With features from Future, Quavo, Young Thug, and T.I., French Montana returns newly motivated with his sophomore album, which acts as a funnel for everyone’s strongest qualities but his own.
With his band SQÜRL, the legendary filmmaker Jim Jarmusch makes drone-oriented music that’s more about texture than motion. Their latest EP is uniquely physical.
In a collection of unreleased and rarely heard recordings, the French electronic music pioneer displays his mastery of an early proto-synthesizer.
Here We Go Magic frontman Luke Temple’s new project is his most cohesive yet. As Art Feynman, he emerges as a cool purveyor of dub-kraut.
From Sneaks to Chief Keef, from Hand Habits to Chuck Johnson, 20 excellent records from the first half of the year you might have missed.
These two members of the Coppola clan talk about musical bachelor parties, trading movie recommendations, and how Schwartzman played an important role in the making of Wolfgang Amadeus Phoenix.
Mac DeMarco - “On The Level” | Pitchfork Live
Inspired by the cosmos, Japanese Breakfast’s Michelle Zauner addresses life on Earth. Her voice shines over melancholic arrangements, evoking Pacific Northwest indie rock as much as shoegaze.
Alex Crossan’s debut album is a love letter to multicultural London that’s informed by the 21-year-old musician’s insular upbringing and abetted by a number of high-profile guests.
Featuring members of Merchandise, the Ukiah Drag, and Uniform, these psych jams evoke a prog-inflected, Madchester-soaked record. They are unafraid to throw in any sound just to watch it whirl around.
With songs that travel great distances between the poles of ambient and noise music, Claude Speeed’s latest is a mercurial set, capturing with great skill a kind of restless, sourceless anxiety.