On Tyler’s sincere and most accomplished album, he gets to the essence of what he's been chiseling at: the angst of a missed connection, the pain of unrequited love, and navigating youthful ennui.
With the grime revival in full swing, one of the genre’s elder statesmen returns with an album that’s torn between his UK roots and his affinity for American hip-hop.
The German electronic musician explores deep, fluid percussive grooves in the same vein as his work with the late drummer Jaki Liebezeit.
The Brooklyn producer Max Ravitz makes homespun techno with lush pads, errant noise, and intricate rhythms. His latest LP offers variations on the sound made with a limited palette.
On the eve of her fourth album, the pagan pop star sounds more content than ever. How did she get there?
Checking in with a crowd who wore enough excellent gear to make your closet very jealous
Explore Guns N' Roses Appetite for Destruction in 4 Minutes
Returning to his long-running solo act, the Japanese producer Keigo Oyamada aims for the glowing emotional core of his playful, retro-futuristic aesthetic.
After handling production for Kendrick Lamar, Terrace Martin’s work as a bandleader comes into focus with quiet storm, R&B, and deep grooves that show the composer and instrumentalist making strides.
On his major label debut, the once-scrappy Boston rapper Cousin Stizz flaunts his wealth as well as his ear for distinctive, minimalist production.
The eclectic new album from L.A. indie outfit Holy Shit is also the first musical offering from Semiotext(e), the publishing house run in part by I Love Dick author Chris Kraus.