing, and are part of every operating system or computer hardware device. Proper design of error messages is an important topic in usability and other fields of human–computer interaction.

Common error messages

The following error messages are commonly seen by modern computer users:

Infamous error messages

Abort, Retry, Fail? - A notoriously confusing error message seen in MS-DOS

An example of an Error message .vbs script

.hack

.hack (pronounced "dot-hack") is a Japanese multimedia franchise that encompasses two projects; Project .hack and .hack Conglomerate. Both projects were primarily created/developed by CyberConnect2, and published by Bandai. The series is mainly followed through the anime and video game installations, and has been adapted through manga, novels and other related media.

Project .hack

Project .hack was the first project of the .hack series. It launched in 2002 with the anime series .hack//Sign in April 2002 and the PlayStation 2 game .hack//Infection in June 2002. Project developers included Koichi Mashimo (Bee Train), Kazunori Ito (Catfish), and Yoshiyuki Sadamoto, (Gainax). Since then, Project .hack has spanned television, video games, manga, and novels.

Games

.hack (video game series)

.hack /dɒt hæk/ is a series of single-player hack and slash developed for the PlayStation 2 console by CyberConnect2 and published by Bandai. The series of four games, titled .hack//Infection, .hack//Mutation, .hack//Outbreak, and .hack//Quarantine, features a "game within a game"; a fictional massively multiplayer online role-playing game (MMORPG) called The World which does not require the player to connect to the Internet. Players may transfer their characters and data between games in the series. Each game comes with an extra DVD containing an episode of .hack//Liminality, the accompanying original video animation series which details fictional events that occur concurrently with the games.

The games are part of a multimedia franchise called Project .hack which explores the mysterious origins of The World. Set after the events of the anime series .hack//Sign, the games focus on a player named Kite and his quest to discover why some users have become comatose as a result of playing The World. The search evolves into a deeper investigation of The World and its effects on the stability of the Internet.