- published: 09 Aug 2010
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A music supervisor is a person who combines music and visual media. According to The Guild of Music Supervisors, a music supervisor is “a qualified professional who oversees all music related aspects of film, television, advertising, video games and other existing or emerging visual mediaplatforms as required.” In the musical theatre industry, a music supervisor is often responsible for managing a team of music directors working on any number of musical productions.
A music supervisor is somebody with a broad and encyclopedic music expertise and a sophisticated knowledge of music licensing and negotiation. Typically, a music supervisor proposes previously recorded songs to the director or producer of a film, advertisement, television show, trailer, promo, video game, or any other form of visual media. A music supervisor will usually act as a liaison between the creative and business ends of the process. Once a song is approved, they approach the rights holders of that song to seek permission to license (usually creating master recording licenses and synchronization licenses) and to work out the financial details of the song’s use. In many instances, the artist or songwriter of the recorded song is given the opportunity to accept or decline the synchronization of their song. This position is most active within media-based industries, including live events, television, film, advertising, theatre, and video gaming. Music supervisors may work within production companies, film studios, networks, music supervision companies, or do freelance work.
A record producer (or music producer) has a very broad role in overseeing and managing the recording (i.e. "production") of a band or performer's music. A producer has many roles that may include, but are not limited to, gathering ideas for the project, selecting songs and/or session musicians, proposing changes to the song arrangements, coaching the artist and musicians in the studio, controlling the recording sessions, and supervising the entire process through audio mixing (recorded music) and, in some cases, to the audio mastering stage. Producers also often take on a wider entrepreneurial role, with responsibility for the budget, schedules, contracts, and negotiations.
In the 2010s, the recording industry has two kinds of producers with different roles: executive producer and music producer. Executive producers oversee project finances while music producers oversee the creation of music.
A music producer can, in some cases, be compared to a film director, with noted practitioner Phil Ek describing his role as "the person who creatively guides or directs the process of making a record, like a director would a movie. The audio engineering [person] would be more the cameraman of the movie." Indeed, in Bollywood music, the designation actually is music director. The music producer's job is to create, shape, and mold a piece of music. The scope of responsibility may be one or two songs or an artist's entire album – in which case the producer will typically develop an overall vision for the album and how the various songs may interrelate.
Music is an art form and cultural activity whose medium is sound and silence. The common elements of music are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics (loudness and softness), and the sonic qualities of timbre and texture (which are sometimes termed the "color" of a musical sound). Different styles or types of music may emphasize, de-emphasize or omit some of these elements. Music is performed with a vast range of instruments and with vocal techniques ranging from singing to rapping, and there are solely instrumental pieces, solely vocal pieces and pieces that combine singing and instruments. The word derives from Greek μουσική (mousike; "art of the Muses"). In its most general form, the activities describing music as an art form include the production of works of music (songs, tunes, symphonies, and so on), the criticism of music, the study of the history of music, and the aesthetic examination of music. Ancient Greek and Indian philosophers defined music as tones ordered horizontally as melodies and vertically as harmonies. Common sayings such as "the harmony of the spheres" and "it is music to my ears" point to the notion that music is often ordered and pleasant to listen to. However, 20th-century composer John Cage thought that any sound can be music, saying, for example, "There is no noise, only sound."
Actors: Joel Silver (producer), Joel Silver (actor), Eric Matthies (producer), Hugo Weaving (actor), Carrie-Anne Moss (actress), Laurence Fishburne (actor), Woo-ping Yuen (actor), Laurence Fishburne (actor), Don Davis (actor), Hugo Weaving (actor), Lorenzo di Bonaventura (actor), Keanu Reeves (actor), Keanu Reeves (actor), Josh Oreck (director), Adam Locke-Norton (composer),
Plot: An "extras-only" DVD, packed with documentaries and behind-the-scenes footage from the filming of the ground-breaking 1999 movie "The Matrix". Includes a rare interview with the elusive writer/directors, the Wachowski Brothers; insights from the cast and crew into the production process; and a preview of things to come: a series of anime films and two sequels.
Keywords: action-violence, actor, actor-playing-himself, actress, alternative-reality, archive-footage, behind-the-scenes, choreography, fan-culture, fightIn this clip from www.artistshousemusic.org - Julia Michels is an independent music supervisor. She describes the responsibilities and work involved in a film project for a music supervisor.
In this clip from www.artistshousemusic.org - Joel C. High, a music supervisor based in Los Angeles, CA, describes for an audience at Loyola University, New Orleans the role and responsibilities of a music supervisor in the film industry. He discusses in detail how a music supervisor goes about securing the right music for the film at a price that is within the film's budget, how someone in his job gets paid, and what skills it takes to excel.
Music Producers - http://dynamicproducer.com | Sign up for our free course, submit beats & get biz Video: Tips For Contacting Music Supervisors and Licensing Execs with Jerome Spence Rob Thomas Ryan Gaines Music Producer | Music Producer Interview | Music Producer Tips |How To Become A Music Producer | Music Producer Business | Music Producer Career | Music Producer Advice | Music Producer Motivation | Music Producer Contracts | Music Producer Royalties Ready to put your music, career and business into over-drive? Join Dynamic Producer today and get on the path towards becoming a successful music producer. Gain access to our exclusive suite of membership benefits including: *constructive music feedback *one-on-one music career counseling *private music production & mix coaching *...
Award-winning music supervisor Mary Ramos has helped create the musical identity for over 100 films for the past 20 years. In this exclusive interview, she will talk about the international sync market, the practicalities of licensing, as well as her own latest projects and share her vision on the business today and what are the creative and commercial considerations involved in programming the music for Tarantino’s movies. Keynote Speaker: • Mary Ramos, Music Supervisor of Quentin Tarantino, Saturday Music (USA) Interviewer: • Emmanuel Legrand, US Editor, Music Week (USA)
We discuss what to email the Music Supervisors after getting their contact info at the panel tomorrow. Twitter - @Jfulfordtheiii Instagram - JohnFulford
Music supervisor Carrie Hughes stopped by the Playback Stage at the 2013 ASCAP "I Create Music" EXPO to tell us about her work and where she finds music for her projects. ASCAP's hundreds of thousands of songwriter, composer, and music publisher members all have one thing in common: they are driven to create. ASCAP's YouTube content is intended to explore the art and craft of music in all of its facets -- from its creation and development to its use and enjoyment around the world. Any content we feature is intended to educate, highlight, support, and celebrate our members and their music, and to help inspire and nurture other music creators in their own evolution as artists. If you are a music creator and want to join ASCAP, go to: http://www.ascap.com/join.
http://bit.ly/VarietySubscribe They help create some of the most indelible moments in movies, but even their parents don't always understand what they do. Five top music supervisors explain why their job is more intricate than being "the DJ of the movie
In this clip from www.artistshousemusic.org - Joel C. High, a music supervisor based in Los Angeles, CA, discusses with an audience at Loyola University, New Orleans how he goes about finding new music to put in projects he is working on, and what he values in the music he finds.
In this clip from www.artistshousemusic.org - Julia Michels is an independent music supervisor. She describes the responsibilities and work involved in a film project for a music supervisor.
In this clip from www.artistshousemusic.org - Joel C. High, a music supervisor based in Los Angeles, CA, describes for an audience at Loyola University, New Orleans the role and responsibilities of a music supervisor in the film industry. He discusses in detail how a music supervisor goes about securing the right music for the film at a price that is within the film's budget, how someone in his job gets paid, and what skills it takes to excel.
Music Producers - http://dynamicproducer.com | Sign up for our free course, submit beats & get biz Video: Tips For Contacting Music Supervisors and Licensing Execs with Jerome Spence Rob Thomas Ryan Gaines Music Producer | Music Producer Interview | Music Producer Tips |How To Become A Music Producer | Music Producer Business | Music Producer Career | Music Producer Advice | Music Producer Motivation | Music Producer Contracts | Music Producer Royalties Ready to put your music, career and business into over-drive? Join Dynamic Producer today and get on the path towards becoming a successful music producer. Gain access to our exclusive suite of membership benefits including: *constructive music feedback *one-on-one music career counseling *private music production & mix coaching *...
Award-winning music supervisor Mary Ramos has helped create the musical identity for over 100 films for the past 20 years. In this exclusive interview, she will talk about the international sync market, the practicalities of licensing, as well as her own latest projects and share her vision on the business today and what are the creative and commercial considerations involved in programming the music for Tarantino’s movies. Keynote Speaker: • Mary Ramos, Music Supervisor of Quentin Tarantino, Saturday Music (USA) Interviewer: • Emmanuel Legrand, US Editor, Music Week (USA)
We discuss what to email the Music Supervisors after getting their contact info at the panel tomorrow. Twitter - @Jfulfordtheiii Instagram - JohnFulford
Music supervisor Carrie Hughes stopped by the Playback Stage at the 2013 ASCAP "I Create Music" EXPO to tell us about her work and where she finds music for her projects. ASCAP's hundreds of thousands of songwriter, composer, and music publisher members all have one thing in common: they are driven to create. ASCAP's YouTube content is intended to explore the art and craft of music in all of its facets -- from its creation and development to its use and enjoyment around the world. Any content we feature is intended to educate, highlight, support, and celebrate our members and their music, and to help inspire and nurture other music creators in their own evolution as artists. If you are a music creator and want to join ASCAP, go to: http://www.ascap.com/join.
http://bit.ly/VarietySubscribe They help create some of the most indelible moments in movies, but even their parents don't always understand what they do. Five top music supervisors explain why their job is more intricate than being "the DJ of the movie
In this clip from www.artistshousemusic.org - Joel C. High, a music supervisor based in Los Angeles, CA, discusses with an audience at Loyola University, New Orleans how he goes about finding new music to put in projects he is working on, and what he values in the music he finds.
We played Twenty Questions with a Reality Show Music Supervisor. Watch this episode of TAXI TV to learn a ton about licensing your music into one of TV's most popular formats! JOIN TAXI NOW: https://www.taxi.com/join/?cid=&icid;=&mvar;=
The premiere episode of FULFORDS WORLD. I sit down with Mike Turner, music supervisor for Pee Wee's Big Holiday and other cool projects. Follow Mike on Twitter - @MPTMUSIC
Michael Laskow interviewing music supervisor Maureen Crowe at the TAXI Music Conference 2014.
A film Written, Directed and Edited by Jose Navas---- Please visit www.MiamiDocumentary.com FlickHouse Studios Produced by Jorge Navas Registered with the Copyright Office .Music Supervisor Steven "Scuba" Vera Additional Original music by Angel Ordonez and Carlos Fidoe Andrade
Contact List of Music Supervisors, Music Placement Companies, TV/Film Music Supervisors and Video Game Music Supervisors at http://www.Rap-Resources.com Rap-Resources.com BUY MY BOOK | http://amzn.to/2diet5Q Please Feel Free to Support our cause (rewards) | https://www.patreon.com/thisiswendyday WENDY's BLOG | http://www.industryreport.com RAP COALITION | http://www.rapcoalition.org TWITTER | http://www.twitter.com/rapcoalition INSTAGRAM | http://www.instagram.com/rapcoalition FACEBOOK | http://www.facebook.com/thisiswendyday Contact RapCoalition@aol.com wendyday12345
Great music design is critical for engaging your audience. Effective music supervision includes design, budgetary strategy and marketing. Great music design can also increase social media content and followers. It starts with great music supervision, creative artists who also understand how to collaborate with writers, directors, producers and others to devise the best possible soundtracks. NATPE17 brings together the brightest stars in this unique universe for a conversation that will illuminate and inform regarding how these components align to create true onscreen magic. It's a session you'll definitely enjoy listening to... Moderator: Maureen Crowe - Founding President, Guild of Music Supervisors Panelists: PJ Bloom - Music Supervisor, Partner, Neophonic Music & Media Gary Calamar...