Contemporary art

Contemporary art is art produced at the present period in time. Contemporary art includes, and develops from, postmodern art, which is itself a successor to modern art. In vernacular English, "modern" and "contemporary" are synonyms, resulting in some conflation of the terms "modern art" and "contemporary art" by non-specialists.

Scope

Some define contemporary art as art produced within "our lifetime," recognizing that lifetimes and life spans vary. However, there is a recognition that this generic definition is subject to specialized limitations.

The classification of "contemporary art" as a special type of art, rather than a general adjectival phrase, goes back to the beginnings of Modernism in the English-speaking world. In London, the Contemporary Art Society was founded in 1910 by the critic Roger Fry and others, as a private society for buying works of art to place in public museums. A number of other institutions using the term were founded in the 1930s, such as in 1938 the Contemporary Art Society of Adelaide, Australia, and an increasing number after 1945. Many, like the Institute of Contemporary Art, Boston changed their names from ones using "Modern art" in this period, as Modernism became defined as a historical art movement, and much "modern" art ceased to be "contemporary". The definition of what is contemporary is naturally always on the move, anchored in the present with a start date that moves forward, and the works the Contemporary Art Society bought in 1910 could no longer be described as contemporary.

The Creators

The Creators is a non-fiction work of cultural history by Daniel Boorstin published in 1992 and is the second volume in what has become known as the Knowledge Trilogy. It was preceded by The Discoverers and succeeded by The Seekers.

Contents

The Creators, subtitled A History of Heroes of the Imagination, is the story of mankind's creativity. It highlights great works of art, music and literature but it is more than a recitation or list. It is a book of ideas and the people behind those ideas. It encompasses architecture, music, literature, painting, sculpture, the performing arts, theater, religious expression and philosophy. It can be viewed as a companion to The Discoverers which chronicled the history of invention, exploration and technology. The Creators traces the creative process from pre-history Egypt to modern times and like The Discoverers, follows both a topical and chronological structure. Boorstin writes in "A Personal Note to the Reader", "After The Discoverers... "I was more than ever convinced that the pursuit of knowledge is only one path to human fulfillment. This companion book, also a view from the literate West, is a saga of Heroes of the Imagination. While The Discoverers told of the conquest of illusions - the illusion of knowledge - this will be a story of vision (and illusions) newly created..." If The Discoverers is the story of the inventive human mind then The Creators is the story of the searching soul. The work is in twelve major parts that have been grouped into four books.

Art

Art is a diverse range of human activities in creating visual, auditory or performing artifacts – artworks, expressing the author's imaginative or technical skill, intended to be appreciated for their beauty or emotional power. In their most general form these activities include the production of works of art, the criticism of art, the study of the history of art, and the aesthetic dissemination of art.

The oldest form of art are visual arts, which include creation of images or objects in fields including painting, sculpture, printmaking, photography, and other visual media. Architecture is often included as one of the visual arts; however, like the decorative arts, it involves the creation of objects where the practical considerations of use are essential—in a way that they usually are not in a painting, for example. Music, theatre, film, dance, and other performing arts, as well as literature and other media such as interactive media, are included in a broader definition of art or the arts. Until the 17th century, art referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts.