Remix (I Like The)

"Remix (I Like The)" is a song by American pop group New Kids on the Block from their sixth studio album, 10. The song was released as the album's lead single on January 28, 2013. "Remix (I Like The)" was written by Lars Halvor Jensen, Johannes Jørgensen, and Lemar, and it was produced by Deekay. The song features Donnie Wahlberg and Joey McIntyre on lead vocals.

"Remix (I Like The)" did not enter the Billboard Hot 100 in the United States, becoming their first lead single to fail charting since "Be My Girl" (1986). Instead, the song peaked at number 38 on the Adult Pop Songs chart.

Critical reception

PopCrush gave the song 3.5 stars out of five. In her review Jessica Sager wrote, "The song sounds like an adult contemporary answer to The Wanted mixed with Bruno Mars‘ ‘Locked Out of Heaven.’ It has a danceable beat like many of the British bad boys’ tracks, but is stripped down and raw enough to pass for Mars’ latest radio smash as well." Carl Williott of Idolator commended the song's chorus, but criticized its "liberal use of Auto-Tune" and compared Donnie Wahlberg's vocals to Chad Kroeger.

Remix (Mushroomhead album)

The first Remix album released by Mushroomhead in 1997. All tracks are remixes except for "Everyone's Got One" (hence the subtitle "Only Mix"). The last portion of "Episode 29 (Hardcore Mix)" was used on the XX album as "Episode 29". The original release of the "Multimedia Remix" also included recordings of Mushroomhead performing "Born of Desire" and "Chancre Sore" at Nautica in Cleveland (now known as The Scene Pavilion) as well as a video for "Simpleton".

Track listing

Remix (book)

Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.

Summary

In Remix Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.

Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.

Dave (given name)

Dave is a given name, a shortened form of the name David. The name means "beloved". The following people are named Dave:

Dave (artist)

Dave (real name David Pflugi, born 1969 near Laufen, Switzerland) is an artist whose highly unusual style of art has garnered him international attention. Notable works include the "world cup works", three works of art he created for the FIFA world cups of 1998, 2002 and 2006 in collaboration with FIFA, all of which were signed by the players of the finalist teams just before the cup final.

He again received international media attention in 2009 for two performances he held at the Acropolis in Athens, Greece and at the Brandenburg Gate in Berlin, Germany. In Frankfurt, he is known as the creator of the artwork "Space of Time" which is a permanent architectural feature of the main entrance to the Commerzbank Tower.

Dave's artistic style is based on the idea that one object can look completely different depending on which perspective it is viewed from. In its simplest form, this takes the form of a three-dimensional relief being painted with fragments of different two-dimensional images. Viewed from a specific position, the fragments come together to form complete images. If the observer moves, the anamorphic illusions come apart again and the image becomes abstract. A heavy emphasis is placed on the Gesamtkunstwerk aspect of the works, rather than individual images. Thus, Dave's artworks, which he refers to as "fusions", often contain a large number of various artistic styles and techniques: A "fusion" can easily be a sculpture, a classical portrait, an action painting and a performance all in one.

DAvE (Infineon)

DAVE (Infineon) Digital Application Virtual Engineer (DAVE™), a C/C++-language software development and code generation tool for microcontroller applications. DAvE is a standalone system with automatic code generation modules and is suited to develop software drivers for Infineon microcontrollers and aids the developer with automatically created C-level templates and user desired functionalities.

Latest releases of DAVE include all required parts to develop code, compile and debug on the target for free (based on the ARM gcc toolsuite). Together with several low-cost development boards one can get involved in microcontroller design very easy. This makes Infineon micocontroller products also more usable to small companies and to home-use / DIY projects - similar to established products of Atmel (AVR, SAM) and Microchip (PIC, PIC32) to name a few. Find here a press release about latest DAVE version.

DAVE was developed by Infineon Technologies. Therefore, the automatic code generator supports only Infineon microcontrollers. The user also has to get used to the concept of the Eclipse IDE. The generated code can be also used on other (often non free) development environments from Keil, Tasking and so on.

Asian palm civet

The Asian palm civet (Paradoxurus hermaphroditus), also called toddy cat, is a small member of the family Viverridae native to South and Southeast Asia. In 2008, the IUCN classified the species as Least Concern as it is tolerant of a broad range of habitats. It is widely distributed with large populations that in 2008 were thought unlikely to be declining. In 2012, it was suggested that recent increases in capturing the animals for Kopi Luwak production may constitute a significant threat to wild civet populations.

Characteristics

The Asian palm civet is a small, mottled gray and black viverrid weighing 2 to 5 kg (4.4 to 11.0 lb). It has a body length of about 53 cm (21 in) with a 48 cm (19 in) long tail. Its long, stocky body is covered with coarse, shaggy hair that is usually greyish in color. There is a white mask across the forehead, a small white patch under each eye, a white spot on each side of the nostrils, and a narrow dark line between the eyes. The muzzle, ears, lower legs, and distal half of the tail are black, with three rows of black markings on the body. The tail is without rings, unlike in similar civet species. Anal scent glands emit a nauseating secretion as a chemical defense when threatened or upset. Despite its species name hermaphroditus, the civets (like all other mammals) have two distinct sexes and are not hermaphrodites.