Antonín Dvořák

Antonín Leopold Dvořák (/ˈdvɔːr.ʒɑːk/ DVOR-zhahk or /dᵻ.ˈvɔːr.ʒæk/ di-VOR-zhak; Czech: [ˈantoɲiːn ˈlɛopolt ˈdvor̝aːk]; 8 September 1841 – 1 May 1904) was a Czech composer. After Bedřich Smetana, he was the second Czech composer to achieve worldwide recognition. Following Smetana's nationalist example, Dvořák frequently employed aspects, specifically rhythms, of the folk music of Moravia and his native Bohemia. Dvořák’s own style has been described as ‘the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them’.

Dvořák displayed his musical gifts at an early age, being an apt student of violin playing from age six. The first public performances of his works were in Prague in 1872 and, with special success, in 1873, when he was age 31. Seeking recognition beyond the Prague area, he first submitted a score of his First Symphony to a prize competition in Germany, but he did not win, and the manuscript, not returned, was lost until rediscovered many years later. Then in 1874 he first made a submission for the Austrian State Prize for Composition, including scores of two further symphonies and other works. Brahms, unbeknownst to Dvořák, was the leading member of the jury and was highly impressed. The prize was awarded to Dvořák for 1874 and again in 1876 and in 1877, when Brahms and the prominent critic Eduard Hanslick, also a member of the jury, made themselves known to him. Brahms recommended Dvořák to his publisher, Simrock, who soon afterward commissioned what became the Slavonic Dances, Op. 46. These were highly praised by the Berlin music critic Louis Ehlert in 1878, the sheet music (of the original piano 4-hands version) had excellent sales, and Dvořák’s international reputation at last was launched.

New World

The New World is one of the names used for the Western Hemisphere, specifically the Americas (including nearby islands such as those of the Caribbean and Bermuda).

The term originated in the early 16th century after Europeans made landfall in what would later be called the Americas in the age of discovery, expanding the geographical horizon of classical geographers, who had thought of the world as consisting of Africa, Europe, and Asia, collectively now referred to as the Old World (aka Afro-Eurasia).

The term was first coined by Florentine explorer Amerigo Vespucci. The Americas were also referred to as the "fourth part of the world".

Usage

The terms "Old World" vs. "New World" are meaningful in historical context and for the purpose of distinguishing the world's major ecozones, and to classify plant and animal species that originated therein.

One can speak of the "New World" in a historical context, e.g., when discussing the voyages of Christopher Columbus, the Spanish conquest of Yucatán and other events of the colonial period. For lack of alternatives, the term is also still useful to those discussing issues which concern the Americas and the nearby oceanic islands, such as Bermuda and Clipperton Island, collectively. This usage is seen as problematic by many for its narrowness of perspective and implication that discovery by European explorers was the beginning of history for the Americas.

E minor

E minor is a minor scale consisting of the pitches E, F♯, G, A, B, C, and D. Its key signature has one sharp. The E harmonic minor raises the note D to D♯.

Its relative major is G major, and its parallel major is E major.

Much of the classical guitar repertoire is in E minor, as this is a very natural key for the instrument. In standard tuning (E A D G B E), four of the instrument's six open (unfretted) strings are part of the tonic chord. The key of E minor is also popular in heavy metal music, as its tonic is the lowest note on a standard-tuned guitar.

Notable classical compositions in this key

B minor

B minor is a minor scale consisting of the pitches B, C♯, D, E, F♯, G, and A. Its key signature consists of two sharps. The harmonic minor raises the note A to A♯. Changes needed for the melodic and harmonic versions of the scale are written with accidentals as necessary.

Its relative major is D major, and its parallel major is B major.

Christian Friedrich Daniel Schubart (1739–1791) regarded B minor as a key expressing a quiet acceptance of fate and very gentle complaint, something commentators find to be in line with Bach's use of the key in his St John Passion. By the end of the Baroque era, however, conventional academic views of B minor had shifted: Composer-theorist Francesco Galeazzi (1758–1819) opined that B minor was not suitable for music in good taste. Beethoven labelled a B minor melodic idea in one of his sketchbooks as a "black key". Brahms, Dvořák, Schubert, Liszt, Chopin, Borodin, and Tchaikovsky all wrote significant works in B minor.

Notable compositions in B minor

Best

Best or The Best may refer to:

Geography

People

Companies and organizations

Food and drink

Medicine

Games

Acronyms