House of Medici

The House of Medici (/ˈmɛdᵻtʃi/ MED-i-chee; Italian pronunciation: [ˈmɛːditʃi]) was an Italian banking family, political dynasty and later royal house that first began to gather prominence under Cosimo de' Medici in the Republic of Florence during the late 14th century. The family originated in the Mugello region of the Tuscan countryside, gradually rising until they were able to fund the Medici Bank. The bank was the largest in Europe during the 15th century, seeing the Medici gain political power in Florence — though officially they remained citizens rather than monarchs.

The Medici produced four Popes of the Catholic Church—Pope Leo X (1513–1521), Pope Clement VII (1523–1534), Pope Pius IV (1559–1565), and Pope Leo XI (1605); two regent queens of France—Catherine de' Medici (1547–1559) and Marie de' Medici (1600–1610); and, in 1531, the family became hereditary Dukes of Florence. In 1569, the duchy was elevated to a grand duchy after territorial expansion. They ruled the Grand Duchy of Tuscany from its inception until 1737, with the death of Gian Gastone de' Medici. The grand duchy witnessed degrees of economic growth under the earlier grand dukes, but by the time of Cosimo III de' Medici, Tuscany was fiscally bankrupt.

The House

The House may refer to:

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15th century

The 15th century was the century which spans the Julian years 1401 to 1500.

In European history, the 15th century is seen as the bridge between the Late Middle Ages, the Early Renaissance, and the Early modern period. Many technological, social and cultural developments of the 15th century can in retrospect be seen as heralding the "European miracle" of the following centuries. In religious history, the Roman Papacy was split in two parts in Europe for decades (the so-called Western Schism), until the Council of Constance. The division of the Catholic Church and the unrest associated with the Hussite movement would become factors in the rise of the Protestant Reformation in the following century.

Constantinople, the capital of the Eastern Roman Empire, falls to emerging Ottoman Turks, marking the end of the tremendously influential Roman Empire and, for some historians, the end of the Middle Ages. The event forced Western Europeans to find a new trade route, adding further momentum to what was the beginning of the Age of Discovery, which would lead to the global mapping of the world. Explorations by the Spanish and Portuguese led to the first European sightings of the Americas (the New World) and the sea passage along Cape of Good Hope to India, in the last decade of the century. These expeditions ushered in the era of the Portuguese and Spanish colonial empires.

Brian Sewell

Brian Sewell (/ˈsjuːᵊl, suː-/; 15 June 1931 – 19 September 2015) was an English art critic and media personality. He wrote for the London Evening Standard and was noted for his acerbic view of conceptual art and the Turner Prize.The Guardian described him as "Britain's most famous and controversial art critic", while the Standard called him the "nation’s best art critic", and Artnet News called him the United Kingdom's "most famous and controversial art critic".

Early life

Sewell was born on 15 June 1931. He was brought up by his mother in Kensington and other places. His father, composer Philip Heseltine, better known as Peter Warlock, committed suicide before he was born.

He was educated at the independent Haberdashers' Aske's Boys' School in Hampstead, northwest London. Offered a place to read history at Oxford, Sewell instead chose to enter the Courtauld Institute of Art, University of London, where his tutors included Anthony Blunt, who became his close friend.

Sewell graduated in 1957 and worked at Christie's auction house, specialising in Old Master paintings and drawings. After leaving Christie's he became an art dealer. He completed his National Service as a commissioned officer in the Royal Army Service Corps. He took LSD as a young man, describing it in 2007 as a drug "for people of my age. It's wonderful. The one thing you could not do, however, was drip it into your eyeballs. It sent you absolutely bonkers."

Palazzo Medici Riccardi

The Palazzo Medici, also called the Palazzo Medici Riccardi after the later family that acquired and expanded it, is a Renaissance palace located in Florence, Italy. It is the seat of the Metropolitan City of Florence.

History

The palace was designed by Michelozzo di Bartolomeo for Cosimo de' Medici, head of the Medici banking family, and was built between 1444 and 1484. It was well known for its stone masonry includes rustication and ashlar. The tripartite elevation used here expresses the Renaissance spirit of rationality, order, and classicism on human scale. This tripartite division is emphasized by horizontal stringcourses that divide the building into stories of decreasing height. The transition from the rusticated masonry of the ground floor to the more delicately refined stonework of the third floor makes the building seem lighter and taller as the eye moves upward to the massive cornice that caps and clearly defines the building's outline.

Michelozzo di Bartolomeo was influenced in his building of this palace by both classical Roman and Brunelleschian principles. During the Renaissance revival of classical culture, ancient Roman elements were often replicated in architecture, both built and imagined in paintings. In the Palazzo Medici Riccardi, the rusticated masonry and the cornice had precedents in Roman practice, yet in totality it looks distinctly Florentine, unlike any known Roman building.