- published: 11 Aug 2008
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In musical terminology, tempo [ˈtɛmpo] ("time" in Italian; plural: tempi [ˈtɛmpi]) is the speed or pace of a given piece or subsection thereof.
A piece of music's tempo is typically written at the start of the score, and in modern Western music is usually indicated in beats per minute (BPM). This means that a particular note value (for example, a quarter note, or crotchet) is specified as the beat, and that the amount of time between successive beats is a specified fraction of a minute. The greater the number of beats per minute, the smaller the amount of time between successive beats, and thus faster a piece must be played. For example, a tempo of 60 beats per minute signifies one beat per second, while a tempo of 120 beats per minute is twice as rapid, signifying one beat every 0.5 seconds. Mathematical tempo markings of this kind became increasingly popular during the first half of the 19th century, after the metronome had been invented by Johann Nepomuk Maelzel, although early metronomes were somewhat inconsistent. Beethoven was one of the first composers to use the metronome; in the 1810s he published metronomic indications for the eight symphonies he had composed up to that time. for example a minum has a 2 seconds
Allegro may refer to:
Wolfgang Amadeus Mozart (German: [ˈvɔlfɡaŋ amaˈdeːʊs ˈmoːtsaʁt], English see fn.; 27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical era. Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty.
At 17, Mozart was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.
A symphony is an extended musical composition in Western classical music, most often written by composers for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are scored for string (violin, viola, cello and double bass), brass, woodwind, and percussion instruments which altogether number about 30–100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their instrument. A small number of symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony).
The word symphony is derived from Greek συμφωνία (symphonia), meaning "agreement or concord of sound", "concert of vocal or instrumental music", from σύμφωνος (symphōnos), "harmonious". The word referred to an astonishing variety of different things, before ultimately settling on its current meaning designating a musical form.
Symphony No. 40 may refer to:
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New England Conservatory Youth Symphony
Woody Allen once said that Mozart's Symphony 41 proved the existence of God. Certainly, a symphony of such grandness and scale had, until the summer of 1788, never before been seen in the musical universe. Its implications for the direction of music in the future, and its influence on future composers is immeasurable. What makes Mozart's Jupiter symphony worthy to share the name of the most powerful god of the Roman world? The answer to this question comes in the Molto Allegro, and more specifically in its coda, (8:09-8:36). In the coda, Mozart takes the five musical themes or melodies that had been developed throughout the final movement, and does something that no one has ever achieved to the extent that he did, not even the illustrious Beethoven. What Mozart does is take these fi...
Norwegian Chamber Orchestra Terje Tønnesen, leader
Dal concerto del 5 febbraio 2016, diretto da Christoph Poppen, il primo movimento della Sinfonia n. 40 in G minor K550 di Wolfgang Amadeus Mozart - Orchestra Teatro Carlo Felice - dalla diretta streaming del 5 febbraio. www.streamingcarlofelice.com
(после билокации)
Young Artists Competition winner Andrew Levy performs the Allegro Molto from the Recorder Concerto in C Major by Antonio Vivaldi with the period instrument ensemble Voices of Music.
P.I. Tchaikovsky: Symphony No. 6 in B minor, Op. 74 "Pathétique" Third Movement - Allegro molto vivace Wednesday, October 7, 2009 Kulas Hall CIM Orchestra James Feddeck, guest conductor Recorded by Recording Services at the Cleveland Institute of Music, ©℗ 2009 All Rights Reserved
KALEIDOSCOPE play the Molto Allegro from Mozart's Symphony No.40 in their launch week on location around Manchester. Leader - Frederick Taylor Director - David Tagg-Oram Film - Olivia Howie Additional Camera - Steve Pycroft
Vivaldi: The Four Seasons Concerto No. 2 in G minor, Op. 8, RV 315, "L'estate" (Summer) I - Allegro non molto Live recorded in Madrid
Mozart's music in the original interpretation of blessed Juan de San Grial and Teo Leonov. The School of Blessed John is based on the illuminated categories of Cathar cross: Supreme Love, surpassing Goodness, virginal Beauty and perfect Peace. In this context, the benevolent music of Mozart shows its eternal archetypes.
Orquestra Vigo 430, director: Alejandro Garrido. Concierto realizado en el auditorio "Martín Codax" de Vigo el 10 de febrero de 2012.
With its futuristic skyline and sprawling network of streets, subway lines, and highways, Shanghai represents not just China’s unbridled dynamism, but also the rapidly maturing global economy. The bustling city of Shanghai, however, holds a further, complex and equally exhilarating narrative nestled at the feet of its towering skyscrapers. ‘Walk in Shanghai’ tells the story of the lively, multifaceted and above all else, very human experience unfolding at the street level of this massive city. To guide you through the streetscape is JT Singh. As he leads the viewer on his curious adventure through central Shanghai, he glances around corners, weaves through crowds, and with a barely perceptible pause here or an impulsive turn there, stumbles into the unhinged entropy that flows through the...
Jean Sibelius Symphony no. 5 op. 82 III. Allegro molto Wiener Philharmoniker Leonard Bernstein
Amanda Maier - Sonata in b minor I. Allegro II. Andantino III. Allegro molto vivace Judith Ingolfsson, Violin Vladimir Stoupel, Piano